A powder blue ground cup with elaborate gilding and two reserved oval panels on opposite sides with a spray of European flowers. Unusual for Chinese Export porcelain the two panels are recess molded. Other examples of this period exist with molding in the body, this ground and elaborate gilding. The inspiration is European, probably German, perhaps Meissen. The cup is 2 inches (5 cm) tall and 3 ½ inches (9 cm) diameter.

Condition: No chips, cracks, hairlines or repairs...

Edwardian Neoclassical sterling silver covered urn. Made by Howard & Co. in New York in 1905. Ovoid bowl with high-looping leaf-mounted side handles; domed foot. Cover domed; top stepped with cast pineapple finial. Sides open with flutes and guilloche and egg-and-dart bands. Chased ribboned garlands on cover and foot. Beading. Detachable cobalt glass liner. Fully marked including maker’s stamp and year. Very good condition.

Dimensions: H 14 1/2 x W 8 x D 5 3/8 in...

Rare and important head of a bearded centurion wearing his helmet, his face showing a strong and fierce expression. Polychrome wood. Eyes made of glass painted inside. Of Spanish origin, dating back to the 18th century, this head was found in the Philipines in 1978. Height: 30.3 cm. Old accidents and restorations mostly around the helmet (see photos), otherwise very good condition. NOTE: This head belonged originally to a large statue which was displayed beside a large crucifix.

Offered is this beautiful, geometric-patterned, cameo-cut glass bowl or vase, made by Thomas Webb & Sons of Stourbridge, England. Made on two-layered cased glass and having a clear applied foot, the bowl is 4 inches (10 cm) wide and 2 inches (5 cm) high. It is in excellent condition. Signed on base (see last picture).

A Hudson Valley mid-19th century Wooden Primitive Work Chest, brass fittings. Dimensions; 20" wide x 13" deep x 9" high. Condition is appropriate to the age.

In referring to certain types of pottery, "Leeds" and "featheredge" are both common misnomers. People think of certain types of Staffordshire pottery as being Leeds while in actuality only a small portion was made by that factory.

Further, to be completely accurate, this platter is really what is known as "shell-edge", as opposed to featheredge. It is pearlware, made around 1810, and is an extremely large 17 3/4" by 13 1/4" in size...

This porcelain demitasse cup and saucer was produced in England by Coalport in the 1890s. It was produced especially for the prestigious retailer, Gilman and Collamore of New York. The saucer has a diameter of 3 3/4 inches. The cup is 1 7/8 inches high with a diameter of 1 7/8 inches. The fine, white bone china is covered entirely be gold. There are panels of intricate, embossed patterns alternating with panels of raised turquoise enamel beads or jewels...

A Pair of George III Style Drum Mustard Pots with Matching Spoons. With Reed Borders, a Hinged Flat Cover with a Scroll Handle and a Shell Thumbpiece. Marked SG for Sebastian Henry Garrard, of R & S Garrard & Co. (Crown Jewelers, 1843-2007). Marks for London, 1919 on each pot and spoon. Dimensions; 2.25" high x 2.5" in diameter. With a clear glass liner, not original. Excellent condition.

Edwardian sterling silver porringer with circus motif. Made by William B. Kerr in Newark, ca 1910. Upward tapering sides and molded rim. Solid and waisted handle. Acid-etched procession with piggies, kitties, and doggies as well as elephants and lions in fancy dress. Monkey-supported mirror for engraving the initials of the cutest animal of all. Fully marked including maker’s and retailer’s (Bailey, Banks & Biddle) stamps, and no. 1482...

Three faience plates, probably from the Les Islettes factory near Reims in Northern France, one with a rooster / coquerel and two with a flower basket motif. All with combed red border and 19th century. Diameter "9/ 23 cm. Condition: some rim frits, the coquerel plate with some filled-in patches to the red parts (cf. pics).

Chinese export dish or flattened bowl, Yongzheng c 1730. Enameled decoration of birds, flowering peony and a garden rock in the Famille rose palette with some accents in gilt. Diameter 8 2/3 " / 22 cm, height 1 1/3 "/ 3.3 cm. Condition: two hairlines and an old repair with rivets (= without any adhesives or other additions).

Samson of Paris, 19th century: a large godrooned dish, hand painted in the style of Watteau with a courting couple in a pastoral landscape surrounded by flowers, Deutsche Blumen. Flat back with the gilt wheel mark for Höchst /Hoechst 1765-74. Diameter "10¼/ 26,3 cm. Condition: a chip to the rim (cf. pics).

