A beautiful Findlay Onyx glass celery vase, made by Dalzell, Gilmore & Leighton company, around 1889. The vase is 6 1/2 inches tall and 4 1/2 inches wide. Except for the usual roughness around the rim, typical of Findlay Onyx glass items, it is in fine condition.

A pair of unmarked Wave Crest “Daisy” salt shakers. The flat rims of the shakers are decorted with a dainty floral pattern and the undersides of the bases are embossed “Patented June 2 1891." The shakers are perfect and are 2 ½ inches in diameter.

A Gorham Sterling Sugar Sifter Spoon in the "Raphael" pattern. Patented in 1874 and dating from shortly afterwards. Size: 6", with a gold washed bowl 2" x 1.5" and intricate piercing.

An exceptional and rare cameo glass bride basket on quadruple silver plate stand. The rose colored cameo is striking and as fresh today as it was c. 1880 when it was first created. The glass was produced by Mt Washington while the silverplate was produced by Pairpoint and is so marked. The basket handle uses a branch and leaf motif with the latter being applied over the former. The basket well is reticulated, the base having swirls and leaves, all standing on 4 feet...

Offered is this beautiful, hand-painted art glass vase. The vase is decorated with berries and leaves. The vase is 9 1/2 inches tall and 5 inches wide at its widest. It is in excellent condition. Like many Mt Washington objects, the vase is unsigned, except for the number, '20' in its polished pontil (see last picture)...

A beautiful Peachblow vase made by the New England Glass Company, around 1890. The vase is 7 1/2 inches (19 cm) tall and 2 3/4 inches (7 cm) wide at its widest. The non-cased vase is in excellent condition and has beautiful coloration...

Beautiful New England Glass Company Plated Amberina tumbler. This rare tumbler is 3 3/4 inches tall, 2 3/8 inches in diameter at the base and 2 ½ inch diameter at the top. This nicely colored piece shades from red at the top to pale yellow at the base, cased over a pale cream liner. There are nine vertical ribs on the tumbler, a polished pontil mark and the rim is fire polished.

An early Phoenix Art Glass hobnail sandwich peachblow pitcher. Graduating from shades of pink to yellow/cream, this pitcher features an applied clear satin reeded handle. A delightful piece to add to you collection, it is in excellent antique condition and measures 4.5 inches high x 5" diameter. Dates 1880's.

Offered is this rare New England Glass Company's 'Fruit on Latticinio' paperweght, made around 1849 by Francois Pierre (after he left Baccarat Company and joined NEGC). The paperweight is approximately 2 1/2 inches wide and 1 5/8 inches tall. Polished pontil. It is in good condition - there is the expected, age-appropriate wear to the base of the paperweight (see 5th picture) and a few fabrication-holes (cannot be felt from the outside) inside the paperweight (see 3rd picture)...

Offered is this rare hand-painted 'Collars and Cuffs' lamp, made by Wavecrest around 1890. Overall, the lamp is 22 1/4 inches tall. The bottom glass part is 7 3/4 inches wide and 4 3/4 inches tall. The top glass shade is 9 inches wide and 7 1/2 inches tall. The chimney is 11 3/4 inches long and 3 1/2 inches wide. The lamp is in very good condition and the electrical wiring is in good condition (there is some age-appropriate tarnishing to the metal parts)...

21124692 A very pretty Mount Washington satin finish Burmese jar decorated with daisies. The jar is 3 inches tall and 5 inches in diameter. There is no lid, but otherwise in excellent condition. There are several examples of this piece shown in Wilson’s “Mt. Washington & Pairpoint Glass” volume 1 and Sisk “Mt. Washington Art Glass.”

A Mt. Washington scalloped rim bowl decorated with orchids. The 3 3/4 inch diameter, 2 3/4 inch tall satin finish bowl has subtle diagonal ribs and a polished pontil mark. The color shades from pale lavender on the flared rim to colorless at the bottom. The coloration appears similar to the bowl shown in plate 10-17 on page 243 in Wilson’s “Mt Washington & Pairpoint Glass” and the decoration matches that on the sugar shaker in plate 10-18 of the same book.

A large glass shade in the 'chipped ice' pattern, made by Handel around 1900. The shade is 8 1/2 inches tall, 4 1/4 inches wide and has an opening of 3 3/4 inches. It is in fine condition. It is signed, 'Handel 2916'.

