This small elaborate Buddhist monk's medicine bottle is sewn into a larger pouch of burgundy homespun wool fabric with yellow/gold silk lining. When worn, the stopper would be securely held in the bottle by a system of handmade cords and bands. The medicine bottle would be worn outside the robes and suspended on the Monk's belt. These were used for both travel and ceremonies.

Lime box of round shape, its lid with embossed decor of the Buddhist Wheel of the Law on top, foliage design under it, surmounting a series of dragons in clouds below, the whole on an elaborate tiny lotus decor. The sides of the lid are decorated with a geometric incised design of a cross and a kind of Greek key. The sides of the body of the box are also decorated with this cross and Greek key design. Beneath the box, an incised decor of Buddhist svastika and flowers...

Superbly cast bird perch, of curved shape, with four dragon heads in the round. Bronze, with fine greenish patina. Himalayan Region, 18th century. Dimensions: length: 3 5/8" (9 cm), height: 3 1/8" (8 cm). Excellent condition. A rare and fine piece. Collected in Nepal in 1974 by its former owner.

Superbly cast bird perch, of curved shape, with two dragon heads and two bird heads in the round. Bronze, with fine greenish patina. Himalayan Region, 18th century. Dimensions: length: 3 3/4" (9,5 cm), height: 2 7/8" (7,3 cm). Excellent condition. A rare and fine piece. Collected In Nepal in 1974 by its former owner.

This is a Tibetan Ritual Celestial Crown also know as a Diadem or Ringga. It is worn by a necromancer or oracle during rituals. The "crown" consists of 5 separate paintings on paper and each painting is backed with thin cardboard for stiffness. The sections are connected with string. When worn, the crown is tied around the head with string. The sections are painted with the five Dhayani, celestial Buddhas, each painted with his traditional color and gesture...

Highly unusual mask, which has kept the original shape of the tree trunk from which it was carved. The mask itself is carved in a kind of "reverse relief", its features hollowed out, except for its nose. One round hole at ear level on each side. Wood, with brown semi-glossy patina. Himalayan Region, early 20th century. Height: 12" (30 cm). The mask is nicely mounted on a custom metal stand which enhances its strange beauty...

This elaborate beaded breastplate would have been worn for festivals by a wealthy Tibetan woman. The main section has 3 ornate silver and turquoise ornaments surrounded by a raised beaded coil which is bordered with cowrie shells. The neckline rolled and padded.

It is 13 inches across at the widest point and can be tied around the neck using the attached fabric ties. As is obvious in the pictures, there are a couple areas of lose on the turquoise ornaments.

This old drum from Nepal was used for festival and carried in parades. The man would use the left hand to hold the drum by the handmade ropes across the back of the drum. He would use the right hand to strike the drum skin. The chains and metal bits hanging from the bottom would add an extra "jangle" sound while drum moving. Clearly made as folk art instrument, the drum is somewhat out of round and about 18" at the widest diameter.

This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...

Antique Tibetan carved wooden ritual staff handle with three heads; the top head is a skull, the second head is presumably Padma Sambhava, the third is presumably Guru Rimposhe, on new metal stand. Size 5.5" 16th / 17th century.

This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.

Leather Tibetan Trunk with Peach and Clouds, 18th/19th century 56"L 20.5D 29H, Colored with green, yellow, blue and reds, Central Lozenge with Peach and Scrolling Vine, Outside Clouds, borders by Scrolling Vines, Iron Strapping Bands, hand-sawn wood surfaces, pitted loss to front face by peach.

Staff carved out of one piece of a hard species of wood. On the top crouches a female figure with long hair, the arms wrapped around her body. The tip is a lighter middle brown while the rest is patinated a dark brown. Probably used in Shamanistic rites in tribal regions. Himalayans.
Length 16.5 inches (42.5 cm).
Some cracks and chips, nice patina.

This face-sized antique mask of a shaman or Buddhist priest is from Tibet. The hand carving is both delicate and simple, with chisel marks showing on the back of the mask.

Both the wooden front and back covers of this Buddhist Sutra book are hand carved with different symbols. The numerous text pages are beautifully written with rich black ink with specific words written in red ink. The book still has its original leather binding strap.

This Tibetan sutra book approximately 12 inches wide, 4 inches tall, and 2 inches thick. Though the pages are in good condition, the covers show years of wear and use and is a wonderful artifact of an old culture.

This short sword and matching scabbard from Bhutan is elaborately decorated. The knife handle or sword hilt has a leather cover which is detail with silver reposse and a coral bead. The wooden scabbard is covered with leather and is decorated with an elaborate silver reposse dragon. The knife blade is has a series of added symbols. The belt loop is also decorated with a series of silver objects...

Tibetan woman wore their hair in long braids which were slipped into elaborately embroidered textile sleeves for festivals.

Small architectural element, probably part of a tympanum ("torana") of a temple or palace door, of circular shape, carved in relief to represent the Hindu mythical bird Garuda head, flanked with wings, holding the Naga snake in its claws. Wood, with dark-brown encrusted patina. Remnants of red pigment (tika?) on various areas. Mortises at top and bottom sides. Nepal, 17th century, probably earlier. Length: 13 1/4" (34 cm). The piece is nicely mounted on a custom metal stand...