On a fundame lacquer ground. The decor is in hira and taka maki-e of gold lacquer with coral and malachite inlays of green and red celestial bamboo berries in their foliage announcing the arrival of autumn. The interior of the compartments is in nashiji lacquer. Signed: Kajikawa and Shibayama. The ojime is made of horn. Height: 7.8 cm. The cord is pink and not blue.

Japanese wooden inro with two compartments depicting a carp with horn eyes, finely carved. From the mouth comes the cord that crosses the agate ojime and reaches the boxwood netsuke which depicts the story of Oniwaka Maru, the future Benkei, and the giant carp. Origin: Japan Period: Edo late 18th early 19th century. Overall dimensions: 7 x 5 x 3.5 cm Netsuke dimensions: 3.6 x 4.5 x 3 cm. State of conservation: Very good

Inro of exceptional dimensions with 3 boxes in black lacquered wood, decorated with chrysanthemum flowers with 32 petals in powdered lacquer on a background of geometric zigzags, details in Nashiji and nuances in silver powder. The chrysanthemum with 32 petals (2 rows of 16) was the Imperial symbol. This geometric decoration of zigzags is typical of the beginning of the 17th century during the short period of Momoyama...

A Japanese lacquer inro depicting two fish swimming in their natural habitat. The outer surface of the ring is covered in lacquer with brown nuances, which offers an elegant contrast with the mother-of-pearl. This inro depicts a mother-of-pearl sole on one side. On the opposite side there is a black catfish, made of lacquer. The fish swim among the underwater plants, embellished with golden leaves and mother-of-pearl in relief. The wooden netsuke depicts a sole...

Late 18th to early 19th century Japanese lacquer 5-compartment inro with a stunning design of a dragon!

It has a fantastic lacquer work called Maki-E. The inside is covered with precious Nashiji Gold Dust. This techique was only used for luxury items for the most famous Samurai fighter.

The material of the Netsuke and the string fastener (ojime) is Kotsu, a delicate work.

Very good condition with only little damages due to the high age...

A Japanese inro made in lacquer with great craftsmanship and decorated with the image of six monkeys. The outer surface of the Inro is coated in gold lacquer which creates an elegant contrast with the metal monkeys. This Inro depicts a scene in the round, in which monkeys interact in an evocative natural environment...

19th century Japanese tobacco pipe consisting of a reed stem and 2 metal parts, the mouth one with low relief design of a blooming peony and inlaid brass butterfly, the smoking one with inlaid copper butterfly. Main metal has not been tested, but appears to be silver. The top of the smoking part bears the signs of wear due to the fact that it was tapped on hard surfaces to empty the bowl...

Inrô with five compartments with lake landscape decoration in continuity on both sides, in gold lacquer hira maki-e, taka maki-e, kirigane and brown lacquer on a fundame gold background. The interior is in nashi-ji lacquer.

Wooden netsuke representing Daikoku, carrying in his right hand his wooden mallet and in his left hand his bag.

Daikoku, deity of wealth and trade, is part of the Seven Gods of Happiness...

An antique Signed "ZEN-MYO GA" for the artist who drew the pictures, and "E-OKI" for the artist who made this Inro (see photograph 4) Japanese Gold Lacquer 6-Case INRO, ca. 1775-1850, depicting low relief scenes of 4 Ducks on one side and 3 Ducks on the other side in a Landscape with foliage, rocks and a river (on both sides). Interior is copper-gold color. Artist: ZEN-MYO GA (drawings); Artisan: E-OKI (made the inro)...

Inrô with four lacquer compartments representing eagles: eight on one side, seven on the other, one on the upper side called ten; sometimes posed on a rocky promontory in takamaki-e and kirigane lacquer, sometimes in flight near the sea. Bamboo branches. Bottom in fundame and hiramaki-e lacquer. Interior in nashi-ji lacquer. The eagle motif is relatively rare in Japanese iconography. Most of its representations are found on older lacquerware. Ojime in red lacquer...

On a roiro ground lacquered with a large ordhid extending onto the reverse in gold takamaki-e with détails of gold foil the interior of nashiji. Signed Yoyusai with a kao. A corla ojime. Height 9,2 cm.

