Wonderful Chinese Tang Dynasty tomb pottery figure of a standing horse, Sanchai glaze, comes with TL (thermo luminescence) test. Size: 13 1/2" high x 14 1/2" wide x 5" deep.

This extremely rare jarlet is from the transitional period between the Yuan and early Ming period. Jingdezhen or Fujian. H.: 5,7 cm. Condition : Perfekt. Dear Customers, in the earlier times of Trocadero that was different. Today we are faced with a tide of falsifications here, which is offered here by an number of usually Chinese dealers...

An extremely rare green-glazed Lotus Vase Liao Dynasty of compressed double-gourd form, emanating from a splayed lotus base, the lower section of sumptuous flared form, moulded with crisp vertical lappets, covered all over in a pale green glaze, the lappets alternating from green to brown to yellow. Height 26,4 cm. Ex Sothebys, please see this piece in Sotheby`s catalogue at the last image.

1700s

White stone has a very pale celadon tinge and some translucency where the carving is thin. The curving shaft terminating in a dragon’s head has a smaller chilong winding its way toward the larger dragon’s head. The underside is carved with a button for attachment. It is well-carved and polished and in very good condition. Acquired 20 years ago in a Richmond, Va. Estate.

Length: 3 3/8 in.

It is extremely rare to find a Yuan blue and white piece in an absolutely perfect condition like this Cup with everted flat lip and a short raised foot. Decorated in underglaze cobalt - blue on the rim inside with a classic scroll and a continuous chrysanthemum scroll on the exterior. Porcelain body with a transparent glaze. Base recessed and unglazed. D : 8,1 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century...

Cup with everted flat lip and a short raised foot. Decorated in underglaze cobalt - blue on the rim with a key - fret design and a continuous chrysanthemum scroll on the exterior. Porcelain body with a transparent glaze. Base recessed and unglazed. D : 7,9 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : Restored. ( John S. Guy , Oriental Trade Ceramics in South - East Asia, item Nr. 55 ) Dear Customer, in the earlier times of Trocadero that was different...

Cup with everted flat lip and a short raised foot. Decorated in underglaze cobalt - blue on the rim with a key - fret design and a continuous chrysanthemum scroll on the exterior. Porcelain body with a transparent glaze. Base recessed and unglazed. D : 7,6 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : Please look the condition on the images. ( John S. Guy , Oriental Trade Ceramics in South - East Asia, item Nr...

A rare very well carved soapstone sculpture of Lui Hai in traditional pose ensnaring the three -legged toad with a string of cash. This item was made circa 1750 - 1800 during the reigns of either the Qianlong or the Jaiqing Emperors. The tip of one finger is missing and there is an old glued repair - most visible on the upper foot. Little of the original paintwork is now visible. Height - 7.5 inches (19cm)...

Ca. 1700s

These two vases were mostly part of an altar set that included an incense burner and circular box, all in cast bronze and having similar Koranic inscriptions. The vases are heavily cast as are most of these types of inscribed utensils. The calligraphy is raised from the background and is framed by a lobed cartouche surrounding a ring-punched background that helps to accentuate the inscription...

1800s

Elegant pear-form vase with a gracefully tapering neck is raised on an elongated and subtly flaring foot. It is covered overall in a medium-blue robin’s egg-type glaze mottled with lighter and darker blues that drains toward the foot with violet-toned mottling. The base and interior are both glazed with a clear glaze that is tightly cracked. The footring is unglazed exposing the buff-colored china-like soft paste porcelain. Though similar to the robin’s egg glaze seen on hard por...

This pair of Chinese lotus shoes, aka bound feet shoes, have a soft golden color silk vamp. Each side of the shoes is embroidered with the same pattern, and uses satin stitch silk thread.

The embroidery pattern on these lotus shoes has always mystified me. There is a woman and an animal that is possibly intended to be a giraffe. I vaguely remember some bits of information. The Chinese first heard about the African giraffes from verbal and written descriptions. They were fascinated wit...

Jar of Guan form, decorated in underglaze cobalt - blue with a classic scroll and a continuous chrysanthemum scroll set between horizontal lines. Porcelain body covered with a transparent glaze. Base unglazed. H : 6,6 cm. D : 9,4 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : The glazed area of the piece is in a absolute perfect condition ( nice glaze, no chip and no crack ) but to be absolutely correct : there is a minute chip on the inner side of the body resp. the ...

Presented is a large Jardiniere (1 of 2 offered) of a rustic but well known and designed theme of a dragon, phoenix, rooster, and peony. The dark green glaze is well aged and in pristine condition for this mid-19th century or earlier artifact of interest. This Jardiniere is from Guandong Province and is the highly sought after and collectible Shiwan (Shekwan, Cantonese) and is getting very difficult to find; please contact us if you desire the pair for a different price and offer. It measures 7...

A Fine Pair of Kossu both sides woven Panels on Silk: China, Ching period, 19th Century, Each of the kesi panels is woven in both sides as a same patern, depicting horsemen galloping through mountain passes with in a rectangular border of flaming pearls and floral scrolls, the ground to the border of pale green grey, the ground planes between the mountains woven in gilt thread and the remaining subtly colored in shades of peach, brown, grey white and green. and lavender outlined by blac...

1800s

This cream-white glazed vase is covered overall with a network of fine crackles stained over time with a pale brownish tone. The small meiping form tapers gracefully from a broad shoulder to a narrow waist and flares out again at the base. The base is glazed leaving the slightly rounded footring unglazed. The interior is glazed and the crackle pattern continues inside the neck. Vases like this one were used in the scholar’s studio. Good condition, no damages. Small pin pricks from ...

Qianlong mark, but 1800s

The black enameled background provides a striking contrast with the colorful flowers in brilliant shaded enamels. Lilies, chrysanthemums, peonies, iris, and other blossoms cover the entire exterior of the bowl, even the entire exterior of the foot down to the footring. The interior is glazed white and left undecorated, further enhancing the contrasting effect of the exterior and interior. The base is glazed white and displays a four-character Qianlong mark in iron-...

A Very Fine and Horizontal Long Silk Kessi Panel: China,19th Century, This large horizontal panel is finely woven and painted with related scene depicting people’s daily life with elaborate river landscape showing figures fishing, collecting wood for fire, enjoying viewing at a pavilion horse-back riding, sailing and boating, the banks studded with verdant trees receding to cloud-enveloped mountains in the back ground, all woven in muted tones of green, blue, rust, yellow and the deta...

Early 1900s

Red and black lacquer applied over a bronze jar form with interior and base glazed with thick deep brilliant blue enamel. The bronze jars are first applied with red cinnabar lacquer which has been finely-carved with an undulating wave design. Overlying the red is a thick layer of well-carved black lacquer landscapes including rocky cliffs, trees, islands, dwellings and boats. On the neck is a deeply carved repeating floral design; a floral design also surrounds the tall foot. F...