A fine example from the Quadrupeds Series, manufactured, primarily for the American market, by John Hall between 1802 and 1832. This particular piece depicts the pronghorn antelope, with a beaver, otter, coyote, and raccoon in the cartouches at the edge of the plate. Marked on the reverse a printed "Hall Quadrupeds".

The plate is 8" in diameter and is in excellent condition, with no chips, cracks, or restoration, and having the desirable deep blue ripple glaze.

En suite with p1108.

A large (15 1/4" by 12") blue and white Staffordshire platter in the "Lakes of Killarney" pattern, maker unknown; beautifully bright and crisp (what appears to be a darkness on the platter in the photo is due to a lighting problem)

A molded roughly round stoneware small tureen with attached under tray, elaborate lid with finial and simple ladle. All transfer printed with blue floral sprays enhanced with overglaze enamels. The spoon with an additional transfer of water and a plant in the bowl. The lid and tureen with gilt highlights especially on the rams head cornucopia finial...

An Early Nineteenth Century Hungarian Faience Jug, Possibly used for Wine. Pictures a Shepherd with a Dog and a Ram and Sheep. The Inscription "GAMBRIS ISTVAN 1810" is on either side of the shepherd's Head. Height; 12", weight 2.25 lbs. Minor glaze losses.

A rare pair of Pearlware pottery figures depicting Venus and Neptune made in Staffordshire during either the late 18th or very early 19th Century. A similar pair of figures are illustrated in "The price Guide to 18th Century English Pottery" by Sally Mount, published by the Antique Collectors' Club (1972). Condition: there are some losses to the enamel colours; no cracks, no repairs and no restoration. 23.5cm (9.25 inches) high.

A fine rare Pennsylvania German folk art brides box c. 1830 in very good antique condition with all original antique paint. Old german script reads, "SCHAU ES NUR AN WIE DU WILLST EX IST DES VATERS EBENBILD". ROUGHLY TRANSLATES TO "SEE IT THE WAY YOU WANT IT IS YOUR FATHER'S LIKENESS. Measuring approx. 19 x 12 x 7 inches a Museum quality American folk art piece.

A pottery circular flask with the center of both sides decorated with a purple transfer of a man fishing in a river across from a church. The transfer surrounded by a brown/red raised band then hand painted purple flowers, green leaves, and red buds. The mouth with a beaded edge and neck decorated in the same red/brown. 7 3/8 inches from mouth to bottom, 6 ¾ inches across.

Condition: no chips, cracks or repairs. The green enamel has flaked off in a couple of places...

A pair of Mason's Patent Ironstone China plates circa 1820 in the "Chinese Wall" pattern with Under glaze blue and over glaze enamels with gilt highlights on the green border and the dots on the wall which is painted with different color blocks. The mark, “Mason’s Patent Ironstone China" is impressed in a single line on the back of the plates. Diameter is approx. 9 inches (22.9 cm).

Condition: No chips, cracks, hairlines, or repairs. There are some knife scratches and gilding wear...

Pair of ironstone plates with chinoiserie decoration of flowering plants with a flower border and thin blue printed scallop border. Back marked with an elaborate blue printed mark of a crown over what looks like a log with a garland of flowers and a ribbon with the words, "TONQUIN CHINA." The pattern number '500' is written in orange on both plates. The factory is unidentified...

A pair of Ironstone plates with Chinese style decoration of a willow tree, a Chinese fence and flowers. With a lobed edge they have an elaborate border between the rim and the center of the plate. The blue is underglaze decoration while the colors and gilding were applied after the glaze. The underside with the Royal Warrant, “STONE CHINA/No. 7.” 8 ¼ inch (21 cm) diameter.

Condition: Neither have chips, cracks, hairlines or repairs. One has some gilding wear and slight scratching...

A high quality porcelain deep sided saucer decorated with an untied bouquet of flowers slightly off center and two small blossoms on either side of the bouquet. The underside inside the foot is impressed with the Nymphenburg mark, the letter “K” and the fraction “1/7”. The saucer is 5 1/8 inches (13 cm) diameter.

Condition: No chips cracks hairlines or repairs. Some very light scratching on the inside of the saucer and a couple of very minor firing flaws.

A hard paste porcelain cup and saucer with gilding of lyres with arrows supporting swags. Two panels on the saucer and one on the cup displaying in differently toned gilding elaborate outdoor scenes with people, buildings, trees and other details. The partially gilt handle scrolls to the top edge. Two-tone leaves ring the lower part of the cup. There are no marks on either the cup or saucer. Inscribed in the body of the saucer inside the fool is what appears to be “n6” in a bold hand...

A molded roughly round stoneware small tureen with attached under tray, elaborate lid with finial and simple ladle. All transfer printed with blue floral sprays enhanced with overglaze enamels. The spoon with an additional transfer of water and a plant in the bowl. The lid and tureen with gilt highlights especially on the rams head cornucopia finial...

A William Ridgway “Oriental” green transfer printed platter with a vaguely Middle Eastern fantasy scene in the well surrounded by a border of alternating floral bouquets and Middle Eastern buildings against a sprigged green ground. On the back the Ridgway mark of an urn and beehive over the subject name, “ORIENTAL.” and the initials, “WR.” printed in green. The initials for William Ridgway were used from 1830 to 1834...

These 8 porcelain chocolate cups and saucer were produced in France at Sevres around 1810. The saucers have a diameter of 4 7/8 “ and are 1 ½” deep...

As mentioned for other similar items on the site, this type ware is often mistakenly referred to as Leeds and featheredge. In reality, many factories other than Leeds made items of this nature, and the type edge here is more properly called a molded edge. This particular plate was made by Riley, and is indicated as such with an impressed mark on the back. Being able to identify the maker does increase the value to some extent. Also, green-edged wares are considerably less common than blue.

Thi...

A fine little dish in what is often called Leeds feather edge. Accurately speaking, this is not a true Leeds feather edge piece, but is an English pearlware pickle leaf dish with blue edge decoration. The terms Leeds and feather edge are, unfortunately, generally misused to describe any piece of pottery with a decorated edge. What can be said about this piece is that it is of a beautiful form, with a delicate tracery of veins in its naturalistic modeling, and, contrary to virtually all dish...

Very nice dark blue Staffordshire transferware plate in the “Bear” pattern from the “Quadruped” series by Hall. The plate depicts a river otter catching a salmon in the central reserve, surrounded by shield-shaped reserves depicting (from top going clockwise) a hedgehog and a mole, a pair of rabbits, a seal, and a civet and genet. All of the animals are based on illustrations by Caesar Ibbetson that appeared in John Church’s 1805 “A Cabinet of Quadrupeds.” The back is stamped �...