A set of eight hand painted porcelain plates with scenic views as listed below. The lips with a peach ground and some gilding. Located in the center of each plate is the hand painted scene. The pattern number “833” and the location, painted in script in red enamel, is on the back of most of them. They were made and decorated in Britain, possibly Aynsley, circa 1880. 8 7/8 inches (20.3 cm) diameter.

Condition: No chips, cracks, hairlines, or repairs...

This porcelain tea cup and saucer was produced in the United States by Ott & Brewer in the late 19th century. The saucer has a diameter of 5 1/2 inches and the cup is 2 1/2 inches high. The set is made of thin, translucent porcelain. It is factory decorated with hand painted daisies. They are done in raised two colored gold. Some areas are accented with uneven brushed gilding. There is gold trim on the rims and handle...

A 19thc English terracotta enamelled wine carafe & slide. This vintage (unmarked) 9-5/8" tall enamelled and painted wine carafe and matching 6-3/4" bottle slide or underplate is hand-finished with white enamel jewelling and green painting in the aesthetic style (popular in the 1870s and 1880s). This set is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than some sootlike darkening to the large white enamel jewels...

A Wedgwood Historical Plate of Mount Vernon, the Home of Washington. Imported by Jones, McDuffee and Stratton of Boston. 9", 1894. Please see the other plates we have to offer.

Offered is this beautiful, coralene-decor, Bohemian glass vase, made by Moser. Excellent condition. It is approximately 9 3/4 inches (25 cm) tall. Similar items are shown in Baldwin's book on Moser glass (see last picture).

A wonderful and very rare Baccarat cut crystal perfume bottle in a simple panel cut enhanced with blue opaline “gems”. The lip of the bottle is cut in a deep petal shape. The stopper matches the décor of the bottle. Though known as “opaline” now, this type of glass was called “agate glass” when it was created at Baccarat in 1842. This pale blue color was called “bleu celeste” (“heavenly blue”)...

2 piece printed and hand colored Mason’s ironstone strainer dish c. 1840 A twelve sided shallow strainer that sits on a twelve sided bowl. The strainer form in delft is sometimes referred to as a cress bowl or a strawberry bowl. It’s possible that this one was meant to hold ice in the bottom as well as catch the water running off the fruit in the strainer. Decorated with a transfer of an exotic bird sitting on a branch with large blossoms and leaves...

A Footed English Staffordshire Double-handled Compote dish with a Ribbon and Garland pattern; by Watford, 1860. Dimensions 11.5" long x 8.5" wide. Excellent condition.

This is an early English blue and white transfer print porcelain bowl, marked "Marathon" and what appears to be "P" "L" "F" and "5" or "P" "F" with a faux Chinese mark in underglaze blue; the outer surface of the bowl is molded with fluting and branches and has a blue and white floral transfer design on two sides; the overall crackle pattern and the blue glaze splatters outside the design area seem to represent the early period technique; condition: several glaze imperfections and minor flakes o...

A sentimental Bohemian souvenir or memento flashed red glass mug, with a nicely curved handle. Etched with flowers and the saying "To My Son." In superb condition, standing 4 1/8 inches tall, with a diameter of 2 3/8 inches.

This glass is a companion piece to g1217, identical except for the floral arrangement on top of the cartouche surrounding the saying.

Staffordshire Red Riding Hood & The Wolf figure decorated in red, green, blue, black, pink, yellow and brown enamels.

Origin: Staffordshire, England, ca. 1850. Condition: some scratching to the overglaze red enamel (mostly at her elbow and along the edges of her bonnet), otherwise excellent. Size: 4" tall.

Copeland Spode: six small blue and white cups and saucers and a milk jug, a part toy tea service. All transfer-printed in the Italian pattern, early 20th century. Height of the little jug:/ "1 ¾ / 4,3 cm, of the cups: 2 ¼"/5,5 cm, diam. of saucers: 4"/10,5 cm. All marked Copeland Spode´s Italian England. Condition: one saucer with a discreet star crack, otherwise fine.

Antique hand carved stylized panel Woodcarving depicting wise man, demon and several animals, condition good, some wear due to age, early 19th Century China, size: L. 48" x H. 19" x D. 2", nice decorative/architectural element!

