A lovely transitional etched Art Nouveau~Art Deco case with Czechoslovakian export marks along with FB 900 for silver content. The back has an engine turned design. The inside is smudged, the gilt is worn with stains that do not come out and there is a small raised pinpoint puncture that it is not evident from the outside.There are no bands to hold the cigarettes. It is also inscribed " Olga 2-VIII.XV" ...Weight: 4.5ozs~ 3-1/4" x 3". Sorry no returns- sold as is.

Royal Copenhagen cup and saucer with gold trimming. The cup is adorned with a crown and a calligraphy design. Both cup and saucer are stamped with the maker's mark of Royal Copenhagen. The saucer is 5 inches in diameter and the cup is 3 inches in diameter and 2 inches in height.

KPM Meissen porcelain is the highest grade of Meissen. The cup and saucer are decorated in purple with gold trimming and laurel wreaths. The saucer is 7 inches in diameter and the cup is 4 inches in diameter and 3 inches in height.

KPM (Königliche Porzellan-Manufaktur) Meissen porcelain cup and saucer in a dusty rose pink with gold trimming and designs of grapes and grape leaves. KPM is the highest grade of hard paste Meissen. The maker's mark is fired in underglaze blue underneath both the cup and saucer. The saucer is 6 inches in diameter and the cup is 3 inches in diameter and 3 inches in hight.

Pair of George V sterling silver candlesticks. Made by Lionel Alfred Crichton in London in 1917. Each: Tapering and fluted pillar supporting urn socket. Raised and stepped square foot. Beading, acanthus leaves, and swags and paterae. Neoclassical form and ornament. Fully marked. Very good condition with a few pings, principally on foot rim.

Dimensions: H 11 3/8 x W 4 5/8 x D 4 5/8 in. Weighted. #BV645

Pair of Edwardian sterling silver candlesticks. Made by Gorham in Providence in 1905. Each: Ovoid, tapering, and fluted shaft with interlaced script monogram; stepped oval foot. Urn socket with detachable bobeche. Fully marked including date symbol and no. A705. Very good condition with a few minor pings to foot rims.

Dimensions: H 10 1/2 x W 5 3/8 x D 4 1/4 in. Weighted. #BP969

Needlework sampler, 22 1/2" by 17" (26" by 20" framed), the design incorporating the alphabet, floral motifs, a heart, four paired figures and a house. Condition is excellent, the colors not faded. This would date to circa 1970's; a so-called "Paragon" kit available at the time. Nice decorative piece for the Americana or folk art setting.

A two-handled solid silver bowl made around 1890. Unmarked, but its shape and the pierced pattern with crescents and six-pointed stars indicates a Russian and Jewish origin. Tested for a silver content of 800 / 1000 (minimum). Weight 157 grams, width "4 ½ / 11 cm and height "2 ½ / 6 ½ cm. Condition: fine.

A fine example of a Longton Hall porcelain tea bowl and saucer, hand painted in the "Windswept" pattern. The scene features an oriental type interpretation of tall trees, rocks, and foliage with a small flock of birds flying above.

Beautifully and thinly potted, the condition of both the bowl and saucer is excellent, with bright, clear colors and no issues at all. The saucer has a 4 1/2" diameter, while the bow has a 3" diameter and a height of 1 5/8"...

A beautiful Chelsea Porcelain Factory coffee cup and saucer in the highly uncommon and sought after spiral molded scolopendrium pattern form. Specifically, the cup has an iron-red undulating rim , and a spiral molded tapering body. The handle is of a notched scroll type with a raised central ridge, clearly influenced by Nicholas Sprimont (the first director of the Chelsea factory) and his prior experience as a silversmith...

George V sterling silver sugar caster. Made by William Hutton & Sons, Ltd in Sheffield in 1911. Girdled baluster on domed foot. Cover has ornamental piercing and vasiform finial. Fully marked. Excellent condition.

Large dimensions: H 9 1/8 x D 3 in. Weight: 10.5 troy ounces. #BV629

Fine and rare, large copper repousse and chased copper plate depicting a religious scene or narrative. This was acquired in Sri Lanka in the 1990s, the vendor said this was showing the life of Buddha, but the iconography suggests it is most likely Hindu as the central image is shown facing the left, sitting on a tiger pelt, set against a foliate scroll background. This could be representing Shiva with his consort Parvati and son Ganesh. Superb workmanship, circa 19th century...

