A very early Bohemian ale glass with ruby flashed vine decoration on round puck base with polished bottom which supports fluted bowl with aforementioned design. Base, knop, and rim banded with red. This very early hand blown glass dates to c. 1850 and is rather rare. Condition is excellent with some very minor scattered finish fading...

Offered is this beautiful antique oil lamp (the lamp has been electrified), made by Sheldon. It is made in the highly collectible swirled-glass decor. The lamp is 7 1/2 inches tall (to bulb-socket) and 4 1/4 inches wide at its widest. There are a couple of base chips (the larger one shown in 7th picture)...

Blue satin overlay ever vase, thorn handled and decorated with hop bines in enamels and gilt. Bohemian / Czech, late 19th century, probably Harrach. Height "8 / 20 cm. Condition: fine.

An exceptional and rare cameo glass bride basket on quadruple silver plate stand. The rose colored cameo is striking and as fresh today as it was c. 1880 when it was first created. The glass was produced by Mt Washington while the silverplate was produced by Pairpoint and is so marked. The basket handle uses a branch and leaf motif with the latter being applied over the former. The basket well is reticulated, the base having swirls and leaves, all standing on 4 feet...

Offered is this rare cranberry-glass pillow vase, hand-decorated with a marsh scenery, made by Moser around 1900. The vase is 7 1/2 inches (19 cm) long, 6 1/2 inches (16,5 cm) high and 3 1/2 inches (9 cm) wide. In good condition (expected, age-appropriate wear to gold and a small rim flea-bite - see last picture). Unsigned, but guaranteed to have been made by Moser - the scalloped feet are a hallmark of Moser pillow vases (for reference: see Baldwin's book on the Klabin Moser glass collection).

A scarce early American pressed or pattern glass 8-3/8" tall covered footed sugar bowl in the Daisy and Button with Thumbprint Panel pattern, issued by Adams and U.S. Glass of Pittsburgh c1890. This is the collectable Vaseline colour, and this item is in very good original condition with no cracks, losses, major damage or repairs other than some minor chipping to the finial and column ends and edges on the lid and on one column and inside rim of the base (all chips minor)...

A lovely antique emerald green Moser style glass perfume bottle comprised of three layers of glass (light mint green white, emerald green, clear) with gold enamel scroll work. With some minor loss to gold gilt commensurate with age and the end of the stopper is broken, this is considered to be in very good antique condition.. Measures 6.75" high, body 3" diameter, 2" diameter at foot. Czechoslovakian circa 1880.

A fine 19th century 6-1/2" Stourbridge-style milk glass vase with amber glass applied leaves and feet plus red cherries. The milk glass has nice orange fire when held to the light, and the leaves, feet and cherries are well formed. It is unsigned, and it in excellent original condition with no chips, cracks, damage or repairs other than the loss of part of the amber glass stem on one cherry (see picture)...

Phenomenal Art Nouveau crystal shallow bowl, the bottom with intaglio engraving of a large pansy blossom. The flowers petals are beautifully handpainted in shades of burgundy and then gilt. The flower is surrounded by translucent foliage. The scalloped rim of the bowl is gilt to coordinate with the floral decoration. This piece, with its single large flower, is much more assertive than the more common small reverse-carved pieces such nappies and short compotes...

An impressive and well-designed antique Bohemian glass paperweight. The bullet-shaped weight encloses a large central red, white and blue lily surrounded by three smaller lilies, all emanating from a speckled glass pot at the base. The area just above the pot has a thin film of green glass to suggest foliage. The weight is ornately faceted into a bullet-shape. The glass is quite heavy and clear...

This crystal glass was produced in Bohemia in the late 19th century. We are not certain of the manufacturer but it is in the style of Lobmyer and Moser. The glass is 5 3/4 inches high and the diameter of the opening is 3 1/8 inches. The crystal is hand blown. It is decorated with brightly colored enamels. There is a beautiful lady in a ball gown on the front. Flowers and swirling ornaments decorate the sides and back. There are gilded accents within the decoration...

A pair of unmarked Wave Crest “Daisy” salt shakers. The flat rims of the shakers are decorted with a dainty floral pattern and the undersides of the bases are embossed “Patented June 2 1891." The shakers are perfect and are 2 ½ inches in diameter.

