An antique German silver mesh purse with pierced frame showing deers and roses. The frame marked with the crescent moon and crown, "800" and a maker's mark. Condition: a tiny hole in the mesh, two links of the chain a bit distorted. Dimension: frame: c. 19 cm wide, purse: c. 18 cm high, weight: 360 g.

Offered together as one lot, THREE pewter antique plates: one 8" diameter, bearing touch marks of London pewterer Samuel Ellis (1721-1773) and cursive initials "M P"; one, 8" diameter, no touch marks but antique initials, a primitive "P G" cut into the surface on bottom (and, considerably heavier than the other plates); finally, a plate of 9 1/4" diameter, no markings...

Dainty Georgian pansy pin set with amethysts and citrines in 18K gold. Pansy pins were often given as a gift from a loved as the sound of the word pansy was similar to the French "pense", meaning "think, remember me". Time to continue the tradition.

A clutch worked from a 19th century Chinese silk embroidery with Peking knot, the space beetween filled with tiny white seed glass beads. White lining and green jade imitating glass knob. Condition: lining with few traces of usage, clean. Dimension: c. 19 cm x 12.5 cm.

American Art Nouveau inkwell with engraved silver overlay, ca 1886. Bellied and faceted; short neck in silver collar and hinged and faceted silver cover. Overlay in form of dense and connected leafing and flowering branches. Glass is clear. Marked “Sterling Silver” and patent date “Jan. 5 86”. Very good condition.

Dimensions: H 3 3/8 x D 3 1/4 in. #BT470

Parian group of a baby being roused by a puppy. Modelled c 1890 by Rowland James Morris (1842 – 1898), engraver and sculptor. R J Morris was born in Staffordshire and is known to have worked as a modeller to more than one porcelain manufacturer. He became especially well known for the Dainty White service and for Parian groups with children and dogs, one of them the immensely popular “Can’t you talk?” His models were all sold to Shelley & Wileman in 1896...

Poesy rings were popular in England and France during the 16th through the 17th centuries as lover's gifts. The quotations were often from courtship stories and are usually inscribed on the inner surface of the ring as is the case in this one. This ring amusingly reads "A virtuous Wife Preferreth Life". We imagine that in the 17th century, a woman was indeed better off being virtuous! We think this could make a more unusual and unique wedding band than a gold band...

A beautifully-detailed 19th Century Anglo-Indian desk set elaborately carved in ebony with a center storage box topped by a fabulous carved elephant with ivory tusks, one drawer, and lion paw feet. Excellent antique condition, there is one age crack, see photo. Measures including feet 16.5 long, 7" high including elephant, 10" deep.

Very rare, circa 1888, English tapestry ware biscuit jar with hand painted scenes of a pair of quail and a pair of herons in their appropriate settings. The surface is very clean and feels smooth to the touch. Marked on bottom is the Taylor,Tunnicliffe & Co. of Hanley with the rare Kings Crown logo which was registered in 1886. In excellent condition, no chips, cracks or repairs, it measures 6" high With handle down x 5.5 diameter...

This porcelain plate was produced in France by the Boyer studio at Rue de la Paise between 1817 and 1834. There is a coat of arms with a Latin motto in the border. It reads, “Vel Arte, Vel Marte” or “Or Skill or Initiative”. The plate measures 10” in diameter. The hand painted scene shows a noble hunting party on horseback, accompanied by packs of dogs, chasing a deer. This was painted by a highly accomplished artist, using depth and proportion with fine detail...

This porcelain plate was produced in France by the Boyer studio at Rue de la Paise between 1817 and 1834. The plate measures 10” in diameter. There is a coat of arms with a Latin motto in the border. It reads, “Vel Arte, Vel Marte” or “Or Skill or Initiative”. The plate measures 10” in diameter. The hand painted scene of a young maiden dressed in silks and satin, is picking flowers barefoot. It appears to be dusk and there is a sense of mystery in the approaching darkness...

This porcelain plate was produced in England by Mintons in the late 19th century. The date markings are obscured so it is not possible to specify the year. It is signed by the renowned artist, Antonin Boullimier, trained at the Sevres Porcelain Manufactory. The plate is 9 ½” in diameter. The blank is made of fine, white bone china with a reticulated border. The center of the plate has a hand painted scene of a sweet girl, sitting on a log, dangling her feet over a lily pond...

This porcelain vase was produced in England by Coalport in the 1890s. It is 6 5/8” high with a diameter of 5 ½”. The vase has a blown out, melon shape, has scrolled feet and has a molded rococo style border at the top edge. The decoration is very ornate, to appeal to Victorian taste. A cobalt blue collar is over laid with gilding that is mosaic like...