Three child’s plates with moulded double daisy borders, transfer printed in black, Victorian, 1840’s. Impressed anchor mark and London, probably made by John Carr in Northumberland for a London retailer (cf. discussions on the internet about potteries using this mark in the early Victorian era). One plate with a lady and a little girl in a trellised garden, the other two plates with scenes from a series called Juvenile Companions. Diameter "8 ¼ / 21 cm. Condition: fine.

An Early Victorian Ironstone English Flow Blue Plate, with a shaped Edge; circa pre-1850. Imprinted mark "Semi China" by either Clementson Bros. or J & R Riley. Dimensions; 9.5" in diameter. Very good condition.

A rare Judaic ceremonial set, made by Moser around 1900. The ornately decorated set, on Venetian glass blanks, consists of an ewer and six glasses. The ewer is 13 inches (33 cm) tall and each glass is 4 inches (10 cm) tall. The glass is in excellent condition (there is a small amount of expected, age-appropriate fading to the gold-gilt - see pictures)...

A Large Round Copeland Tray or Platter in Blue on a White background with a Scalloped Rim with a Gold Edge. The dimension is 15" in diameter, with a height of 1.5". The date mark is for 1881, with the Copeland imprint on the underside. In excellent condition.

This pair of porcelain vases with lids was produced in England by the Royal Crown Derby factory in1895. The date cipher indicates this year. The vases measure 8 inches tall and are 5 inches in diameter. The fine bone china is molded with designs in high relief. These decorations are accented with bright gilding. The front of each vase is decorated with a gilded basket of flowers. The flowers are hand painted with raised colored enamels. They contrast against the cobalt ground like jewels...

A small sweet excellent condition antique egg basket. It has nice patina and is circa 1870-80. It would hold about 5 or 6 eggs and a lot of strawberry emeries.

KPM (Königliche Porzellan-Manufaktur) Meissen porcelain cup and saucer in a dusty rose pink with gold trimming and designs of grapes and grape leaves. KPM is the highest grade of hard paste Meissen. The maker's mark is fired in underglaze blue underneath both the cup and saucer. The saucer is 6 inches in diameter and the cup is 3 inches in diameter and 3 inches in hight.

Folk Art Duck Decoy hand carved from wood with yellow eye created from a thumb tack, 19th century...

Demitasse black and white coffee can and saucer by Bodley & Co in Staffordshire, c 1870. The pattern, numbered 3438, is of various whimsical silhouetted scenes – a charging officer and fusiliers, firefighting, dueling with walking sticks, an arguing couple, a fat guardsman etc. Impressed mark Bodley. The deep well of the saucer makes the ensemble into a “trembleuse” – a design that made it easier to move the cup from one place in the room to another. Height of can "2/ 5.7 cm, diameter of...

This pair of porcelain vases was produced in England by Royal Worcester in 1879. Hand painted birds are done by the artist John Hopewell. The date letter indicates this year. They are 8 ¼ “ tall, 3” wide and 4 ¾” across the handles. Asian styled handles and feet are an inspiration of the aesthetic movement. A raucous array of berries, butterflies, birds and flowers fill the space on all four sides of the vases. The realistic, hand painted birds and flora are vibrantly colored and ...

An early English 7-3/4" high large footed comport or tazza made by Wedgwood in 1878-9. This elegant Neoclassic design table serving piece measures 12-3/4" across the two handles and features fine hand painted gilding, a black transfer design (on top and underneath the plate) and relief molding to the handles, edge and foot. It is in the Corinth pattern, which is marked in underglaze black transfer lettering, and it is impressed WEDGWOOD PEARL with GH over P, 1813 pattern number and a triangle ...

A pair of 19thC Japanese Meiji blue and white porcelain covered bowls. This fine pair consists of the 4-3/4" diameter footed bowls and their 5-1/4" covers with a rimmed foot or receptacle on the top. The covers can be placed on the rim to act as side dishes to the bowls. The hand painted blue and white design includes dragons, panels and scenes and each has hand painted gold highlights. Each lid or top has a signature and these lovely bowls are in excellent condition with no chips, cracks, c...

Formerly owned by Ingrid Bergman and Alan Freed, this is a large and exceptional fine American tinsel or foil painting featuring a full wreath encircling an urn of flowers on a green base. Although the use of a wreath in a tinsel painting is not at all uncommon, this particular format is extremely rare, if not unique. The flowers are so densely packed as to make the execution of the painting quite difficult. Further, there are 6 birds amidst the flowers, and the lower area motif has switched fr...

