This crystal decanter was produced in the United States in the late 19th century. It is not marked, therefore we are unable to precisely identify the manufacturer. It is evident in the fine quality that it was produced by a respected company. The decanter is 8 1/2 inches high. The diameter of the base is 4 1/4 inches. The decanter has an interesting shape in that it bulges out and pulls in below the handle. The cutting is very fine with intricate designs...

This pair of crystal candle holders was produced in the early 20th century. We believe that they were made by an American glass company such as Libbey, Sinclaire or Pairpoint. There is no signature and the pattern does not lend itself to identification. They are 11 3/4 inches high and the diameter of the base is 4 1/4 inches. They are hand blown with a wide polished pontil on the base. The shape is elegant with six panels to the shaft...

This flint glass pitcher was produced in the United Stated at the Boston Sandwich glass factory in the late 19th century. It measures 5 1/2 inches high. It is cranberry opalescent hobnail with a clam broth attached handle. There is a rosette connecting the handle and a wide polished pontil on the bottom. The pitcher rings like a bell when tapped. The pitcher has a sensuous quality about it...

Fine Bohemian green-to-clear cut glass Biedermeier footed spa beaker ("spaglas") featuring five panels, each beautifully engraved with Classical symbols. Beakers of this sort originated in the great spa towns of Bohemia, where they were used to take the waters. Wealthy visitors often brought back a goblet as a souvenir of their restorative stay at the spa...

A scarce Heisey EAPG Winged Scroll pattern custard glass American pressed or pattern glass pitcher issued by Heisey from 1899-1901. It is 9-1/2" tall in the un-decorated (no gold trim) custard colour, and it is in excellent condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use...

A Hand Blown Barber Scent Bottle with Swirls and Hand Painted Florals. Dimensions; 8" high, 10.75" high including stopper. Circa 1890 and in excellent condition.

An American Brilliant Period (1876-1916) Cut Crystal and Sterling Rim Center Bowl. the Bowl is Hallmarked by The Stone Sterling Silver Company, New York (1896-1903). Dimensions; 10.25" diameter x 5" high. Very minor dings in the silver rim (barely noticeable) but other wise in excellent condition. No problems in the glass.

An Amber Glass Hand Blown Thumbprint Pitcher with an Applied Blue Handle. Dimensions; 9" high x 6.5" wide to handle. 1920's and in excellent condition.

A Thomas G. Hawkes Amber Cut Crystal Center Bowl or Compote. Dimensions; 9.5" in diameter x 4.25" high. Marked Hawkes and with the Trefoil (highlighted with magic marker in photo). Circa 1910 and in excellent condition.

Lovely shaped biscuit jar with handpainted floral decoration. The frame need to be resilvered, but other than that it is in perfect condition with no chips, cracks or repairs. It measures 8 1/2" to the top of handle x 8" long and 4 1/2" wide

Lovely melon shaped Mt. Washington biscuit jar with handpainted pastel flowers. This jar is in perfect condition with no chips, cracks or repairs, and measures 5 1/" to the top of the lid x 5 1/2" diameter.

Lovely large hinged cut glass box with flowers on both top and bottom. It is in perfect condition with no chips, cracks or repairs, but the rim could use resilvering. It measures 4" tall x 8" diameter at its widest point.

A stunning footed cut glass compote in Hawkes’ “Delft Diamond” pattern. While the pattern is not especially ornate, the deep emerald green color of the blank is amazing. The knopped stem has an elongated airtrap bubble that’s difficult to see because the color of the glass is so rich. The plain round foot is acid-stamped with Hawkes’ trefoil signature, which would suggest a relatively early date.

Origin: America, ca. 1920...

A Higbee Paneled Thistle EAPG handled celery vase. This signed Higbee vintage 5-3/4" tall pattern or pressed glass double handled celery vase is in the Paneled Thistle pattern and it is in excellent condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Tracked Packet shipping to anywhere in the U.S...

A fine mid-19th century pressed glass paperweight in the form of a recumbent lion resting on an opaque glass base. The lion is beautifully detailed and finished in a frosted surface. This lion is similar to one produced by Gillinder for the 1876 Centennial Exposition, but it is much more finely made. The underside of the black base is impressed “490”.

