This porcelain chocolate cup and saucer was produced in Germany by Richard Klemm Dresden around 1900. The saucer has a diameter of 4 5/8 inches and the cup is 3 inches high. The set is decorated in the Meissen style with vibrantly colored sprays of flowers. The height of the cup makes the flowers stand out. There is lacy gilding around the rims and accents on the handle. Condition: Excellent

A very fine twig basket, dating from the late 19th or early 20th century. It was found in Pennsylvania, and is painted black, with the border and edge decoration painted in green, yellow, and orange over the black. The interior central portion of the basket is painted in green.

The basket is 8 5/8" in diameter and 4" tall. Condition is terrific, with no breaks...

A great looking broad silver bracelet / cuff, probably Western Asia, c. late 19th.-early 20th. century.

Ornately chiselled bracelet in e fine alloy silver.

Size: 80 mm. wide and an inner diameter of 63, but it's expandable / flexible.

Weight: 87 grams.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1960s-1980s.

The Simpson Hall Miller repousse "roses" sugar and creamer have the number 170 on the base of each.

The open sugar has a mouth opening of 3 1/4", the creamer 2 1/2". The open sugar is 2 3/4" tall, the creamer2 1/8".

They are in good condition.

A vintage American Belleek 10-1/2" porcelain coffee pot in the Federal style. This piece has simple pale turquoise blue panels and highlights with a square base; although unmarked, this serving piece has the identical quality, shape and style of marked Lenox Belleek pieces. This item is in excellent original condition with no chips, cracks, crazing, losses, damage or repairs...

A nice Griffin, Smith & Hill majolica pitcher in the "Wild Rose" pattern. The bulbous sides are decorated with yellow wild rose blossoms and green foliage against a stippled ivory background. The base has a medium-blue basketweave pattern and the lip is finished in a reeded pattern in the same shade. The pitcher has an applied twig handle and a butterfly forms the pouring spout. The interior is pink.

Origin: America, ca. 1875...

2 piece printed and hand colored Mason’s ironstone strainer dish c. 1840 A twelve sided shallow strainer that sits on a twelve sided bowl. The strainer form in delft is sometimes referred to as a cress bowl or a strawberry bowl. It’s possible that this one was meant to hold ice in the bottom as well as catch the water running off the fruit in the strainer. Decorated with a transfer of an exotic bird sitting on a branch with large blossoms and leaves...

This is an ANTIQUE STERLING BROOKLYN BRIDGE SOUVENIR SPOON with a Beautifully Enameled Handle TOP. Overall Length is 5 7/8" with the Bowl measuring 1.25" X 2". Excellent Hand~Chased View of the BROOKLYN BRIDGE as well plus the ENAMEL FLORAL TOP. Dated 1895. There is still some remaining Vermeil on the Spoon's Exterior. A Real Gem of an ANTIQUE COLLECTOR SPOON here. jpgs tell the rest

A Pair of German Compote or Bon Bon Dishes in an octagon shape, with Hand Painted Florals on Interior and with Relief Florals on the Exterior. With Pierced Sides and a Gilt rim, c. 1895. Dimensions 7" x 2.5". Excellent condition.

A very well molded pitcher with floral decoration on each side, molded foot, lip and handle. Across the front of the pitcher and on either side of the neck are hand painted flowers, very much in the Adam’s Rose” style. This form of molded pitcher closely resembles those in porcelain of J. and R. Riley of Burslem. The body is very white, but isn’t porcelain. 8 3/8 inches (21.5 cm) to the top of the handle and approx. 6 ½ inches (16.5 cm) across the handle...

A Delft blue and white mid 18th century plate with a flower basket in Chinese Kangxi style surrounded by a “Kraak” border, the rim yellow glazed. Diameter "9 / 23 cm. Condition: rim frits, the border with repair and associated hairline (cf. pics). Price: $120, including worldwide registered / trackable shipping

A hard paste porcelain shallow bowl commonly used for salad with a dentil gilt rim and hand painted with bouquets and sprays of flowers. The simplicity of the painting is not an indication of poor work, there was at times a fashion for simple looking things; think of Marie Antoinette at her dairy at Versailles. This bowl is from the same period. 8 1/4 inch (21 cm) diameter.

