This porcelain ewer was produced in Germany by Rudolstadt Pottery and Lewis Straus & Sons was the New York distributor. The ewer was produced around 1900. It is 9 1/2 inches tall with a diameter of 3 inches. The porcelain is fine quality with molded details in high relief. There is a medallion in the center of the ewer with a portrait of a young woman. It is framed in elaborate art nouveau style gilding. The gilding is raised and accented with colored enamel beads or jewels...

This pair of porcelain and ormolu bronze mounts was produced in France in the 1860s or 1870s. They measure 16 inches tall and are 7 1/2 inches across the figural handles. The ground color is celeste blue. The bronze bases are ornate and very Victorian. The lion's paw feet connect with elaborate scrolls. The handles have putti playing musical instruments. Hand painted panels of young lovers strolling in country landscapes are portrayed in fine detail and soft coloring...

A very early Bow porcelain coffee cup with the "Cross-Legged Chinaman" pattern. Adding to the rarity of this cup, in addition to its age, is the crabstock handle.

he condition of the cup is excellent, with no cracks, chips, staining, or restoration. The height is 2 1/4" and the diameter is 2 1/8".

This trio of tea cup, coffee cup and saucer was produced in Wales by Nantgarw between 1817 and 1822. Illustration #82 in “Nantgarw Porcelain Album” written by W.D. John, G.J. Coombes and K. Coombes shows a cream jug in the same pattern. None of the pieces are signed. The saucer measures 5 1/2 inches in diameter and is 1 inch deep. It is notable that this saucer does not have a foot rim and is unglazed on the bottom, a detail which is mentioned in the book...

An extremely rare Chaffers porcelain hexagonal beaker, painted in pale and dark tones of blue. The sides depict a scene of a seated lady holding a bunch of flowers, a rock out of which grow similar flowers, a child jumping into the air, and two bare trees on a hill. The interior has a lattice and root border, while the underneath of the beaker has 4 pseudo Chinese characters...

Historical dark Blue Staffordshire Teapot, circa 1830, of Lafayette at Franklin's Tomb. Made in honor of Lafayette's 1824 visit to the United States, this teapot was produced by Enoch Wood & Sons (1818 - 1846) of Staffordshire. In excellent antique condition, there is only one fairly small chip on the inside of the teapot, no hairlines, no repairs. The teapot is 11 inches wide from spout to handle by 7 .5" tall.

This porcelain chamber stick was produced in the early 19th century. It is unmarked but may have been produced by Coalport. It is 7 inches long, 4 1/2 inches wide and 3 inches tall. The fine hard paste porcelain is molded in rococo style and there are three paw feet supporting it. The ground is deep cobalt blue with two reserves. Colorful exotic birds fill these spaces, similar to Chelsea Derby decorations. Gilding of high quality surrounds the two reserves...

This porcelain vase was produced in England by Coalport in the 1890s. It is 5 inches tall and 4 inches wide. It is flask shaped and has two handles at the neck. The ground color is cobalt blue. There is a group of herons painted in silver on the front of the vase. A single bird is on the back. Elaborate raised gilded accents surround the birds, encircle the neck and foot of the vase...

This pair of porcelain vases with lids was produced in England by the Royal Crown Derby factory in1895. The date cipher indicates this year...

This porcelain bell was produced in Germany by Meissen between 1890 and 1910. It has the first quality under glaze crossed swords marking. The bell is 4 inches tall and a diameter of 3 inches. The bell has high relief molded decoration around the border and a handle with a key hole handle. The fine, white porcelain is hand painted with a stylized design of pink flowers known as “Pink Indian”. The design is accented with glittering gilded details. The molded border is trimmed with gold. ...

A large elaborate and beautiful patch mark Derby porcelain figure group of "Music" from the Muses series. Some sources refer to a very similar group as "Poetry". However, this particular group is somewhat different and is a rare variant.

The group shows a woman, holding a lyre, standing in front of a reeded column on top of which is a book and a sheet of music. Atop the base is a standing putto holding a music pipe in one hand and some type of instrument in the other. A second putto is seated ...

A Japanese tankard with lid made for the Western market, or at least in the Western taste, with an Imari palette. Traces of the gilding are still visible. The blue is underglaze, the other colors overglaze enamels. 8 inches (20.5 cm) tall with cover and approx. 5 ¾ inches (14.5 cm) across handle.

Condiion: fair bit of wear including gilding mostly gone, a hairline from the lip part way down the neck, glaze flakes on the handle and two small chips on the cover.

Unusual to still have the...

Circa 1830, historical dark blue Staffordshire teapot with a different scene on each side. One side shows 3 men chopping down a tree with a house in the background. The opposing side depicts a train engine pulling a coach. This teapot was produced by Enoch Wood & Sons (1818 - 1846) of Staffordshire. The deep blue color is remarkable as well as its excellent condition. Measures 10.5ʺ wide, 5ʺ deep, 7ʺ high.

An exceptional and uncommon William Reid porcelain coffee cup, with an oriental figure beside a table, flanked by a dragonfly and birds flying over a leafless tree, the whole painted in bright colors. The handle is of the angular loop type.

The condition is excellent, with no chips, cracks, fading, paint loss, or restoration. Height is 2 3/8" with a diameter of 2 1/8".

NOTES: 1. Because the factory was in business for so short a period (1756-1761), and its output was quite limited, porcela...

A Creamware Basket and Stand Of oval form, the rim pierced with diamonds and hearts. Scrolling pierced shell shaped handles. Probably Shorthouse L18thC. Length of stand 10 1/2″ (26.6 cm). Condition; very good, small glaze bruise to rim of basket. Some firing speckling to underside of stand.

A French faience pot de crème / custard pot, c 1760, ribbed and decorated with flowers in petit feu enamels. The style of the decoration as well as the shape resembles that of Veuve Perrin, Marseille, but the signature, a monogrammed JR, indicates that the little pot originates from the manufacture of Joseph Robert, also in Marseille. Height including lid "3 ¼ / 8 cm. Condition: some roughness to rims (cf. pics).

A Delft blue and white mid 18th century plate with a flower basket in Chinese Kangxi style surrounded by a “Kraak” border, the rim yellow glazed. Diameter "9 / 23 cm. Condition: rim frits, the border with repair and associated hairline (cf. pics). Price: $120, including worldwide registered / trackable shipping

A small jug, an 18th century model skillfully copied after a cruet set from the faïencerie of Veuve Perrin in Marseilles (1760 – 1803). To one side a gentle couple harvesting - a mock rural scenery - and to the other floral decoration, all in 18th century Rococo style. From the Parisian factory of Edme Samson, made a hundred years later when ambitions were high to create true copies of the old and admired techniques and styles. The aim of the manufacturers was also to make an impression at th...