Sophisticated and smart double sided 18K French cufflinks with the "owl" hallmark. The cufflinks are marquis shaped with 4 X's, or "kisses". The construction of the cufflinks is extremely well thought out, as the "free" end of the cufflink toggles on a hinge so it can be pulled with ease through the back cuff. For the French cuff type of guy!

We love the pleasing niello design of the dotted squares on these substantial cufflinks. The word "niello" is a derivation of the Latin word for "niger" meaning black...

This porcelain chocolate cup and saucer was produced in Germany by the Royal Berlin Porcelain Manufactory in 1917. The date letter indicates this year. The saucer has a diameter of 6” and the cup measures 3 ¼” high (without the handle) with a diameter of 3 ¾”. The cup features an empire style handle and paw feet. There is a hand painted portrait of Frederick the Great who was king of Prussia from 1740 to 1786. The portrait is very detailed with excellent coloring. A frame of tooled...

Turn-of-the-century cut-glass perfume bottle with sterling silver stopper. Globular with short and faceted neck and shoulder, and everted rim. Star, fern, and diaper ornament. Globular stopper with dense repousse-style flowers and ferns on stippled ground. Marked “Sterling” with stamp for James R. Armiger Co., a Baltimore maker that began working under that name in 1896. Very good condition with deep patina.

Dimensions: H 6 7/8 x D 3 5/8 in. #BM943 & BM944

Fiddle dinner spoon from Hall & Elton (1839 -1890), Connectitcut, the pointed shape of the blade indicates mid 19th century. Hall & Elton is known to have made lots of silvered cutlery. However, this spoon is tested for a silver content of at least 830/1000 (= Swedish silver standard), and so probably is coin silver. Sterling silver was introduced 1870 in America. Length "8 ¾ / 22.5 cm, weight 45 grams. Condition: fine.

These beautifully crafted Egyptian revival cufflinks of sterling silver scarab beetles are the creation of Herman and Eugene Unger, German immigrants who settled in Newark, NJ and were a part of the immensely creative Art Nouveau period at the turn of the nineteenth century. Herman was the silversmith while Eugene was the engraver. Similar to the Art Nouveau period itself, their popularity was brief, not the least of which was that fact that the commercial marketplace had difficulty supporting p...

An unusual SET OF FOUR Kiddush cups, each 3 1/2" high, and the tops 2" across. Each is marked .800 at base and also to the left of that is a tiny mark, difficult to photograph. "Kiddush" is a Hebrew word that literally means “sanctification”. It is defined as a blessing recited over grape juice or wine to sanctify the Jewish and Shabbat holidays. Many families have a special goblet or glass for the blessing, and this vessel is called the Kiddush cup. Most are offered singly, especially if...

These 8 plates were produced in England by Coalport in the 1890s. They are named scenes of famous places in the United Kingdom painted by E. Ball. They are 9" in diameter. The borders are cobalt blue. The center of each plate has a reserve containing scenes of ruins of castles and land- scapes of the English countryside. Sky, mountains and water are painted with great skill, in vivid colors. The scenes are framed in ornate raised gilding. Elaborate raised gilding fills the cobalt border. ...

This porcelain vase on stand was produced in England by Royal Worcester in 1878. The date letter indicates this year. It vase stands 5 7/8” high and is 5 ¾” across the handles. The piece appears to be in two pieces, the bowl on the top and a stand on the bottom but is it made in one piece. The Asian inspired shape and design evolved from the Aesthetic movement. Friezes of gilded peonies and a gilded bird in flight, surrounded by flowering branches decorate each side of the bowl. The b...

This porcelain cabinet plate was produced in England by Mintons in the 1870s. It has hand painted numerals on the back. It measures 9” in diameter. It has an entwined, reticulated border. The plate is hand painted in raised, metallic enamels. Two birds are perched on branches of gold and platinum cherry blossoms. The center of the plate is painted in celeste blue. The reticulated border is accented with gold. This plate is a lovely example of the Asian inspired aesthetic period. Conditi...

G946 Antique Spode Copelands Potpourri Vase Words English Porcelain, Minton This porcelain potpourri vase with cover was produced in England by Spode Copelands in the 1890s. It is 12 ½” tall and has a diameter of 6 5/8”. The vase is designed in Neo-classical style with ram’s heads, pillars, and flame finials. There is a pattern of molded acanthus leaves on the lid and on the bottom portion. The lid is pierced. The vase is hand painted with vibrantly colored roses on a gilded...