An amber colored vase with an etched and gilt “Oroplastic” frieze of Amazon warriors, the base facet cut. The Oroplastic decoration method was introduced by the Moser glass company around 1915. It became a great success, totally in line with the emerging Art Deco style. Signed Made in Czechoslovakia Moser Karlsbad. Height "3 ¾ / 9.5 cm. Condition: fine.

A superb Derby porcelain coffee can displaying a wrecked ship and rescue efforts. This can was painted by George Robertson, whose depictions of ships and maritime scenes are among the most highly sought after and collected items of Derby porcelain. This particular scene, named on the bottom in blue script, is "A Shipwreck After a Storm."

The gilding on the cup, both in the interior leaf and berry border, and throughout the exterior of the can, is of the high quality that Derby was known for...

Majolica Faience large Plate, raised Berry and Rose on top of Basket weave design, 10 3/8" diameter, 1 3/8" high, brown spotted design on the creamy color back, some missed glaze spots under the bottom rim.

Set of 4 Edwardian sterling silver figural place card holders. Made by Levi & Salaman in Birmingham 1906. Each: Pair of perched owls with scrolled back clip; raised and round base. Wise birds standing ready to tamp down excessive dinner party levity. In leather-bound case with fitted velvet and silk lining with gilt retailer’s stamp (“Leighton / Lancaster”). Fully marked. Very good condition.

Dimensions: H 1 3/4 x D 1 1/2 in. Gross weight: 2.3 troy ounces. #BW863

Soft paste porcelain luncheon or salad plate, 8 3/8 inches (20.32 cm) diameter, with hand painted underglaze medium blue in the “Ronda” pattern. Though unmarked, the pattern, the color and the deep molded swirled ribs and basketweave border are distinctively Tournai. The underglaze blue “2” on the back is probably the mark of the painter.

Condition: no chips, cracks, hairlines or repairs. Minor surface scratches.

A Substantial Coin Silver Ewer or Pitcher for either Wine or Water. Made by Henry Burrill Stanwood (1818-1869) of Boston, a predecessor of the Firm of Schreve, Crump and Low. Marked "Henry B. Stanwood", Boston, Pure Silver Coin. Repousse floral design. Dimensions; 12" high to handle x 6" in diameter (5" at base); 20 Troy ounces. Circa 1840. Excellent condition.

A naïve portrait of a young man holding a book, done in watercolor, ink, and pencil. Although unsigned, every characteristic of J.A. Davis' work is present, from the materials used to the composition, to the painting technique. Similar to lot 834 at the Sotheby's 1/25/15 auction and to lots 119 and 120 at the Skinner 11/2/18 sale. .

Excellent condition with no tears, folds, or restoration...

This porcelain jardinière was produced in France by Bernardaud & Co. Limoges between 1900 and 1914. The porcelain was sold white ware to a studio artist to be decorated later. The artist’s signature is in the decoration. The jardinière is approximately 12 inches in diameter and 8 1/2 inches high. It is hand painted with brightly colored chrysanthemums in art nouveau style. The ground color is mint green that shades from lighter to a bit darker from top to bottom. There is gold trim on ...

An Amber Glass Hand Blown Thumbprint Pitcher with an Applied Blue Handle. Dimensions; 9" high x 6.5" wide to handle. 1920's and in excellent condition.

A very fine Victorian silver plated flip-top card case, both sides heavily decorated with nautical themes. The front features a scene of a sloop in roiling waves passing a lighthouse in the background. The scene is surrounded by a border of seashells and seaweed, and a bare-breasted mermaid watches from one of the lower corners. The back of the is decorated in a pattern of waterlilies and foliage. The detail in the design is superb--one can even just make out the stars and stripes of the shi...

A pair of Steuben Ivrene candlesticks shape #7564. The oval candlesticks are signed and are 3 1/4 inches tall.

A Boxed Dessert Set, for Fruit or Cheese, by Joseph Deakin and Sons, of Sheffield, England. Silver plate with horn handles. The box is custom fitted. Circa 1890. Dimensions; box 11.5" x 9.5" x 2"; fork, 7", knife, 8". Excellent condition.

A very fine Imperial Russian lacquer box by Vishniakov. The lid is decorated with a winter scene showing an empty troika, still tethered to its horse, located just outside a snow-covered log building. The scene is beautifully detailed. The interior is lacquered in the dark rust shade characteristic of Vishniakov.

Origin: Russia, ca. 1880. Condition: the top shows considerably alligatoring, but no paint loss; two of the top corners have flakes (visible in photos); the interior has wear to t...