Offered is this rare hand-enameled, marbled glass vase, made by Loetz around 1893 - this 'Malachit' glass was meant to emulate the natural stone, malachite. Loetz presented 'Malachit' glass vases in the World Symposiums in Chicago and Antwerp in 1893 and 1894 respectively. This vase is 10 1/2 inches (26,5 cm) tall, 6 1/2 inches (16,5 cm) wide and 4 inches (10 cm) deep. It is in very good condition (expected base wear and fading of gilt around top-rim - see pictures), without chips, cracks or rep...

A bowl, originally a finger bowl, and three small ”ladies” wine glasses, the bowl c. 1840, the glasses Napoléon III c. 1860-80. All in the bleu céleste colour en vogue in France in the 19th century and all with the same “bubbly” texture. The glasses with polished pontil marks. Height of bowl "3¼/8,5 cm, diameter "4½/ 11 cm, height of glasses "3¼/ 8,5 cm. Condition: fine.

Wonderful to wear as a pendant this retractable pencil slides into an enameled gilded mummy. In the 1870s-1880s, the Egyptian Revival styles were in vogue as archaeological digs discovered ancient tombs that brought to light rare finds. Their motifs were incorporated into jewelry, objects, furniture, glass and pottery.

A charming hooked rug depicting a woman holding a flower and sitting in a chair beside a large kettle over an open fire. The wall behind her shows a painting and a window through which can be seen a church. Rugs of this size and this period showing an interior scene are quite uncommon.

The 21" by 17" rug is mounted in a museum approved manner on acid free board. The condition is excellent, with no issues.

This porcelain demitasse cup and saucer was produced in England in 1882. The date letter indicates this year. The saucer has a diameter of 4 3/8 inches and the cup is 2 ¼ inches high. The set is made of bone china. The cup features the traditional Worcester ring handle. The set is decorated with alternating bands of gold and yellow. The gold bands contain chains of hand painted chrysanthemums and the yellow bands have ornate gilding. The well of the saucer and interior bottom of the cup ...

A Minton wild strawberries A2625 hand painted berry or fruit bowl dated 1866. This Victorian beauty measures 9-3/8" across and it features finely handpainted leaves, flowers and wild strawberries all in high relief. This bowl is similar to other antique Minton patterns however we haven't definitively identified it. It has the impressed MINTON mark (used from 1862-71, later MINTONS) and a date cypher resembling that used for 1866. This bowl is in very good condition with no chips, cracks, cra...

A totally charming box from, and decorated in the style of, Snyder County, Pennsylvania; grain painted with gilt and gray highlights; polychrome stencil painting of fruit on top; terrific painted keyhole escutcheon; 9 1/2" by 6 1/2" by 5 1/4"

Top has scrapes and scratching, but 99% of the paint is still intact, and the uncommon nature of the overall decoration on this piece far outweighs the damage

This porcelain demitasse cup and saucer was produced in England by Royal Doulton in the late 19th century. The saucer is 4 1/2 inches in diameter and the cup is 2 1/4 inches high. The set is made of fine, white bone china. It has a quatrefoil shape. There are cobalt blue panels with raised gold decoration. Garlands of tiny red roses accent this decoration. There is lots of beaded gold trim. The rims and handle are trimmed with gold. Condition: Excellent

This porcelain sugar and creamer was produced in the United States by Ott & Brewer Belleek in the late 19th century. The sugar bowl is 4 inches across and 1 3/4 inches high. The creamer is 3 1/2 inches high. The porcelain is highly translucent. The interiors of each piece have a high glaze and the outside has a matte finish. It feels rather like satin. They are expertly hand painted by a factory decorator. The decoration is pink anemones with gilded foliage. The handle and rims are trimm...

A pair of Napoleon III green-cased cut crystal perfume or cologne bottles by Cristalleries de Saint Louis. The bottle sides are cut in a panel design that is repeated in the tulip-stoppers with knopped stems. The undersides are finished in a diamond-cut pattern. The green is a brilliant dark emerald shade. The bottles are priced as a pair, but are available individually, if desired.

• France, 1850-70.
• Excellent condition; original stoppers; no chips or cracks.
• 6 1/2" tall.