Origin: probably America, ca. 1870...

This unusual glass paperweight is filled with a devil’s fire motif worked in vibrant opaque shades of red, white and green. The glass of the design has a chalky texture similar to sulphides, but is randomly swirled and peaked in the typical devil’s fire style. The glass of the dome is particularly clear and bright for South Jersey paperweight. There is an incised ring around the periphery, just above the base, that is often found in Jersey weights. The base is concave and has a nice basa...

This a rare set made by Heisey Glass Company. All pieces are etched with two polo player designs. Includes 12" decanter and 6 cordials and 6 lowball glasses. Excellent condition. Decanter has 2-part stopper with strainer and pouring lip. Circa 1920's. Feel free to call or email with any questions or for more pictures. Thanks.

A vintage, crisply patterned early Canadian pressed or pattern glass 8-1/2" pitcher in the Nova Scotia Starflower pattern (Trenton Glass). Also known as Dewdrop and Flowers (Sandwich 1870s-80s) in the United States, this pitcher is in excellent condition with no cracks, losses, damage or repairs other than a tiny fleabite chip at the bottom of the handle (see image). All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may...

A scarce covered jar in the early American pressed or pattern glass Festoon pattern, issued by Beatty Brady Glass Co. (Indiana 1898). This 7-1/2" jar (including lid) has a crisp and attractive pattern with much raised detail; it is in very good condition with no losses, damage or repairs other than some minor upper edge chipping where the lid sits on the upper rim and one 5/8" internal impact crack on the bottom rim (intact with no loss). All items are thoroughly and conservatively graded and...

A cranberry thumbprint pattern glass pickle cruet on a silver plated stand from the 1890 era. The ornate stand is 11-3/4" tall and it has a nice decorative design as does the original silver plated lid; it is stamped with the Standard Silver Co. mark, which was in business in Toronto before 1893 (they later merged with International in 1913). The cranberry glass liner/jar has a thumbprint pattern and it fits snugly in the rim on the base. Also included is a fine, contemporary pair of pickle ...

This satin glass basket was produced in the United States in the late 19th century. The exact manufacturer is unknown. It was probably made by a New England glass company. It is 10 1/2 inches high and 7 3/4 inches in width. It is made of cased satin glass, white on the outside and striped with shades of rose coloring inside. There is an applied foot and applied thorn handle. The stripes inside the basket are reminiscent of candy, the coloring is so appealing. There is a ground and polish...

Offered is this rare, large Gustav Stickley slag-glass lamp, made around 1906. The lamp is 30 inches tall. The shade is 15 1/4 inches wide (diagonal width: 22 inches) while the base is 9 inches wide. The burner is marked, 'B.H' (for Bradley and Hubbard). Overall, the lamp is in good condition for its age - there is a small heat-check in one of the slag-glass panels and a split to one of the wooden panels (see pictures). Faded red Stickley mark on the bottom (see last picture - these red marks we...

Offered is this large Steuben Ivory / Ivorene glass vase, made around 1915. The vase is 10 3/4 inches tall and has a top width of 6 inches. It is in very good condition, without chips, cracks or repairs. It is signed in script, 'Steuben' (see last picture). Polished pontil.

A beautiful, hand-painted creamer and sugar set in ornate Wilcox quadruple-plated silver holders. Both pieces of glass are decorated with flowers, butterflies, etc. The metallic holders have superb wrap-around decor. The creamer is 5 1/4 inches wide and 4 3/8 inches high, while the sugar container is 4 1/2 inches wide and 4 1/4 inches high. Except for a rim-chip in the sugar container (see last picture - hidden with lid in place), the pieces are in good condition. Polished pontils. Both holders ...

A beautiful, iridescent, signed Favrile-type glass compote made by Quezal around 1910. The compote is 5 1/4 inches wide and 5 inches high. It is in fine condition. Signed on the polished pontil.