A very nice early German School carved and painted figure of Madonna, Germany, ca. 1500 AD.

She is standing crossing her arms in long garments and a robe with hood. Finely painted in colours.

Size: 24,5 cm. tall.

Condition: Choice for type! Basically intact with limited wormbites and some flaking of the paint, still nice and sound.

Ex. Old Danish Collection

Beautifully miniature hand painted rectangular signet ring of the tree of life. The tree of life has its origins in both Judaism and Christianity, it is mentioned in the Book of Genesis, and symbolizes connection to the larger world, the earth and the sky. This ring is 17x 11.4mm and sits about 3.6 mm off the finger. It is 5/8 long and almost ½ inch wide. The size is 6.25 US. The Weight is 3.0 Grams.

Fun and unusual earrings of Whitby jet with a jet ball hanging below carved Whitby jet florets. Whitby Jet is fossilized coal mined in Whitby, England in the 19th century and made into jet jewelry, used at the time for to create jewelry. It was truly a cottage industry, with men extracting the jet from the mines and turning the precious material over to woodworkers, who hand turned and carved the jet into smooth forms...

Dramatic 18K gold marquis shaped ring in royal blue and white enameling surrounded by pearls and centered with a pearl pansy. This distinctly English style of enameling on jewelry was invented in 1775 and became popular with royalty and is often seen on jewelry displaying royal crowns.

Our C1780 muff chain has an unusual link in the shape of bows. These hand forged bow links continue all around the chain. Georgian muff chains were worn by women who would attach a muff to the chain to conveniently keep their hands warm and the chain was designed to allow the muff to fall at just the right place. This is why original muff chains were always long (shorter chains were generally part of a larger muff chain that has been cut down to make 2 or 3 necklaces)...

his is an original nineteenth century sterling watch chain with a substantial square shaped link called a Venetian or box link. Closeup photos reveal the interesting interlocking pattern of the links. A great deal of ingenuity went into making chains, and there is nothing like an original long Victorian watch chain that has never been chopped up into shorter chains, but retains its original length. If you favor chains that are fabricated by hand, this chain is a real find...

This is an original nineteenth century sterling watch chain with a round interlocking link. Close-up photos reveal the interlocking nature of the links. A great deal of ingenuity went into making chains, and there is nothing like an original long Victorian watch chain that retains its original length...

This is a long silver watch chain with alternating lengths of longer and shorter fetter links. For the better part of the nineteenth century, chains were fashioned laboriously using hand-working skills. A fetter link refers to a longer link which was used to reduce the number of links needed to fabricate a chain, thereby cutting down on the labor...

The longest watch chain we have ever come across, this authentic Sterling Victorian slinky watch chain has an unusual link. Victorian watch chains were worn by women, as well as men, to hang a watch, which would snap into the end of a long chain and tuck into a pocket or a belt at the waist. (This is why original watch chains were always very long. Shorter watch chains are part of a larger chain that has been cut down to make 2 or 3 necklaces)...

A wonderful example of a creamware dish made by Sewell and Donkin of Newcastle (St. Anthony's until 1819). The painted central scene shows a dying patient receiving his unction above the motto "T Oliesel" (Last Rites), and is surrounded with a colorful floral border. The reverse of the dish has the partial impressed manufacturer's name.

The condition of this 10" diameter piece is excellent, with good color, no cracks, chips, or restoration...

This is a silky smooth gorgeous original French watch chain. Silky smooth about the neck, it has a wonderful texture as only 18K gold has. There is a French eagle's head on the clasp showing its French provenance.

An unusual gold toothpick enclosed in a fancy chic case for you to attach to a chain and have at the ready anytime you need one. This interesting deco piece is the unusual pendant you need to have with the rest of your "necessaries" about the neck. It will display nicely with your gold pencil and other attachments. C1930. The chain is not included.

Portuguese Azulejo Ceramic Tile from old buildings, 5 1/4" square, 3/8" deep, hand painted traditional blue color design, the condition is good.

Portuguese Azulejo Ceramic Tile from old building in Madeira Portugal, 5 1/4" square, 3/8" deep, hand painted with old traditional colors, the condition is good.

