Art Nouveau glass decanter with engraved silver overlay. Made by Alvin Corporation in Providence, ca 1890. Conical with cut-to-clear geometric ornament at base, and star on underside. Dense overlay with rinceaux, flowers, and scrollwork. Ball stopper with grape bunches and leaves in strapwork frames. Decanter is cranberry and stopper is clear. Silver fully marked including maker’s stamp and no. R112QT. Very good condition.

Dimensions: H 12 3/4 x D 5 1/2 in. #BX887

Victorian sterling silver baby cup. Made by Gorham in Providence, ca 1890. Straight and gently upward tapering sides and scroll-bracket handle. Applied cast oval medallions that depict not austere Roman patricians and their virtuous helpmates but sailor-suited boys and kitty-clutching girls. A sweet rejuvenation of the influential Medallion pattern. Gilt-washed interior. Fully marked including maker’s stamp and no. A7822. Excellent condition.

Dimensions: H 2 5/8 x W 4 1/8 x D 2 3/4 in...

Twelve French Classical 950 silver plates. Made by Jean-Baptiste Gustave Odiot in Paris, ca 1870. Round well and shoulder with shaped frames; serpentine guilloche rim. Engraved armorial with Latin motto “Non sine labore”. The super sumptuous set to bring out when the book club gets round to Proust. Fully marked with Minerva head and maker’s stamp. Ten numbered 2690 (2), 3670 (1) 7225 (5), 7328 (1), 7329 (1)...

George III sterling silver mustard pot. Made by Andrew Fogelberg in London 1770. Drum-form with flat and hinged cover; leaf-capped s-scroll handle with open scroll thumb rest. Engraved leafing scrollwork, including frame engraved with armorial. Detachable cobalt glass liner. Fully marked. Very good condition.

Overall dimensions: H 3 1/4 x W 3 3/4 x D 2 1/2 in. Weight (silver only): 4 troy ounces. #BV986

German 800 silver cigarette case, ca 1910. Rectangular and hinged with curved corners. On cover are enameled sin symbols: Women (opera girl), wine (champagne), and gambling (cards and ponies). Three vices – but smoking is not among them. Marks include maker’s stamp (Louis Kuppenheim) and no. 130. Very good condition with intact color.

Dimensions: H 3 1/2 x W 3 1/4 x D 3/8 in. Gross weight: 4.3 troy ounces. #BX884

Victorian sterling silver baby cup. Made by George John Richards in London in 1853. Baluster bowl with leaf-capped double-scroll handle and scrolled skirted foot. Embossed vegetation clusters in engraved leafing scroll frames; a third frame vacant. Fully marked. Very good condition.

Overall dimensions: H 4 3/8 x W 4 3/8 x D 3 in. Weight: 4.8 troy ounces. #BV954

European silver fish-form spice box, 19th century. Hinged head and lower mouth, and faceted red eyes. Articulated and scalloped wide body, and hinged fins and tail. Loose-mounted ring. Unmarked. Very good condition with deep patina.

Overall dimensions: H 1 5/8 x L 3 1/8 x D 1 7/8 in. #BS513

German 800 silver cow creamer, ca 1910. Stocky body, flexed ears, flicked-back tail handle, and hinged and stippled back flap with engraved wreath and applied fly finial. A gentle face with red-glass eyes and gaping-mouth spout. A capacious dispenser on four firmly planted hoofs. German marks and American importer’s mark for Buchholz & Zelt in New York. Very good condition.

Overall dimensions: H 7 1/2 x L 10 x W 3 1/8 in. Weight: 17.5 troy ounces. #BX770

A fine and early English saucer showing a Chinese man with a bird. Done in blue and white, lot 303 of the Bonham's sale of the famous and important Watney collection showed this same pattern and identified it as being William Reid porcelain.

The saucer is in excellent condition and is 4 7/8" in diameter.

NOTE: William Reid & Co. were porcelain makers in Liverpool between 1756-61. Their factory was situated on Brownlow Hill where a bone-ash porcelain was produced.