Set of three 1800's reverse painted hunting scenes. Framed in beautiful old burl frames with silvered filets. Each measures 13.5" x 11". Reverse painted under glass with painted scene on paper underneath that for added dimension. Exceptional set. For additional photos or questions, please feel free to ask.

Lovely blown flint glass sugar bowl or covered comport in a panel design, the molded bell-shaped lid rising to a pointed finial. The bottom has a polished pontil. The glass is of heavy weight and good clarity.

Origin: American, possibly Sandwich or Cambridge, ca. 1840. Condition: the bowl has one 1/8" flake under the bottom rim and another of the same size on the edge of the bottom rim; the top has one 1/2" shallow flake underneath the rim and some general roughness around the edges of the ...

Offered is this beautiful Bohemian Moser glass dish with tooled-rim. The dish is 6 inches (15 cm) wide. The dish is made on an aqua-to-clear glass blank. It has a polished pontil and is in very good condition. Though unsigned, it is guaranteed to have been made by Moser - according to Gary Baldwin, tooled rims of the type present on this dish, "to date, have only been found on Moser decorated glass" (reference: page 85 of his book, 'Moser Artistic Glass Edition Two').

This set of 6 crystal wine glasses was produced in the United States by one of the fine manufacturers in the 1890s. They are not signed; therefore we are unable to identify them precisely. They are 5 inches tall and 3 inches wide. The crystal is hand blown with bright clarity. The stems are hollow with a teardrop. The cutting is very intricate with hob stars and cross hatching. The foot has a star burst. They have a bell-like ring and just sparkle in the light. Condition: Excellent ...

A beautiful Findlay Onyx glass celery vase, made by Dalzell, Gilmore & Leighton company, around 1889. The vase is 6 1/2 inches tall and 4 1/2 inches wide. Except for the usual roughness around the rim, typical of Findlay Onyx glass items, it is in fine condition.

23054816 Beautiful jeweled Crown Milano sweet meat. The piece has a silver plate lid with turtle. The swirled rib jar has 5 jeweled starbursts over the scrolled medallions. There are no missing jewels. The jar is 4 ½ inches in diameter and 4 3/4 inches tall. The jar is unmarked.

Offered is this exceptionally beautiful, hand-enameled in ruby flashing, glass pokal or covered jar. The jar is 11 inches (28 cm) tall and 4 1/4 inches (10,5 cm) wide and is in excellent condition. It has a 32-point star-cut base. There are a number of raised glass cabochons surrounding the body of the pokal. It fluoresces a gentle-green when subjected to long-wavelength black-light, typical of 19th century glass articles. Unsigned. Based on decor, the meticulous details on the veining on the le...

A sentimental Bohemian souvenir or memento flashed red glass mug, with a nicely curved handle. Etched with flowers and the saying "Remember Me." In superb condition, standing 4 1/8 inches tall, with a diameter of 2 3/8 inches.

This glass is a companion piece to g1218, identical except for the floral arrangement on top of the cartouche surrounding the saying.

American amberina glass tumbler of extraordinary coloring. The slightly ribbed outer surface complements the thumbprint interior design, creating an interesting optical effect. The glass is heavy and free of defects. The bottom has a concave polished pontil. Origin: New England. Size: 3-5/16" tall. Condition: mint.

An American Brilliant Period (1876-1916) Cut Crystal and Sterling Rim Center Bowl. the Bowl is Hallmarked by The Stone Sterling Silver Company, New York (1896-1903). Dimensions; 10.25" diameter x 5" high. Very minor dings in the silver rim (barely noticeable) but other wise in excellent condition. No problems in the glass.

A very fine early cut crystal wine decanter with etched grapevine decoration. The neck is panel cut and accented with a diamond-cut ring at the base. The panel cutting extends past the ring on the shoulders and resumes at the base. The sides are beautifully decorated with an etched grapevine pattern. The etching is finely done. The base is star-cut. The hollow-blown stopper is panel cut to match the decanter's neck. The inside of the neck and the base of the stopper are etched with matchin...

Antique second half of the 19th century Bohemian hand-blown clear cut-glass decanter and stopper made for the Middle Eastern, Persian and Ottoman market. Body of bulbous form with long neck applied with three faceted rings, cut with leaf-shaped panels of hobnail, leaves and diamonds, enamelled with blossom and scrolls and gold gilt, with spire stopper. Base with a ground down pontil mark.