Turn-of-the-century French gilt bronze picture frame. Rectangular window in same surround with raised leaf-and-dart, imbricated leaf, and beaded borders. Red guilloche border and applied and pierced flower baskets, cornucopias, bouquets and shells. Ribboned and leafing rinceaux crown. With glass, silk lining and hinged easel wire support. For portrait (vertical) display. Excellent condition.

Dimensions: Frame: H (overall) 12 1/4 x W 8 3/4 in. Window: H 7 1/8 x W 5 in. #SW14

Austrian Rococo silver candle snuffer, 1827. Hinged with flower-head mount and flat vertical blade that fits into rectangular box with curved and lobed top. Ring handles on s-scroll mounts. Three baluster supports...

Zodiac sterling silver 3-piece baby set. Made by Gorham in Providence in 1915. This set comprises mug, bowl, and plate. Cup: Straight sides, short inset foot, and leaf-capped and mounted handle; interior gilt washed. Bowl: Gently tapering sides, curved bottom, and short inset foot; interior gilt washed. Plate: Round deep well and wide shoulder. Low relief borders depicting the astrological signs in scrolled frames alternating with flowers, including turn-of-the-century favorites, such as water l...

Classical Victorian hallmarked bangle bracelet with three rows of tiny fleurons and X shaped patterns running horizontally across the bangle with reeding in between. Our bracelet is hallmarked 1883 Birmingham and is in pristine condition. It is approximately 1/8 inch deep, 1 inch wide, and measures a fairly ample 7 3/4 inch in diameter, suitable for most any size wrist.

This porcelain plate was produced in Germany by the Carl Thieme Dresden studio in the 1890s. It is 9 3/4 inches in diameter. The porcelain blank is reticulated around the 1 3/4 inch border. There are reserves containing 4 vignettes of lovers in garden landscapes. They alternate with the cut out floral pattern similar to the type Meissen used. The center of the plate has a large Watteau scene with couples in 18th century dress. The painting is done in fine detail and bright colors. Ther...

This porcelain plate was produced in Germany by the Royal Berlin Porcelain Manufacturer, or KPM, in 1911. The impressed date letter indicates this year. The plate measures 9 inches in diameter. It has a 1 1/2 inch border of the most delicate reticulated work. It has the appearance of the finest lace. The pattern of lattice work and flowers is outlined in gold. The center of the plate is hand painted with a scene of lovers in the woods. A young farm boy has just come upon a sleeping beauty...

This porcelain plate was produced in Germany by the Royal Berlin Porcelain Manufacturer or KPM in 1911. The impressed date letter indicates this year. The plate measures 9 inches in diameter. It has a 1 1/2 inch border of the most delicate reticulated work. It has the appearance of the finest lace. The pattern of lattice work and flowers is outlined in gold. The center of the plate is hand painted with a scene of lovers in the woods. They are dressed in elegant early 19th century costumes...

This porcelain basket or nut dish was produced in Germany by the Royal Berlin Porcelain Manufactory in the 1890s. It has the red orb and blue scepter markings. The basket measures 4 1/2 inches long, 3 1/4 inches wide and 1 1/2 inches deep. The basket is delicately reticulated and has molded rosettes around the border. There are handles in the shape of branches on each side. Hand painted sprigs of flowers and a butterfly are scattered inside the basket. The outside has sprays of tiny flower...

This porcelain casket or box was produced in France by an unknown Paris decorator in the late 19th century. It has a painted marking and is artist signed, P. Roche. The casket measures 9 1/8 inches long, 4 3/4 inches wide and 4 inches tall. It has gold colored metal frame and hinge. The lid is hand painted with lovers embracing, seated in a landscape of trees, a lake and a building in the background. There is raised, ornate hand gilding framing this scene. The front panel has a large s...

This porcelain tea cup and saucer was produced in Germany by the Royal Berlin Porcelain Maunfactory around 1770. The factory used only the under glaze blue scepter marking at that time. The saucer measures 5 1/2 inches in diameter and is 1 1/2 inches deep. The cup is 2 inches tall and 3 1/8 inches in diameter. Colorful, hand painted Watteau scenes decorate both pieces. 18th century lovers are spending time in the countryside engrossed in conversation. The borders are decorated with a green...

