A rare peacock blue pressed glass Imperial Russian tea box, the lid enhanced with intaglio decoration of Moscow’s elegant Neoclassical Pashkov House. The edges of the hinged lid are pressed in a pattern of diamonds and fans, while the sides are decorated in arched pillars and diamonds. The bottom is impressed with the glassworks’ mark and the date 1911. The edges are mounted in white metal and the box retains its original key...

Offered is this beautiful, iridescent Bohemian glass bowl, made most likely by Rindskopf, a contemporary of Loetz, around 1900. The bowl is decorated with oil-spot, vibrant, iridescent colors. It is 11 1/4 inches (28,5 cm) wide, and 4 3/4 inches (12 cm) high. It is in good condition, without chips, cracks or repairs. The bowl's body has four dimples and a ruffled rim. Pontil bottom.

A Furstenberg hard paste porcelain cup and saucer decorated with bands and sprigs of sepia and black flowers with gilt rims and highlights. Both pieces are marked with an underglaze script F and a number (9). The arched handle is typical of early 19th century tea wares. The style continued in the middle of the century, though this style of sepia decoration is more usual in the earlier part of the century...

Edwardian Classical sterling silver bowl. Made by Redlich & Co. in New York, ca 1900. Tapering sides and flared rim; applied and pierced rim with cast leafing scrolls and flowers. Fully marked including maker’s and retailer’s (Cowell & Hubbard) stamps and no. 3982. Very good condition.

Dimensions: H 2 3/4 x D 10 3/8 in. Weight: 11 troy ounces. #BY088

A wonderful cut opaline glass egg-shaped perfume caddy by Baccarat. The hinged lid opens to reveal an area that would have been used to store a plain stoppered bottle of perfume. The milky white translucent glass contrasts beautifully with the rich gild bronze acanthus leaf mountings. The crystal is cut simply with vertical parallel ribs. The glass has the fiery shots or orangey-red typical of opaline glass made by Baccarat...

Small Christ in cast bronze, traces of gilding. French medieval 13th century. The bronze has a beautiful old patina, there is very little gilding left. He wears a loincloth and an Egyptian headdress. A stylized flower appears to be drawn on his belly. It was mounted on a gilded wooden frame probably in the 18th century. Height of Christ alone 95mm. Good condition, no repairs, normal wear for the period, beautifull original patina.

Offered is this beautiful antique French clock, with clock-works by S. Marti and statue made by L & F Moreau. The clock is 21 inches (53,5 cm) tall. Except for the pinky-finger on one hand of the spelter statue missing (see last picture), the clock is in good condition. There is no pendulum or key, but the pendulum-ticker ticks fine - so, perhaps the clock works fine. N.B...

The symbolism and motifs behind the Victorian bangle bracelets, with their quaint floral bouquets and plants and trails of leaves well known. Our Sterling silver bangle has two carved stylized vases of flowers on either side, a vertical array of flowers next to each and at center, what appears to be two vertical daisies and leaf tendrils. This bracelets are quintessentially Victorian; sentimental jewelry always had associated meanings behind different flowers...

A sterling silver cherubs brush mirror & comb set 1890 to 1900. This wonderfully ornate Victorian period set consists of the 10" x 3-7/8" mirror, the 9-3/8" x 2-1/2" brush with natural bristles, and the 7-5/8" long comb. Each is hallmarked for Birmingham, England and they have the Thomas Hayes maker's mark; the brush year hallmark is 1890, the comb year hallmark is 1898 and the mirror year hallmark is 1900...

A very rare set of four earthenware plates by Choisy-le-Roi depicting architectural landmarks in Paris during the Empire period. Three of the plates depict theatres--a very popular pasttime for the upper classes during the Directorate, Consulate and Empire periods. One scene is entitled "Théâtre de l'Impératrive" and shows the theatre now know as l'Odéon...

A classic George III sterling silver wine coaster, the bombe sides with egg and dart decoration and the rim with gadrooning. The decoration is finely crafted. The turned wood base is centered with a silver escutcheon bearing an unidentified coat of arms (dancetty with three swords points down) impaling that of Ashby (ermine chevron and three leopard’s heads) tied with a ribbon. The coaster is clearly stamped with hallmarks for London and the second George III duty mark (1786-1821)...

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."

  Authentic antique, 19th century, finely hand painted on a wooden panel, Russian Orthodox Icon, The Mother of God of Smolensk "Smolenskaya" (Hodigitria or Patron of the wayfarers).

MEASUREMENTS: 17 cm x 12.5 cm (6 5/8 in x 4 7/8 in).