Beautiful, signed, iridescent glass plate made by Quezal around 1910. The 16-ribbed plate is 7 1/4 inches wide and 1/2 inch in height. In great condition without chips, cracks or repairs. Outstanding colors. Signed on the polished pontil.

A beautiful Rosaline and ivory glass compote and creamer made by either Steuben or Stevens & Williams. The compote is 7 inches wide and 4 inches high. The creamer is 5 inches wide (to handle-tip) and 2 1/2 inches high. Both are in fine condition without chips, cracks or repairs. Broad polished pontil on creamer.

Beautiful Peachblow glass Pair - these were souvenirs sold at the Chicago World's Fair in 1893. The glass pear is 5 inches high and 2 1/2 inches wide. The glass is in fine condition.

A fine pair of American brilliant cut glass candlesticks signed “Libbey.” The stems and candle sockets are cut in Libbey’s “Plain Flute” pattern. The foot is decorated in an unequal radiant star pattern. The stems are spectacular! Each has not one, but four air bubbles that are twisted about each other in a spiral pattern extending the full length of the stem. Each candlestick is marked with Libbey’s acid signature (Libbey with a break in the tail of the “L” and enclosed in ...

A nice example of an antique scrambled glass paperweight by the New England Glass Company. The set-up contains a colorful variety of complex canes, filigree and twists in a nicely compact grouping. There are least three complex canes with white eagle silhouettes against a field of dark purple. There are no annealing problems and few bubbles in the set-up. The glass of the dome has good color and clarity. The bottom is concave with a basal ring.

Origin: America, ca. 1865. Condition: excel...

Offered is this early Handel reverse-painted, 'chipped-ice'-shade lamp. The shade is signed, 'HANDEL 3157' with the artist's initials, 'R. g' (painted by either of Handel artists: R. Gillern or Robert Goodwin) - see pictures. The base is marked, 'B & H' (not to be confused with Bradley & Hubbard), which is an exceptionally rare early Handel mark (please refer to the 'handellamps.com' website) - see second-last picture. Initially, it used to be an oil lamp that was converted to electricity. Overa...

Offered is this signed Quezal 'Pulled-feather' shade. The shade is 4 1/2 inches tall, 4 inches wide (at the flared end) and has the standard fitter diameter of 2 1/4 inches. It is in good condition (couple of circular marks where the shade rubbed against the holder - see last picture).

Offered is this beautiful iridescent Favrile / Aurene type glass vase, made by Quezal around 1910. The signed vase is 6 1/4 inches tall and 3 1/2 inches wide at the shoulders. Polished pontil. In good condition (couple of scratches - see last picture).

A matching set of three Daisy and Button pattern early American pattern or pressed glass (EAPG) cruets consisting of a 3" salt and a 3" pepper shaker plus a 3-3/4" hinged-lid mustard pot. The colours include yellow, amber and ice blue and all pieces retain their original metal lids. They are in very good original c1880s condition with no cracks, bends, corrosion, losses, damage or repairs other than some minor chipping to the bottom rims where they sat in the (now missing) fitted glass bottom ...

A 19thC. pressed milk glass syrup jug. This attractive mid-19th Century 6-3/4" tall pressed milk glass syrup jug has an applied silver plated hinged lid. This unsigned tableware serving item has an attractive climbing flowers and ribs design, and the glass colour is a pale misty green. This jug is in excellent condition with no chips, cracks, bends, corrosion, losses, damage or repairs other than a bit of wear to the silver plating and a couple of shallow dents and a gap where the lid doesn't...

A Victorian cobalt glass hand etched water pitcher. This mid-Victorian 19th century 7-3/8" high pourer features hand etched frond decoration and a clear applied heavy handle, and this unsigned serving item is in excellent condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Tracked Packet shipping to anywhere in the U.S. is $...

An 8" across and 3-7/8" tall Canadian brilliant cut crystal or glass bowl c1900-10. This high quality and ornately cut bowl has the acid stamp for Roden Brothers and it is in excellent condition with no cracks, losses, damage or repairs other than a couple of the expected minor edge chips (this bowl looks nearly perfect). All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Expedited t...

