19C Chinese Nanking Export Blue and White Porcelain Leaf Dish Antique Chinese 19C Export Blue and White Porcelain Canton Nanking Leaf Dish. Painted in underglaze blue. Depicts a beautiful landscape scene. Size: 18.6 cm long, 13.5 cm wide Condition: Excellent

This porcelain coffee cup and saucer was produced in Austria by a Vienna Porcelain manufacturer in the1880s. It has an artist’s signature “Schuler” in the painting. The saucer is 6 inches in diameter. The cup is 2 ½” high with a diameter of 3¾”. The ground color is forest green. The front of the cup has a hand painted scene of a classical lady and a winged cherub. The scene is framed with ornate, raised gold. The saucer has matching gold trim...

This porcelain trembleuse chocolate cup and saucer was produced in Bohemia by Carl Knoll in the 1880s. The saucer is 5 ¼” in diameter. The cup with lid is 5 ½ “ high and 5” across the handles. The set is hand painted with Watteau scenes on the lid, the cup and the saucer. The hand gilding of fish scale design, was a laborious process. There are additional accents of rich gilding and trim. The finial on the lid is a flame and the handles are Meissen style split branch handles...

A creamware mug with a black transfer depicting two men walking across a bridge over a stream that pours into a peaceful river with a sailboat and boat with freight steered by a man in the stern. In the distance people on a point of land and in the far distance, beyond bends in the river, the top of an obelisk shows against the horizon. The oval transfer appears as if it was slightly too tall for the mug, being cut off at the bottom. It is otherwise framed with a laurel leaf surround...

A creamware mug, probably Liverpool, with a black transfer printed scene of a farm cottage with gate and outside the fence two men standing in front of a loaded one-horse cart. The oval transfer surrounded by foliage. Though much creamware was earlier it remained popular into the nineteenth century. 3 ¾ inches tall and 4 3/8 inches across the handle.

Condition: no cracks, hairlines or repairs. Fairly substantial chip that is mostly on the inside of the foot and another minor one on the foot...

Lovely 18K stone coral ring with 8 small diamonds. Five stone rings were classic Victorian forms. Our ring has smooth polished cabachon coral stones and ten small perfect flat cut diamonds at each corner. During Victorian times and earlier, coral was believed to have mystical properties and to ward off illness. The rose pink color was the most sought after. The ring is a size 8 and can be sized.

This elegant green shell bowl with a swan on the scalloped rim, attr Salviati early 1900s, is an excellent example of the masterful craftsmanship of the Murano glass artisans. The ribbed green shell bowl and the blown foot have flecks of gold leaf; the swan is crystal with gold leaf. There is a pontil mark on the bottom of the foot. The piece stands 5" tall, 5" long, and 2 1/2" wide. In Carol M...

A pearlware child’s mug with the stencil inscription in blue on the front, “A Gift from the Pottery,” in a cut corner rectangle with a seaweed surround. The top and bottom of the mug with a single blue band. The ends of the oval handle spread like a leaf. 2 1/8 inches (5.4 cm) tall, 3 ¼ inches (8.3 cm) across the handle.

Condition: no chips, cracks, hairlines or repairs. Tiny rough spot on the lip and a little wear on the base...

A Dutch delft blue and white tile painted on the diagonal showing a tulip in the center with parts of fruits around it as it grows out of ground that would form a star with three other tiles of the same pattern. 5 1/8 inches (13 cm) square. A little less than ½ inch (1 cm) wide. Tapered sides. Wire hanger attached.

Condition: damaged along the upper left edge, part of an old repair and part not repaired. Firing flaw on the right. Small losses on other edges.

A Dutch delft polychrome tile, from 1620 to 1650, with a bee resting on the petals of one flower (probably a snake’s head fritillary) with a second blossom on the same plant below it. The petals in blue and orange, also the bee. The leaves are green and the blue stem is growing out of a green bulb on the ground. Inside a blue three line octagon with gothic arches and the corners filled with a pattern of lines. The initials T G on the back. 5 inches (13 cm) square...

A Dutch delft polychrome hand decorated tile made between 1620 and 1650 depicting a double handled vase containing three orange flowers that fit into the space on the tile between the large painted corners. The colors are blue, orange and green...

A Dutch delft tile from between 1625 and 1650 showing a blue flower in the center enclosed in an oval of three blue lines. The single blossom has blue petals and a yellow center. The green leaves on a blue stem grow out of a yellow bulb on the ground. The oval with fleur-de-lis on the sides that correspond with the tile edges that are also decorated in blue with scroll work and vegetation (?). 5 inches (12.5 cm) square and slightly less than ½ inch (slightly more than 1 cm) thick. Beveled edge...