Lost wax cast bronze Christ. Probably original wooden cross. The fine quality sculpture is certainly the work of a good artist. It would be interesting and profitable to find out who it is. I don't know much about European art but the sculptor who thought of this bead of skin above the nail hole of the feet was not a simple craftsman. Beautiful cast , neat scraper finish. Beautiful original patina. Good condition, the original nails are missing which can be done free of charge on request...

Monstrance (reliquary)in cast bronze and chiseled copper. Gilding quick-silver. Base weighted by lead. Disassembles into 2 parts. It has not been cleaned for a very long time, so the gilding appears orange under a layer of oxidation, smoke and dirt. The gilding is perfectly preserved. It is in excellent condition, no part missing. The roof is held to the uprights by 2 rivets, one has been replaced. The glass was replaced late. Height: 545mm...

Crucifix in wood and pewter. The cross is made up of 2 planks of softwood, fir or larch? The Christ and the other elements are in cast pewter (or lead?). A similar but smaller crucifix is kept at the Victoria & Albert museum which advertises it as an 18th century Spanish work. 375 x 185 mm Good condition, some lacks as can be seen on photos. Very rare item.

Small Christ in cast bronze, traces of gilding. French medieval 13th century. The bronze has a beautiful old patina, there is very little gilding left. He wears a loincloth and an Egyptian headdress. A stylized flower appears to be drawn on his belly. It was mounted on a gilded wooden frame probably in the 18th century. Height of Christ alone 95mm. Good condition, no repairs, normal wear for the period, beautifull original patina.

Charming coffee cans, decorated with various birds in bright and lively colours, the style typical of the last years of the Amstel factory, 1809-1814. There are three cans. The saucers are from the period, but not belonging - the original saucers probably had corresponding birds in the center. Height "2 ¼ / 6.2 cm, diameter of saucers "5 ¼ / 13 cm. Condition: some wear to the gilt of the upper rim to two of the cups.

A superb and early spread base mug example of the Worcester "Walk in the Garden" pattern. Although Branyan, in his book "Worcester Blue and White Porcelain 1751 - 1790" indicates the date range for this pattern to be 1755 to 1765, the lovely pale grayish-blue color of the decoration and the presence of a scratch cross mark on the base would place manufacture of this mug (or tankard) several years earlier, making this a truly exceptional piece...

Faience écritoire / inkwell or desk set, France, c 1800. Unusually bold decoration of flowers in black and blue. The inserts apparently of the period, but not belonging. Width "7 ¼ / 18.5 cm, height "2/ 5 cm. Condition: wear consisting with age.

An oval and domed porcelain plaque with enamelled flowers in a gilt and Bleu Céleste framework. The ”heavenly blue” colour was a speciality for Sevres in the 18th century and revived in the 19th during the reign of Napoléon III. The gilt flower wreath is tooled, to show the texture of the little flower petals, and the large flower motif is excellently painted. The plaque was made in the late 19th century and probably intended for an ormolu wall sconce...

Capodimonte porcelain hinged box in high-relief with hand-painted frolicking cherubs and satyrs with a dark grey horse and on the lid are cherubs playing with a goat. Condition: the front panel has a firing flaw and is indented. On the base is a marked verso with a blue letter N over a crown. It was made in Naples Italy. Age: Late 19th Century Size: 4 ¾” ht. x 5 5/8” w. x 4” d. (12.06 x 14.6 x10.16 cm)

Six footed little cups, tasses à glace / sorbet or ice cream cups in the model used by Sèvres from c 1750 up till around 1800. Because of their sparse decoration the cups go well with more richly decorated porcelain...

Edwardian Neoclassical glass tray with sterling silver gallery. Made by R. Wallace & Sons Mfg. Co. in Wallingford, Conn., ca 1910. Glass is clear with cut star. Gallery is straight with pierced ornament, reeded rim, and cutout tubular handles. Fully marked including maker’s stamp and no. C1529. Very good condition.

