Modern sterling silver vase. Made by Tiffany & Co. in New York, ca 1908. Cone with flared mouth on vertical ovoid knop mounted to domed foot. Fully marked including maker’s stamp, pattern no. 17188 (first produced in 1908), and director’s letter m. Very good condition.
Dimensions: H 9 x D 3 1/4 in. Weight: 8.5 troy ounces. #BY804
This is a beautiful and elegant 18th lead toasting glass. It is of two part construction, and features a flared drawn trumpet bowl, and a multiple spiral (MSAT) stem on a conical foot with a rough snapped pontil.
Excellent color with good tool marks and striations on the bowl and foot; pristine condition. Please note that what appears to be a disturbance on the front of the bowl is merely a reflection or glare.
A tall 7 1/4" in height, 2 7/16" bowl diameter, 2 11/16" foot diameter.
This porcelain demitasse cup and saucer was produced in England by Coalport in the 1890s.
It was produced especially for the prestigious retailer, Gilman and Collamore of New York. The saucer has a diameter of 3 3/4 inches. The cup is 1 7/8 inches high with a diameter of 1 7/8
inches. The fine, white bone china is covered entirely be gold. There are panels of intricate, embossed patterns alternating with panels of raised turquoise enamel beads or jewels...
An extraordinary blue and white Chinese export porcelain beaker-form jardinière raised on feet. The quality of the painted decoration makes this one of the finest examples of 19th century Canton we’ve seen. The entire pot is heavily decorated in a naturalistic array of peonies, cherry blossoms and chrysanthemums. The upper border has a beautiful scalloped pattern while the lip is decorated in a traditional Greek key-type design...
A pair of early Staffordshire figurines of eagles on vermicular or marble painted bases from 1820-1850. These well modelled heavily gilded 19thC English earthenware eagles are 7-3/4" tall. Both have tilted heads and back-stretched wings. They have purple, yellow and orange marble-like painting on the simple rectangular shape bases. The mustard yellow rocky perches have a blue flower. They not signed with a manufacturer's stamp, unfortunately fairly common with Staffordshire figures...
English Sterling Silver Fish Serving Set, Birmingham 1872, by Hillard & Thomason. Dimensions; Knife 13.5" x 2", Fork 10.5" x 2.5" Carved Ivory Handles total weight 11.5 standard ounces/10.5 Troy ounces. Excellent condition.
An American Federal Period Coin Silver Creamer or Milk Jug by John McMullin (1765-1843) of Philadelphia. Monogrammed on one side "PJG" with "BB" over it and "MB" under it and the dates 1790 and 1850. On the other side "NRG" and the date 1923. Presumably this was a family piece used over generations. Possibly given originally as a birth present. Dimensions; 6" x 6" x 4" at base; weight 8.2 Troy ounces. Excellent condition.
A Sterling Silver Tiffany Circular Fruit or Center Bowl with a Floral Design Edge. Dimentins; 8.5" x 2"; weight 16 S, 14.6 Troy ounces. There is a script monogram in the center of the bowl. From the Charles Cook period, 1902-1907. Excellent condition.
An Early George III Sterling Silver Porringer or Caudle Cup. Assayed in London, 1769, by William and James Priest. Dimensions; 4" high x 4" in diameter, 6.5" to handles. Weight; 9.6 Troy ounces. Excellent condition.
An Extra Large Set of Victorian Sterling Fish Servers with Carved Ivory Handles. Made by Hillard & Thomason, Birmingham, England, 1872. Dimensions; Knife, 13.5" x 2", fork, 10.5" x 2.5". Fork and Knife are All Sterling Silver. properly marked, except for the Ivory Handles. Excellent condition.
A Fine Georgian Silver Pint Mug from Newcastle, by John Langlands and John Robertson and Hallmarkked in 1780. An Armonial on the front depicts a hand trust through a crown, holding flowers. Dimensions; 4.75" high x 4" base diameter, weight 11 standard, 10.1 Troy ounces. Some banging on the handle (see photo 5) but overall in very fine condition.
This sterling pin cushion in the form of a swan, is hallmarked Chester, 1911.
Condition: excellent Height: 1.5 inches Width: 2 inches
Our silver bangle is decorated with a five bands of repeating patterns of arabesques and scrolls. The center band is the focal point while the surrounding bands are each repeated once. The Victorians loved geometric patterns, and silver bangles, brooches and the like were affordable to the middle class and could appeal to a broader segment of the jewelry market and thus achieved great popularity around this time...
Nathaniel Mills Castle Top sterling silver card case with high relief view of Trinity Church, Wall Street, New York City. Birmingham mint marks, with date letter for 1848-1849. A 'castle top' silver card case by the famous silversmith Nathaniel Mills, depicting a rare view of an American scene, Trinity Church, Wall St., in New York City. Mills was known for his 'high-relief' portrayals of churches, abbeys, and castles, which he applied to vinaigrettes, snuff boxes and card cases...
This striking and well executed miniature watercolor painting, on natural organic material, depicts a blue-eyed handsome young gentleman. He is wearing a black coat and tie, white shirt with a stickpin, and is sporting a fashionable hairstyle for the times.
The sight size of the painting is 2 1/2" by 2". It is housed in its original cast brass locket which is 2 5/8" by 2 1/8", and, in the engine turned back, has a glazed aperture containing a woven plait of hair...
Wonderful silver cuff depicting a classical arch design including rose gold flowers and yellow gold arches with etched tendrils growing in between. There is a Vaughton's Patent trademark inscription on the inside. Vaughton's was an English manufacturer in Birmingham, still in existence, which made silver jewelry to appeal to all classes of society, including the "working" girl...
A very tight single series opaque twist (SSOT), multi-spiral opaque twist (MSOT) glass with a round funnel bowl above a medially knopped stem. This is one of the most beautiful twists you will encounter. 5.8" tall, 2 1/8' diameter bowl, 2 3/4" diameter foot. Excellent condition.
A square Chinese cloisonne enamel gau box with four arched apertures and gold gilt strap loops for personal carrying. Richly decorated on a yellow ground with designs of formal lotus and foliage, the top side panel has a dark blue fylfot. The back panel, with the large red Shou-type character, slides up to open. Made for the Tibetan market, this dates
early to mid 19th century, but could possibly be late 18th. Measures 3.35 inches high, 3" across, 1" deep.