A hand painted Dutch delft tile from between 1625 and 1650 showing a carnation flower in the center enclosed in an oval of three blue lines. The single blossom is orange over the white ground. The green leaves on a blue stem grow out of a yellow bulb on the ground. The oval with fleur-de-lis on the sides that correspond with the tile edges that are also decorated in blue with scroll work and vegetation (?). 5 inches (12.5 cm) square and slightly less than ½ inch (slightly more than 1 cm) thick....

A Dutch delft tile from between 1625 and 1650 showing a snake’s head flower in the center enclosed in an oval of three blue lines. The single blossom is yellow and brown. The green leaves on a blue stem grow out of a yellow bulb on the ground. The oval with fleur-de-lis on the sides that correspond with the tile edges that are also decorated in blue with scroll work and vegetation (?). 5 inches (12.5 cm) square and slightly less than ½ inch (slightly more than 1 cm) thick. Beveled edge.

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This romantic amethyst 18k necklace has a smooth and sultry snake chain that feels as good as it looks. The glittering large five amethysts fall symmetrically about the chain and always fall perfectly on the neck, with the central largest amethyst positioned exactly at the center. The clasp is hidden in the chain and remarkably easy to attach as it slides right in and holds firmly and securely. The necklace can easily be clasped by the wearer. Amethysts were very popular in Georgian times and be...

Antique 19th century Berlin Iron necklace with a Berlin Iron heart and cross. Berlin Iron jewelry is highly prized for its intricate work and rarity. During the Napoleonic Wars wealthy Germans gave their precious jewels for the war effort and substituted them with iron jewelry. Some of the pieces were inscribed, "Gold gab ich fur Eisen"; meaning "I gave gold for iron". Today these pieces are as desirable as in the early 1800's. The chain measures 22"long and the drop with the cross measures 6 1/...

A silver form porcelain teapot with the vented knop on the lid and the pattern number, “N 195” in red enamel on the base. This pattern is known as the “knitting wool” pattern. 5 ¾ (14.6 cm) inches tall, 9 3/8 inches (23.8 cm) across the handle and spout.

Condition: excellent. A tiny rough spot on the lip of the spout might be a tiny glaze chip or it could be a very small firing loss.

I think this form is one of the most pleasing for late 18th century teapots.

A porcelain (hard paste) baluster form coffee pot decorated with a small bouquet of flowers and a few sprigs on one side and a few sprigs on the other with reddish purple ribbon with flowers around the top of the pot and the outside of the lid. Also on the pot a double band with entwined roses. The lid with a vented knop, which is a feature of silver form New Hall teapots. No marks. 10 ¼ inches tall (26 cm) and 8 ¼ inches (21 cm) across the handle and spout. The form is fairly common for lat...

An incredible monumental Japanese solid cast bronze Peace Bell custom iron stand with clapper. Inscription with dated, location and donor of bell. Bell is in excellent original condition with no repairs or damage. The sound is absolutely stunning lasts for a very long time 世話人 Sponsors (or Caretakers)
[7 names]
高岡市 鋳物師 老子次右 Takaoka City Caster: Oigo Ji[emon] context seems likely to refer to 衛門, as part of the name Oigo Jiemon, a famous caste...

Exquisite Georgian rock crystal riviere set in silver with a 15k gold mount and an open back. Rock Crystal is transparent quartz often seen in fine antique jewelry. It is extremely hard and was thought to transmit positive energy and to have healing properties. This rare necklace is wonderful for evening wear. With its mass of crystals gems mounted perfectly next to its neighbor, with little to no metal clasps visible in between, this necklace creates a lovely composition on one's neck. The neck...

A 11 ½ inch (29 cm) diameter deep blue and white delft charger depicting a hanging flower basket with an elaborate border of plants, flowers and radio wave blossoms. 18th century probably right around the middle.

Condition: Some wear in the center and numerous small losses around the edges.

These 8 porcelain chocolate cups and saucer were produced in France at Sevres around 1810. The saucers have a diameter of 4 7/8 “ and are 1 ½” deep. The cup are 2 7/8” high,without the handle, and have a diameter of 3 1/8”. Each cup has a hand painted portrait of a famous French woman, named on the bottom. They have tooled gold frames and lacy gold accents around the edges. The center of the saucers have lacy gold medallions in the wells.There are 4 blue and 4 beige cups and saucer...

A William Ridgway “Oriental” green transfer printed platter with a vaguely Middle Eastern fantasy scene in the well surrounded by a border of alternating floral bouquets and Middle Eastern buildings against a sprigged green ground. On the back the Ridgway mark of an urn and beehive over the subject name, “ORIENTAL.” and the initials, “WR.” printed in green. The initials for William Ridgway were used from 1830 to 1834. The platter is 14 ¾ inches (37.5 cm) long and 12 inches (30.5 cm)...

These 6 porcelain tea cups and saucers were produced in Germany by Meissen around 1890. The saucers are 5 ¼” in diameter and ¾” deep. The cups are 1 ¾” high and 3 ¼” In diameter. The porcelain is molded in high relief. Intricate gilding highlights the raised designs. There are reserves with hand painted flowers of vivid colors and fine detail. Tiny insects can be found among the flowers. The handle and rims are trimmed with gold. The quality of these cups and saucers is incom...

