These 6 crystal cups and saucers were produced in Bohemia by Theresienthal around 1900. The saucers measure 5 inches long and 4 ½ inches wide. The cups are 2 inches high with a diameter of 2 ½ inches. They are made of hand blown glass with leaded content. They ring when tapped. The saucers are leaf shaped in clear green glass with gold veins painted on them. The cups are opaline glass, hand blown in the shape of a tulip with hand enameling for color...

This set of 12 porcelain luncheon plates was produced in England by Cauldon in the late 19th century. They were made especially for Tiffany in New York. The plates measure 8 3/4 inches in diameter and 3/4 of an inch deep. The rim of the plate is thicker and raised in order to accentuate the decoration. The Centers of the plates are slightly indented. There are cobalt blue oval indentations outlined with beaded gold alternating with tiny hand painted roses and forget-me-nots on the rims...

Floral rondelles, the five central ones with tassels, comprise this lovely cut steel necklace. Multi-faceted cut steel jewelry was popular during the 18th and mid 19th century. The jewelry sparkled in candlelight and was used as a substitute for diamonds. The necklace measures 15 1/2" long and 1 3/4" at its widest.

Edwardian Classical gilt sterling silver jewelry box. Made by Ahrendt & Kautzman in Newark, ca 1910. Rectangular with straight sides. Cover hinged with tapering tab and gently curved top. Acid-etched leafing scroll borders. Velvet-lined interior. Fully marked including maker’s and retailer’s (Theodore B. Starr) stamps and no. 671. Very good condition with nice toning.

Dimensions: H 3 1/8 x W 8 3/8 x D 5 1/2 in. Gross weight: 25.3 troy ounces. #BX772

Victorian glass decanter with sterling silver mounts. Made by William & George Sissons in Sheffield in 1876. Cylindrical with spread base; etched fruiting grapevines. Sterling silver collar with branch-form scroll-handle mounted at base to beaded gridle. Cover domed and hinged with cast finial in figure of reclining nude ephebe holding a jug. Cover and collar have chased and applied flowers in irregularly curved frames on stippled ground. Shell-form spout with horned and hirsute satyr’s head...

Japanese silver box, ca 1890. Rectangular with straight sides and hinged cover. On cover top and box sides are chased and engraved iris flowers and tendrils in eddying water. Stippled ground. Box and cover interior lined with stained wood. Open bottom. Meiji-era Art Nouveau for the cosmopolitan West. Appears to be unmarked. Very good condition with deep patina.

Dimensions: H 3 x W 6 3/4 x D 3 5/8 in. Gross weight: 15 troy ounces. #BX248

German sterling silver lady’s shoe. Imported to England by Theodor Hartman in 1902. Shoe has pointy upturned elf toe and open bands. Exterior decorated with scrolls, flowers, and tassel in low relief. Heel plain. German hallmark and English import marks with London city stamp and date letter. Very good condition.

Dimensions: H 4 1/8 x W 2 7/8 x D 9 in. Weight: 8.3 troy ounces. #BH552

Large turn-of-the-century Art Nouveau glass vase with silver overlay. Made by Alvin in Providence. Ovoid with short inset neck and flared rim; foot round and gently raised. Rim to foot overlay with cutout scrolled reveals heightened with engraving. Glass is green. Fully marked and numbered V668/4. Very good condition.

Dimensions: H 14 1/4 x D 4 3/4 in. #BT562

American Art Nouveau glass vase with engraved silver overlay, ca 1900. Tall and tapering neck with turned-in mouth rim in silver collar. Wide and bellied bowl. Overlay in form of windswept flowers and entwined and whiplash stems and tendrils. Ribbon cartouche (vacant) Glass is red. Worn marks including no. 38. Very good condition.

Dimensions: H 12 1/8 x D 5 1/8 in. #BZ217

An extremely folky and graphically strong hooked rug with vibrant colors, initialled KP and dated 1898;some minor and invisible museum quality restoration was done, and the rug was then mounted on acid free cloth and frame; a nice large size of 56" by 27"

These 11 porcelain plates were produced in Germany by Meissen in the late 19th century. They have first quality crossed swords markings under glaze. The plates measure 9 3/4 inches in diameter. The plates are deep with scalloped rims. Each plate is hand painted with sprays of colorful flowers and bugs. No two plates are alike. There is delicate gilding trimming the rims. Only one plate is pictured, but the set includes 11 plates...

Art Nouveau glass claret jug with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Cylindrical with small lip spout and spread base; c-scroll handle in silver collar. On underside cut-to-clear star. Overlay in form of entwined and scrolling fruiting grapevine with pendant bunches and leaves. Asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R326...

Large Edwardian Art Nouveau sterling silver picture frame. Made by Lebkuecher in Newark, ca 1910. Rectangular window in curvilinear shaped surround. Corner frames inset and entwined with wreaths, leaves, and rondels inset with flower heads. Ornament in low relief on stippled ground. On top rail is engraved single letter monogram (M) between leafing scrolls...

Edwardian Classical sterling silver water pitcher. Made by Frank W. Smith in Gardner, Mass., ca 1910. Full-bodied globular bowl on domed foot; reeded and capped high-looping handle and wide u-spout. Irregular and scrolling rims applied with leafing scrolls. Fully marked including maker’s stamp and no. 1794. Very good condition.

Dimensions: H 10 1/2 x W 8 1/2 x D 6 in. Weight: 30.5 troy ounces. #BX673

Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating green guilloche enamel. Oval form for stealthy gliding. Fine craftsmanship and rich colors. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 5/8 x L 4 7/8 x W 1 1/2 in. #BY199

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744. Like his master, whose business he probably succeeded to, since Newton was finally in Maiden Lane, Taylor was a specialist in tea-caddies and sug...

Swiss Biedermeier silver chafing dish, 19 C. Round with gently curved sides and molded rim. Handle faceted stained wood. Beading. Cover gently raised with naïve-style flower head finial. Marked. Very good condition. Handle has minor chip.

Overall dimensions: H 6 1/2 x W 14 x D 8 in. Gross weight: 40 troy ounces. #BT943

An extremely fine pair of American folk art mourning pictures. The paintings are watercolor and gouache (to highlight skin areas) on heavy stock or card. The oval format work shows a sad woman holding a hat with a dog at her feet. In the background are what appear to be a number of monuments. The round format shows two young girls with a dove in a cage and two others they have just set free. The doves symbolically represent the release of the spirit or soul. The atmosphere that the artist impart...