Beautiful Peachblow glass Pair - these were souvenirs sold at the Chicago World's Fair in 1893. The glass pear is 5 inches high and 2 1/2 inches wide. The glass is in fine condition.

A pair of Victorian vaseline opalescent glass epergne bowls. This fine pair of blown molded bowls date to the 1880s. These 5" diameter bowls stand 2-3/4" high and their bases are 3" across (under the collar of pressed leaves). They are unmarked and they have polished bases; they are in excellent original condition with no chips, cracks, losses, damage or repairs other than a barely visible 1/16" shallow flake to a rib on the base of one bowl...

Offered is this wonderful, hand-painted, Victorian glass epergne. The epergne is 10 3/4 inches tall and 5 1/2 inches wide at its widest. The set is in very good condition (there is a fabrication flaw typical of hand-made glass items, a burst bubble - see last picture). Unsigned.

An English Victorian sterling silver presentation trophy, London, 1872, by John and Henry Lias (probably). Size: 9 5/8 inches ht. Weight: 12.5 Troy ounces. This is a 1st Place prize for "Sailing Boats Under 24 Feet, Won By The Petrel, C.H. Simmons." And on the reverse in a cartouche - "G.A.R. 1st Prize, Sept. 5, 1872." Decorated in flat chasing in the Aesthetic Movement style. Excellent condition.

A lovely satin glass 7" raspberry red and white drape Nailsea vase with applied handles by Wheeling Glass. The pontil is unpolished.

Condition: Excellent

Should the vase not meet with your expectations, it may be returned within ten days of receipt, preceded by an e-mail.

California residents please add 8.25% sales tax.

Offered is this rare and beautiful cameo glass lamp, made by Mt Washington around 1890. The lamp's bottom part is cameo cut while the shade is hand painted. The lamp is artist-signed by 'Alfred Howell'. Originally, it used to be an oil lamp that has been electrified. Overall, the lamp is 20 1/2 inches tall. The bottom glass part is 7 3/4 inches wide and 4 3/4 inches high. The shade is 10 1/2 inches tall and 9 1/2 inches wide. The lamp is in very good condition...

A cranberry thumbprint pattern glass pickle cruet on a silver plated stand from the 1890 era. The ornate stand is 11-3/4" tall and it has a nice decorative design as does the original silver plated lid; it is stamped with the Standard Silver Co. mark, which was in business in Toronto before 1893 (they later merged with International in 1913). The cranberry glass liner/jar has a thumbprint pattern and it fits snugly in the rim on the base...

Offered is this beautifully decorated (with mums) biscuit jar, made by Pairpoint / Mt Washington, around 1900. The jar is 8 1/4 inches tall (to the top of the handle) and 5 inches wide. It is in very good condition, without chips, cracks or repairs. The biscuit jar is fully marked (Mt Washington shape number, 'M.W. 4413' engraved on the inside of the lid, and, 'Pairpoint 3910' stamped on the jar's bottom - see last two pictures). Also, the mums decor is a well-known Mt Washington motif (refer to...

A Victorian cobalt glass hand etched water pitcher. This mid-Victorian 19th century 7-3/8" high pourer features hand etched frond decoration and a clear applied heavy handle, and this unsigned serving item is in excellent condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Tracked Packet shipping to anywhere in the U.S. is $...

24054902 A satin finish Wheeling peachblow number 13 stick vase in a lustreless finish by Hobbs, Brockunier & Co. of Wheeling, WV. The vase is 8 ½ inches tall and 3 1/4 inches in diameter. There are no imperfections.

A wonderfully colored Wheeling Peachblow (AKA Coral) stick vase shown in the Hobbs, Brockunier and Co. Catalog as a #12 vase. The vase is in the glossy finish and measures 8 7/8 inches tall.

A nice example of an antique scrambled glass paperweight by the New England Glass Company. The set-up contains a colorful variety of complex canes, filigree and twists in a nicely compact grouping. There are least three complex canes with white eagle silhouettes against a field of dark purple. There are no annealing problems and few bubbles in the set-up. The glass of the dome has good color and clarity. The bottom is concave with a basal ring.

Origin: America, ca. 1865. Condition: excel...

