18k diamond gypsy ring adorned with 2 cushion cut diamonds and 1 central ruby encased in 8 pointed stars on a polished gold band with a charming incised design on each shoulder and an unusual scalloped edge. Flush mount gypsy rings are one of the most secure settings for gemstones and as such were worn by men and women with active lifestyles. Such rings were very much popular among men...

These lovely 18K day-night floral gold cannetille earrings boast one of the finest examples of cannetille gold work we have ever seen. Popular in both England and France in the 1820's, cannetille was a type of filigree work named after the gold embroideries of the Napoleonic era. It lasted for a brief 2 decades, making it easy to date a piece of jewelry that is as fine an example of cannetille as these...

Fine Childs Plate, the centre printed with the name John, the finely moulded border decorated with bright Pratt type colours. The base impressed ROGERS. C1840. Diameter 5 1/4" (13.4 cm). Condition: excellent, there is some staining to the underside.

This glass jug was produced in Bohemia by Josephinenhutte around 1895.  It was probably decorated by Fritz Heckert.  The jug measures 8 1/2 inches tall.  The stretch type glass is hand blown with an applied handle.  It is hand decorated with raised enamels in Middle Eastern style.  It is a handsome example of Bohemian art glass. Condition:  The ring of gilding around the foot shows some wear.  It is otherwise in excellent condition. 

Amazing "Queen Anne" amethyst paste earrings set in gilt metal. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. The vivid purple paste stones used are faceted as rose cuts. The earrings have back to front fittings and fit close to the earlobe. There is a matching necklace sold separately.

A Tiffany Sterling Silver Footed Coffee Pot of a Bulbous Pear Shaped Form. Based on a Classic Georgian Shape. Dimensions; 8.5" high x 7.5" handle to spout, weight 22 Standard/20 Troy ounces. From the John C. Moore II period, 1907-1947. In excellent condition.

A Victorian Mahogany Glove Box; Inlaid Medallion on Top, with Mother of Pearl Insets and an inside lining. Dimensions; 12" long x 4.25" deep x 3.25" high; normal wear and some chips (see pictures).

Measuring only 5.5 inches x 6.5 inches framed, this darling little pair of 19th century, American Folk Art, hand-colored lithographs depict two different homesteads in Macon County, Illinois.

One litho appears to be the residence of a “R. Timmons” and the other of a “S. Macon”. The frames are a latter addition, likely circa 1930-40’s acquired by an individual interesting in preserving these colorful and historic pieces of Folk Art...

A superb Rococo-style first standard (950/1000 pure silver) tastevin by the master silversmith Marc Parrod. This large example retains the round shape of a traditional tastevin but replaces the usual bowl decoration with ornate bunches of grapes tied with ribbon bows and a remarkable handle treatment illustrating a young couple stomping grapes while holding hands. Parrod created excellent classic Burgundian tastevins, but his fantasy pieces stand apart from all the other Dijon masters...

A Panel of Six English Manganese Ground Delft Tiles. Each decorated with figures in landscapes with carnation corners. London C1740/60. Diameter; 5" (12.7 cm). Condition; usual minor chips, the second tile has a glaze crack to the centre

A Wonderful Pair of German Silver (835 standard) Candelabra, Made in Germany, circa 1890. It has three arms and an Art Nouveau design. All bobeches are intact. Dimensions; 9.75" high x 11.5" wide. Weight; 15.5 Troy ounces each, slightly weighted. Excellent condition.

American Edwardian Classical sterling silver loving cup, ca 1910. Tapering bowl with flared rim and curved bottom on reeded domed foot; three leaf-wrapped and scroll-mounted handles. Elegant form with plenty of room for engraving. Fully marked including stamp for Theodore B. Starr, a New York maker and retailer, and no. 5490. Very good condition.

Overall dimensions: H 10 1/4 x W 8 1/2 x D 6 1/4 in. Weight: 29 troy ounces. #BY950

German Neoclassical silver tray, 18th century. Oval with crimped rim. Embossed flower basket in well and garland on shoulder. A naïve representation of modish ornament. Marked. Good condition with deep patina.

Dimensions: H 1/2 x W 10 1/4 x D 7 1/8 in. Weight: 5.5 troy ounces. #BV724

Sterling silver ring with a horse shoe motif as its central feature, set in sterling silver, complete with hallmark and maker's mark S & G. Silver jewelry was popularized in the last quarter of the 19th century because of the discovery of the Comstock Lode in Nevada in the 1860's, which had the effect of greatly increasing the world supply of silver. The band integrates with the central horseshoe and that is how we know it was originally and cleverly designed to be a horse shoe ring...

Continental, a wonderful porcelain ewer decorated with Venus, Cupid and attendants on front and two frolicking cherubs on back. Size: This item has a height of 14 inches and bears maker's mark on base. Condition Report: Excellent condition from 19th century era.

A Rococo style bronze stand for either fire tools or umbrellas. May have been gilt at one time. 28 ½ inches tall and 10 inches across. French 19th century.

Condition: If gilt most of it is gone. Red showing in some of the bronze. Replaced screw holding the base and standard together. Good structural condition without repairs.

Punch bowl, a mid 19th century copy of the Chinese bowls made for the European market a hundred years earlier. The exterior dark blue and gilt with birds and vases in Famille Rose enamels in reserves, the interior with scattered flowers. Unmarked but most certainly made by Samson of Paris c 1880. Many of Samson’s Chinese Export models derive from a large collection of Chinese porcelain held by French industrialist Ernest Grandidier now to be seen in the Musée Guimet...

A strictly museum quality, large pottery figure of a male attendant, dating to the mid Ming Dynasty, ca. 1500 AD.

The figure stands on a large Lotus throne on top of high hexagonal plint in fine Sancai colours - a two-colour blue and torqoise glazed robe. Under his arm he holds a bottle.

He wears a high hat. Finely painted facial details. Lotus thrones are very rare for Ming pottery figures...