This pair of covered vases or ginger jars was produced in France by E. Claus in the late 19th century. They measure 5 inches high, including the lids and are approximately 3 1/2 inches in diameter. The fine hard paste porcelain is expertly hand painted with vibrant sprays of flowers. There are tiny sprigs and buds dotting the surface. The decoration has some similarity to work done by Dresden and Meissen. The lids and bottom of the vases are trimmed with gold...

A fancy hand engraved and decorated late Victorian sterling silver napkin ring fully hallmarked for Birmingham, England 1900. This 7/8" wide tableware piece measures 1-3/4" across the interior, it has the maker's mark for J.H. Hillcox and it weighs 9.7 grams. This item has never been monogrammed and it is in excellent condition with no dents, bends, corrosion, losses, damage or repairs...

This porcelain tea cup and saucer was produced in England by Brown, Westhead & Moore around 1875. It is not marked but we found the shape in “A Compendium of British Cups” by Berthoud. The saucer measures 5 ¼ inches and the cup is 2 ¾ inches high. The set has wonderful celeste blue enamel coloring. There are bands of tiny hand painted flowers accenting the rims. Gilded accents and gold trim on rims and handles add to the design. CONDITION: Excellent

A Coin Silver Sauce Ladle by Joseph Moulton III, Newburyport, MA., from the early 1800's. It is 6 inches long with a bowl of 1.75 inches.

This porcelain plate was produced in Germany by the Royal Berlin Porcelain Manufactory, or KPM, in 1919. The date ciphers indicate this year. The plate is 8 ¾ inches in diameter. The porcelain is delicate and translucent with a reticulated border. The decoration is beautifully hand painted with the “soft paste paint” style. There is a fragile dragonfly hovering near the realistically painted flowers...

A scarce Heisey EAPG Winged Scroll pattern custard glass American pressed or pattern glass pitcher issued by Heisey from 1899-1901. It is 9-1/2" tall in the un-decorated (no gold trim) custard colour, and it is in excellent condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use...

Classic Victorian ruby and diamond ring with a star set diamond set in a square and offset by 2 smaller diamonds and a singular ruby. The facets of the stones and gold band echo the geometry of the star setting and unusual square ring head. The ring is hallmarked so we knew exactly when it was made. Comfortable on and suitable for everyday wear. A great choice for anyone seeking a genuine antique Victorian ring to add to their stack. The ring is a US size 6.5 and can be sized.

Pair English Spode Stoneware Imari pattern covered Tureens, 5 1/2" high include top knob, 10" diameter, Imari design are on the top of the cover and as well as inside the tureen. Impressed mark "Spodes New-Stone", with red mark "3248" on the bottom and under the cover. The condition is very good, no damages.

A Pair of Sterling Silver Candlesticks from the late Victorian Era. Hallmarked in Sheffield, 1899, by William Hutton & Sons. Dimensions; 5.75" high x 3" square base. Some minor dings, but in very good condition.

A Set of Floral Repousse Covered Sugar and Creamer by Jacobi and Co., Noted Silversmith of Baltimore (1890-1894). Dimensions; Sugar, 3.5" high x 5.5" wide, creamer, 3" high x 4.5" wide; total weight 13 ounces standard, 11.8 ounces Troy. In excellent condition.

Classical coin silver basket. Made by Haddock, Lincoln & Foss in Boston, ca 1860. Round and curved with four cast leaf-mounted leaf supports. Beaded mouth rim and c-scroll swing handle. Marked with maker’s stamp. Very good condition with nice patina.

Dimensions: H (without handle) 3 3/8 x D 5 in. H (with handle) 6 3/8 in. Weight: 8.2 troy ounces. #BZ390

Antique flannel dog filled with grain or sawdust that makes him feel like a bean bag and allows him to stand nicely. He has big bead eyes and replaced floppy ears. The original ears must have been further back where you see a white patch. That patch is white flannel that hasn't gotten dirty. He has a couple of mends but is old and nice and has a bit of a worried look. He is 7 1/2" long and 6" tall. (His ears are a wool knit fabric that looks like they have been there for a while.) Hi is 19th C...

A set of tiles with a letter of the alphabet on each tile; one side with the small letter and the other side with it in capitals. Interestingly the small “s” is in the form of a small “f”, known as a “long s.” Its use was archaic by the early 19th century and since these types of tiles are thought to be used to teach spelling it seems likely that they would date from no later than the early 19th century...

A fine example of high quality silver plated tableware by Ellis-Barker (or Barker-Ellis) of England. This 11" x 7-3/4" tray or bowl has two cutout handles, a pierced gallery and high relief grape and vine decoration on the edge...

Five Delft polychrome wall plates in the Peacock pattern, a stylized mix of flowers and feathers very much “en vogue” in Delft of the 18th century. They all have a claw mark in under-glaze blue to the base, for De Klauw, the legendary Delft faience manufacture of the period. However, the Peacock pattern saw a renewed popularity around 1900 when these plates were probably made. Diameter "8/ 20 cm. Condition: fine.

An Early Victorian Round Rosewood Lidded Box with Armorial Decoration. Circa, 1850. Dimensions; 4.5" high x 2.5" in diameter. Excellent condition.

A macabre bronze figural cigar cutter in the form of a guillotine. The perfectly detailed guillotine includes a movable “bascule” and “lunette”. On the full-size models, these were the portions to which the victim was strapped and tilted into the machine and the part with a hole that surrounded the neck to hold the head still. In this case, a cigar is laid on the bascule and the lunette closes around the very tip of the cigar...

Our glass earrings, in the form of a Latin crosses, are made of Vauxhall glass, popular as jewelry in the 1860's and sold along the pleasure Gardens in Chelsea, where courting couples strolled on summer evenings. Made by skilled artisans who were employed by the Vauxhall Glass Company in an effort to make use of the leftover glass shards from the mirror glass they produced, the jewelry was much loved for the skillful carving of the glass into unique and creative forms...