REFERENCES: Similar decanters have been sold at Christie’s London (South Kensington) 10 May 2011.

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A pretty Victorian mercury glass vase in rare peacock blue. The surface is frosted and enhanced with painted decoration of fuchsias an autumnal colors. Some areas of the background are left unfrosted for a nice contrast. Blue is a very unusual color for mercury glass pieces.

Origin: America, ca. 1850. Condition: very good, no chips or cracks, lead plug is missing and some oxidation in the foot and light oxidized pinpoints the main part of the body. Size: 8” tall.

A beautiful, large Peachblow glass bowl, made by New England glass company around 1890. The bowl is 7 1/2 inches in diameter and 3 inches in height. The non-cased glass bowl is in excellent condition, without chips, cracks or repairs. Polished pontil. Unsigned, as expected - a similar bowl is shown on page 125 of John A. Shuman III's book, 'American Art Glass', 2nd edition (shown in last picture here for your convenience).

Handsome hexagonal faceted glass paperweight featuring a detailed frost intaglio of a lion pressed into the base. The New England Glass Company made several different types of intaglio paperweights, and this piece is possibly an example of the company's work.

Origin: America, ca. 1880. Condition: excellent, no chips, normal wear to base. Size: 2-7/8" diameter; 1-3/16" high.

A vintage Mt. Washington Quilted Diamonds huge rose bowl. This true vintage Victorian cased glass rose bowl is in attractive aqua blue and it dates around 1890. This 5-1/4" high and 6-1/4" across crimped edge posey vase is in the satin finish Quilted Diamonds pattern, produced by Mt. Washington glass. This IS NOT a reproduction, but the real thing, as can be seen in our pictures, which show the soft irridescent design. It has the expected unpolished pontil, and this decorative example of Americ...

A very nice scrambled glass paperweight by the New England Glass Company. The weight is well-packed with a colorful assortment of canes and twists. Visually, the set-up extends all the way to the periphery when viewed directly from the top. The glass is very clear.

Origin: America, ca. 1870. Condition: excellent, no wear to crown, some small flakes all along the edges of the basal ring. Size: 2-1/2" diameter; 1-7/8" high.

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tulip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon. An identical example to t...

Very unusual glass paperweight from the New England Glass Company. The weight is worked in a patriotic theme with shards of red, white and blue opaque glass rods making up the scrambled design--possibly in celebration of America's centennial in 1876. The center of the setup is punctuated with a large icepick bubble--a technique I have never seen used in an American scrambled weight. There is also a rare silhouette cane of a pine tree. The crown is high and has a lightly swirled finish. The ...

Offered is this pair of Mt Washington Burmese glass vases with applied handles in their 'Egyptian' pattern. Each vase is 7 inches tall, 4 1/4 inches wide (handle-tip to handle-tip) and both vases are in excellent condition (mentioned for accuracy: there is a black mark on the inside of one vase, perhaps from the flowers displayed in it - see picture). The vases glow when exposed to black-light showing the presence of Uranium salts in the vases' glass blanks, typical of genuine Mt Washington Burm...

This crystal cordial glass was produced in Bohemia in the late 19th century. There are no marks to identify the maker. The glass is 9 1/4 Inches high and the diameter of the opening is 2 1/4 inches. The crystal is hand blown. The stem has an elongated air twist stem. There is hand painted enamel decoration on the top. It is accented with blue beading and gold trim. Condition: Excellent

This flint glass pitcher was produced in the United Stated at the Boston Sandwich glass factory in the late 19th century. It measures 5 1/2 inches high. It is cranberry opalescent hobnail with a clam broth attached handle. There is a rosette connecting the handle and a wide polished pontil on the bottom. The pitcher rings like a bell when tapped. The pitcher has a sensuous quality about it. The glass feels slick and smooth until you come to the hobnails that increase in size from top to bo...

A nice South Jersey glass paperweight with a frit “Home Sweet Home” design. The motif features a log cabin with puffs of smoke coming out of the chimney, surrounded by the “Home Sweet Home” legend and a laurel wreath bough at the bottom. The top is cut with a single printy. The bottom is flat and polished, without the incised ring that appears around the periphery of many South Jersey weights.