Condition: No chips, cracks, hairlines, or repairs. Slight wear to the gilding...

Three plates with orange ground lip, transfer border on the edge of the well and the center hand painted with different complex bouquets of wild flowers. All have the Royal Worcester mark on the bottom with the date of 1877 below. Also, the number 9522/A (?) is written in overglaze enamel. The plates are 9 inches (23 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. Some gilding wear on the edges and minor scratches.

This vase stands out with its beautiful cranberry color with rich jeweled honey gilding accented with white scrollwork and blue swags. The sinuous form enhances the overall elegance of its Art Nouveau inspired sensibilities.

Unmarked but clearly Bohemian in origin. We date this class to c. 1910 or earlier.

Condition is excellent with some very minor losses to the gilding

Dimensions
Height: 8 1/4 inches

A pair of molded edge porcelain dessert serving bowls, Spode circa 1814 with bat transferred fruit in the center. Pattern number 1686. Neither is marked, but the distinctive border of twined dolphins alternating with a large plant (?) is a Spode design. The pattern of fruits is currently made by Spode and called “Chatham.” The border is set off with a band of gilding at the rim and the inside edge. The bat transfer is an unusual color, almost brown at some angles and gold at others...

Russian wooden egg, lacquered in black and painted. One side with an orthodox cross and the other probably depicting St Basil’s cathedral in the Kremlin in the late 19th century. It might also show the then newly erected cathedral of the Assumption in Omsk. Height "4 / 10.5 cm. Condition: the painted decoration is flaking, as is the black lacquer (cf. pics).

Small and beautiful silver basket bowl made in Germany c 1890. Empire style boat shape, the reticulated and engraved decoration in Rococo style with flowers and rocaille ornaments. Marks for Martin Meyer in Mainz, a leading German silversmith (1888 - ), producer of cutlery as well as Jugendstil jewelry. German control mark: crescent and crown plus 800 for the silver content...

A Chinese Export coffee cup, slightly ribbed and foliated, a rather unusual shape. Enameled decoration of flower garlands in European Rococo style. Early Qianlong period (c 1740), a give-away as for the age is a little flower in iron red and gold to each side. Height "2 ¼ / 6.2 cm. Condition: little black spots and two hairlines (cf. pics).

A clear glass scent bottle of profiled shape, mouth blown in a mold, the white enamel decoration underlining the contours of the design. Made around 1850 and probably Scandinavian. Height including stopper "6 ¼ / 16 cm. Condition: small nick to the underside of the mouth rim.

This porcelain tea cup and saucer was produced in England by Royal Crown Derby in 1891. The date cipher indicates this year. The saucer has a diameter of 5 3/8 inches and the cup is 2 inches high. The set is made of translucent bone china. The cup has a puffy, quatrefoil shape with a handle that looks like rope. The set is decorated with an Imari type pattern taken from the Japanese. Cobalt blue and rust colored red are the main colors in the floral and geometric design. Much gold is used...

Nice Victorian brass ladies' lace-up boot. This example has holes drilled to represent the holes for laces. The Victorians often placed these along their mantles for purely decorative purposes.

Origin: England or America, ca. 1880. Condition: excellent, light scratching near the toe. Size: 4.5" tall.

This porcelain pot de crème with lid was produced by an unknown Paris porcelain manufacturer before 1850. It is 4 1/4 inches high with the lid. The porcelain is molded with panels and ornaments and a perky little finial on the lid. It has a pedestal base and a fancy handle. The piece is hand painted with pink and blue enamel florals. It is trimmed in blue. CONDITION: Excellent

Danish Söholm, Bornholm: earthenware dish typical of this factory’s early production. Relief-moulded decoration of laurel leaves and a family scene in classical style, inspired by Danish sculptor Thorvaldsen. Late 19th c. Diam: “9 ¼ /23,5 cm . Condition: slight wear to parts of the figures in the centre

A pair of blue and white plates, transfer printed with the temple of Serapis in Pozzuoli – also to be seen in the well in writing. One in a series of Italian and Sicilian Views produced by the Don Pottery in Swinton, Yorkshire, c 1820. Unmarked. Diameter "10 / 25.5 cm. Condition: hairline and rim chip to one plate (cf. pics).

