Pre-Columbian
Olmec Standing Figure. Mexico. 1 3/4”H. Circa: 1200 B.C. – 400 B.C.
A blue-green carved jade example depicting a standing dwarf figure holding his arms to his sides and his hands over his large stomach. Expressive facial features having an open mouth which has a drilled perforation. Drilled openwork arms with two tiny drilled perforations through the upper arms. Short stubby legs, left leg has a chip to the inside corner, otherwise intact...
This beautiful bone weaving tool is from the central coast area of Peru. It is from the Chancay culture. 800AD-1200AD. It has a carved pelican and jaguar on the knuckle. It is 6 3/4" long and has nice polish. It is a no-brainer. I purchased it from HD Enterprises on October 12, 1989.
Terra cotta standing female figure. Colima. Circa. 300 B.C. – 300 A.D. Several repairs, all original. 9.5” x 4” x 1”.
Provenance: Arte Primitivo NY, NY.
Maya Jade Head, 1 7/8 " by 7/8" . CA. 500 A.D. to 900 A.D. On custom made steel display stand. The head is an ovoid shape, pierced with an ancient drilled hole for suspension. The piece was carved in the round. Beautiful deep dark green on over 3/4 of the head encompassing the left, frontal and partial right side, with a light green on the remaining 1/4 on the right side.
Provenance: Ex. James Muriden collection.
This outstanding frame of bone points are from the Columbia River, Oregon and are C700-1200. They were pictured in the Oregon Archaeological Society Magazine "Screenings" Volume 5 Number 6 on August 13, 1956. A copy of the article is included. They were recovered from the Wakemap Mound. The longest is 3". These are extremely rare bone items with beautiful patina.
Pre-Columbian, Mexico, Guerrero region, Mezcala culture, ca. 1200 BCE-200 BCE. Father figure with child on hip. Each figure has attenuated legs, string-cut grooves delineating the arms and neck, and bulbous heads with minimalist visages. Made from diorite. Size of tallest section 3" H, includes custom stand.
Authentic, Ancient (500-100 B.C.) Pre-Columbian Mezo-American Guerrero, Mezcala Jade, Axe God Idol Figure.
Pre-Columbian, Meso-American Guerrero, Mexcala culture, Late Pre-classic Period (500-100 B.C.), Carved from a speckled green serpentine stone, common during the period.
It is a large, anthropomorphic axe god in the form of a standing idol figure that it is abstract and minimalistic...
4 7/8" long fossilized Megalodon sharks tooth in excellent condition. Found in a river near Savannah, GA. This size tooth is from a 50 foot long meg. Nice river polish. Heavy. These teeth are often faked. This tooth is from a 10 million year old fossil and has no repair or restoration. Most have serious undetected restoration. This one is a no-brainer. From the collection of Dana Staley.
2.25" wide x 1" long. Sterling silver.
Chimu painted Textile with Monkeys Jaguars birds and Warriors , all painted on a white cotton type textile. Losses as seen along with the usual burial staining . Beautiful piece would be nice framed.
Size 41" by 21"
2" long x 1.5" wide. Silver and semi-precious stones (turquoise, jet, abolony, carl)
Hopi Pin With Original Open Clasp c. 1920-1930
1.5" wide x 1.25" long.
1 3/8" long x 1 3/8" wide. Silver and semi-precious stones (turquoise, jet, abolony, carl). A knife wing god with silver wings and tail feathers, applied silver beading and scrolling wire details.
A polychrome Hopi wicker tray circa 1920-1930. Depicting a Palik Mana wearing an elaborate tableta and a woman's shawl. On the back of the tray there is an uncommon reversal of the image which shows the figure's backside. It is also rare in that the entire body is shown, rather than just the face. Excellent condition, with normal fading on the front. 13" diameter
A rarely carved secular version of the Buffalo Dance figure. Circa 1920. Having secular eyes, a buffalo dance headdress with horns, kilt, arm bands, and moccasins, and wearing a decorative, wooden, tail-like appendage. Excellent condition with only minor paint loss. In the four decades that I've been collecting and dealing kachinas, this is the first Buffalo Dance figure I've had. Dimensions: 8 1/2" tall.
-Reddish brown sack mask to which are fastened three gourds, one on top and one over each ear, and painted reddish brown. Rag ruff. Kilt made from a woman’s old dress. Body painted with red-brown clay. He carries a feather and a rattle. Koyemsi is the most common Hopi clown. He appears in Mixed Kachina Dances and sometimes a group of Koyemsi appear in a dance of their own. At First Mesa they are said to sing Zuni songs...
A medium sized Hopi Kachina doll carved by Wilson Tewaquaptewa circa 1930. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary. DIMENSIONS: 7" tall.
A medium sized carved wood Hopi Kachina doll - Hornet Kachina (Tatangaya) circa 1930. Description of Tatangaya from Colton: "Two types...At Second and Third Mesas he wears a green case mask with datura flower ears. Stripes of all colors surround the face. Cloth ruff, breech clout, and green moccasins. Yellow and red body paint. The Hornet Kachina appears in groups or singly in Mixed Kachina Dance, and the Pamuya. He is said to be of Zuni origin."
