Copper lustre cream or milk jug / pitcher, both sides transfer printed and enameled with Hope sitting on the seashore by an anchor, pointing towards the horizon where a ship is seen sailing away. Sunderland, England c 1830, unmarked. Height "3 ¼ / 8.5 cm. Condition: beak with a hairline (cf. pic). A larger Sunderland jug with Charity is presented in another GC offer (cf. last pic).

A pair of boat shaped salts in transparent blue glass with thin facet polished edges to sides and backs. Empire style, 1810-20, probably Scandinavian. Width: 3 ¼”/8 cm. Condition: fine

Three 19th century faience plates, Northern France (Saint Clement?), all with vivacious floral decoration in the "gaudy" style, all with combed red border. Diameter "9/ 23 cm. Condition: wear to the decoration of two plates, all with rim frits.

A very well modeled porcelain teacup with a delicate loop handle hand painted with a red bodied bird perched on a branch in a fanciful landscape with a fence in the background. Hand painted puce flowers on either side of the handle and in the bottom of the cup. Unmarked but the porcelain and the bird décor are characteristically Ansbach circa 1780. 4 inches (10 cm) across the handle, 3 ¼ inches (8 cm) diameter, 2 inches (5 cm) height.

Condition: No chips, cracks, hairlines or repairs...

A Queensland Bulldog Club award sterling silver cream & sugar 1916. This sterling silver creamer and sugar was given as an award for the Queensland Bulldog Club Championship of 1916. This is fully hallmarked for Sheffield England 1915-16. It consists of the 5" from handle to handle open sugar bowl and the matching creamer. Each piece retains their original interior gilding and they both have the Chester mark for 1915; the sugar bowl has the maker's mark for Joseph and Richard Griffin (est...

This porcelain plate was produced in the U.S.A. by Lenox between 1894 and 1906. The plate has a diameter of 9 inches. It was commissioned for the retailer Bailey, Banks & Biddle of Philadelphia. The plate is artist signed W.H. Mosley who was a prominent painter at Lenox. The plate has a soft cream colored ground. The center is hand painted in subtle colors in a rather “Impressionistic” manner. The birds are identified as “Snipe” found in marsh lands...

This porcelain plate was produced in the U.S.A. by Lenox between 1894 and 1906. The plate has a diameter of 9 inches. It was commissioned for the retailer Bailey, Banks & Biddle of Philadelphia. The plate is artist signed W.H. Mosley who was a prominent painter at Lenox. The plate has a soft cream colored ground. The center is hand painted in subtle colors in a rather “Impressionistic” manner. The birds are identified as “Teal” which are colorful ducks...

A matching pair of American coin silver 3-3/4" master salt spoons, made and stamped with the Albert Coles hallmarks (in business 1835-75). The marks are slightly worn, but still clearly visible (more so than our picture). These spoons have a CAG monogram, and they are in excellent vintage condition with no dents, bends, corrosion, losses, damage or repairs...

This porcelain plate was produced in the U.S.A. by Lenox between 1894 and 1906. The plate has a diameter of 9 inches. It was commissioned for the retailer Bailey, Banks & Biddle of Philadelphia. The plate is artist signed W.H. Mosley who was a prominent painter at Lenox. The plate has a soft cream colored ground. The center is hand painted in subtle colors in a rather “Impressionistic” manner. The birds are identified as “Rail”, a game bird living in marsh lands...

A pair of Victorian milk glass applied flowers mantle vases. These 1880s vases measure 4-5/8" tall and they feature turquoise blue glass flowers and leaves and light amber coloured stems appled to the ouside of the vases; they are as typically found unsigned and they are in excellent condition with no cracks, repairs or damage other than the loss of one petal on one vase...

Porcelain decanter in the shape of a bellhop, complete with his ring of keys, decorated with overglaze red, black and pink enamels. The bottom is marked "Germany" and also has a decorator's mark.

Origin: Germany, ca. 1920. Condition: Light glaze crazing; a small chip on the cap and three small flakes at the bottom edge are visible in the photos (all could be easily repaired). Size: 9-1/2" tall.

Nice early blue and white cotton homespun handkerchief that has been used and loved and survived pretty well considering it is about 200 years old...