A beautiful, large Peachblow glass bowl, made by New England glass company around 1890. The bowl is 7 1/2 inches in diameter and 3 inches in height. The non-cased glass bowl is in excellent condition, without chips, cracks or repairs. Polished pontil. Unsigned, as expected - a similar bowl is shown on page 125 of John A. Shuman III's book, 'American Art Glass', 2nd edition (shown in last picture here for your convenience).

A couple of (shade and ewer) iridescent glass items, made by Imperial glass. The shade is 5 1/2 inches tall, 5 inches wide (at the flared end) and has a 2 1/4 inch fitter opening (some roughness to the fitter end, as made). The ewer is 7 1/4 inches tall and 4 1/2 inches wide (to handle-tip). One flea-bite on lid-bottom (hidden when lid is in place). Polished pontil. Both unsigned.

Three Steuben articles (2 vases and a covered jar) in ivory, amethyst and blue-with-alabaster. The following are the details:Ivory vase is 7 1/2 inches tall and 6 1/2 inches wide; amethyst vase is 5 inches high and 4 inches wide; the covered jar is 12 1/4 inches high and 5 inches wide (tiny flea-bite on top of lid - see last picture). Unsigned, but in standard Steuben shapes.

A beautiful, signed, etched Favrile glass stem, made by Tiffany Studios around 1910. Of medium size, the stem is in fine condition.

A beautiful, iridescent, Favrile glass bowl and underplate, made by Tiffany Studios around 1910. Both pieces are signed and are in fine condition. The plate is 6 3/4 inches wide while the bowl is 4 inches wide at the top.

A Vermont US Glass custart toothpick holder circa 1899. This scarce vintage 2-3/4" custard glass toothpick holder is in the Vermont or Honeycomb with Flower Band or Inverted Thumbprint Daisy Band pattern, issued by US Glass c1899. This example is in the custard glass colour, and is a US Glass original period piece, not a reproduction. It has crisply molded detail on the band, rim and on the feet; the honeycomb design is on the interior. It has the expected orange fire found in vintage custard g...

A beautiful, signed, ribbed, amethyst glass vase made by Victor Durand during the early part of the twentieth century. The vase is 7 7/8 inches tall and 7 3/4 inches wide. It is in fine condition. Polished pontil. Signed on the vase's bottom.

A finely cut pair of 6-1/2" glass oil and vinegar stoppered cruets c1910-20. These unsigned bottles are in excellent original condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Small packet air shipping to the U.S. starts at $16.50 (other spots may vary). Items paid with a credit card will be shipped to confirmed addresses o...

This set of 11 flint glass cordial glasses was produced around 1830.  It was probably made at the Sandwich glass factory or some other renowned New England glass company.  They measure 3 1/2 inches high and the diameter of the opening is 1 3/4 inches.  These glasses are hand blown with a rough pontil on the foot.  They are cut with a panel pattern. They are colored a bright yellow/amber.  The glasses produce a high pitched ring when pinged indicating the flint content.  These glasses are e...

RARE and in perfect condition! Designed by Frederick C. Carder for Steuben Glass this rare aurene etched perfume bottle is complete with an engraved sterling silver and turquoise enamel guilloche stopper. A collectors dream, it measures 5.25" high. Price includes shipping, no discounts. Circa 1915

A very fine and rare antique glass paperweight by Pairpoint. There sphere encloses a translucent red and opaque white double twist within a cloud of controlled bubbles. The foot is engraved in a design known as "Pattern No. 220". Pairpoint called this design "Veneti" and used it to produce candlesticks, compotes, vases and stemware. Veneti paperweights are quite uncommon.

Origin: America, ca. 1915. Condition: excellent, no chips or cracks. Dimensions: 3-3/4" tall.

A rare and beautiful Signed Steuben Aurene sugar pot (with etched and acid-cutback flowers and branches, and a sterling cover). The glass piece is 3 5/8 inches tall and 3 1/4 inches wide at the bottom. Good condition. Polished pontil. Signed. Cover marked, 'Sterling' and the glass is marked, 'Aurene'.