Pair of Victorian sterling silver bread trays. Made by Tiffany & Co. in New York. Ovoid well with fluid egg-and-dart border. Pierced and chased rim with dynamic leafing scrollwork; Prince of Wales feathers at ends. Sumptuous, nicely toned gilding. The ones to bring out when royalty comes for dinner. Fully marked including maker’s stamp, pattern no. 12356 (first produced in 1895), and director’s letter T (1892-1902). Very good condition.

Dimensions: H 2 1/4 x W 16 x D 7 1/4 in. Total weight...

A superbly constructed copper weathervane of a three masted barque ship. The details and accuracy of this ship vane are amazing, with its multiple sails and rigging. This fine example was previously part of the collection at the Texaco world headquarters.

The ship, on a custom made stand, is 36" long and 32" tall, with a beautiful patina, is in excellent condition, with no flaws to speak of.

Pair of oval silver salts, clean and simple design with straight sides and a classical border of stylized leaves (kymation) around the rim. Early 20th century, with Swedish import hall marks and possibly by Bernhard Hertz whose company was based in Copenhagen and Stockholm. Length "2/ 5,5 cm. No liners. Condition: fine.

This marvelous piece of ancient pottery is an offering vessel, sometimes referred to as a "spirit jar", from roughly the Five Dynasties period (907-960 AD) of Classic Imperial China. These intriguing vessels first appeared to Western collectors around the turn of the century and were quite a delightful find. Appearing in the ruins of a long forgotten monastery near Kunming, hundreds of these jars were discovered in many sites in and around Yunnan. There are many styles of these offering vessels ...

Japonesque sterling silver and mixed metal water pitcher. Made by Tiffany & Co. in New York, ca 1885. Globular body, straight neck, and c-scroll handle. Allover honeycomb hand hammering. Applied flowers, leafing tendrils, and butterflies. A restrained design with graceful plant and insect motifs. Fully marked including pattern no. 3077 and phrase “Sterling silver and other metals”. Very good condition.

Dimensions: H 7 3/8 x W 8 x D 5 1/2 in. Weight: 25 troy ounces. #BM963

21114688 A very nice 8 ½ inch tall Galle cameo banjo form vase. The red over colorless over opal vase has a motif of cherries and leaves. The vase is signed as seen faintly in photograph C. The neck of the vase is 5/8" in diameter and the flat bulbous bottom is 2 3/8" wide and 1 ½” deep. The vase is in wonderful condition.

These fine porcelain ewers are made in a neoclassical style with a slightly flaring base supporting a bulbous body whose neck narrows before ending in an elongated spout. Tall dramatic handles are attached to the vase. Rich cobalt blue panels alternate with white ground spaces each having simple floral embellishments surrounded by gilded swirls and scrolls. Heavy gilding is used throughout on these elegant ewers made c. 1895. The condition is very good except for a possible but well done repair ...

This porcelain chocolate cup and saucer was produced in Vienna, Austria in 1804. Impressed numbers on the bottom of the saucer indicate this year. It has an underglaze cobalt blue bee hive marking on both pieces. The saucer has a diameter of 5 1/2 inches and is 1 3/4 inches high. The cup is 4 1/4 inches high, including the lid. The set is considered to be a “trembleuse” with the attached gallery holding the cup on the saucer. The borders on each piece have a molded basket weave pattern. ...

An interesting blue and white hand pained porcelain plate of two scholars(?) greeting each other and a boy carrying a load in front of water with a rising moon in the far distance. There is an elaborate border including scholar’s roles on the side of the well between the rim and the center and at the outside of the rim leaf and flower border. I suspect that there is a very good version of this scene that was the model for this quickly done one that has a kind of folk art charm. Brown painted e...

We love our 18K exceptional hunting fob with a working hinged locket and a jasper and agate base. " Punto di Caccia" in Italian is engraved on one lozenge, translating to "hunting point", and "Rendez vous de chasse" written on another lozenge opposite. Rendez Vous de chasse roughly translates to "appointment for the hunt". The hunting dog stands faithfully to one side along with the horn, and rifle & hunting pouch, also known as a bullet pouch, with hip flask on other side. All the essentials ne...

Antique 17th century Spain, Valencia or Manises, Large Hispano Moresque copper lustre ceramic deep circular charger, with a banded rim decorated with concentric bands, and scroll-pattern. The center painted with a stylized long-tailed bird among palm motifs, carnations, and scattered flowers. The rim pierced with the hole to facilitate hanging.

A Hispano Moresque ware was a style of initially Islamic pottery created in Muslim Spain by Moorish potters. The Moors introduced tin-glazed pottery...