Lovely sterling silver berry spoon dating from the reign of Queen Victoria. The gilt bowl is finely and elegantly decorated with a repousse pattern featuring grapes, pomegranates and apples. Both sides of the handle are decorated with bright-cut floral engraving. Clearly hallmarked for Birmingham, 1870 with the sovereign's head and the maker's mark "FE" in conjoined circles.

Origin: Birmingham, England. Condition: excellent; no monograms or removals. Size: 8-5/8" long.

Ca 1920 A wonderful set liqueur cups with etched silver plate holders. The cups are also etched with various designs. Three holders have a daisy and bud motif, four feature holly leaves while the remaining four have bamboo. One glass insert has a rough rim, another has a crack ( see photos) and some of the holders have dark spots inside the plate. 1-1/4"(h) x 1-5/8"(w). Sold as is.

This porcelain bowl was produced in France by Pouyat Limoges around 1900. The bowl measures 7 inches in diameter and 3 1/2 inches high. The bowl has a puffy, blown-out shape, and three fancy gold feet. The decoration is in art nouveau style. It is a transfer design of baskets of flowers spilling over the edge. There are also roses and ribbons in the design. The rim is trimmed with gold and lacy gilding on the inside rim. Condition: There is just a tiny bit of wear to some of the gold on...

Sterling silver berry spoon in Whiting's 1891 "Louis XV" pattern. This is the smaller-sized berry spoon, and is appropriate for serving a wide range of side dishes or, of course, berries. The back is marked with Whiting's hallmark and the patent date, indicating that this is an older piece.

Origin: America, circa 1890s. Condition: excellent, sharp details, no monogram. Size: 7-5/8" long.

A Georgian period sterling silver Madeira bottle label or ticket, hallmarked for London England 1818 - 1819. The label measures 2-1/4" x 1-3/8" and it weighs 19.9 grams. It has a maker`s mark for Wm. Elliott (entered 1810), and it is in excellent vintage condition with no dents, bends, corrosion, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. All item...

Porcelain vase in a squared baluster form by Coalport. The medium pink color is offset by a beautifully modeled and gilt snail and gilt details along the rim and the base. Ca. 1890. Origin: England. Size: 5-5/8" tall. Condition: some discoloration to the interior; light glaze crazing; no chips, cracks, etc.

Heavy sterling silver serving spoon in Gorham’s wonderful 1888 “Versailles” pattern. This was a multi-motif pattern, meaning that each type of flatware in a service had a different handle design. This serving spoon shows a farmer in Classical dress carrying sheaves of wheat—quite a curious motif compared to the ornate scrolls and shell motifs that make us the rest of the design. The back of the handle is marked with Gorham’s older hallmark and also the mark for extra heavy weight—...

A 19th century Rococo revival silver plated ornate wine bottle stand/carrier c1875-80. This two bottle stand has a Gothic railing surrounding the bottle section, and a handle adorned by the three Graces with birds on the handle. The base has naturalistic slightly rococo flowers and leaves. It measures just over 12 inches in height, and the base measures 12" x 5-1/8". The handle can be unbolted from the base for easier polishing. There is a spot near the base at the bottom of the handle which ap...

A repousse sterling silver footed creamer made in Sheffield 1900. It is fully hallmarked for Sheffield, England 1900-1901. This 2-1/4" high serving piece has the maker's mark for either John Deacon & Son or John Dixon & Son, and it weighs 67 grams. This item is in mostly excellent condition with no breaks, corrosion, losses, repairs but it acquired some tiny edge dents on the right and left side edges from a recent disappearance (may need to expand the pictures to see it). All items are thor...

The origins of the hookah come from the north western provinces of India along the border of Pakistan in Rajasthan and Gujarat nearly a millennia back. In Persia, before the age of cigar and cigarette, hookha was used for generations and generally they were made from clay. The aristocrasts and wealthy had the upper section of their hookha made from silver and the base was porcelain or crystal. Therefore crafting the hookha's top section became an stage for the silversmiths to exhibit their ...

A very nice child size red, white and blue checked bonnet. It has the cardboard stays that are removable so the bonnet can be washed. I like this feature because you can hang the bonnet on a peg rack so much easier without the stays. It is in good condition it just one spot at the very top of the brim...see picture. It is 13" top to bottom and 9" front to back.

A Victorian Silver Plated Mounted Green Opaline Creamer. Height 5". Circa 1860. Plating is worn, but in very good condition.