Yellow Shell, part tea service: a slop bowl and a dish, three cups and two saucers. This very popular folk art or naïve style pattern was produced in more than one Staffordshire kiln in the early 19th century, among them Ridgway & Sons and Machin. The pattern number used by Machin was 208, a number that can be seen on the back of the slop bowl. The diameter of the slop bowl is "6/ 15,5 cm and of the saucers appr. "5½ - 5¾ / 14,5 / 13,5 - 14.5 cm. Condition: minor star crack to the dish (cf. p...

A George III Sterling Silver Wine Funnel from the London silversmiths Rebecca Emes and Edward Barnard hallmarked for 1810. Measures about 5 1/8" and weighs about 5 ounces. Engraved with the letter "H". Both the outside funnel and the detachable pierced strainer are hallmarked. A fine example.

Original eighteenth century Chelsea Seal in the form of a grotesque figure of a black masked man with 3 cornered ("tri-corn") hat. The tri-cornered hat was a popular hat worn in the 18th century by both aristocracy and commoners, as it was designed to better reveal one's highly fashionable wig. Our male figure is in black breeches, standing on a white base with the motto "Tou jour gay" ("always happy"). "Tou Jour gay" was used often as a motto as were many of the mottos seen on Chelsea Seals (...

A lovely completely intact tablesize bronze presentation cannon og signal cannon, ca. late 17th.- early 18th. century AD:

A fine piece with the barrel engraved with floral scroll-works, perhaps of French manifacture. As quite unusual and remarkable, the original bronze carriage is completely intact with the same terrific old brown and green patina (perhaps once burried?).

Size: 22 cm. in total length, weighin around 1 kilogram.

Ex. Danish private Collection.

A very early bronze signal (table) cannon, dating to the 17th. century.

The cannon very beautiful and possible once burried. With splendid old chesnut or mahogany patina with a dusting of green to the back. Fully functionable cannon made with a bore hole of 16-17 mm.

Size: 13,8 cm. long and weighing 880 grams.

Ex. Danish Private Collection

A choice and beautiful bronze signal (table) cannon, dating to the early 18th. century.

The cannon very nicely made and comes with a fine brass patina. Fully functionable cannon made with a bore hole of 16-17 mm.

Size: 22 cm. long and weighing c. 1,1-1,2 kilograms.

Ex. Danish Private Collection

A fine Lowestoft porcelain strap-handled creamboat, the ovoid molded body with an undulating rim. Hand painted in a dark blue with the "Two Porter Landscape" pattern, which features two figures in a landscape with trees and birds. The reverse side, the interior center, the rim, and the lip all with floral sprays.

This particular example is particularly uncommon because of the small size, being almost an inch less in length than other examples. A "17" workman's mark is on the bottom rim. ...

Turn-of-the-century French gilt-bronze picture frame. Rectangular window in same surround with raised beaded, leaf, and guilloche borders and scallop shells applied over ribbon border in pink guilloche enamel. Wreath-and-ribbon crown. With glass, silk lining, and hinged easel wire support. For portrait (vertical) display. Excellent condition.

Dimensions: Frame: H (overall) 14 3/4 x W 11 in. Window: H 9 x W 7 in. #SW16

Turn-of-the-century French gilt bronze picture frame. Rectangular window in same surround with raised leaf-and-dart, imbricated leaf, and beaded borders. Red guilloche border and applied and pierced flower baskets, cornucopias, bouquets and shells. Ribboned and leafing rinceaux crown. With glass, silk lining and hinged easel wire support. For portrait (vertical) display. Excellent condition.

Dimensions: Frame: H (overall) 12 1/8 x W 8 7/8 in. Window: H 7 1/8 x W 5 in. #SW13

A beautiful framed map of New York State circa 1855 measuring 14x16”

A finely decorated German Stein, ca. mid 18th. century!

The saltglazed Steing decorated with a beautiful scene of a landschkneckt walking in a lanscape with a castle in the background. Very high quality and rare. Impressive pewter mount with large ball thumbrest and medallion in the lid with the portrait of a German ruler.

Size: 22 cm. tall.

Condition: Choice for type! A thin hairline at the handle and some minimal glaze chips, othervise superb.

