Offered is this beautifully decorated (with mums) biscuit jar, made by Pairpoint / Mt Washington, around 1900. The jar is 8 1/4 inches tall (to the top of the handle) and 5 inches wide. It is in very good condition, without chips, cracks or repairs. The biscuit jar is fully marked (Mt Washington shape number, 'M.W. 4413' engraved on the inside of the lid, and, 'Pairpoint 3910' stamped on the jar's bottom - see last two pictures)...

A. H. Heisey & Company beautiful pressed glass pitcher with open work silver floral design on the rim. The bottom has the "H" maker's mark inclosed in a diamond shape. Age: Pre 1920. Size: H.23cm. Diameter at the base. 13cm. Condition: Almost mint. Some minor scratches on the bottom.

Very rare, dating circa 1820, American cut lead crystal wash basin and water pitcher set. Possibly by Bakewell Glass of Pittsburgh, the set is in excellent condition, no chips, no cracks, no repairs. The bowl measures 7.5" high x 16.25 diameter. The pitcher measures 12.5 inches high.

A high quality milk glass goblet paneled with 9 facets and decorated with 3D grape and leaf design, most likely Westmoreland No. 1881. Stem is also faceted, standing on round foot. The "milk" alternates between translucence and opacity. This goblet is early 20th C. and in excellent condition.

We have left the original collector's identification tag on the foot, as it relates to the complete provenance of the glass...

This Queen Heart lamp is 9 3/8" tall without the chimney. It was made by Dalzell, Gilmore, and Leighton in 1898. The collar is loose.

A large, signed, Steuben gold Aurene bowl - it is 9 3/4 inches wide and 4 inches tall. Fine condition. Polished pontil. Signed, 'Aurene 2851'.

A Galloway or Mirror Plate or Virginia EAPG vinegar Cruet. This 8-1/2" tall (including stopper) early American pattern or pressed glass vinegar cruet was made by US Glass and Jefferson Glass Co. (Toronto) from c1900-25. This item is in excellent original condition with no cracks, losses, damage or repairs other than a tiny 1/16" flake to one rib near the neck (barely noticeable) and the loss of most of the original gold wash to the handle and upper rim...

Outstanding early South Jersey glass paperweight enclosing a frit design of an eagle with an American flag and the words "The American Fire Philadelphia A.D. 1810." I'm not sure if this refers to a fire department or a fire insurance company. The detailing, especially the feathery delicacy of the eagle's wings, is very nice. The glass is very good quality and the design achieves very nice magnification because of its placement low in the crown...

Wonderful blue Cluthra M-handled vase standing 10 inches tall and 7 inches in diameter at its widest point. The vase is shape 8508 and is entirely mixed blue and white from top to bottom. It does not shade to white at the bottom. The bubbles in the Cluthra are small (1/4 inch diameter or less) and are well distributed. There is no damage to this unsigned vase.

Offered is this early Handel reverse-painted, 'chipped-ice'-shade lamp. The shade is signed, 'HANDEL 3157' with the artist's initials, 'R. g' (painted by either of Handel artists: R. Gillern or Robert Goodwin) - see pictures. The base is marked, 'B & H' (not to be confused with Bradley & Hubbard), which is an exceptionally rare early Handel mark (please refer to the 'handellamps.com' website) - see second-last picture. Initially, it used to be an oil lamp that was converted to electricity...

Offered is this set of three, iridescent, 'Favrile' glass shades, with zippered pattern, made by Quezal around 1910. All shades are signed. Each shade is 4 1/2 inches wide, 3 1/2 inches high and have the standard 2 1/4 inches fitter width. They are in very good condition - one shade has a fleabite on the fitter-rim (see picture) and there is some roughness on the fitter-rim of one shade.

A 19thC. pressed milk glass syrup jug. This attractive mid-19th Century 6-3/4" tall pressed milk glass syrup jug has an applied silver plated hinged lid. This unsigned tableware serving item has an attractive climbing flowers and ribs design, and the glass colour is a pale misty green...

Although not marked, this art glass piece bears the styling and quality of Victorian pieces made by the Stevens and Williams Ltd of England and in the 1870s under the direction of John Northwood (son Harry Northwood was a glass maker in America). The body is an oval pill-shaped translucent light turquoise glass with an open oval top that is bordered with a scalloped ribbon crest. At each narrow end is a small applique of amber glass. The piece is also supported with four pinched amber glass feet...

An 8" across and 3-7/8" tall Canadian brilliant cut crystal or glass bowl c1900-10. This high quality and ornately cut bowl has the acid stamp for Roden Brothers and it is in excellent condition with no cracks, losses, damage or repairs other than a couple of the expected minor edge chips (this bowl looks nearly perfect). All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use...

A beautiful Rosaline and ivory glass compote and creamer made by either Steuben or Stevens & Williams. The compote is 7 inches wide and 4 inches high. The creamer is 5 inches wide (to handle-tip) and 2 1/2 inches high. Both are in fine condition without chips, cracks or repairs. Broad polished pontil on creamer.

This beautiful turquoise or robin's egg blue goblet is elegant and timeless. Its tall urn shaped bowl sits atop a short stem with globular knop...

Nice early South Jersey glass paperweight with a frit setup depicting a cabin surrounded by the motto "Home Sweet Home". The cabin has trees in the yard, smoke curling from the chimney, and a well in the foreground. The design is worked entirely in white frit. The base has a broken pontil and an incised ring around the base, as is typical of S. Jersey paperweights.

Origin: America, ca 1890. Condition: light surface scratching to the crown, no chips. Size: 3-1/2" diameter; 2-1/2" high.

This unusual glass paperweight is filled with a devil’s fire motif worked in vibrant opaque shades of red, white and green. The glass of the design has a chalky texture similar to sulphides, but is randomly swirled and peaked in the typical devil’s fire style. The glass of the dome is particularly clear and bright for South Jersey paperweight. There is an incised ring around the periphery, just above the base, that is often found in Jersey weights. The base is concave and has a nice basa...