An antique Satsuma figural group of a prone bull with a guardian. The bull with crackled cream ground, gilt noseguard and retaining rope and with polychrome painted and gilt backcover. The young man in a gilt and multicolor painted traditional Japanese garment resting on the animal while holding a book in his hand. 11.5" long, 6" high. An exceptional piece.

Condition: Flawless, ex-Christie's

Vase of exceptional size in Satsuma earthenware. It is extremely difficult to make such a large and above heavy earthenware because the audacious shape carries a risk of subsidence during firing. It is certain that the artist must have used supports during the firing. It is a technical feat of a master potter. The enamels and gilding are of high quality as can be seen on the best satsuma creations. The decoration is also atypical with a beautiful decorative effect and a surprising aesthetic...

A very important find and a great day for the serious Satsuma collector who acquires this exceedingly rare pair of plates of breathtaking beauty, detail and color by the renowned Satsuma Master, Ryozan, depicting the two Goddesses of the Seven Lucky Gods, Benzai-ten and Kichijo-ten (Kichijo-ten sometimes replaces Fukurokuju in portrayals of the Seven Lucky Gods)...

Striking large Japanese ceramic Tokoname jar, wonderful irregular shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.)

Size: 181/2" high x 17 1/2" wide x 17" deep.

Momoyama Period (1573-1615)

Satsuma fine earthenware vase, Kinkozan kilns. Decor of absolute rarity. Two panels with a cracked cream-white background are decorated on one side with a palace scene representing the Empress and her dancer and musical courtesans and on the other side the Mikado fighter. Indeed, above the central figure floats a flag bearing the imperial emblem of Japan, the 32 petalled chrysanthemum...

Antique Japanese Raku ware chawan (tea bowl) with crackle glaze and finely applied kintsugi. Red glaze with dark greenish-black spots. Seal impression on the bottom. Kyoto. Evaluation done in the 1930's by TZ Shiota when the family was inheriting the collection from their great grandfather, Federic Torrey...

Antique Japanese very large ceramic jar with a highly textured form, wide mouth, large dripping area of natural ash glazes in blues and browns with bare tapered foot. Tokoname kilm dates from the Momoyama period 17th century. Size: 24" H x 18" W

Pair Japanese most stunning large earthenware Satsuma Vases , signed "Kinkosan" in gold, Ca...

A fine 11" x 8" Satsuma model of an official seated in a wood grained horse shoe style chair, clothed in finely painted robes and trousers and holding a feather fan. Excellent detail and fine crackle finish. Ex-Sotheby's New York.

Condition: Good. There is an old chip to the nose, a broken fingertip on the hand holding the fan, and an old repair to the back and one side of the base.

This is a gorgeous Japanese Satsuma bowl from a rare artist. It is signed Kinzan. This bowl is in excellent condition. It measures 4 1/2 inches across and is 1 5/8 inches tall.

An Oribe Ware plate with the impressed mark Rihei. 10" in diameter, the foot and base is carved. Decorated with a grove of pine trees, a village to the rear, a rock outcrop to the left, all painted in iron brown, accented with a splash of deep green glaze.

Condition: excellent. No chips, cracks or repairs.

Japanese early 20th century vase by Sasaki Niroku. The vase is done in the shape of a well bucket with crab on the side. The piece is done in fine detail and very realistically. The vase TOMOBAKO, or original artist signed wooden storage box. The piece measures 9" tall, 6" wide and 6 3/4" deep.

This is an amazing piece of Satsuma from Yozan. The vase stands 5 1/4 inches tall and it is covered with eye straining detail. It is better than the images show and in hand has a jewel like aura. Condition is excellent.

Very large Japanese shigaraki jar. with "watermelon" style blue and green glaze drips over a thick crackle cream base glaze. It tapers to a very narrow foot, with a drainage spout. Beautiful original condition, 19th century. Size: 42" H x 25"W

Tokoname jars were made by piling coils of clay, smoothing the interior and exterior surfaces, and allowing the clay to dry before adding another section. The wide rim and mouth were then formed on a potter’s wheel and added to the top of the jar. The small base allowed the vessel to stand safely on a narrow step on the steep slope of a rising kiln floor; such kilns were built into the side of a hill and used wood for firing...

Large original Antique Japanese large low-fire ceramic mask of the Lucky God, Daikoku. His laughing face is round and painted with charming detail to his beards and eye brows. He is wearing his traditional hat that has been hand painted with great detail. One of the Lucky Gods, Diakoku is the God of Good Fortune as well as a god of the kitchen. It is possible that this mask may have hung on the wall in a temple's kitchen...

A Splendid Meiji Period Kyo Satsuma Vase with overglaze enamel decoration by the very well known potter, Taizan Yohei IX, and one of the Meiji Period's foremost painters, Kono Bairei. cf. Meiji Ceramics by Giesela Jahn, page 157, figure 81. Taizan was a renowned Kyoto potter who exhibited and won prizes at a number of international events, including the 1893 Chicago World Expo...

Beautiful and striking large Japanese ceramic Tokoname jar, wonderful shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations and free flowing drip lines, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.) Size: 19.25" high x 12" wide x 12" deep.

Height: 6cm (2.2 in)
Width: 2.8cm (1.1 in)
Height on Stands: 7.7cm (3.1 in)

High quality pair of tiny Satsuma vases by Seikozan; signed; stands included; mint condition

Height: 30.5cm (12.2 in)
Width: 16cm (6.2 in)

These extraordinary Sumida Gawa vases have a red ground with leaf-shaped moulding wrapped around the surface. Thick earthy-coloured flambe glaze cascades down from the rims and over branch-like double handles. The decoration is made up of 6 individual characters on each vase in humorous situations, monkeys on one vase and people on the other...