Origin: America, ca. 1890. Condition: excellent, very light normal scratches to surface, ...

A beautiful, hand-painted creamer and sugar set in ornate Wilcox quadruple-plated silver holders. Both pieces of glass are decorated with flowers, butterflies, etc. The metallic holders have superb wrap-around decor. The creamer is 5 1/4 inches wide and 4 3/8 inches high, while the sugar container is 4 1/2 inches wide and 4 1/4 inches high. Except for a rim-chip in the sugar container (see last picture - hidden with lid in place), the pieces are in good condition. Polished pontils. Both holders ...

A classic Sandwich glass hyacinth vase in a rich teal shade. The vase is entirely hand blown and shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon. An identical exampl...

Rare 19th century Irish cut crystal footed master salt with a fluted body and a handsome roll over collar. The bottom of the foot has micro abrasions. It is not signed Waterford, but early Waterford was not marked. In excellent antique condition, it measures 3.25" high, bowl 3" diameter. A must have for the collector. Circa 1840-50

A nice pair of vintage late Victorian 5-1/4" cased yellow glass vases with fancy hand painted enamel birds and branches with leaves. This decorative matching pair is unsigned, and they are in excellent condition with no chips, cracks, losses, damage or repairs except the loss of the upper rim gilding and a shallow flake off the inside rim of one vase not affecting the outside view. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or ...

This gem was the product of the Gundersen-Pairpoint Company in the mid 20th century, but ended up the collection of an avid glass addict. For serious collectors, we can offer limited but very interesting provenance for this and other goblets we are selling from a socially prominent philanthropist who settled in north Georgia and died in 1939. The underside retains an identification tag from the collector. Dimension: 7 1/8" h

A matching set of six hand-made late Victorian 5-1/4" cut crystal wine glasses with fine teal coloured bowls. They have fine hand-cut stems, faceted bottoms on the bowls and applied bases. The bowls have subtle striations and the occasional bubble. They are unsigned but of superb quality. This set is in excellent condition with no chips, cracks, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may...

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering, and has a large oblong bubble on one side about two inches above the bottom. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases ...

Although not marked, this art glass piece bears the styling and quality of Victorian pieces made by the Stevens and Williams Ltd of England and in the 1870s under the direction of John Northwood (son Harry Northwood was a glass maker in America). The body is an oval pill-shaped translucent light turquoise glass with an open oval top that is bordered with a scalloped ribbon crest. At each narrow end is a small applique of amber glass. The piece is also supported with four pinched amber glass feet...

Offered are these two beautiful, hand-painted Victorian glass ewers. The amber-colored thumbprint jug is 8 3/4 inches tall and 6 3/4 inches wide. The Mary Gregory one is 8 inches tall and 7 inches wide. Both ewers were blown (has pontil-bottoms - see last two pictures) and are without chips, cracks or repairs. Both jugs fluoresce a gentle green when exposed to long-wavelength black-light, showing that they are made of late 19th century soda-lime glass blanks.

This glass powder jar was produced in Bohemia by Moser in the late 19th century. It is 4 inches in diameter and 3 inches high. The hand blown glass is colored light blue. It is hand enameled with a lacy floral pattern on the lid. There are gilded panels on the top edge and bottom with colored enamel decoration. They are mounted with a gilded metal hinged frame. Condition: Excellent

This satin glass basket was produced in the United States in the late 19th century. The exact manufacturer is unknown. It was probably made by a New England glass company. It is 10 1/2 inches high and 7 3/4 inches in width. It is made of cased satin glass, white on the outside and striped with shades of rose coloring inside. There is an applied foot and applied thorn handle. The stripes inside the basket are reminiscent of candy, the coloring is so appealing. There is a ground and polish...

A small New England Peachblow rose bowl with applied white vertical stripes. The 2 7/8 by 2 7/8 inch bowl has a crimped and scalloped rim and a broken pontil mark. The bowl is similar to those made for the 1893 World's Fair

A very good Classic Period glass paperweight with a pinchbeck design. The scene depicts the "Descent from the Cross" and shows two centurions, Joseph of Arimathea and Nicodemus taking the body from the cross while Mary weeps at Jesus' feet. The pinchbeck insert is finished in a silver tone rather than the more common gold. The crystal dome is of very good quality, with excellent clarity and good optical magnification to highlight the detail of the scene. The bottom of the weight retains its ...