This stunning Victorian tomato glass basket by Boston & Sandwich Glass Company is made from two layers of cased glass, a tomato or orange-red color over yellow with an applied clear single twist thorn handle and 4 applied clear feet. An unusual feature is that top rim of the bowl folds over and is studded with large tomato hobnail bumps ending with a crimped edge which finishes with a narrow clear band. Pontil on bottom was sanded smooth. In excellent condition, the basket with handle measures ...

A very good fruit bouquet paperweight by the New England Glass Company. Four pears alternate with cherries and foliage around a central pear. The lampwork fruit is particularly nice in this weight. The bouquet is presented against a spiraling double latticinio basket. The dome is high and offers nice magnification. The crystal is a bit sugary, as is typical of many NEGC weights. The concave base has a wide basal ring.

Origin: America, ca. 1870. Condition: excellent, absolutely minimal s...

Wonderful old Millville, NJ area glass paperweight wig stand or mantel ornament. The setup is pierced with five elongated icepick bubbles. Small bits of aventurine glass highlight the overall coloring of soft yellow and green. The top is heavily faceted with 33 printies of varying sizes. The cutting strikes me as being similar to the faceting seen on good New England Glass Company paperweights. The weight is raised on a baluster form pedestal and a foot. The glass is very heavy and of the ...

This is a large, signed Crown Milano glass jar/jardiniere made by Mt Washington. It is an exceptionally large jar: it is 10 3/4 inches wide and 8 1/4 inches high. The jar is in excellent condition - no chips, cracks or repairs (there is some expected, age-appropriate fading to the paint). It is signed in its polished pontil.

A unusually fine example of a scrambled weight by the New England Glass Company. The weight includes latticinio twists and millefiore canes. The set-up includes a complex red, white and blue cane (visible through the concave bottom of the weight) formed of a heart silhouette surrounded by stars. The canes are tightly packed for a very nice appearance. The glass is quite clear.

Origin: America, circa 1870. Condition: very good, a few small surface nicks on the crown, no cracks. Size: 2-5/...

A Hand Blown Barber Scent Bottle with Swirls and Hand Painted Florals. Dimensions; 8" high, 10.75" high including stopper. Circa 1890 and in excellent condition.

Offered is this very large and rare Mt Washington glass hand-painted lamp in their 'Crown Milano' decor. The lamp is 36 inches tall to the top of the chimney (34 1/4 inches tall without chimney). The exceptional lamp is decorated with as beautiful a painting of flowers as you are likely to find anywhere. As expected from the era of its fabrication, originally it used to be an oil lamp which was later converted to electricity (cut electrical wires are still present, see picture - if you want to m...

Fabulous and rare Pairpoint silver palate olive caster with original tongs. The satin glass insert is most likely Mount Washington and features a lovely hand painted floral design on all sides. All in excellent condition, it measures about 11 inches tall. (Glass insert is 4.5" high)

A beautiful hyacinth bulb vase by the Boston & Sandwich Glass Company, decorated in opaque overlay cut to clear in in a panel and trailing vine design. The top is enhanced with a cobalt blue lip and the bottom is slightly footed and star-cut. The overall form is very elegant. The shape was blown in the company's #123 mold and the cutting is identical to known labeled pieces. Vases of this shape were used to hold a single flowering bulb, usually a hyacinth, but sometimes a daffodil or tulip.

Offered is this monumental-sized New England peachblow glass lily vase, made around 1890. The vase is 17 1/2 inches tall, 7 inches wide at the top and has a base-width of 6 1/4 inches. Though New England glass company made lily vases in various sizes, it is rare to come across a New England peachblow glass vase of this large a size (this is the largest-size lily vase they made). A New England peachblow glass lily vase of this size is at display at the Chrysler Art Museum (shown on page 48 of Ray...

Offered are these two beautiful, hand-painted Victorian glass ewers. The amber-colored thumbprint jug is 8 3/4 inches tall and 6 3/4 inches wide. The Mary Gregory one is 8 inches tall and 7 inches wide. Both ewers were blown (has pontil-bottoms - see last two pictures) and are without chips, cracks or repairs. Both jugs fluoresce a gentle green when exposed to long-wavelength black-light, showing that they are made of late 19th century soda-lime glass blanks.