Lovely blown flint glass sugar bowl or covered comport in a panel design, the molded bell-shaped lid rising to a pointed finial. The bottom has a polished pontil. The glass is of heavy weight and good clarity.

Origin: American, possibly Sandwich or Cambridge, ca. 1840. Condition: the bowl has one 1/8" flake under the bottom rim and another of the same size on the edge of the bottom rim; the top has one 1/2" shallow flake underneath the rim and some general roughness around the edges of the ...

This porcelain tea cup and biscuit tray was produced in France by Haviland Limoges in the 1890s. The tray measures 8 inches long, 7 inches wide and the cup is 2 1/4 inches high. The set is made of fine, translucent porcelain. It has molded, high relief detail. The set is decorated with a factory transfer design of pastel colored florals. These wispy flowers float across the porcelain surface and down inside the cup. There is a gilded accent on the cup and tray handles. Condition: Excel...

This wishbone sugar cube tong is hallmarked with Lunt symbol Treasure #271 and sterling. This item also has engraved initials on one side of bottom of wishbone.

An example of American folk art drawing: watercolor of roses on the stem with leaves, created circa 1840 by an artist working in the distinctive style of the time. The piece measures 9 1/4" by 7 1/4" (12 3/4" by 10 3/4" in faux wood grain frame of the period). Since it is that old, the paper shows evidence of the great age; there is browning/foxing at lower corners/along right side as shown. Someone, perhaps the artist, interestingly made intentional pinholes in the paper in the rose at right...

A set of six sterling silver demitasse or coffee spoons in Gorham's early (1870) "Swiss" pattern. The design is similar to Gorham's other early sterling patterns, with a decidedly classical decoration of anthemion leaves. The bowls have a matte finish which contrasts nicely with the handles. The backs are engraved with a period 3-letter monogram "LBE". The backs are marked with Gorham's early hallmarks.

Origin: America, circa 1870. Condition: excellent, no dings, sharp detail. Size: 4-9/3...

This is a Late Victorian era STERLING BON BON SPOON with Beautiful Floral Patterns on the Handle. The Bowl is Pierced and is engraved: VIRGINIA. This SPOON measures 5 7/8" long; the BOWL measures 2" X 2 5/8" (lightest gilding still remains). In EXCELLENT Condition date this BON BON SPOON ca. 1900

A blue and white transfer printed plate with the Boy on a Buffalo pattern - one of the first Chinese patterns to be "translated" by the English potteries and first used by Spode c 1795, soon also by other potters. The specific border used for this pattern adapts itself well to the lobed shape of the rim. Around 1800, unmarked, possibly Spode. Diameter "8¾/ 22 cm. Condition: fine.

A dish in the Mandarin pattern, from Thomas Furnival & Sons, printed, hand painted and gilt. TF was an English maker, well-known for his export of meticulously decorated transfer ware to the US and Canada. The back with impressed Furnival, T.F. & Sons and Registered Number 13104, indicating 1889 as the year of production. Diameter "9/ 23 cm. Condition: fine.

Eggshell thin cup and saucer of lobed and fluted shape, ivory matt glaze to the exterior, twig handle and raised gilt leaf decoration. French, unsigned, around 1890, the design with a touch of Japonisme. Height of cup "2/ 5.3 cm, diameter of saucer "4 / 10.2 cm. Condition: fine.

Pearlware dinner plate in the Curbing palms pattern, by Job Ridgway, transfer printed in blue, unmarked. Job Ridgway’s manufacture worked for only a short period, 1802 – 1813. A variation of the Willow border and an additional Nankin border surround an Oriental landscape with curbing palm trees and exotic pagodas. Diameter "9 ¾ / 24.7 cm. Condition: fine.

Black-glazed English small teapot with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for a brown S (painters mark?) to base. Height including lid "4/ 10 cm. Condition: chips to the inside of lid (cf. pics). A cup and saucer with very similar decoration is offered in another Global Ceramics listing (cf. the last picture).

Two bowls and a lidded box in blue opaline glass. The bowls undecorated, the box with some gilt. All three French and from the 2nd empire / Napoléon III period, c 1850’s. The blue colour is the same as the “bleu céleste” so much en vogue in Sèvres porcelain of the time. Height of larger bowl: 3 ¼”/8 cm, diameter 4 ¾”/12 cm, diameter of box "2 ¾ / 7 cm. The box with polished base. Condition: wear to the gilt (cf. pics).