DIMENSIONS: 7" tall.
Navajo silver canteen, circa 1920. Excellent condition; shows use. Stamped with various geometric decorations. Beautiful cap with handmade silver chain. 3" long; 2 7/8" diameter.
- Green case mask with black crow wings on the side. Fox skin ruff. She wears a woman's dress and ceremonial robe with green moccasins. At Oraibi she carries a yucca whip, at Second Mesa a tray of corn.
The Crow Mother is mother of the Hu Kachinas and appears in the Bean Dance. By some Hopis she is considered to be the mother of all the kachinas...
A San Juan carved wood figure from mid-twentieth century. Secular carving of the Deer Dancer. Excellent condition. 12 1/4" tall.
c. 1920, 11.25" tall by 3.5" wide. Wood loss on one foot, one foot has been reattached, cracking to the cottonwood on the casemask and rear of the doll; otherwise in very good condition considering the age. Some paint loss.
A small Hopi Kachina doll, possibly depicting Samawutaqa, circa 1930-1940. Description of Samawutaqa from Colton, 1949, p. 61: "Appears in Mixed Kachina Dance. This is said to be the only kachina that the Tewa people brought with them from the Rio Grande to Hano about 1700." 7" tall.
Jimmmie Koots(James Koots, Jimmy Koots, James Kootshongsie, James Kotshongsi, [2nd] Jimmy K., James Danaqyumptewa), 1916-1996, Hotevilla, Third Mesa, Arizona
Hopi polychrome Katsina doll Koshare or clown katsina. c.1940-50, Height 7" X Width across the shoulders 2 7/8"
Navajo Turquoise and Silver Cross, mid-twentieth century c.1950. Sand cast, silver cross with central turquoise stone set in silver bezel. Heavy casting. 2 1/2" L x 1 3/4" W.
-She wears a white sack mask with red spots painted on her cheeks, fox skin ruff, woman’s dress, and maiden’s shawl. She may be barefooted or wear white boots. She usually carries a gourd filled with water.
She is said to be the mother of all the kachinas, and is a principal actor in the Water Serpent Ceremony. She may appear at other ceremonies such as the Niman Kachina Dance.
--Provenance: Dorothy Louise Luhrs PHD...
A small Hopi Kachina Doll hand carved and painted by Wilson Tewaquaptewa circa 1915. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary...
A small Hopi Kachina Doll hand carved and painted by Wilson Tewaquaptewa circa 1930-1940, with chicken feathers. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market...
A rare Jimmie Kootz carving of a Double Eagle Kachina in puppet form circa 1940-1950. DIMENSIONS: ~5 1/2" tall (arms extended upward); 1 3/4" wide (at midsection including second doll).
-Hopi Polychrome Wood Kachina Doll
-Rare Variant either Red Fox Kachina(Sikyataqa A Runner) or Chipmunk Kachina (Kona A Runner)
-Red Fox Kachina : Yello sack mask with feathers on top of head. Rag ruff, Breech Clout. Yellow body paint. He carries a yucca leaf whip to whip his victims.
Chipmunk Kachina : Yellow Case mask with tube mouth, with black, white, and red vertical stripes on back similar to those on the head. He carries a yucca leaf whip and whips his victims.
-Height : 8 and 1/4 i...
An animated clown in motion with his hands raised above his head.
Height: 10.25"
c.1930
A Hopi polychrome wood Kachina doll depicting Hólolo, circa 1915-1920. Description from Colton, "Case mask painted green or brown, with pop eyes, snout, cheeks painted with half moons or small circles. Douglas fir or juniper ruff. Kilt, sash, fox skin, and green moccasins. Body painted red with yellow shoulders, forearms and lower legs. Carriers rattle and bow and arrows. Appears in kivas in spring or in Mixed Kachina Dance." Good Condition consistent with age, some paint loss. 14" tall, 5 5/8"...
-Hopi Wood Polychrome Kachina Doll
-Bison Maiden Kachina Doll
-Mosairu Kachina Buffalo Girl
-Height: 9 1/4 inches
-C.1920
- The Buffalo Dance my be given during the interval between the Soyal or Solistice Ceremony and the Powamu or Bean Dance. Usually, two girls and two boys dance as Buffalo and Buffalo Girl accompanied by a large male chorus. It is one of the dances most frequently seen off reservation.
A uncommon Hopi polychrome mudhead pottery vessel circa 1920-1930. It is very unusual to have a mudhead depicted on a pottery vessel. Excellent condition, with no loss. 6 1/2" diameter
A rare Jimmie Kootz carving of Koshare Clown Kachina in puppet form circa 1940-1950. With articulated arms and legs and two independent strings, one attached to the top of each arm. Koshare's general description from Colton: "Face mask painted white with black eyes and mouth. Two soft black and white striped horns on top of head. Rag ruff. Breech clout. Bare feet. Body painted in black and white horizontal stripes. No regular accessories." DIMENSIONS: 7 3/8" tall (arms extended upward); 1 7/8" w...
1.25" long x 1.25" wide. Silver and semi-precious stones (turquoise, jet, abolony, carl). A knife wing god with silver wings and tail feathers, applied silver beading and scrolling wire details.