A Hochst Style Hand Painted Armorial Tureen with Cover. Pseudo Hochst mark, by Samson. Dimensions; 9.5" wide x 8.5" high. Late 1800's and in very good condition.

This porcelain charger or platter was produced in Germany by Meissen between 1860 and 1880. It has the first quality blue crossed swords marking under the glaze. It is 11 inches in diameter and 2 inches deep. There is a 2 inch reticulated border. The center of the charger has a ring of tiny hand painted flowers in pastel colors. Directly in the center is a delicate medallion that looks like a snow flake...

Pair of Japonesque sterling silver open salts. Made by John C. Moore for Tiffany & Co. in New York. Round with open rectangular bracket handles and straight foot. Engraved overlapping seals decorated with modish motifs, including fan, bug, vase, and bamboo. Foot decorated with acid-etched spirals and lunette-form flower heads, and pierced leaves. Union Square mark (1870-5) with pre-1875 pattern no. 3007 and order no. 901. Very good condition.

Dimensions: H 1 7/8 x W 4 5/8 x D 3 3/8 in...

Set of 6 hand-painted, gilded Dresden cups & saucers by Richard Wehsener (each item individually hand-signed R. Wehsener, except 1 saucer). They were produced in the Wehsener Porcelain Company in Dresden, Germany and had a reputation for excellence in design. The beautifully lobed cups and scalloped saucers are exquisitely decorated with colorful hand-painted garlands of flowers and accents of gold on the handle, inner and outer rims...

German Biedermeier Classical silver tray, ca 1860. Plain oval well. Sides have open border in form of leaves set in ovals. Cast leaf-and-dart rim on lined ground. A practical serving piece with lots of Mitteleuropa charm. Marked. Very good condition.

Dimensions: H 1 3/8 x W 18 x D 12 3/4 in. Weight: 37 troy ounces. #BY866

The agate that comprises our Victorian flower cluster brooch is handcrafted with a high degree of skill and meticulously carved to fit its sterling silver mount. With a singular focus on the agate’s natural beauty and no distracting ornamentation, our 19th century brooch has a surprisingly modern look. Both the towns of Edinburgh and Birmingham made agate jewelry a specialty of their workshops, of which our flower cluster is a fine example...

A marvelous pair of Dresden or Old Paris porcelain candlesticks with carefully painted cherubs holding to each nozzle while upholding while perched on stumps. The winged characters are draped with modesty scarves which swirl around the sticks. The quatrefoil bases are embellished with gold and encrusted with pink flowers.

The slightly brassy gilding cause me to date these beautiful candlesticks as early as 1880 since they are unmarked, to as late as 1910...

A Gorham Sterling Silver Large Vegetable or Pudding Serving Spoon. Size; length 9" and weight 3.5 ounces. Marie Antoinette pattern. circa 1890.

A phenomenal Victorian sterling silver soup ladle in Whiting’s “No. 26” pattern. The top of the handle features incredibly detailed peony foliage. The twist stem leads to the fluted and scalloped bowl. At the junction of the bowl and stem, a full-blown peony blossom is delicately engraved into the silver. The bowl is parcel gilt. “No. 26” is an extremely rare pattern. It is always very finely made and exceptionally heavy, even by Whiting’s standards...

European silver flagon after the antique, late 19th century. Tapering bowl with curved front and back Tapering sides and curved front and back on spread and ribbed rectangular foot. Rectilinear neck with flat top. Round and domed cover with same ribbing and finial chained on both sides to ribbed rings loose-mounted to applied Classical satyr’s heads. Engraved Renaissance figures on front and armorial on back; leafing scrollwork and birds. Marked...

A pair of dishes, printed and hand painted with flowers in pastel shades, the edges scalloped and gilt. Doulton Burslem mark for 1885-1902. Diameter "8¾/ 22,5 cm (both plates). Condition: fine.

Victorian silver and three color gold locket with a raised floral and foliate design. Wonderful to wear on a chain, either short or long as shown here. The locket measures 1 3/4" high by 1 3/8" wide.

This porcelain tea cup and saucer was produced in Germany by Nymphenburg in the 1890s. The saucer has a diameter of 6 inches. The cup is 2 inches tall with a diameter of 3 3/4 inches. The set is made of fine hard paste porcelain that has a molded basket weave border. It is expertly hand painted in shades of burgundy red. There are sprays of various flowers and flower buds scattered around. The rims and handle are trimmed with gold. This cup will provide a most satisfying serving of your f...

