A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tulip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon...

A pair of 10 inch tall Pairpoint candlesticks in colorless glass with amethyst additions. The sticks are decorated in the classic “Waterford” pattern and are identified as shape F1622 Florentine candlesticks in the 1915 - 1920 company literature as illustrated in Padgett’s “Pairpoint Glass.” There is no damage to either candlestick.

A superb and extremely rare bucket bowl wine goblet with an everted lip. The stem is an 8 sided molded pedestal type, also known as a Silesian stem. What makes it particularly uncommon is that it is not straight, but is wrythen molded, with the additional rarity of diamond molding at the shoulders...

You would be forgiven if you thought that this vase was made by Tiffany since its maker, Alton Manufacturing, hired away several Tiffany glass makers to start its production of competing wares in 1907, the only year the company produced glass.

This example of the Trevaise branding, analagous to favrile, has a flaring bulbous form with mauve ground and freely flowing and lingering tendrils with leaves attached, punctuated with white flowering blossoms...

Pair of mid 19th century cut crystal Irish finger bowls measuring about 4 inches in diameter and 3 inches high. A rare find dating circa 1850.

A fine ale glass, engraved with hops and barley; funnel bowl; 5 1/2" tall, 2 7/8" foot diameter, 2 3/8" bowl diameter

A wine glass rinser, rare because of the deep and beautiful red color. Wine rinsers or wine washers were used to cool or rinse wine glasses between courses of meals. Red was, by far, the least common color of glass in this period because of the expense in making since gold had to be added to the molten metal to achieve the color. This is a wonderful example in excellent condition. The height is 3 3/4 inches and the diameter is 4 5/16 inches. Polished pontil.

Very fine Art Deco vase decorated along the top and bottom with green-cut-to-clear floral friezes in Baccarat's "Frise Verte" pattern. The decorative bands have strong, angular lines that complement the straight sides of panel cutting of the vase itself. The bottom has a polished pontil. This pattern appears in Baccarat's catalogue of 1916.

Origin: France, ca. 1920. Condition: excellent, no chips or cracks. Size: 7-5/8” tall; 3” diameter.

Lovely blown flint glass sugar bowl or covered comport in a panel design, the molded bell-shaped lid rising to a pointed finial. The bottom has a polished pontil. The glass is of heavy weight and good clarity.

Origin: American, possibly Sandwich or Cambridge, ca. 1840...

Offered is this beautiful, tall, hand-painted French glass vase - it was probably made by Joseph Brocard, a contemporary of Emile Galle, based on the enameling. Polished pontil. It is 11 inches (28 cm) in height. The vase, with three applied handle is in very good condition (there is the age-appropriate fading to the enameling)...

Probably the nicest cut glass pitcher I've every seen! This pitcher, which is unbelievable heavy, has a wide rim that is Gorham sterling with beautiful flowers on it. It is engraved "Presented to Benjamin L. Stowe, Vice President of Eureka Fire Hose Company by his fellow officers and employees of the Company upon his 50th birthday anniversary, February 18, 1898...

Nice early South Jersey glass paperweight with a frit setup depicting a cabin surrounded by the motto "Home Sweet Home". The cabin has trees in the yard, smoke curling from the chimney, and a well in the foreground. The design is worked entirely in white frit. The base has a broken pontil and an incised ring around the base, as is typical of S. Jersey paperweights.

Origin: America, ca 1890. Condition: light surface scratching to the crown, no chips. Size: 3-1/2" diameter; 2-1/2" high.

A large (11 3/8 inches wide and 3 1/4 inches high) signed applied-threaded center bowl made by Steuben around 1920. Except for some expected scratches at the bottom, it is in fine condition (no missing threads). Polished pontil. Made with rib-optic glass, the bowl is signed with, 'Steuben' inside the fleur-de-lis signature (the signature is extremely faded - please look at the 12 o'clock position of the last picture).

Offered is this beautiful, geometric-patterned, cameo-cut glass bowl or vase, made by Thomas Webb & Sons of Stourbridge, England. Made on two-layered cased glass and having a clear applied foot, the bowl is 4 inches (10 cm) wide and 2 inches (5 cm) high. It is in excellent condition. Signed on base (see last picture).

Beautiful, signed, iridescent glass plate made by Quezal around 1910. The 16-ribbed plate is 7 1/4 inches wide and 1/2 inch in height. In great condition without chips, cracks or repairs. Outstanding colors. Signed on the polished pontil.

23054816 Beautiful jeweled Crown Milano sweet meat. The piece has a silver plate lid with turtle. The swirled rib jar has 5 jeweled starbursts over the scrolled medallions. There are no missing jewels. The jar is 4 ½ inches in diameter and 4 3/4 inches tall. The jar is unmarked.

A sentimental Bohemian souvenir or memento flashed red glass mug, with a nicely curved handle. Etched with flowers and the saying "To My Son." In superb condition, standing 4 1/8 inches tall, with a diameter of 2 3/8 inches.

This glass is a companion piece to g1217, identical except for the floral arrangement on top of the cartouche surrounding the saying.

Three perfume bottles: two white opaline and enamelled French bottles, the third clear green and gilt, possibly Italian. The opaline bottles mid 19th century, the green bottle from around 1890. Height "3 ¾ - 5 ¼ / 9.5 - 13 cm. No stoppers. Condition of all three: fine.