With the purchase of the lease on the Nymphenburg factory by Albert Baumi in 1887 the factory started to re-produce figures that had been originally made in the 18th century. This figure of a Turk, originally modeled by Bustelli, is one of those. Like many of the 18th century figures this one is not decorated with colors. 4 ¾ inches (12 cm) tall and 5 ¼ inches (13.5 cm) across the base. Shield mark and the numbers 192 and 0 impressed on the underside.

Condition: other than the loss of th...

Antique Continental silver tea cup with saucer. Germany. Circa 1870s-1880s. Size: 5.5 in. x 3.5 in. ht. Gilded interior, .750 silver standard. Engraved monogram - 'G.B.'

Brown banko ware teapot, Japan, late Meiji / early Showa. Unglazed, with the exception of the rim and the top of the handle hooks, some gilt to the molded decoration of a dragon and a lion dog. All handmade, with thumb marks to base and rim of lid. Height including lid "4 ½ / 11.5 cm. Condition: no bamboo handle, otherwise fine.

This is a very nice egg wash chintz brown calico bag with a tan linen lining. It has a ribbon trim across the top and around the edges of the bag. The edges only have a little of the ribbon trim left, it has worn off over the years. The bag is in really good shape and is not fragile, it could be really used. Or great to use to store items while hanging off a hook or peg rack. 10" by 13" not including the straps. Circa 1870-80

Faience écritoire / inkwell or desk set, France, c 1800. Unusually bold decoration of flowers in black and blue. The inserts apparently of the period, but not belonging. Width "7 ¼ / 18.5 cm, height "2/ 5 cm. Condition: wear consisting with age.

A pair of small white-glazed Nymphenburg candlesticks or candle holders with octagonal base, modelled on a Nymphenburg design from as early as 1790. Impressed shield mark and green stamped mark, c 1900. Height "3 ¼/ 8 cm. Condition: fine.

A blue and white parian pitcher with raised oak leaves and acorns and a “branch” handle and spout. The oak portions in white against a textured blue painted ground. Marked on the underside with the U.S. Pottery Company ribbon mark with “No. 16.” and the number 12. This mark used in the 1850’s. 8 5/8 inches tall and 6 ¾ inches across handle and spout.

Condition: no chips or repairs, but a crack in the base of the handle.

Two pairs of plates with underglaze blue transfer decoration of a woman holding a tray of cakes with a child pulling at her dress and an oriental jardinière to one side surrounded with an elaborate floral swagged border. The smaller are more like shallow bowls than like plates. These two are porcelain and both marked with Hilditch and Sons mark for the period 1822-1830. The larger plates have overglaze lustre highlights and are not porcelain. I suspect that they are slightly later very close im...

Dinner plate in Sevres pattern but probably Minton c. 1850

A soft paste porcelain dinner plate unmarked, but probably Minton. In the “feuille de choux” pattern with hand painted flowers, blue accents and heavy gilding. These knock offs of 18th century Sevres were popular from the mid 19th century (c.1850) onwards and Minton made many of the very good ones. 9 ½ inches (24 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. This plate looks as if it was never used.

...

American decorated heavy porcelain ice-water pitcher. The porcelain in probably American, though it might be French. This form, with a bridge near the spout for holding back ice cubes, is also known as a “sweetheart pitcher,” because of the vaguely heart-shaped wreath on either side. On this pitcher, outside the “hearts” is a solid magenta ground, inside the hearts on either side in gilt Gothic letters is written, “Crescent Valley/House.” It is 9 3/8 inches (24 cm) tall. This form w...

Small vase, an early piece from the Reissner & Kessel manufactory in Turn-Teplitz in present Czechia. The exterior unglazed with carved and enameled decoration of scrollwork and flowers, the interior white-glazed. Impressed crown mark for 1892 – 1910 to the base, Amphora, Austria, model numbers and more. Near the base the exterior has got another mark, partly illegible and possibly the name of the designer (T Goto (?) cf. pics). Height "5 ½ / 14 cm. Condition: fine.