This pair of porcelain vases was produced in England by Royal Worcester in 1879. Hand painted birds are done by the artist John Hopewell. The date letter indicates this year. They are 8 ¼ “ tall, 3” wide and 4 ¾” across the handles. Asian styled handles and feet are an inspiration of the aesthetic movement. A raucous array of berries, butterflies, birds and flowers fill the space on all four sides of the vases. The realistic, hand painted birds and flora are vibrantly colored and ...

Magnificent American Classical coin silver tureen. Made by Gorham in Providence, ca 1860. Curved ovoid bowl on stepped oval foot mounted to four beaded and round supports. Cover domed. Bowl rim has bold beading bordered by applied guilloche. On each end is cast satyr’s head with flamboyantly ribbed horns and slack jaw holding loose-mounted ring. Also cast is cover finial, a gentle herbivore quadruped standing on tooled grassy mound. Marked with maker’s and retailer’s (JE Caldwell) stamps a...

Victorian Modern sterling silver and glass decanter. Made by Edgar Finley & Hugh Taylor in Birmingham in 1884. Clear glass cylinder on round and spread base. Flat girdle with applied chevron and stud. Rim collar same with triangular spout. Cover hinged with canted sides and ball finial. Mortis and tenon-style bracket handle. Very good design. Fully marked. Fine condition.

Dimensions: H 9 3/8 x W 6 7/8 x D 4 3/8 in. #BS955

We love these royal blue mirror glass earrings which shine a brighter Bristol blue with the slightest head movement. the beveled hand carved edge is a lovely detail which was clearly time consuming for the maker. The plate glass factory at Vauxhall was known for its production of mirror glass, but in addition, the company employed skillful artisans to produce jewelry out of the remaining shards. Thus was created Vauxhall glass jewelry, much loved then and by collectors today. The earrings are 1 ...

Jewelers produced tie pins in the 19th century to meet the increasing demand for novelty jewelry. The spiral ridge near the top of the pin helps to hold the item of clothing, whether it be a tie or a scarf, securely in place. The increasingly liberated and activism of women toward the later half of the 19th century gave rise to a new class of sporting jewelry. Many an equestrienne was wearing horseshoe pins to the lapel of her riding clothes by the 1880's. We love the detail of the riding belt...

A beautiful 18th century glass sweetmeat with a dentated (cogwheel) rim (21 teeth) on a double ogee bowl above a multiple spiral opaque twist stem with a shoulder inverted baluster knop. The foot is radially rib molded with a rough, snapped pontil.

Condition is excellent with good tooling marks and color. The height is 3 3/8 " with a bowl diameter of 4 inches and a foot diameter of 2 1/2".

A 13 3/8 inch (34 cm) diameter Dutch delft blue and white charger depicting a vase with a pedestal base in the center and an elaborate chinoiserie border on the outer lip. 18th century more likely earlier than later.

Condition; major chunk out of left edge replaced but discernable by discoloration of the paint over. Losses along the edge all around the dish.

A 13 5/8 inch (34.5 cm) diameter blue and white delft charger with Chinese style decoration in the center depicting a rock with flowers on a ground with other plants. Crossing lines with dots between, surround the well and also on the outer edge of the lip. Dutch 18th century.

Condition: a fair bit of wear to the glaze, a chip on the rim with glaze losses and other smaller losses around the rim.

A 12 ¼ inch (31 cm) diameter blue and white delft charger made at Lambeth, London toward the end of the 18th century. The “Chinese garden” is well executed as is the border on the lip. A plate with the same decoration is at the Victoria and Albert Museum in London.

Condition: chips around the edge and a few places on the lip where the glaze has flaked off.

19th C Meissen "Love Crowned" porcelain hand painted figurine of Cupid placing a flower crown over a pair of hearts. In excellent condition save for one small chip on base bottom corner. It is marked with cross swords in underglaze on the base. Measures about 5.5"s high, 2.75" wide, 2.25" deep. Circa 1880. We also have "Love Captive", see last photo.

19th C Meissen "Love Captive" porcelain hand painted figurine of Cupid putting a heart into a cage. In excellent condition, it is marked with cross swords in underglaze on the base. Measures about 4.5" high, 2.5" wide, 2.5" deep. Circa 1880. We also have "Love Crowned", see last photo.

A pair of 19th C Dresden porcelain wall brackets. Each is highly decorated with hand painted applied flowers. In excellent antique condition, the brackets both bear underglaze blue maker's marks for the Sitzendorf factory. Measures 7 inches high, 6.75" wide, 3 3/8" deep. Circa 1880.