CONDITION: The icon is in the original good condition with a nice old patina. The border with remains of the iron nails, which previously held an oklad, in which the icon was originally encased. One minor surface edge crack on the lower part...

I have seen weapons such as this one described as everything from ancient Roman, Celtic and Chinese to medieval and on and on. Though I have been unable to find much in the way of references, I am fairly certain that this spear and others like it are ceremonial polearms from the Qing Dynasty. They are most likely 18th or 19th century...

Three perfume bottles: two white opaline and enamelled French bottles, the third clear green and gilt, possibly Italian. The opaline bottles mid 19th century, the green bottle from around 1890. Height "3 ¾ - 5 ¼ / 9.5 - 13 cm. No stoppers. Condition of all three: fine.

A two-handled solid silver bowl made around 1890. Unmarked, but its shape and the pierced pattern with crescents and six-pointed stars indicates a Russian and Jewish origin. Tested for a silver content of 800 / 1000 (minimum). Weight 157 grams, width "4 ½ / 11 cm and height "2 ½ / 6 ½ cm. Condition: fine.

Lovely T&V Limoges cracker jar with flowers painted on both sides and gold trim. It is in perfect condition with no chips, cracks or repairs, and measures 8" tall x 6 1/2" diameter at widest part.

A George III Silver Teapot by Henry Chawner and Hallmarked in London in 1792. A Bright Cut Teapot with Serpentine Shaped Sides and Engraved with Armorials on Both Sides. A Domed Oval Hinged Lid and a Wooden Finial and Scroll Handle. Dimensions; 6" High x 4" wide x 10" handle to spout. Weight 11.8 Troy ounces. Excellent condition.

This is an exceptionally rare Tiffany Studios oil lamp that was later converted to electricity. The bronze lamp parts are marked, 'Tiffany Studios' (see picture), while the two glass pieces are unmarked. Most likely, the following is the evolution of the lamp: It was initially an oil lamp. When electricity came into usage in the US towards the first part of the twentieth century, the owner of the lamp sent the lamp to Tiffany glassworks (called, 'Tiffany Corona' then) to have the lamp converted ...

Antique flannel dog filled with grain or sawdust that makes him feel like a bean bag and allows him to stand nicely. He has big bead eyes and replaced floppy ears. The original ears must have been further back where you see a white patch. That patch is white flannel that hasn't gotten dirty. He has a couple of mends but is old and nice and has a bit of a worried look. He is 7 1/2" long and 6" tall. (His ears are a wool knit fabric that looks like they have been there for a while.) Hi is 19th C. ...

Very rare Staffordshire pottery child's plate with an ABC rim surrounding a hand-colored transfer print of a railroad steam engine emerging from a tunnel. The plate is very colorful and is highly desirable because of the train decoration.

Origin: Staffordshire, England, ca 1895. Condition: very good, two very tight hairlines about 1" long, a couple of potting and painting flaws. Size: 7-1/2" diameter.

This porcelain cup and saucer was produced in France around 1810. There are no markings on either of the pieces. It could have been made by one of the numerous porcelain manufacturers in the Paris vicinity at that period. The saucer has a diameter of 5 inches and the cup is 3 3/8 inches high, excluding the handle. The porcelain is heavy and substantial. The decoration is hand painted. Stylized ornaments, including a cornucopia and swans, decorate the sides of the cup. The central decorati...

An extremely rare triple series opaque twist (TSOT) English glass wine goblet. The capacious round funnel bowl is above a stem that has a pair of 8 ply spiral bands outside of a central solid spiral core surrounded by a spiral gauze. This configuration, with 3 distinct twists, is so uncommon that L. M. Bickerton, in his classic book, did not even address the question of triple series opaque twists.

The glass stands 7 1/4" tall, with a bowl diameter of 3 5/16" and a foot diameter of 3 3/8". The...

This fine antique Baccarat bottle with its optic swirl device was created in the Rubina style which features and red to clear coloration. The jar has a weight worthy of its pedigree, and dates to early 20th century. The hollow stopper is marked with the same number as the base of the bottle, confirming that the two are a match.

Condition is excellent though the glass may have manufacturing imperfections.

Dimensions
Height: 6 1/8 inch
Diameter: 2 1/2 inch

This porcelain chocolate cup and saucer was produced in France by Jean Pouyat Limoges in the 1890s. The porcelain was produced and decorated at the factory. The saucer is 4 7/8 inches in diameter. The cup is 3 inches tall with a diameter of 2 1/4 inches. The ground color is powder blue. Art Nouveau style dandelions are hand painted and hand gilded on each piece. It is richly gilded on the rims and handle. Having been acquainted with Haviland Feu de Four pieces, it is likely that this ...