A Very Large Mintons Charger with a Deep Green Background with a Bird and Florals Design. Date mark 1880. Dimensions; 15.25" in diameter x 1.375" deep. Mintons imprint and date mark and a paper label from "T Goode & Co. South Audley Street, Grosvenor Square London". (Thomas Goode, Prestige Retailer, established in 1827 and moved to South Audley Street in 1876. Goode had a close relationship with Minton.) Excellent condition.

Napolean III amethyst necklace individually claw set in 18k yellow gold with gold spacers in the archeological taste. An extra amethyst gem link is available to lengthen the chain should this be desired. There is a safety chain for additional security. The necklace is 15.5 inches in length.

From our European Porcelain Collection, a lovely three-piece Dresden ensemble, 19th century, very finely painted in the Baroque style with a central scene of figures involved in musical pursuits, all executed in polychrome enamels against a deep cobalt blue ground surrounded by lavish gilding.

Size and Condition: The main tray is 12 3/8 inches wide, 9 5/8 inches deep. The cosmetics box and ring stand are each approximately 3 inches tall and 3 inches wide. Some minor rubbing to the gilding...

A pair of German 800 silver viande serving forks in the original box. This elegant and high quality pair of 800 silver German 8" viande or meat serving forks are in their original fitted box and they date to the 1900 1910 era. These forks are stamped 800 with the crown and eagle mark (Frankfurt, pre-1888), most likely produced by Bruckmann and Sohne (1805-1973). The forks are an interesting combiation of elegant Neoclassic revival design paired with the elements of Jugendstil - note the gracef...

A group of four hand painted German porcelain cups and saucers by Helena Wolfsohn c1870s-80s. Each has fine floral decoration with garlands and gold trim and highlights, both inside and out. Each has a blue ground and all have the blue Wolfsohn backstamp (crowned D over Hand painted Dresden Saxony). One has "Handgemalt" instead of handpainted, and all have the gold rose overstamp. The cups stand 2" high and the saucers are 5-7/8" across, and each saucer also is stamped with a retailer stamp....

Offered is this monumental-sized New England peachblow glass lily vase, made around 1890. The vase is 17 1/2 inches tall, 7 inches wide at the top and has a base-width of 6 1/4 inches. Though New England glass company made lily vases in various sizes, it is rare to come across a New England peachblow glass vase of this large a size (this is the largest-size lily vase they made). A New England peachblow glass lily vase of this size is at display at the Chrysler Art Museum (shown on page 48 of Ray...

An extremely rare sterling silver ladle for serving warm alcohol-based punch. The globe-form bowl is the traditional shape for toddy ladles. Today, the ladle could be used for various sauces or beverages such as egg nog—or even a toddy! The straight handle is ornamented with simple turnings before swelling to an olive-shaped terminal decorated with bright-cut floral engraving. The back of the terminal has a period three-letter monogram engraved in a matching style. The inner and outer sur...

A beautiful hyacinth bulb vase by the Boston & Sandwich Glass Company, decorated in opaque overlay cut to clear in in a panel and trailing vine design. The top is enhanced with a cobalt blue lip and the bottom is slightly footed and star-cut. The overall form is very elegant. The shape was blown in the company's #123 mold and the cutting is identical to known labeled pieces. Vases of this shape were used to hold a single flowering bulb, usually a hyacinth, but sometimes a daffodil or tulip.

Phenomenal Art Nouveau crystal shallow bowl, the bottom with intaglio engraving of a large pansy blossom. The flowers petals are beautifully handpainted in shades of burgundy and then gilt. The flower is surrounded by translucent foliage. The scalloped rim of the bowl is gilt to coordinate with the floral decoration. This piece, with its single large flower, is much more assertive than the more common small reverse-carved pieces such nappies and short compotes. We're not certain if the bowl...

Lovely early Victorian bow pin of white woven hair set with turquoise in 15K gold. Hair jewelry was primarily of a romantic or loving nature. Queen Victoria was given a brooch made from her mother's hair for her 16th birthday. This pin measures 1 3/4" wide by 1 3/4" high by 1/4" deep.