Dimensions: H 2 3/4 x W 13 1/8 x D 12 1/4 in. #BT638

English Modern sterling silver cigar box, 1919. Rectangular with plain straight sides. Cover hinged with tapering tab; top gently curved with engine-turned wave ornament bordered by fretwork, and centrally mounted gold ring inset with word “CIGARS”. Interior cedar lined and partitioned. Underside leather lined.

Fully marked including Birmingham assay stamp and mark for WC Griffiths, a silversmith and retailer. Very good condition.

Dimensions: H 5 3/8 x W 10 1/8 x D 5 3/4 in. Gross weigh...

Victorian Neoclassical sterling silver epergne. Made by Charles Stuart Harris in London in 1895. Central oval frame with pendant leaf garland threaded through fixed rings and supporting oval medallions with amphorae applied to stippled ground. Frame rests on 4 leaf-capped and scrolled supports terminating in pierced leaf feet. Shaft is reeded and has applied leaf garland with paterae mounts, and supports large boat-form basket. Eight leaf-capped and scrolled arms, each terminating in single b...

Large Dutch silver cow creamer, 1910. A sweet beast with stocky body on slender legs and delicate hoofs. Head quizzically turned to side with flexed ears, sharp horns, red cabochon glass eyes, and gaping mouth spout. Flicked back tail handle and hinged back cover. Appears to be unmarked. Very good condition.

Dimensions: H 7 1/4 x L 10 3/8 x W 3 3/8 in. Weight: 19.5 troy ounces. #BX771

Turn-of-the-century Silberiris glass vase by Loetz with engraved silver overlay. Ovoid with flared rim in silver collar. Overlay in form of open and stylized leaf band and c-scroll neck border. Glass iridescent in orange, pink, and green. Very good condition.

Dimensions: H 5 1/4 x D 3 1/2 in. #BX858

George IV sterling silver bowl. Made by Elder & Co. in Edinburgh in 1831. Round with tapering sides and raised round foot. Scalloped frames with chased leaf and flower border on stippled ground, surmounted by open fruiting grapevine border; cast flower and leaf rim. Elegant Scottish Regency Classicism. Fully marked. Very good condition with nice patina.

Dimensions: H 3 x D 10 3/4 in. Weight: 18.6 troy ounces. #BX610

Small and beautiful silver basket bowl made in Germany c 1890. Empire style boat shape, the reticulated and engraved decoration in Rococo style with flowers and rocaille ornaments. Marks for Martin Meyer in Mainz, a leading German silversmith (1888 - ), producer of cutlery as well as Jugendstil jewelry. German control mark: crescent and crown plus 800 for the silver content. On the border a French importation mark, in use from 1864 to 1893: a small insect, a weevil. Length "3 ¾ / 9.2 cm, height...

This porcelain demitasse cup and saucer was produced in Germany by Meissen in the late 19th century. It has first quality under glaze crossed swords markings. The saucer measures 4 1/2 inches in diameter. The cup is 2 1/4 inches tall without the handle. The cup has an empire style handle that is swan shaped. The ground color is lemon yellow. There is an elaborate gilded cartouche on the front of the cup containing a Watteau scene. An 18th century couple is sitting in a wooded landscape. ...

Signed, Wm. S. Morgan, Somerset Co, 1872, this woven wool coverlet was made in Somerset County in Jenner Township, Pennsylvania. In 1870, the factory employed ten workers and produced a variety of woolen goods, including blankets and coverlets. Condition is good, but does have some damage, please study photos. Measures 66" x 72".

Sterling silver ring with a horse shoe motif as its central feature, set in sterling silver, complete with hallmark and maker's mark S & G. Silver jewelry was popularized in the last quarter of the 19th century because of the discovery of the Comstock Lode in Nevada in the 1860's, which had the effect of greatly increasing the world supply of silver. The band integrates with the central horseshoe and that is how we know it was originally and cleverly designed to be a horse shoe ring. Ano...