A beautiful Findlay Onyx glass celery vase, made by Dalzell, Gilmore & Leighton company, around 1889. The vase is 6 1/2 inches tall and 4 1/2 inches wide. Except for the usual roughness around the rim, typical of Findlay Onyx glass items, it is in fine condition.

A large, signed, Steuben gold Aurene bowl - it is 9 3/4 inches wide and 4 inches tall. Fine condition. Polished pontil. Signed, 'Aurene 2851'.

A large glass shade in the 'chipped ice' pattern, made by Handel around 1900. The shade is 8 1/2 inches tall, 4 1/4 inches wide and has an opening of 3 3/4 inches. It is in fine condition. It is signed, 'Handel 2916'.

A large (11 3/8 inches wide and 3 1/4 inches high) signed applied-threaded center bowl made by Steuben around 1920. Except for some expected scratches at the bottom, it is in fine condition (no missing threads). Polished pontil. Made with rib-optic glass, the bowl is signed with, 'Steuben' inside the fleur-de-lis signature (the signature is extremely faded - please look at the 12 o'clock position of the last picture).

Offered is this very large and rare Mt Washington glass hand-painted lamp in their 'Crown Milano' decor. The lamp is 36 inches tall to the top of the chimney (34 1/4 inches tall without chimney). The exceptional lamp is decorated with as beautiful a painting of flowers as you are likely to find anywhere. As expected from the era of its fabrication, originally it used to be an oil lamp which was later converted to electricity (cut electrical wires are still present, see picture - if you want to m...

Offered is this exceptionally rare Cypriote glass shade, made by Tiffany Studios, around 1905. Superb iridescence. Though all Tiffany Studios Cypriote glass objects are rare, even rarer are Tiffany's Cypriote glass shades - one seldom comes across a Tiffany Studios Cypriote glass shade in the marketplace (since shades' fitter widths had to hand-made to be of a standard size, in general, it was much more difficult to make shades than vases). This shade is 4 1/2 inches tall and has a standard fitt...

Offered are these two beautiful, hand-painted Victorian glass ewers. The amber-colored thumbprint jug is 8 3/4 inches tall and 6 3/4 inches wide. The Mary Gregory one is 8 inches tall and 7 inches wide. Both ewers were blown (has pontil-bottoms - see last two pictures) and are without chips, cracks or repairs. Both jugs fluoresce a gentle green when exposed to long-wavelength black-light, showing that they are made of late 19th century soda-lime glass blanks.

Offered is this rare and beautiful cameo glass lamp, made by Mt Washington around 1890. The lamp's bottom part is cameo cut while the shade is hand painted. The lamp is artist-signed by 'Alfred Howell'. Originally, it used to be an oil lamp that has been electrified. Overall, the lamp is 20 1/2 inches tall. The bottom glass part is 7 3/4 inches wide and 4 3/4 inches high. The shade is 10 1/2 inches tall and 9 1/2 inches wide. The lamp is in very good condition. Though unsigned, it is guaranteed ...

This is a large, signed Crown Milano glass jar/jardiniere made by Mt Washington. It is an exceptionally large jar: it is 10 3/4 inches wide and 8 1/4 inches high. The jar is in excellent condition - no chips, cracks or repairs (there is some expected, age-appropriate fading to the paint). It is signed in its polished pontil.

Offered is this beautiful, hand-painted art glass vase. The vase is decorated with berries and leaves. The vase is 9 1/2 inches tall and 5 inches wide at its widest. It is in excellent condition. Like many Mt Washington objects, the vase is unsigned, except for the number, '20' in its polished pontil (see last picture). It is attributed to Mt Washington based on the 'berries-and-leaves' decor, which is a well-known Mt Washington decor (refer to pages 229, 242, 243, 246, etc, of Betty Sisk's book...

Offered is this beautiful amethyst-colored heavy tulip-shaped glass vase, made most likely by Boston & Sandwich (the first picture was taken in natural light while the others were taken with artificial light). The vase is 7 1/2 inches tall and 7 3/4 inches wide at the top. As are common with these old glass vases, there is a chip on the rim (see last picture) and a couple of small base chips. The vase is attributed to Boston & Sandwich due to the color and shape of the vase and because it fluore...