Fabulous and rare Pairpoint silver palate olive caster with original tongs. The satin glass insert is most likely Mount Washington and features a lovely hand painted floral design on all sides. All in excellent condition, it measures about 11 inches tall. (Glass insert is 4.5" high)

Offered is this very large and rare Mt Washington glass hand-painted lamp in their 'Crown Milano' decor. The lamp is 36 inches tall to the top of the chimney (34 1/4 inches tall without chimney). The exceptional lamp is decorated with as beautiful a painting of flowers as you are likely to find anywhere. As expected from the era of its fabrication, originally it used to be an oil lamp which was later converted to electricity (cut electrical wires are still present, see picture - if you want to m...

A Hand Blown Barber Scent Bottle with Swirls and Hand Painted Florals. Dimensions; 8" high, 10.75" high including stopper. Circa 1890 and in excellent condition.

American Victorian sterling silver shaving mug, ca 1880. Curved and waisted with pierced top bowl and second projecting bowl for brush. Frond and flower repousse. Cast scroll handle has same motif. Marked “Black, Starr & Frost / New-York / Sterling”. Very good condition.

Dimensions: H 3 7/8 x W 5 3/4 x D 3 in. Weight: 8 troy ounces. #BZ558

American sterling silver inkwell, ca 1880. Four gently curved sides on corner block supports. Cut ornament including scrolls, flowers, and chevrons. Sterling silver neck collar with imbricated leaf borders. Hinged bun cover same; top has chased garland, ribbon, crisscrossing horns of plenty, and laurel wreath surmounted by crown engraved with interlaced script monogram. Marked “Sterling” and Shreve, Crump & Low stamp. Very good condition.

Dimensions: H 5 x W 2 1/2 x D 2 1/2 in. #BS209 ...

An attractive Ridgways Chiswick pattern sauce tureen in the flow blue colour circa 1900. This 8-1/4" long and 5" high lidded two-piece English ironstone serving dish features dark blue flow decoration, it has the registry number 235284 (for 1894), and it is in very good original condition with no chips, crazing, losses, damage or repairs other than a tight and fully intact crack to the underside rim of the lid (see images). All items are thoroughly and conservatively graded and all condition ...

This is a large, signed Crown Milano glass jar/jardiniere made by Mt Washington. It is an exceptionally large jar: it is 10 3/4 inches wide and 8 1/4 inches high. The jar is in excellent condition - no chips, cracks or repairs (there is some expected, age-appropriate fading to the paint). It is signed in its polished pontil.

Royal Worcester small ewer posy holder with pansy decoration, porcelain, bamboo form handle, ruffled rim. Circa 1891. Size: 4.25 inches ht. Excellent condition.

A unusually fine example of a scrambled weight by the New England Glass Company. The weight includes latticinio twists and millefiore canes. The set-up includes a complex red, white and blue cane (visible through the concave bottom of the weight) formed of a heart silhouette surrounded by stars. The canes are tightly packed for a very nice appearance. The glass is quite clear.

Origin: America, circa 1870. Condition: very good, a few small surface nicks on the crown, no cracks. Size: 2-5/...

Wonderful old Millville, NJ area glass paperweight wig stand or mantel ornament. The setup is pierced with five elongated icepick bubbles. Small bits of aventurine glass highlight the overall coloring of soft yellow and green. The top is heavily faceted with 33 printies of varying sizes. The cutting strikes me as being similar to the faceting seen on good New England Glass Company paperweights. The weight is raised on a baluster form pedestal and a foot. The glass is very heavy and of the ...

A lovely late 19th c tightly woven wool Tibetan prayer mat with Buddhist symbols, An excellent example from a private collection.

With clear colors and in wonderful condition, the rug measures 30" by 22".

A very good fruit bouquet paperweight by the New England Glass Company. Four pears alternate with cherries and foliage around a central pear. The lampwork fruit is particularly nice in this weight. The bouquet is presented against a spiraling double latticinio basket. The dome is high and offers nice magnification. The crystal is a bit sugary, as is typical of many NEGC weights. The concave base has a wide basal ring.

Origin: America, ca. 1870. Condition: excellent, absolutely minimal s...

This stunning Victorian tomato glass basket by Boston & Sandwich Glass Company is made from two layers of cased glass, a tomato or orange-red color over yellow with an applied clear single twist thorn handle and 4 applied clear feet. An unusual feature is that top rim of the bowl folds over and is studded with large tomato hobnail bumps ending with a crimped edge which finishes with a narrow clear band. Pontil on bottom was sanded smooth. In excellent condition, the basket with handle measures ...