HM 1916 Birmingham, our Victorian "message" ring with the word "Mizpah" engraved on either side (Miz on one side of the turquoise forget-me-not and Pah on the other side) is an example of the romantic message jewelry that was so popular in the era. The word Mizpah is a Hebrew word that symbolizes the bond between two people separated by an act of war or other forced estrangement. The message comes from a quote in the Old Testament book of Genesis and reads "And Mizpah; for he said, the Lord watc...

This antique custom made two-person saddle is exquisite and the craftsmanship is finely executed, with the metal work and incising of the brass and silver, over a wood frame with iron supports. The front section is with silver open work over copper and brass, added after the silver, brass and silver are finely etched with a scrolled detail, and the finely crafted finial is dome-shaped with delicate spires that are alternating with a braided effect, and a brass bead at the top. The mid- section w...

A pair of Qing Dynasty Chinese blue and white deep plates from the 1730-1795 era, or possibly earlier. These rare ~9" across survivors are hand painted in blue on a grey ground, and they have the brown Batavian edge glaze. These Qianlong plates are 1-1/4" deep and they have the expected glaze frit, tiny glaze burns, pitting and flaws except for a 1/4" upper rim chip and central burst bubble central glaze flake on one bowl and a 1/4" chip under the rim on the other. Overall they are in fine co...

Another fine example from our personal collection of animal hooked rugs, this one featuring an elephant posed on grass with fruited tree branches descending from the top of the rug.

The rug has a felt border, easily detached if so desired. The condition is excellent, with good colors and some slight scattered wear to the border. The size is 40" by 30".

Arts and Crafts bronze bookends in the form of stylized goats

These well-sculpted pieces retain the original applied green patina

7 1/2" tall x 4" x 4"

In very good antique condition

Unsigned

Goats feature prominently in the ancient mythology of many cultures and are depicted as symbols of fertility, abundance, good luck and aggression

A pair of antique hand wrought iron Fire Breathing Dragon Andirons. Measure about 18" by 9 1/4" and weigh about six pounds. Rare and unique.

This porcelain cup and saucer was produced in Germany by Meissen around 1800. The cup has a scene of a tourist attraction, Bastey or Bastie, southeast of Dresden. The saucer is 5 7/8 inches in diameter. The cup is 3 inches tall (without the handle) and has a diameter of 3 inches. The scene is hand painted in minute detail. There are people standing at the edge of a cliff, over looking the Elbe River with the sandstone rock formations in the background. It is a beautiful remembrance of plac...

This porcelain cup and saucer was produced in Germany by Meissen around 1800. It has the first quality under glaze crossed swords mark. The style of the cup is from the early Biedermeire Period, 1815 -1848. The saucer measures 4 3/4 inches in diameter. The cup is 3 inches tall (without the handle) and has a diameter of 2 3/4 inches. The front of the cup has a very intricate scene of a city Bautzen. There was great variety in the forms of architecture making it an interesting subject matter....

This porcelain cup and saucer was produced in Germany by the Royal Berlin Porcelain Manufactory between 1847 and 1849. The saucer has a diameter of 5 3/4 inches. The cup is 3 inches tall with a diameter of 3 1/2 inches. The front of the cup has hand painted scene of a mountain lodge. The painting is highly detailed in vivid colors. There are two figures in the foreground with a dog and a person hanging out of a window. The shingles on the roof, the wood panels, and people on the porch a...

Sevres porcelain Meissen style cream jug with floral decoration. Dates 1772. Unmarked. Excellent condition, measures 4.75" high.

Circa 1830 from Pennsylvania, this pieced cotton quilt features the North Star pattern. All hand stitched, it has strong geometric shapes. Colors are red, white and various purples. A little worn around the edges, color is still good, considered to be in very good condition commensurate with age. Coverlet fits over a double bed. From the estate of Mike Biggers.

George V sterling silver tea tray. Made by Lionel Alfred Crichton in London in 1922. Oval well with reeded rim and leaf-capped c-scroll end handles. Classicism that works with traditional and Modern services. Fully marked. Very good condition.