Riverside Glass Company made Brilliant in 1897. There are no chips or cracks in the glass. Thanks for looking.

Staffordshire Figure of Cobbler Woman, one of a pair. This one dates to mid 19th C. and is particularly desirable because it is painted in the round. Good condition with crazing, no discernible damage. Dimension: 6 1/2" h

Large Victorian sterling silver meat serving fork, the tines with matte gilding and bright-cut engraving. The reverse is marked "925 Sterling 1000". Nice weight. Unknown American maker.

Origin: American, circa 1890. Condition: excellent; no monogram. Size: 8-1/8" long.

A group of 5 Victorian hand etched cordial liquer or wine glasses. Dating to the mid-to-late 19th century, these 4-7/8" tall glasses were hand made from three pieces (bowl, foot and stem) which was typical of the era. They are in excellent condition with no chips, cracks, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Expedited tracked and insured parcel shipp...

Originally made for fruit circa 1860, today this antique Coin Silver folding knife might become a handy tool for another use. Small and lightweight, one side of the delicate silver engraved handle is monogrammed in script CGT, the other side awaits the initials of a new owner. One fairly sharp blade marked COIN and the other blade used for picking seeds or as a toothpick. The blade can be sharpened to hold an edge that can cut anything easily. Excellent condition, cleaning on request. Measures 3...

A Doulton Burslem Hand Painted Cabinet Plate with a Bird in the Center Reserve. Registration number 97183 for 1888. Excellent condition. See also 591A

A Sterling Silver Pierced Tomato Server by Reed & Barton in the "Hepplewhite" pattern, patented in 1907. It is gold washed at the serving end, and is 6" long. There is a monogram that appears to be LB in an intertwined script.

A pair of Staffordshire waste or slop bowls, c 1820. To one side transfer printed in black with an English mansion in classic style, in the foreground a lake and to gentlemen fishers, to the other side a lady and a small girl in a garden (traces of the same motif to the inside of the bowls). Height "3½/ 8,5 cm and diameter "6/ 15 cm. Condition: wear to the decoration and a hairline to one bowl.

Alt Wien / Old Vienna dish or plate – originally a stand for a vase or small tureen – with sparse decoration of stylized little tulips within a dark red border. The modern-looking design is a deceiver: the shape of the Royal Vienna Porcelain factory underglaze blue shield mark on the base shows a production date in the Empire period around 1800. Diameter "9 ½ / 24 cm. Condition: two small spots of glaze wear to the center, from the foot rim of vase or tureen.

A set of three scarce 4" footed green pressed glass nappies or small bowls in the Daisy & Button with Thumbprint Panel, introduced by Adams & Co., Pittsburgh in 1886. These lovely mint green pattern glass nappies are in very good original condition with no cracks, losses, damage or repairs other than the expected edge roughness and minor chipping (largest shown). All items are thoroughly and conservatively graded and all condition issues are noted; all items are secondhand and may have slight...

A lovely and unusual Victorian sterling silver jelly knife in Towle’s 1880 “No. 128” pattern. Also known as “No. 28”, this pattern is characterized by a twisted handle, accented with beautiful bright-cut engraving. The serving end is shaped in the form of a leaf and is matte-gilt to highlight the floral engraving. Originally intended to serve savory jellies, the piece could now be used for pastries. The back is hallmarked by Towle and has the pattern number.

Origin: America, ca. ...

A small Bilston patch box, enamel on copper, mid-18th century, in a design somewhere between Rococo and Louis XVI: the outer shape softly rounded, the pattern more strict, of diaper type, textile-like. Patches, often in black silk, were used to conceal scars or blemishes from smallpox or other diseases. At the time Bilston, a town in West Midlands was famous for their enamel boxes. Width "1 ¾ / 4.8 cm. Condition: enamel flakes to lid and base (cf. pics).

A nice 19th C. black wool spaniel dog with a red tape collar. He has wire enforced legs. His wool shows areas of wear but no holes. He is 7" long and 7" tall. He has a great little face.