Yellow Shell, part tea service: a slop bowl and a dish, three cups and two saucers. This very popular folk art or naïve style pattern was produced in more than one Staffordshire kiln in the early 19th century, among them Ridgway & Sons and Machin. The pattern number used by Machin was 208, a number that can be seen on the back of the slop bowl. The diameter of the slop bowl is "6/ 15,5 cm and of the saucers appr. "5½ - 5¾ / 14,5 / 13,5 - 14.5 cm. Condition: minor star crack to the dish (cf. p...

A perfect example of a waisted bucket bowl wine glass, with superb proportions; the bowl sits atop a stem with a mercury twist (a wide, refractive air twist).

Lead glass with rough pontil, 5 7/8" tall, 2 1/8" bowl diameter, 2 1/2" foot diameter. No condition issues.

Finely crafted silver candlestick, marked sterling silver, decorated with 4 cartouche each containing with classical Greek figures, in high relief, in different position, also floral decoration 0n top and middle and base area. Size; Height of item is 16 3/8 inches and weights 22 Toz. Condition Report; Good condition, no issues.

This pair of porcelain baskets was produced in Germany by Nymphenburg in the 1890s. They measure 10 inches long, 8 inches wide and 3 inches deep. They are made of fine, white, hard paste porcelain that is pierced or reticulated. The rims have molded pearl beading. There are beautifully hand painted floral sprays in the center of the bowl and in medallions on the sides. All of the reticulated designs are outlined in gold, inside and out. This porcelain of delicate beauty will never go out o...

Pretty Edwardian sterling silver basket with roses. Made by Tiffany & Co. in New York. Circular well with flared sides and wide mouth. Sides have alternating solid and pierced trellis. Scrolled and wavy rim in form of flowering rose vine with both tight buds and full blooms. Stationary u-handle applied with graduated flower heads and split scroll mounts. Fully marked including maker’s stamp, pattern no. 16268 (first produced in 1904), and director’s letter C (1902-7). Very good condition.

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This porcelain plate was produced in England by Brownfield’s China between the 1870s and 1880s. It was made especially for Tiffany in New York It is artist signed “Hartmann” and titled “A Quiet Spot”. The plate is 9 1/4” in diameter. It is made of fine, white bone china. The border is celeste blue with raised French enameled roses and Asian mons. The edges of the plate are richly gilded and there is beaded and lacy gilded accents. The hand painted scene of a young woman recli...

A high quality period American Brilliant Cut glass 9-3/8" comport identified for us as the Meteor pattern, produced by Pairpoint. This unsigned footed glass dish measures 6" across the bowl, and it is in excellent original condition with no cracks, losses, damage or repairs other than some very tiny bites to a few of the edges (largest shown is 3/16" long). A beautiful piece of glass from the great period of American cut glass. All items are thoroughly and conservatively graded and all condit...

Offered is this exceptional Louis Majorelle lamp with Schneider glass shade (the shade is signed, 'Le Verre Francais France', the 'Majorelle France' signature on the metal base may have been etched later). In typical Art Nouveau fashion, the metallic lamp depicts three dragonflies standing on lily pads and supporting the glass shade. Though Majorelle used mostly Daum glass shades in their lamps, they also used Galle and Schneider glass shades in a few of their lamps (after all, Louis Majorelle, ...

This porcelain plate was produced in Germany by KPM in 1918. It has a diameter of 8 inches. There is an artist’s monogram on the back. The porcelain is molded with a wavy edge. The center of the plate has a hand painted scene of a wintry landscape. The trees are painted in excellent detail. It captures the beauty of the season. The plate has some gilded accents. Condition: Excellent

A pewter tankard marked with the partial touch of John Townsend on the bottom of the inside of the bowl. There are no other marks except the engraved initials “I or J Y” on the front of the tankard. It is 7 inches (17.7 cm) tall and about 6 ½ inches (15 cm) from the front to the back edge of the handle.

Condition: Excellent. The engraving is very crisp. There are a few small dings on the edge of the lid and along the bottom edge. The body of the tankard is slightly indented where the b...

Lovely 3-tier chintz cake stand in a unknown pattern. The bottom of each piece is marked in blue/green "B/Royal Tudor Ware/Barker Bros. L'td/England" along with a crown. The stem is brass. The whole stand is approximately 12-1/2" tall. The plates are approximately 10", 8" and 6" in diameter. Mint condition--even the gilding around the edges of the plates. Ca. 1920's.