Overall dimensions: H 2 1/4 x L 29 x W 18 in. Well: L 21 1/2 x W 15 in. Heavy weight: 142 troy ounces. #BX660

Victorian glass decanter with sterling silver mounts. Made by William & George Sissons in Sheffield in 1876. Cylindrical with spread base; etched fruiting grapevines. Sterling silver collar with branch-form scroll-handle mounted at base to beaded gridle. Cover domed and hinged with cast finial in figure of reclining nude ephebe holding a jug. Cover and collar have chased and applied flowers in irregularly curved frames on stippled ground. Shell-form spout with horned and hirsute satyr’s head. ...

Victorian Classical sterling silver coffee and tea set. Made by Gorham in Providence in 1885. This set comprises 5 pieces: Coffeepot, teapot, creamer, sugar, and waste bowl. Each: Round body with floral repousse between chased and engraved leaf-and-dart and ogee borders; beaded rims. Handles high looping and covers domed with reeded finial. Coffeepot and teapot have s-scroll spout with applied stylized ornament. Coffeepot neck has engraved stippled zigzag border with incised trefoils.

Fully m...

Edwardian Classical sterling silver water pitcher, ca 1910. Wide ovoid body with helmet mouth and leaf-capped scroll handle with split bottom mount. Bead-and-reel rims. Fully marked including no. 25 and marks for Boston firms Bigelow, Kennard and Goodnow & Jenks. Very good condition.

Dimensions: H 7 1/4 x W 8 1/2 x D 6 in. Weight: 22 troy ounces. #BX665

Silberiris glass vase by historic Loetz with engraved silver overlay. Globular with pinched shoulder and ruffled turned-down quatrefoil rim. On front overlay in form of loose and fluid blooms on entwined and whiplash stems. Back plain. Glass iridescent yellow, green, blue, and purple. Shimmering turn-of-the-century Art Nouveau. Pontil mark. Excellent condition with nice patina.

Dimensions: H 5 1/4 x D 4 3/4 in. #BX856

George III sterling silver epergne. Made by Thomas Pitts in London in 1774.

Reeded and beaded oval frame; at base swags threaded through fixed rings with pendant oval vase medallions, overlapping four split-mounted leafing supports terminating in pierced and scrolled oval feet. Four reeded and scrolling leaf-capped and -wrapped arms, each terminating in oval basket, mounted to frame base alternating with four reeded and scrolling leaf-wrapped arms, each terminating in round basket, mounted to ...

German 800 silver picture frame, ca 1920. Oval window in chased and tooled surround comprising flower heads and leaves. Textural with irregular rims. With glass, silk lining, and velvet back with hinged easel support. With loose-mounted ring. For portrait (vertical) display. Marked with Hanau maker’s stamp Vereinigte Silberwarenfabrik. Very good condition.

Dimensions: H 7 5/8 x W 5 3/4 in. Window: H 5 1/2 x D 4 in. #BY044

A very rare and superb hand made genuine QING DYNASTY SILVER BOWL, with extensive open carving work and depicting the Dragons chasing the flaming Pearl. The base is stamped by a Chinese Hallmark: "SS, followed by a Chinese Character and 90, SUN SHING" as shown in one of the photographs, ca. 1900. Weight: 199 gr. excluding the inset glass bowl. Size: height 7.6 cm. x 13.5 cm. diameter. This silver bowl also has a later added glass inset bowl, which can be removed for easy cleaning!

A fine example of a four knopped double series opaque twist (DSOT) antique wine glass. The bell bowl is over a stem with a pair of spiral threads outside of a central gauze, and with an annular knop and three ball knops. Conical foot with rough, snapped pontil.

The vast majority of opaque twist glasses have straight stems, and the addition of even one knop adds substantially to the difficulty of making them, and to the value. Each additional knop increases these factors. Also, unlike many ...

Roseville Pottery Sunflower globular vase with two lug handles. Size: 5 1/2 inches diameter x 4 inches height. Brightly colored glazes, crisp mold, and in mint condition.

