Otagaki Rengetsu (1791-1875) Antique Japanese Sake Cup with inscribed poem and signature. Rengetsu Otagaki (1791-1875) was Buddhist nun who is widely regarded to have been one of the greatest Japanese poets of the 19th century. She was also a skilled potter and painter and expert calligrapher and adorned her ceramics with poems written in her unique calligraphic style . The cup style and the age of the glaze is consistent with authentic Rengetsu work. Size Width 2.4in ( 6.2cm ) Lengt...

This is truly a museum worthy piece from the great satsuma artist, Seikozan. It is probably our all time favorite example from this artist. This vase is literally smothered with intricate enamel and gold work. The vase stands 9 1/2 inches tall. This vase appears to be nearly perfect but it has had an amazing and nearly invisible rim chip repair.

This amber Raku chawan was made in late Edo Period (1800-1868). Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century. Size Width 4.0in (10.3cm) Length 4.1in (10.5cm) Height 3.4in (8.7cm) Weight 10.93oz + Box 6.35oz (310g + Box 180g) Condition Good considering the age. There is gold repair, please see the pictures for details.

This is a great example of Japanese Satsuma artistry. This bowl was made and signed by Hankinzan. The bowl measures 5 inches across. It is an exceptional piece with extremely fine work. There are hundreds of detailed birds all with overglaze enamels. I also believe it was made with the thicker mercury fired gold. While this bowl looks nearly perfect, it has about a 1 inch line that goes part way down one side that is very hard to see without magnification...

This is a beautifully decorated large 12 inch Japanese Satsuma vase from Kinkozan. It is unique and rare piece because of the gold wisteria decorations. The painting and fine enameling are exquisite. A fabulous vase that is in overall excellent condition. At one time it was made into a lamp. The drill hole has been masterfully restored. It is signed on the underside with an impressed mark and was never signed in gold in the center bottom.

A Satsuma Tokkuri. Of double gourd form very well decorated with flowering Morning Glory. The base with a three character Satsuma mark in green enamel. Japan Meiji. Height: 7" ( 17.7 cm). Condition: excellent

A Japanese Tanuki garden statue made of Shigaraki pottery. A perfect good luck mascot for any garden or indoor decor. Entirely hand made and created by a Shigaraki artisan. It wears a straw hat to protect its head from the elements and it carries a Japanese ledger book in its left paw. Known in Japan for its good luck abilities, it is often seen standing outside of restaurants and pubs attracting customers and diners to enter the business establishment. Minor loss commensurate with its age...

Fantastic antique teapot with inscribed poem and signature attributed to Otagaki Rengetsu (1791-1875) Rengetsu Otagaki (1791-1875) was Buddhist nun who is widely regarded to have been one of the greatest Japanese poets of the 19th century. She was also a skilled potter and painter and expert calligrapher and adorned her ceramics with poems written in her unique calligraphic style. Size Width 3.9in ( 10cm ) Length 3.705in ( 9.5cm ) Height 2.535in ( 6.5cm ) Weight 200g Condition ...

Antique Japanese small Bizen ware oil lamp in the form of Fukurokuju, one of the 7 Lucky Gods. Easily identified by his elongated head on top of which is a small bowl for oil. His expression is kind and he sits holding a large gourd (hyotan) in both hands. Fukurokuju is believed to be a sennin, a philosopher who can exist without eating food. His name literally means "happiness" (fuku), "wealth" (roku) and "longevity" (ju)...

Polychrome Sumida-gawa ceramic bowl made from sandstone, also called Sumida-yaki. Some parts are glazed. Original decoration of an old man trying to climb the bowl.

Mark of Ishiguro Koko (石黒香香): 香二, Koko. The 二 marks the repetition of a character in traditional Chinese. His name can also be written 香々 or 香二). His real name was Ishiga Gôzô (石田郷三). He is a potter of the early Meiji era...

Nanban means earthenware made in southern islands including Okinawa in Japan. Among them, vases like this piece has been liked to call "Oni-no-ude, Ogre's arm". Wild flowers would fit it very well. It's "Wabi Sabi" feeling. Size: 10.8cm(D) 28.0cm (H) Accessary: old wooden box

We like to offer a rare antique Tako-Tsubo Akashi Vase, made 120 years ago during the Japanese Meiji Period (1868-1912). This vase is designed to imitate a 'TAKO-TSUBO', an traditional octopus trap. Sculptures of two octopuses are incorporated into the vase.

Akashi ware (明石焼) is pottery and porcelain mainly made in Akashi City, Hyogo Prefecture. Somewhere between 1615–24, the official kiln of Ogasawara Tadamasa, the lord of the Akashi Castle, was established...

This is a beautiful Japanese satsuma bowl from satsuma master Yabu Meizan. The minute detail and workmanship are spectacular. The Detail in hand is finer and more impressive than what is shown in these blown up images. It displays very well but unfortunately the bowl was broken and repaired. The price for this bowl is a fraction of the price an unresstored Yabu bowl would bring...

Height: 12.2 cm (4.8 in)
Width: 7.3 cm (2.9 in)

Japanese Satsuma gourd vase; depicts two panels of Geisha in domestic and garden settings; all surrounded by a mass of wisteria blooms; the base rim is decorated with waves over Greek hatch work while the top rim shows a border of gilt lappets above polychrome millefleur, all above ruyi gilt diapers; signed Hozan on the base; good condition

A Karatsu ware tea bowl with gold mending. It has simple paintings which is called E-karatsu. Karatsu ware has been produced in the east part of Saga Pref. and the north part of Nagasaki Pref. in Kyushu since late 16th century. Age is not clear. It is possible that is made by modern artist. However, kintsugi (mending by gold) is enjoyable. Diameter:15cm, Height:5cm

Satzuma fine earthenware tea bowl by Nakamura Baikei (1868-1912). Decor of a palace or a temple rising in a snow-covered lake landscape and animated by numerous characters...

Vase in fine Satsuma earthenware enamelled in Osaka in Yabu Meizan's workshop at the end of the 19th century around 1890. The decoration is compartmentalized in 4 cartouches and represents the 4 seasons. The landscapes are meticulously painted, the details are surprisingly elegant and realistic. For winter, a snow-covered port is represented, the trees are heavy with snow, everything is motionless, padded. The cartouches are surrounded by a beautifully painted thousand-flower background. Yabu Me...

A Karatsu ware tea bowl with silver mending (gin-tsugi) which is mending technique, broken pieces are put together with urushi and then silver powder is applied. It has simple painting which is called E-karatsu. Karatsu ware has been produced in the east part of Saga and the north part of Nagasaki prefectures in Kyushu since late 16th century. This one is made of four fragments of Karatsu-yaki (yobi-tsugi). Probably 17th century. Diameter:13cm, H:4 to 5cm