This porcelain oyster plate was produced in France by Haviland & Co. Limoges. The mark was used between 1876-1880. It measures 8 3/4 inches in diameter. The plate has 6 wells with salt compartment in the center. The decorations are a factory transfer that is hand colored. The ground color is pale green. An assortment of sea creatures and plant life are scattered around the surface of the plate. The colors are vivid and the shape is interesting. Condition: Excellent

This porcelain oyster plate was produced France by Haviland & Co. Limoges. The mark was used between 1876-1880. It measures 8 3/4 inches in diameter. The plate has 6 wells with salt compartment in the center. The decorations are a factory transfer that is hand colored. The ground color is mauve. An assortment of sea creatures and plant life are scattered around the surface of the plate. The colors are vivid and the shape is interesting. Condition: Excellent

This porcelain oyster plate was produced in France by Charles Ahrenfeldt Limoges in the 1890s. It measures 9 inches in diameter. It has 6 wells and a salt compartment in the center. The plate is decorated with factory transfer designs that are colored by hand. There is an assortment of sea creatures accented with flowers. The border and shell compartments are highlighted with brushed-on gilding. Condition: Excellent

This porcelain oyster plate was produced in France by Theodore Haviland Limoges around 1895. It has a diameter of 8 1/2 inches. The plate has 5 clam shells and a center compartment for salt. The plate is decorated with a factory transfer design with tiny sea creatures and seaweed. These designs are colored by hand. There is brushed on gilded accents around the shells and on the border. Condition: Excellent

This porcelain oyster plate was produced in France by Haviland & Co. Limoges between 1878 and 1889. It is 8 3/4 inches in diameter. It is molded with 5 wells and is often referred to as “a turkey plate” since the shell configuration resembles a turkey’s tail. The plate is decorated with a factory transfer design of sea creatures and sea weed. The decoration is hand colored. The ground color is ivory. This shape is the one that was used for the “White House China” service for Pres...

English Georgian sterling silver condiment shaker, late 18th century. Baluster on raised foot. Cover pierced with engraved diaper and twisted finial. Worn marks include crowned T (body) and crowned V and letters RP (cover). Good condition.

Dimensions: H 6 x D 2 in. Weight: 2.8 troy ounces. #BO173

Delightful Victorian sterling silver rattle. Made by WH Collins & Co. in Birmingham in 1897. Kitty stands stiffly in snug fitting jacket and trousers. Only the tail is free to flick back and forth. A funny depiction of feline ill grace. A bit of a sour puss, but endearing nonetheless. Mother of pearl handle. Fully marked. Good condition.

Overall dimensions: H 4 3/8 x W 1 1/2 x D 7/8 in. #BV513

Japanese embroidery circa 1900 showing an eagle Above 3 USA flags with stars and stripes. Beneath is a banner with E PLURIBUS UNUM Made as a souvenir for US fleets passing through Yokohama. Excellent condition, mounted in gold coloured card. Currently in original wood and glass Frame for local collection, will be unframed for shipping.

A unique silver vase in Oriental style, decorated with butterflies, prunus branch and various flowers, including chrysanthemum, lilies, butterflies etc. in high relief. The piece which was made by Edward Barnard & Sons, a famous London family of silversmiths, is dated to 1879 of the Victorian Age. The decoration is extremely refined and sophisticated with the use of both gilt and copper. Fully marked with five stamps on the neck and in the bottom. Weight: 540 gr. H. 25,5 cm. Condition: Excellent...

Large Edwardian Art Nouveau sterling silver basket. Made by Meriden Britannia (part of International) in Connecticut, ca 1910. Wide and shaped mouth and cylindrical body flowing into round foot. Hinged c-scroll handle. Pierced and engraved ornament, including flowers, leaves, and garlands. Reeding. Armorial frames on front and back engraved with interlaced script monogram. Fully marked including maker’s stamp and no. 920. Very good condition.

Dimensions: H (with handle) 23 x W 16 x D 9 in. W...

European silver flagon after the antique, late 19th century. Tapering bowl with curved front and back Tapering sides and curved front and back on spread and ribbed rectangular foot. Rectilinear neck with flat top. Round and domed cover with same ribbing and finial chained on both sides to ribbed rings loose-mounted to applied Classical satyr’s heads. Engraved Renaissance figures on front and armorial on back; leafing scrollwork and birds. Marked. Very good condition with deep patina.

Dimens...

A beautiful Chinese Imari Bowl. 19th century.

The Edo period (江戸時代, Edo jidai) or Tokugawa period (徳川時代, Tokugawa jidai) is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional daimyo. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture.