Federal Classical silver ladle. Made by Gould & Ward in Baltimore, ca 1820. Upturned fiddle terminal engraved with script monogram. Marked “Gould & Ward Baltimore” with “11-12”, which was the Baltimore alloy. Gould & Ward succeeded Gelston & Gould and was in turn succeeded by Gould, Stowell & Ward. A genealogy of Baltimore silver embodied in a useful serving piece. Very good condition with nice patina.

Dimensions: H 13 x W 4 3/8 x D 3 3/4 in. Weight: 6.2 troy ounces. #BY489

A pair of Early Spode Dessert/Cabinet Plates. Ovoid shaped, with a Pierced Handle. From the early 19th, when Spode Introduced the India Pattern (later termed India Tree), Copied from the Chinese. Circa 1820. Dimensions 8" in diameter and 8.75" to handle. Excellent condition.

Late 18th century Portuguese tiered cluster rock crystal ring with 2 concentric rows of bright crystals, each approximately 3mm in diameter, surrounding a larger central stone, approximately 39 stones in all. This substantial ring covers the finger from joint to knuckle. The cut down bezel features a rose gold beaded trim, another feature of rings from the era. The polished rose gold closed back molds ergonomically to the finger...

Early American coin silver chamberstick, probably upstate New York, Albany area. Circa: 1800-1820. This heavy chamberstick bears unidentified pseudo-hallmarks on the foot ring that are listed in J.R. McGrew's book on maker's marks as probably upstate New York. Missing the snuffer & some minor blemishes. The heavy silver nut on the base is over an iron nut, which is probably a later replacement. Size: 6" x 5 1/8" diameter x 3" ht.

Fabulous Georgian Pinchbeck muff chain with a hand clasp set with colored paste stones. Christopher Pinchbeck developed an alloy of copper and zinc in 1720 that had the look of real gold and did not tarnish. The jewelry made with this alloy survives today giving us the enjoyment of its beauty. A muff chain is a long chain worn around the neck fastened to ladies muffs. This chain measures 49" long by 1/4" wide.

Bold pave set chrysoberyl ring in 18K gold. The stones came from Portuguese mines in Brazil. Fabulous jewelry was made from the various gemstones exported from these mines until the French invasion of Portugal in 1809. The ring is size 7 1/4 and can be sized up or down.

This is an original 18th century Gouyn period porcelain Chelsea fob seal. These seals were given as love tokens by the wealthy and known as "toys". This particular seal features a nun with her gilded black cape holding a staff and reading from a book. The seal reads in red letters, "Amour Spirituel", ("Spiritual Love"). The black cape with gold edging is in particularly fine condition. Charles Gouyn, a French jeweler, with Nicholas Sprimont, a silversmith founded the Chelsea Factory in 1743...

An American Federal Period Coin Silver Creamer or Milk Jug by John McMullin (1765-1843) of Philadelphia. Monogrammed on one side "PJG" with "BB" over it and "MB" under it and the dates 1790 and 1850. On the other side "NRG" and the date 1923. Presumably this was a family piece used over generations. Possibly given originally as a birth present. Dimensions; 6" x 6" x 4" at base; weight 8.2 Troy ounces. Excellent condition.

A pair of elaborate porcelain vases with large leaves in turquoise and gilt opening from a narrow base which rests on four wide feet. The base and feet encrusted with vegetation and occasional flowers which also support a large rising stem on either side with roses on one side and blue, orange garden flowers and possibly small lilies on the other side. Hard to imagine putting flowers that wouldn’t clash into these vases...

Dainty Georgian pansy pin set with amethysts and citrines in 18K gold. Pansy pins were often given as a gift from a loved as the sound of the word pansy was similar to the French "pense", meaning "think, remember me". Time to continue the tradition.

Regency Period, circa 1820 fob seal with a translucent image of an 18th century bearded man in a beret, perhaps robed. This swivel fob is 1 1/4 inches in width with a beauifully carved repousse jump ring that is just shy of 1 inch. This is really a two-fer- you get a beautiful swivel fob to hang as a pendant and the built in hand forged matching repousse jump ring allows you to hang it from your chain, along with additional pendants if you choose...

Georgian agate bracelet of various colors and patterns makes a wonderful and wearable piece of jewelry. Turn it around and have a different view to suit your attire. The agates are set in gold and the bracelet measures 6 1/4" long. Each agate measures 1" wide by 1 1/2" high.

A superior example of Staffordshire pottery owing to a couple of factors such as the gorgeous apple green enameling, the generous gilding, and the excellent condition of the creamer. This one is painted with apple green around the body with light yellow reserves of gold framed embellishments, the neck which is decorated with swagging leaves. The large helmet shaped mouth has gold leaf as does the attached two part handle. The creamer sits on four gold decorated feet. The underside is unmarked...

A blue transfer printed “Stone China” or ironstone dinner plate by John and William Ridgway, marked on the back with the pattern and ‘J. W. R.” 10 ¼ inches (26 cm) diameter. Gadroon edge and good clear printing in dark blue. Circa 1820.

Condition: No cracks or hairlines. Two chips to the foot ring and a minute flake to the glaze on the rim and one at the edge of the well. Very minor knife scratches.

A large copper lustre jug / pitcher, both sides transfer printed with Charity as a mother with children, having pity on yet another child. Sunderland, England c 1830, unmarked. Height "5 ½ / 13.5 cm. Condition: a firing crack visible at the base and a glaze bubble to the Charity image to one side (cf. pics). A smaller Sunderland jug with Hope is presented in another GC offer (cf. last pic).

Utilizing the natural features of the blush and gray speckled agate with a lovely mottled appearance and demonstrating the fine carving that this circle of Italian carvers were known for, our ring is a sensitive portrayal of Sappho, an early poetess who came of age in the time of the Ancient Greeks in the Archaic period. The quality of the carving is reminiscent of the circle of carvers in Rome during the mid eighteenth century which included Anton Pichler and his sons Giovanni and Luigi...