A Canton enamel squash blossom jewel or trinket box from the 1880s 1890s. This lovely and large Chinese enamel on metal box measures 4-1/2 x 3-1/2" and it stands 2-3/4" high on its foot rim. It is nicely worked with a fine life-like appearance and the hand applied enamel is in yellow, green and blue. The interior is light blue as is the underside. It is (obscurely) marked CHINA on the bottom and it is in excellent condition with no chips, dents, bends, corrosion, damage or repairs however it...

La Rochelle fayence plate from the late 18th century. Charmingly naïve decoration of a pheasant in a landscape, the border with a twig of pears (?). The back with spur marks near the rim, a sign of age. Diameter: "9 ¾/ 24.5 cm. Condition: fine, with decorative crackling of the glaze and some burst bubbles caused in firing.

Fayence plate from northern France, c 1800. The well with carnelion, tulip and peony surrounded by some other flowers, all in manganese and yellow. Diameter " 9 ½ / 24 cm. Condition: wobbly base, otherwise fine. The back with spur marks near the rim, a sign of age.

Tea bowl with printed decoration in brick-red in the Chinese style, and hand painted in various colours. English, possibly by Ridgway or Hicks & Meigh, c 1810-20. Height "1¾/ 5 cm, diameter "3¼/ 8 cm. Condition: chip to foot rim and an early restoration with two rivets (cf. photos).

A hand painted Limoges large roses centerpiece or fruit bowl dated 1903. This wonderfully handpainted 10-3/8" across bowl stands 4" high and 8-1/2" deep, it has a handle on one side, and the painting is of very high quality for a painted blank. Typical in this era, china painting was very popular and some very talented pieces were produced by home amateurs. This example has lovely red roses and green foliage, a pink interior ground with a pair of roses, and gold trim (which required a refirin...

A pretty leaf shaped serving dish by Royal Copenhagen. Panted decoration of flowers, the twig handle with a rose and a forget-me-not flower in relief – the same as the handles used in the famous Flora Danica service. Impressed mark 2 and S, and the three waves of the manufacture in the version used around 1890. Length "7 1/5 / 18.5 cm. Condition: damage to the petals of the little forget-me-not flower.

This is a very small antique German chocolate mold. Father Christmas stands just 4 inches high and is 2 1/4 inches wide. The clips are original. Very nice detail. The manufacturer and the number 990 are stamped on the inside.

A handsome Imperial Russian medium-size hammered brass oval tray with cast brass handles. A tray of this size would probably have been used to serve vodka, and could still be used as a cordial tray or even on a buffet table. One end is stamped with the maker’s name and the Imperial Romanov double eagle warrant. The handles are attached with copper rivets and are cast in a ropetwist design.

Origin: Russia, last quarter 19th century. Condition: excellent, no dings, untouched patina, wear t...

Opaline glass bowl in the Brocade pattern, from the John Walsh Walsh glassworks. The opalizing effect was obtained by adding cobalt oxide to the glass, and a complicated procedure of heating and cooling. The opaline patterns made by John Walsh Walsh were produced as early as the turn of the century 1900. Height "3 ¼ / 8 cm, diameter "4 ¾ / 12 cm. Condition: fine.

Baluster vase with Flambé glaze in red, green and black, where the lighter parts are crackeled and the black is close to mirror black. San-Yang Kai-Tai or transmutation glazed, representing the change of seasons, from winter into spring. China, early 20th century, Republic period. The vase was purchased in Brussels in the 90's from an old Chinese couple who brought it to Europe when they left China in their youth. Height "7 ¼ / 18.5 cm. Condition: the neck has been ground down, and there is da...

Green flambé glazed miniature stoneware vase or perfume bottle, Art Nouveau design with engraved silver overlay, c 1900. Unmarked, probably German. Height "3½/ 9 cm. Condition: the end of one sprig replaced with silver colour, as shown on photo.

Art Nouveau or Jugendstil silver plated and footed pewter bowl by Kayser, Germany, c 1910. The design is a wreath of cherries, divided into three compartments. Early stamped mark Kayser. The Kayser or Kayserzinn factory in Krefeld produced pewter items of high artistic value in the decades around 1900. Diameter "6¾/ 17,5 cm and height "2/ 5 cm. Condition: fine.