These 12 champagne tumblers were produced in Bohemia by Moser before 1890. They measure 3 ¾ inches high and have a diameter of 2 3/16 inches in diameter. The glass is hand blown with polished bottoms. They have a leaded content so that they ring. The base color of the glass is bright cranberry. Each glass is elaborately hand enameled with tiny flowers and buds you can feel. Straps of gold create cartouches containing flowers. The design has a bit of a Persian feel with the elaborate gild...

These 10 crystal champagne glasses were produced in Bohemia, part of the Austro-Hungarian Empire in the late 19th century. The specific maker is unknown. The glasses are 5 11/16 inches high and have a diameter of 3 ¾ inches. They are hand blown crystal and have hand cut stems. The stem of the glass is hollow for a reason. When champagne is poured into this type of glass the bubbles come up like a volcanic eruption. The decoration is heavily applied, hand painted enamel you can feel with...

High Quality Bohemian cut glass goblet in blue with painted floral decoration. There is a star figure cut into the bottom. No chips. No cracks. No repairs. Height: 7 1/8 inches. Width at top: 3 1/8 inches.

An ornate Bohemian glass box with jewels, made by Moser around 1885. The green-colored box is 3 1/2 inches (9 cm) wide and 2 3/4 inches (7 cm) high. It has yellow/amber colored jewels on it. The hinge opens and closes fine. Except for a missing jewel / chip on the top (see last picture), the box is in very good condition. Like typical Moser objects from the 19th century, the box is unsigned. It fluoresces in a gentle-green color when subjected to long-wavelength black-light - so the box's blank ...

Offered is this monumental-sized New England peachblow glass lily vase, made around 1890. The vase is 17 1/2 inches tall, 7 inches wide at the top and has a base-width of 6 1/4 inches. Though New England glass company made lily vases in various sizes, it is rare to come across a New England peachblow glass vase of this large a size (this is the largest-size lily vase they made). A New England peachblow glass lily vase of this size is at display at the Chrysler Art Museum (shown on page 48 of Ray...

A beautiful hyacinth bulb vase by the Boston & Sandwich Glass Company, decorated in opaque overlay cut to clear in in a panel and trailing vine design. The top is enhanced with a cobalt blue lip and the bottom is slightly footed and star-cut. The overall form is very elegant. The shape was blown in the company's #123 mold and the cutting is identical to known labeled pieces. Vases of this shape were used to hold a single flowering bulb, usually a hyacinth, but sometimes a daffodil or tulip.

Unusual metal mounted black glass dresser box with enameled decoration of flowers and a figure with bee. American, 1870-90.

Length: 4”
Width: 3”
Height: 5”

Flint glass open sugar on round foot, glass sliced octagonally. Glass is tinted grey/purple. Condition better than average for age, but still age appropriate wear. Limited but interesting provenance for serious buyer. Glass belonged to well to do and well connected Georgia philanthropist Lenna Judd who died in 1939. Dimension: 4" h; 4 1/4" d

Fabulous and rare Pairpoint silver palate olive caster with original tongs. The satin glass insert is most likely Mount Washington and features a lovely hand painted floral design on all sides. All in excellent condition, it measures about 11 inches tall. (Glass insert is 4.5" high)

A goblet, presumed to be made by Riverside Glass Works as early as 1906 as pattern number 593. It has a caramel color, not a common find.

Please be aware that this pattern is known by several names such as Old English Colonial, Blucher, and Colonial, in part due to the change of ownership of the molds, during the first quarter or so of the 20th century, during which three companies owned them. As such we are unable to warrant the maker.

Excellent condition. This hard to...

Offered is this very large and rare Mt Washington glass hand-painted lamp in their 'Crown Milano' decor. The lamp is 36 inches tall to the top of the chimney (34 1/4 inches tall without chimney). The exceptional lamp is decorated with as beautiful a painting of flowers as you are likely to find anywhere. As expected from the era of its fabrication, originally it used to be an oil lamp which was later converted to electricity (cut electrical wires are still present, see picture - if you want to m...

A Hand Blown Barber Scent Bottle with Swirls and Hand Painted Florals. Dimensions; 8" high, 10.75" high including stopper. Circa 1890 and in excellent condition.