A beautiful Satsuma vase by Kinkozan, the foremost artist of the 'Golden Age' of Satsuma during the Meiji Period. In ovoid form with gorgeous relief butterfly and flower designs and a central band with floral rosettes on black. Kinkozan mark on base. Height: 12.5 inches, 31.5 cm; Circumference: 25 inches, 63.5 cm.

Antique Japanese ceramic figure of the moon faced Otafuku. Her name was once Uzume and evolved into Okame which means "tortoise", a symbol of longevity. Otafuku or Okame is considered the goddess of mirth, a cheerful woman who's name means "abundant good fortune". A bringer of victory and success, she is good-natured, good-humored, good-hearted, generous, kind, serene, and patient...

Small Satsuma earthenware incense burner in the shape of a cricket cage. Technically complex openwork work with results that are still uncertain, the fine bars of the cage have survived the test of fire without damage, then that of handling for more than 100 years. Today the object is in excellent condition. Below the mark of the Satsuma and the name Hattori who was one of the best ceramic painters of his time., allowing a precise dating. We can, on request, find out who it is. Height 14cm.

A large antique Meiji period Kutani plate decorated with motifs of peonies set in the center of the plate surrounded by gold scrolling vines and stylized flowers. The pink peonies are done in an unglazed-like style while the blue peonies are done with glaze. The underside of the plate is decorated with scrolling vines set in a green background. Additionally, the center of the back contains the inscription, Dai Nippon Kutani sei, or produced by Dai Nippon Kutani. Inscriptions of this type of Kuta...

Satzuma fine earthenware tea service. Teapot, milk jug, sugar pot, 6 saucers and 6 cups. Decoration of guilandes of 1000 flowers and animated scenes of mothers and children in the garden. Each cup has the same decoration as its saucer. The 6 have a different decor. Nice quality. Not yet looked for the name of the painter but certainly a good artist.Meiji period arround 1900. Good condition, some spots of use of the tea but barely nuanced (visible on photos). Note: It is rare to find full servi...

Japanese antique ceramic jar, Yumino ware, very beautiful crackle glaze with pine tree on one side and mountains on the other, great drips, Meiji Period (1868-1912). 10 1/4" high x 12" wide diameter

Antique Japanese Bizen-yaki Beckoning Cat known as a Maneki Neko, with left paw raised for inviting happiness and welcoming friends and family. Incised signature on back dating to the Second Year of Genbun, 1737, also shop name of Yamaichi. Good condition.

Age: Edo Period, circa early 18th century
Size: 10.5"H 4.75"W 5"D

This is a very fine Japanese Satsuma shallow footed bowl. As can be seen in the images the workmanship is top level. It is 4 5/8 inches across and 1 1/2 inches tall. The piece is in excellent condition.

This is an exceptional Japanese Satsuma cabinet Vase. The intense work is reminiscent to that of Yabu Meizan, Meizan or even Seikozan. The decorations are very rich and intricate . The vase features three bands work. One of children, a band with monkeys and then people surround the vase. It is divided by another band of rich enameled brocade and geometric designs. Further up the vase is a unique gilded ground with scrolling vines with small more well done children mixed in an about. The top sho...

Here is a pair of high quality Japanese Satsuma vases is fabulous condition. They look like they have been in storage since they were made. They are highly detailed and are only 4 3/4 inches tall. Signed Kizan.

This three piece Satsuma pottery vessel is enameled entirely in shades of blue with gold accents over a very fine crackle ground. The top is decorated with a fierce dragon on a field of white, enclosed in a blue border. The small inner lid bears a scattering of blossoms. Between the banded shoulder and base of the piece, the artist has painted in fine detail a fishing hamlet. Five inches in height, this is a lovely and unusual example of blue Satsuma ware.

Condition: Excellent, with no chi...

Very pretty Satsuma earthenware bowl, round in shape, decorated with gold and polychrome enamels, representing inside the bowl, courtesans and children, in a garden, under maple trees, and near a lake. The kimonos are sumptuous by the thickness of gold used and the finesse of the details. The perimeter represents a meeting of samurai and on the other side courtesans under cherry blossoms. Signed: Kinkozan. Diameter: 12.5 cm, height: 5 cm. Period: Meiji around 1900. + Wooden box.

Beautiful porcelain kutani beauty, geisha in training. She reads a poem, possibly a love poem. She wears a robe that is tied in front, miko, indicative that she is not yet a geisha. The outer robe is blue decorated with white, red, green, and gold colors. She measures 13.5" tall. Meiji Period (c1900).

An interesting Japanese ceramic study of a woman giving birth. Black glazes with hints of green for the hair, clear glaze with blue color glaze for the washcloth. 19th century. Size: Length: 7.75" Width: 5.5" Height: 7.75".

Japanese Satsuma Porcelain of a Baby Boy in a Beautiful Bib Holding a Whistle Bird. A charming sculpture with a wonderful presence. 8 inches, 20.5 cm.

A medium sized Japanese Oribe dish with a rich, brilliant green glaze and plum blossom brush painting. The crackle in the glaze adds to the design and the edging is painted. The bottom is unglazed and has 4 indented strips. Invented in Japan in 1605, Oribe ware introduced vivid pattern and color to a ceramics tradition that had previously favored somber, monochrome designs.

Dimensions: 9.5" diameter

Date: circa 18th C