19th century Rajasthani inks on paper painting of a snakes and ladders religious teaching game. 66 x 54 cm. Can be viewed in central London by arrangement and shipped worldwide.
Asian low table. Mother of pearl inlay on maroon and black laquer, brass bound edges. Very minor restauration to chipped legs. 475 mm square top, 80mm high. Undated, estimated to be late 19th century or earlier. Can be viewed in central London and collected. Buyer arranges own transport from central London.
An exceptionally large and heavy bronze figure of Radha, Wife of Krishna, VAishnava Devotional og Bhakti traditions of Hinduism, 16th.-17th. century AD.
Very attractive figure of solid bronze with no core, Radha is in a standing posture with her arms, protruding round breasts, semi-nude addorned with jevellery.
Height 27 cm. excl. the wooden base. The weight is more than 3 kilograms!
Ex. Danish Auction house, estimated at $1000-$1300.
Antique Indian Hindu deity called Krishna Venugopala, 18th - 19th century, Southeast Asia.
Krishna is depicted standing on a separately cast circular lotus base, in his typical tribanga pose, holding the flute with both hands. He is wearing a pleated dhoti with incised patterns tied at his waist with a sash...
Incredible Indo/Persian hand painted, oil on paper, manuscript page, depicting a courting maiden with attendant and suitor with calligraphy. Circa late 19th century period. Mounted in gold and black painted frame with matting. It measures approx. 10" height x 7 1/4" width. Condition is consistent with age.
Introduction: Various types of Rajasthani Schools of painting flourished in Rajasthan from the 16th century onwards. Great names in these schools of paintings are-
the Mewar School, Bundi School, Kota School, Bikaner School, Jaipur School, Marwar School and Kishangarh School. Each Rajasthani school of painting has
its distinct and unique style whilst representing the hills, colours and palaces of Rajasthan. Description: This is a large Indian, Jaipur school, painting
of Royal procession...
A round, convex shield with four central bosses. Decorated with raised design of tendrils, embellished with black and red enamel, and some tin plated areas. Reverse with four attaching bronze rings and a velvet pad. Compare with a similar shield in the Royal Ontario museum. Condition: few losses to enamel and wear to tinned areas, reverse with some residue of solder. Dimension: diameter: 28 cm.
Finely cast gilt bronze statue of Hindu god Vishnu, wearing a diadem with a flaming aureola at the back, necklaces bracelets and a dhoti, holding his attributes with his four arms. The god is standing on and backed by the Naga. India, late 19th century. Height: 15 cm. Very good condition.
NOTE: Images of Vishnu typically depict him with four arms, holding his attributes: the club, wheel, conch and lotus flower. The club is a symbol of Vishnu's divine power, and the wheel, a symbol of the sun...
Large handcoloured print on early 19th cent watermarked paper. Rasa Lila.
590 x 440 mm. Framed.
A round shaped silver lingam box (ayigalu or shivadhara) with its original chain. A neck amulet once worn by a wealthier lay member of the Lingayat sect in South India. Markings. Here without jangama lingam. Condition: traces of usage. Dimension: amulet: c. 6 cm wide x 4.1 cm high, chain: total length: 54 cm, weight total: 97 g.
Small Indian deity cast in bronze with dark patina depicting the dancing god Krishna holding in one hand a butter ball. From a Swiss lady's private collection. Condition: patina, little traces of usage. Dimension: 11.8 cm high.
This is a remarkable antique Huqqa crafted in the 18th century in India during the Mughal Islamic period. The Huqqa takes the shape of a bell and is made of brass covered with sheet silver. It is meticulously engraved with a beautiful and intricate silver floral pattern that is sure to captivate any admirer.
The base of the Huqqa is stamped with the name of the maker, which adds to its authenticity and historical significance.
MEASUREMENTS: Height: 20.5 cm (8 1/8 inches)...
Antique 19th century Indian Archer Thumb Ring Zihgir. The ring is carved of a veined green Nephrite Jade, inlaid with metal wire, and set with 8 cabochons and 3 small, oval, red and green jewels.
MEASUREMENTS: Overall length 4.5 cm (1.77 inches). The inner ring diameter is around 2.2 cm (0.87 inches).
Double sided, 4 compartment Jain painting from an unidentified manuscript.
Undated, estimated to be 15th century. Showing a demon with sword admonishing a chained man. Text above, edges cracked. Mounted between perspex.
Antique Indian painting of a holy man seated centrally in a large court room, holding a lotus bud and adorned in jewels, with a bright halo around his head. Brightly robed courtesans stand at his side. A scale sits on the floor before him. Arabic writing decorates the top and the bottom of the painting. Set in a gilt frame. Size: (entire frame) 10.75" height, 7.25" width (artwork only) 6.5" height, 3" width
Double sided manuscript leaf. Rajasthan, 1776
From a dispersed copy of the Shalibhadra Caupi. The story of Sangam. Composed by Dharma Kumar. Gujarati version.
Sirohi manuscript: Sangama herds cattle and the four neighbours bring the ingredients for khir and 3v: Dhanna cooks khir, Sangama gives his food to the monk breaking his fast and Dhanna gives the boy the rest of the food.See p.104 'Steps to Liberation', Jan van Alphen, Antwerp, 2000
11cm high x 26.7 cm wide. Good condition
Antique Indian painting of a holy man seated upon a throne, identified by the halo around his head, a line of followers standing before him. The first man in line bestows a ceremonial gift, painted with gilt pigment. Two men stand out of line with a domesticated jaquar. Arabic writing decorates the top and the bottom of the painting. Set in a gilt frame.
Size: (entire frame) 10.75" height, 7.25" width (artwork only) 6.5" height, 3" width
18th century votive Indian bronze sculpture depicting bare breasted goddess Durga sitting on a lotus base and holding various implements in her hands. Durga is the warrior goddess, whose mythology centers around combating evil and demonic forces that threaten peace, prosperity and dharma of the good. She is the fierce form of the protective mother goddess, willing to unleash her anger against wrong, violence for liberation and destruction to empower creation...