This porcelain vase was produced in Germany by the KPM Royal Berlin Porcelain Manufacturer in 1901 according to the date letter impressed on the foot. It is marked with the under glaze blue scepter and red orb. The vase is 6 3/4 inches tall with a diameter of 3 1/4 inches at the widest point. The ground color is dark, nearly black, with mottled patches of teal blue or turquoise breaking through. A gilded mesh net overlays raised enamel blossoms. The foliage is painted with raised gold. The ed...

American Modern sterling silver and glass inkwell on stand, ca 1920. Lobed melon-form glass bowl; sterling silver cover domed with overlapping ovoid ring finial. Stand has well and large lobing. Cover interior numbered 38. Stand and cover marked “Sterling”. Very good condition.

Overall dimensions: H 3 3/4 x D 4 3/4 in. Total weight (silver only): 2.3 troy ounces. #BY033

Chrysanthemum sterling silver oyster ladle. Made by Tiffany & Co. in New York, ca 1920. Round bowl with twisted fluting and curved and reeded stem with dense, entwined, and wraparound leaves embedded with flower heads; large flower head at terminal. A nice serving piece in this pattern which was introduced in 1880. Engraved interlaced script monogram. Fully marked including maker’s stamp. Very good condition.

Height: 10 1/2 in. Weight: 7.7 troy ounces. #BX974

Victorian Classical sterling silver coffeepot. Made by Tiffany & Co. in New York. Baluster with vertical spout and hinged and domed cover. Stained-wood finial and capped scroll handle. Repousse rinceaux bands and applied gadrooned borders on body; repousse twisted leaves on cover top. Fully marked including maker’s stamp, pattern no. 6233, and director’s letter T (1892-1902). Very good condition.

Dimensions: H 9 3/8 x W 8 3/4 x D 5 1/2 in. Gross weight: 23.4 troy ounces. #BX707

Edwardian Modern Classical sterling silver serving bowl. Made by Tiffany & Co. in New York, ca 1910. Round and serpentine with tapering sides and reeded rim. Cover raised with tapering sides and plain and flat rim. Dense engraved scrolls, flowers, scallop shells and diaper on bowl interior sides and on cover top and exterior sides. For serving a special dish—make that two special dishes: The twist-lock finial can be detached for converting the cover to a second bowl. Fully marked including mak...

Edwardian Modern Classical sterling silver serving bowl. Made by Tiffany & Co. in New York, ca 1910. Oval and serpentine with tapering sides and reeded rim. Cover raised with tapering sides and plain and flat rim. Dense engraved scrolls, flowers, scallop shells and diaper on bowl interior sides and on cover top and exterior sides. For serving a special dish—make that two special dishes: The twist-lock finial can be detached for converting the cover to a second bowl. Fully marked including make...

A wonderful early woman's pocket made from a roller print with the colors of madder, brown and mustard. It is backed with a homespun linen fabric. All hand sewn. The front of the pocket is lined with the same linen homespun and the back. The fabric is fragile in some of the black areas where the tannic acid dye has weakened fabric. It is priced accordingly and is by no means falling apart. It is 13 1/2" top to bottom and is 5 " across the to and 9" across the bottom. This is a very nice early ci...

Pair of wonderful cotton knit striped socks the heal hand worked. The colors and mustard yellow, blue and white stripes. Some of the hand sewing in the heal is lose or is partly out. No holes and I doubt they have been worn much at all. 28" long and circa 1880

25 1/2" by 26" red, white and blue neckerchief, hand hemmed with the tiniest of stitches. It is in excellent condition and has embroidered initials LZ in one corner. It came in a textile lot of shaker items. LZ in one corner. Circa 1840

Edwardian sterling silver 3-piece coffee set. Made by Gorham in Providence, ca 1917-8. This set comprises coffeepot, creamer, and sugar.

Coffeepot has tapering ovoid body with flush and hinged cover and s-spout with tooled curvilinear frames and scalloped mount. Creamer and sugar round and bellied. Handles capped with reeded bands. Feet round and stepped. Applied girdles comprising rectilinear frames with reeded bands. Engraved and acid-etched ornament with dense leafing scrollwork and pendan...