Rare Georgian "Dear-Regard" ring set in 15K gold. The center motif of a flower is set with a "R"uby, "E"merald, "G"arnet, "A"methyst", "R"uby, and "D"iamond, the first letters of the stones spelling "Regard". The groups of stones on the cusps of the band are set with a "D"iamond, "E"merald, "Amethyst", and "R"uby, the first letters of the stones spelling "Dear". Historically the rings given as a token of love were either "Dearest" or "Regard". This ring is a combination of both sentiments.

A pair of porcelain dinner plates with molded basketweave edge and swirl ribbing with the lines extending into the well. Decorated with hand painted overglaze flowers and a gilt edge. The style closely resembles Meissen, but these are unmarked. The four ribs in four groups of four is identical with a plate pictured in Godden's book on Coalport that he dates from c. 1805 to 1810. 10 inches (23.5 cm) diameter. Unmarked.

Condition: No hairlines or repairs. Small amount of stacking wear to bo...

Georgian ring of green paste in a basket setting flanked by two clear pastes on each side. Paste is colored or clear glass, often lead or flint, cut in the same fashion as gemstones and used as a substitute especially while traveling. Antique paste jewelry was valued on its own merits and not as an imitation of another piece of jewelry. This Georgian 15K gold, green paste ring is a size 7 1/2 and can be sized. It measures 1/4" at its widest.

This porcelain chocolate pot was produced in the US by Willets Belleek in the 1880s. This is a factory decorated piece. The pot measures 9 3/4” high and is 5 1/2” from handle to spout. The handle is shaped like a dragon that wraps around the pot. The body of the pot has a creamy ivory hue. It is hand painted with two colored gold. Some of it is shiny and some of it is matte finish. Ferns, leaves and blooms are painted with raised enamels you can feel. The decoration is refined, execu...

A very good first standard (950/1000 pure) silver small-size tastevin by the highly regarded Dijon silversmith Marc Parrod. This example retains the classic round shape with a convex bottom, but the usual "godrons" and "cupules" gare replaced by repoussé grape clusters alternating with raised "perles". Each grape cluster is accented with stylized vines. Parrod was particularly noted for this unique variation. The handle is in a rather unusual shape slightly suggestive of the double snake handle...

A very good first standard (950/1000 pure) silver small-size tastevin by the highly regarded Dijon silversmith Marc Parrod. This example retains the classic round shape with a convex bottom, but the usual "godrons" and "cupules" are replaced by repoussé grape clusters alternating with "cupules". Each grape cluster is accented with stylized vines. Parrod was particularly noted for this unique variation. The handle is in the traditional form of two snakes grasping an apple, alluding to the the Ga...

French Silver Louis XVIII Burgundian Style Wine Taster Tastevin An unusually heavy first standard (950/1000 pure silver) French tastevin decorated in the classic Burgundian style with punchwork grape clusters and a coiled snake handle. The grapevines are also accented with engraved flowers. The bottom has the center pinpoint found in tastevins from this period and is finished simply with a ring or shallow godrons around the edge to help reflect light through the wine. The snake is engraved w...

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical “perles,” "coupules," and fluted “godrons”, the bowl is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometimes seen in tastevins made by Marc Parrod, one of the most influential makers of tastevins in the early 20th century. The handle is in the traditional form of two entwined duck-headed snakes grasping an apple in their mouths, thought to repre...

A pair of soft paste porcelain underglaze hand painted blue and white porcelain plates in the “La Mouche” pattern. These have a mark that I can’t identify, though they may well be a workman’s factory mark. The pattern of the fly buzzing a bush is distinctively from the Tournai factory. The pair of shallow soup plates are 9 1/8 inches (22.86 cm) diameter.

Condition: No chips, cracks, hairlines or repairs. Use and stacking wear on both sides of both soups.

This attractive antique full length 18K watch chain has alternating carved ornamental solid gold by-pyramid link (what we call a "fancy" link) which connects to a pair of linked rings, which connects to simple solid gold by-pyramid link. The C1880 chain measures 59 inches long. It can be worn in various lengths, doubled or tripled, with a locket or pendant, or just as is, shown in the images below. A screwed in bolt clip allows you to add a pendant, if desired. The chain weighs 35 grams and feel...

Amazing "Queen Anne" amethyst paste earrings set in gilt metal. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. The vivid purple paste stones used are faceted as rose cuts. The earrings have back to front fittings and fit close to the earlobe. There is a matching necklace sold separately.

A fine hammered copper tray with handles from the workshops of Gustav Stickley in New York. Measures about 16 3/8", 19" across handles and weighs over three pounds. Tray was polished long ago and patina has aged, shows some wear and stains. Joiner's compass mark.