A classic second standard (800/1000 pure) silver tastevin from the Loire Valley of France. The origins of tastevins can often be identified by the tastevin’s shape. In this case, the bowl is rather shallow and completely without decoration. The handle is formed in the shape of a thin, curvy snake, but is worked without extra decoration such as scales or details to the head. This example is rather early, as is evidenced by signs of hand hammering and the small lathe mark in the middle of the bo...

Elegant sterling silver pickle fork in the 1891 "Corinthian" pattern by the Roger Williams Silver Co. The fork is very heavy and is wonderfully decorated with deep scrolls that rise from the surrounding smooth areas.

Origin: America, 1891-1900. Condition: excellent, no monogram. Size: 6" long.

A nice example of an antique scrambled glass paperweight by the New England Glass Company. The set-up contains a colorful variety of complex canes, filigree and twists in a nicely compact grouping. There are least three complex canes with white eagle silhouettes against a field of dark purple. There are no annealing problems and few bubbles in the set-up. The glass of the dome has good color and clarity. The bottom is concave with a basal ring.

Origin: America, ca. 1865. Condition: excel...

Antique English Staffordshire blue and white transferware plate by Rogers with a very dramatic scene. On the back it is named "The Drama". In very good condition commensurate with age. There is a small chip to the underside of the plate rim that is not seen from the front. Measures just under 8.75" diameter.

1840's English flow blue 9.5" plate, Scinde pattern Marked "Oriental Stone", it was made by J. & G Alcock.

Turn-of-the-century Classical sterling silver trophy. Made by Whiting in New York. Baluster body with scrolled rim and scroll-bracket side handles. Foot raised with scrolled rim. Body has vertical slash lines and dense and overlapping chased leaves. Handles leaf-wrapped and mounted. Foot has egg-and-dart border and same slashed lines. Foot rim has tooled garland. A hefty, super-sumptuous winner’s cup. Extra strength required for holding aloft. Fully marked including effaced maker’s stamp an...

A Gorham Sterling Silver Footed Center or Fruit Bowl; Date Code for 1881. The outer rim is decorated in relief, with a swirling acanthus leaf vine. Dimensions 8.75" diameter x 3 1/8" high; weight 13.2 Troy ounces. Monogram on underside (CH?). Excellent condition.

Victorian Neoclassical sterling silver epergne. Made by Charles Stuart Harris in London in 1895. Central oval frame with pendant leaf garland threaded through fixed rings and supporting oval medallions with amphorae applied to stippled ground. Frame rests on 4 leaf-capped and scrolled supports terminating in pierced leaf feet. Shaft is reeded and has applied leaf garland with paterae mounts, and supports large boat-form basket. Eight leaf-capped and scrolled arms, each terminating in single b...

This fine Staffordshire copper luster pitcher is decorated with a blue band of enamel, creating a very clean, simple design, accented with beading around the border and rim of the pitcher. The fancy serpentine and strap handles give it grace. The warmth of the copper makes it an attractive accessory to a bookshelf or cabinet.

5 1/2" h

Our silver bangle is decorated with a five bands of repeating patterns of arabesques and scrolls. The center band is the focal point while the surrounding bands are each repeated once. The Victorians loved geometric patterns, and silver bangles, brooches and the like were affordable to the middle class and could appeal to a broader segment of the jewelry market and thus achieved great popularity around this time. The bracelet is assayed to Birmingham in the year 1884. Our bangle is 1.5 inches...

Cigarette case, .900 silver, with enamel portrait of a dachshund, approximately 4.2 troy oz TW, 3 1/2" h x 3" w. Provenance: From a New York collection.

This is a Renaissance Pattern Dominick & Haff Sterling Berry Spoon dating 1894. From a Virginia, USA Estate. An 1894 pattern, now obsolete

Offered is this beautifully decorated (with mums) biscuit jar, made by Pairpoint / Mt Washington, around 1900. The jar is 8 1/4 inches tall (to the top of the handle) and 5 inches wide. It is in very good condition, without chips, cracks or repairs. The biscuit jar is fully marked (Mt Washington shape number, 'M.W. 4413' engraved on the inside of the lid, and, 'Pairpoint 3910' stamped on the jar's bottom - see last two pictures). Also, the mums decor is a well-known Mt Washington motif (refer to...

A Victorian Silver and Cut Glass Sugar Castor, with a Star Pattern on Top; London, 1893, "CWF" makers mark, for Charles William Fletcher. Dimensions; 6" high x 3.25" diameter at base. Very minor dings.