Although not marked, this art glass piece bears the styling and quality of Victorian pieces made by the Stevens and Williams Ltd of England and in the 1870s under the direction of John Northwood (son Harry Northwood was a glass maker in America). The body is an oval pill-shaped translucent light turquoise glass with an open oval top that is bordered with a scalloped ribbon crest. At each narrow end is a small applique of amber glass. The piece is also supported with four pinched amber glass feet...

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering, and has a large oblong bubble on one side about two inches above the bottom. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases ...

This gem was the product of the Gundersen-Pairpoint Company in the mid 20th century, but ended up the collection of an avid glass addict. For serious collectors, we can offer limited but very interesting provenance for this and other goblets we are selling from a socially prominent philanthropist who settled in north Georgia and died in 1939. The underside retains an identification tag from the collector. Dimension: 7 1/8" h

A classic Sandwich glass hyacinth vase in a rich teal shade. The vase is entirely hand blown and shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon. An identical exampl...

A beautiful, hand-painted creamer and sugar set in ornate Wilcox quadruple-plated silver holders. Both pieces of glass are decorated with flowers, butterflies, etc. The metallic holders have superb wrap-around decor. The creamer is 5 1/4 inches wide and 4 3/8 inches high, while the sugar container is 4 1/2 inches wide and 4 1/4 inches high. Except for a rim-chip in the sugar container (see last picture - hidden with lid in place), the pieces are in good condition. Polished pontils. Both holders ...

This flint glass pitcher was produced in the United Stated at the Boston Sandwich glass factory in the late 19th century. It measures 5 1/2 inches high. It is cranberry opalescent hobnail with a clam broth attached handle. There is a rosette connecting the handle and a wide polished pontil on the bottom. The pitcher rings like a bell when tapped. The pitcher has a sensuous quality about it. The glass feels slick and smooth until you come to the hobnails that increase in size from top to bo...

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tulip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon. An identical example to t...

An American Brilliant Period (1876-1916) Cut Crystal and Sterling Rim Center Bowl. the Bowl is Hallmarked by The Stone Sterling Silver Company, New York (1896-1903). Dimensions; 10.25" diameter x 5" high. Very minor dings in the silver rim (barely noticeable) but other wise in excellent condition. No problems in the glass.

This set of 6 crystal wine glasses was produced in the United States by one of the fine manufacturers in the 1890s. They are not signed; therefore we are unable to identify them precisely. They are 5 inches tall and 3 inches wide. The crystal is hand blown with bright clarity. The stems are hollow with a teardrop. The cutting is very intricate with hob stars and cross hatching. The foot has a star burst. They have a bell-like ring and just sparkle in the light. Condition: Excellent ...

Lovely set of 12 sterling silver cocktail or seafood forks by Davis & Galt. The handles are heavily decorated with an unusual repousse paisley pattern. The workmanship is very nice. The backs are hallmarked by the maker and have the retailer’s mark for Bailey, Banks & Biddle.

Origin: America, ca. 1890. Condition: excellent, sharp detail, no monograms. Size: 5-15/16” long. Weight: 179.5 grams.

This crystal decanter was produced in the United States in the late 19th century. It is not marked, therefore we are unable to precisely identify the manufacturer. It is evident in the fine quality that it was produced by a respected company. The decanter is 8 1/2 inches high. The diameter of the base is 4 1/4 inches. The decanter has an interesting shape in that it bulges out and pulls in below the handle. The cutting is very fine with intricate designs. It has a hollow stopper and the h...

A very well-cut low bowl in an unidentified pattern. The cutting is deep, sharp and precise. The pattern comprises three panels of star- and diamond-cut cane, divided by elongated loops enclosing flashed fans and strawberry diamond, alternating with hobstars. The blank is heavy and very clear.

Origin: America, ca. 1890. Condition: excellent, a 1/32" fleabite on the inside edge of one tooth. Size: 7-1/4" diameter; 2" high.

This fernery is 7 1/2" x 4 1/2" . There is a nick in one of the feet.

Serious offers considered. FREE SHIPPING insured priority mail on all jewelry and wrist watches over $100.00 to U.S. customers only.

