Pewter plate, of variety apparently used for special occasions like Purim or Passover etc., 9 3/8" diameter, and filled with incised design consisting of Hebrew characters and an eight pointed star that reminds of the "hex" symbols of American folk art . On the reverse are three "angel/justice" symbols as often seen in these plates, and some writing above that in Roman letters, difficult to decipher. I see the word "FEIN" below one of those angel figures...

A massive and exceptional early European Pewter Stein, Hamburg, Germany, dated 1776 on the front, but probably made c. 1750.

Profusely decorated over the entire surface with two flanking Lions on either side of a crest of a crowned Bulls head with crossed hatches in the mouth. The body with deeply incised text: GEORG WENCH. V. NICKEL. LEISTER.DIE.SEYN.DER.ZEIT.DIE ELTER.MEISTER. and on the other side: PETER VOLBART.V.JVST.SCHMICHING.DER.ZEIT.DIE.ALT.GESELLEN.SIND...

Constructed of hand hammered brass, and fastened together with metal pegs, this vase is hexagon in shape, with wide lip and base. It measures 8" high, 5 7/8" across at widest point, and the base is 4 1/8" across. Signed on the base with a conjoined W W mark, with another line that could be an F. The bottom of the interior of the vase has a thin layer of cement to keep it from tipping. The entire surface is hammered, then additional embossing is added, most linear, with leaf shaped designs ri...

A 6 inch diameter signed Galle bowl on which the rim is rolled inward to give the bowl 3 lobes.. The dark red overlay of fuschia blossoms and leaves is laid on a nearly colorless ground with a satin finish. The bowl is 3 inches deep and has a ground pontil.

A beautiful polychrome Lowestoft creamer, of the Chelsea Ewer, or Dolphin Ewer, form, in a highly desirable small size. The body is molded and painted, in the style of the "Tulip Painter", with a variety of leaves and flowers in bright, vibrant colors.

Superb condition, with no chips, cracks, restoration, or paint loss. The length, from spout tip to the end of the handle, is 3 3/4", the height is 3", and the width is 2".

A Rare Scottish Sterling Silver Large goblet. by John McDonald and Hallmarked in Edinburgh in 1815. Provenance; from the Estate of Margaret Truman Daniel (1924-2008). Dimensions; 6.75" high x 3.5" diameter; weight a substantial 9.6 Troy ounces. Excellent condition.

Pretty Edwardian inkwell. Made by Foster & Bailey in Providence, ca 1910. Rectangular clear glass base with chamfered corners, wraparound acid-etched garland, and star cut to underside. Ovalish well with short neck in sterling silver collar with hinged and domed cover. Cover top has enameled flower basket and garland on white wavy and chevron ground with ornamental blue lunettes. Fully marked. Very good condition with strong color.

Dimensions: H 4 x W 3 1/8 x 3 1/8 in. #BS636

A fire polished early Galle vase of orange florals on a colorless ground. Th \e top of the vase has a tricorner rim. The 3 3/4 inch tall vase is engraved with a mark used during the period from 1890 to 1894.

A large sterling silver trophy goblet for the Victoria Hotel Wolverton Billiard Handicap. London, 1901. by Robert Pringle and Sons. Size: 11 inches ht. Weight: 15.5 Troy ounces. "Won for the first time by Mr. H.S. Dunleary, December 1901." The with subsequent winners names in Jan. and Mar. 1904. Excellent condition.

Set of eight(8) English Royal Doulton Cobalt Blue Dinner/ Service Plates, Ca. 1902, 10 1/2" diameter with fluted edge and beautifully detailed encrusted raised gold on true Cobalt Blue rim, the condition is good, specially details in raised gold is just beautiful. Marked "Royal Doulton England" with "Lion" on top in green and retailed by "Lovingston Brothers" in purple plus Impressed mark, also black numbers are "HB9482 & 9966" all inside gold bottom rim.

Tall turn-of-the-century Art Nouveau glass decanter with engraved silver overlay. Globular bowl with cylindrical neck and everted rim. Stopper concave with faceted neck. Dense overlay. On bowl are flower heads, entwined scrolls, and trellis between double linear frames joined by beading and terminating in volute scrolls. On neck are shooting tendrils forming arches. Neck and rim in collar as is decanter neck. Glass is clear. Marked and numbered 044...

An Arts & Crafts Hand Wrought Copper Box from the workshops of the Forest Craft Guild in Grand Rapids, Michigan. Measures about 5 1/2" by 3", green patina with original leather interior. A fine example of their work.

A renaissance bronze figure, Italian, Venice, and in a superb style with the stylistic hallmark of the Roccatagliata workshop, c. 16th.- early 17th. century.

The figure is made of bell metal and depicts a Cupid with spread wings holding a scroll with the portrait bust of Christ. He is standing on a stepped podium and mounted to a heavy black base.

Size: 15 cm. tall including the black stone base and 10,4 cm. for the figure alone.

A wonderful French first empire tole ware monteith, the sides hand painted with bouquets of colorful flowers against ivory-colored reserves flanked by gilt grapevine designs. The sides rise to handles cast in the form of swans’ heads--a feature very rarely seen. Verrieres are typically oval in shape, but this example is round. The bowl is unusually raised on four lion’s paw brass feet...

A superb and early Dr. Wall Worcester sauce boat, of cos lettuce leaf form. This uncommon example is leaf molded, has a looped stem handle, and is decorated inside and out with scattered flower sprigs and insects, finished with raised fruit near the handle juncture. A similar example is shown in S. Spero and J. Sandon, "Worcester Porcelain 1751-1790, The Zorensky Collection", 1996, p. 120, no. 88...

English Victorian buckle ring in 9K and a sterling silver buckle, c1890. The contrast of the two metals is sophisticated and smart looking. The 9K band has an interesting texture, perhaps imitating shagreen. Buckle imagery was used in the Victorian and Edwardian eras to symbolize fidelity and eternal love.Suitable for a man or woman. The ring is a size 11 3/4.

A pair of lovely lacquered antique Japanese Hibachis (braziers) using a refined Kamakurabori technique. Featuring Chrysanthemums (Kiku) and Paulownia (Kiri) flowers and leaves with a bronze insert. Originally used as hand warmers during the cold of winter, they make elegant flower pots for plants and Ikebana flower arrangements.

Age: Late Meiji Era (1900-1910)

Dimensions Each: 11 1/2" Diameter by 8 1/2" High

Lovely square enamel and silver compact, painting of a semi-nude woman resting next to a man and several sheep, a stream is in the background. The painting is framed with silver engraving and carnelian blue enamel accents. Inside is a mirror. Stamped 800. Dimensions 3"x3.25". Condition Report: Excellent condition.