A cranberry thumbprint pattern glass pickle cruet on a silver plated stand from the 1890 era. The ornate stand is 11-3/4" tall and it has a nice decorative design as does the original silver plated lid; it is stamped with the Standard Silver Co. mark, which was in business in Toronto before 1893 (they later merged with International in 1913). The cranberry glass liner/jar has a thumbprint pattern and it fits snugly in the rim on the base. Also included is a fine, contemporary pair of pickle ...

A Royal Nippon hand painted white green & gold floral jardiniere plant pot from the 1880s. This beauty measures 8-5/8" across the handles and it stands 4-3/8" tall on its four feet. The decoration includes white flowers with a bit of orange blush on a few petals, pale green ground and a medium green band under the flowers. It is lushly decorated with applied gold and it has lots of beading. The bowl itself if lobed and the handles are forked at the top. It is typically unmarked and dates to...

Two pairs of German 800 silver 2-light candelabra. Made by M. H. Wilkens & Söhne in Germany, ca 1890. Each: tapering pillar on raised foot with spread c-scroll supports. Garland-entwined figure mounted to pillar top. On two, a bosomy, drapery-clad caryatid; on other two, a naked atlantes. Soft youthful flesh that contrasts with the statuary pillar. Each figure holds a stem with two open and scrolled branches terminating in single socket. Fluid and dynamic Art Nouveau mixed with frothy Rococo. ...

Large and well decorated porcelain pitcher with a group of flowers on one side and on the opposite side inside a gilt cartouche “L. Cummings.” in Gothic letters. The country of origin may be either France, in which case it was probably brought here blank and then decorated here or possibly it was made by an American manufacturer. The hard paste porcelain is unlikely to have been made in England, though they did on occasion import French blanks. Anyway, nice decoration from about 1870. 9 inch...

Offered is this rare and beautiful cameo glass lamp, made by Mt Washington around 1890. The lamp's bottom part is cameo cut while the shade is hand painted. The lamp is artist-signed by 'Alfred Howell'. Originally, it used to be an oil lamp that has been electrified. Overall, the lamp is 20 1/2 inches tall. The bottom glass part is 7 3/4 inches wide and 4 3/4 inches high. The shade is 10 1/2 inches tall and 9 1/2 inches wide. The lamp is in very good condition. Though unsigned, it is guaranteed ...

Victorian Classical sterling silver biscuit jar. Made by Henry Holland in London in 1872. Drum form; cover flat and hinged with vasiform finial. Engraved stylized floral ornament and oval frame (vacant). Mounted to round stand with four leafing-scroll and flower supports. Beading. Fully marked. Very good condition.

Overall dimensions: H 7 1/4 x W 8 x D 7 1/8 in. Weight: 23.5 troy ounces. #BZ367

Extraordinary majolica tile raised on bun feet. The tile features a sinuous painted Art Nouveau design of elegant swans swimming in a river with a cityscape beyond, surrounded by a border of bamboo. The design has a distinctly impressionist look that brings to mind some of the Rookwood vellum patterns. The bottom is impressed "66" and has an illegibly impressed maker's mark.

Origin: European, circa 1880. Condition: superficial glaze scratching from normal wear; glaze crazing only on the un...

A lovely satin glass 7" raspberry red and white drape Nailsea vase with applied handles by Wheeling Glass. The pontil is unpolished.

Condition: Excellent

Should the vase not meet with your expectations, it may be returned within ten days of receipt, preceded by an e-mail.

California residents please add 8.25% sales tax.

The origins of the hookah come from the north western provinces of India along the border of Pakistan in Rajasthan and Gujarat nearly a millennia back. In Persia, before the age of cigar and cigarette, hookha was used for generations and generally they were made from clay. The aristocrasts and wealthy had the upper section of their hookha made from silver and the base was porcelain or crystal. Therefore crafting the hookha's top section became an stage for the silversmiths to exhibit their ...

Lovely early Victorian angel skin coral ring with 10 carved florets and one large carved coral flower at the center, set in a pleasing symmetrical pattern. This ring has a 9K gold band while the coral florets are set in a metal bed. The Victorians loved angel skin coral, which is a red-orange or light pink colored coral, and they especially loved coral cut into cameos, flowers, or fruit. This ring has a rather large head and is therefore best worn alone. This ring is a US size 7.75.