Fine Bohemian green-to-clear cut glass Biedermeier footed spa beaker ("spaglas") featuring five panels, each beautifully engraved with Classical symbols. Beakers of this sort originated in the great spa towns of Bohemia, where they were used to take the waters. Wealthy visitors often brought back a goblet as a souvenir of their restorative stay at the spa. This example is packed with finely-engraved symbols of all sorts--an anchor symbolizing hope; a cornucopia symbolizing prosperity; a swan ...

This Queen Heart lamp is 9 3/8" tall without the chimney. It was made by Dalzell, Gilmore, and Leighton in 1898. The collar is loose.

An exceptionally fine frosted goblet on an unusual conical base supporting a fluted bowl, all decorated with frosted devices including a gorgeous anthemion leaf pattern banded by egg and dart. The base has finely etched fern. This flint glass goblet is mid to late 19th C.

This glass belonged to Lenna Gertrude Clarke Judd (1865 - 1939) who was a prominent philanthropist living in Dalton, GA where she built and landscaped her home which she named Oneonta. We have the complete provenan...

A scarce covered jar in the early American pressed or pattern glass Festoon pattern, issued by Beatty Brady Glass Co. (Indiana 1898). This 7-1/2" jar (including lid) has a crisp and attractive pattern with much raised detail; it is in very good condition with no losses, damage or repairs other than some minor upper edge chipping where the lid sits on the upper rim and one 5/8" internal impact crack on the bottom rim (intact with no loss). All items are thoroughly and conservatively graded and...

A set of three scarce 4" footed green pressed glass nappies or small bowls in the Daisy & Button with Thumbprint Panel, introduced by Adams & Co., Pittsburgh in 1886. These lovely mint green pattern glass nappies are in very good original condition with no cracks, losses, damage or repairs other than the expected edge roughness and minor chipping (largest shown). All items are thoroughly and conservatively graded and all condition issues are noted; all items are secondhand and may have slight...

Rare Margaretta Early American Pattern Glass ale glass with round bowl foot, diamond crosses, and a fantastic 3 dimensional portrait of Margaretta of Mephistopheles fame, of whom there is a matching glass. This glass is very rare and desirable for serious EAPG collectors. Condition is very good, having a very small nick on the underside of the foot. This glass came from the collection of a socially prominent and serious glass collector, about whom we will happily provide more information t...

This high standard compote is of extra generous size to show off its many virtues. The bowl is McKee and Brothers (1853-99) Shell pattern also known as Fans with Diamonds. It would date to c. 1880.

The ring of the lid and its weight indicate lead or flint. It is decorated with beautifully designed stippled fruits such as pears, cherries, apples, and berries with detailed leaves.

The compote is in very good condition, but the lid has a few small frits at the lip where ...

Impressive Early American Pattern Glass water goblet with frosted foot and stem concluding in 3 lion's heads. The base of the goblet bowl is formed with six panels and the sides are clear, flaring slightly as the sides rise to the rim. Condition of the glasses is excellent with no chips or cracks.

Most likely made by Gillinder & Sons c. 1877, after introducing this type of glass at the Centennial Exposition in 1876.

Dimension: 6 7/8" h

As an aside, this...

You are buying 5 Cambridge community footed open salts.

There are no chips, no cracks, no hairlines and no repairs to any of the 5 Cambridge Community footed open salts. All 5 of the Cambridge footed open salts are in excellent condition.

These are circa 1900.

Each salts is 1 3/4" in diameter and 2" tall.

A Vermont US Glass custart toothpick holder circa 1899. This scarce vintage 2-3/4" custard glass toothpick holder is in the Vermont or Honeycomb with Flower Band or Inverted Thumbprint Daisy Band pattern, issued by US Glass c1899. This example is in the custard glass colour, and is a US Glass original period piece, not a reproduction. It has crisply molded detail on the band, rim and on the feet; the honeycomb design is on the interior. It has the expected orange fire found in vintage custard g...

A matching set of three Daisy and Button pattern early American pattern or pressed glass (EAPG) cruets consisting of a 3" salt and a 3" pepper shaker plus a 3-3/4" hinged-lid mustard pot. The colours include yellow, amber and ice blue and all pieces retain their original metal lids. They are in very good original c1880s condition with no cracks, bends, corrosion, losses, damage or repairs other than some minor chipping to the bottom rims where they sat in the (now missing) fitted glass bottom ...