Inro – A amusing and beautiful model of a black japanese urushi lacquer Inro, open by 4 cases and a lid, showing mice and a rat playing together on shells.  Brown, black, gold and silver lacquers of maki-e. H : 5,7 cm. Japan Edo (1603-1868) 18th century.

Silver square-shaped inrô representing a peony. It is considered as the queen of flowers in Japan. It symbolizes the feminine ideal and the protective force.

Shakudô (alloy of copper and gold, with a lacquered appearance) square-shaped manju netsuke with a golden border. On the front side, a delicately engraved plant, around which a moth flies under the silver moon...

The size of Tabacco Ire: 6 3/8" Long x 2" Wide x 7/8" Thick. Very unuusal Japanese Tabacco Ire set. The pipe holding case made of Bamboo work with clasp made with tin plated on brass...

Height: 7 cm (2.8 in)
Width: 7 cm (2.8 in)
Depth: 2.2 cm (0.9 in)

Japanese metal (iron or bronze) inro with silver inlay; two section; lid modelled as a wolf; perfect condition

Inrô with five compartments with lake landscape decoration in continuity on both sides, in gold lacquer hira maki-e, taka maki-e, kirigane and brown lacquer on a fundame gold background. The interior is in nashi-ji lacquer.

Wooden Netsuke representing the Japanese wonder shell (Thatcheria mirabilis).

Ojime of tubular form in gilded copper and incised with peach decoration. In Japanese popular culture, fishing has the power to drive away evil spirits. The eponymous...

Four-compartments inrô in black lacquer with a hirameiji background with peonies and butterflies in gilded maki-e. Rocky promontory in takamaki-e and kirigane. Interior in nashi-ji lacquer.

Boxwood netsuke in the shape of a toad on a leaf. Signe with the name of “Masanao from Yamada”. Ojime made of hard stone.

Inrô are small compartmentalized boxes hanging from the belt that are part of sagemono (hanging objects). Indeed th...

Inro with 4 compartments in black lacquered wood. Decor of a mountain lake landscape executed in gold and silver powder. Mosaic details of small squares of gold. The worn parts reveal the red lacquer which was used to execute the reliefs. Japanese work from the 18th century or before. No signing. Good general condition for a tercentenary lacquer. Multiple small damages all visible on photos. No repainted areas, no restoration. Quality lacquer, solid. 82x52mm.

Stunning Inro on a gold nashiji background decorated in aokin, takamaki-e, kirigane and takazogan inlaid with mixed metals of a man standing on the roof of a thatched cottage and a young boy carrying a fruit basket looking towards the man . A two-part antler manju beautifully matching the inro is intricately decorated with coral ojime signed Jiyosai. H 9,8 cm.

These pieces are a part of smoking set tabako-ire. It consists of a kiseruzutsu (pipe case) of a tonkotsu(tobacco pouch) in black lacquered crocodile leather. Both parts are bound by a leather link decorated with a red stone ojime.

The tonkotsu is decorated with a menuki (metallic decoration) gilded and skated copper. The menuki has the form of a sitting cross-legged man, joint hands, hidden by the long and wide sleeves of its coat. His eyes a...

Antique 19th century Meiji period Japanese five-case, dark brown Cinnabar lacquer Inro with finely hand carved flower heads.

An Inro is a small portable case with several compartments. Originally used for holding medicine or other small items, they became a part of traditional Japanese male costume.

MEASUREMENTS: Height: 8.3 cm (3 1/4 inches). Width: 5.1cm (2 inches).

CONDITION: Showing the age and usage, lacquer chipped in several places as typical of this material.

An inro with two compartments, in maki-è lacquer with nashiji decorations and circular reserves depicting flowers and leaves. Coral colored ojime and lacquer manju netsuke. Signed. Origin: Japan Period: Edo, early 19th century. Overall dimensions: 6 x 4 x 1 cm. Netsuke size: 2.5 x 1 cm. State of conservation: Very good

Japanese gold lacquer Inro with five compartments, decorated in low relief landscape scene of temple in the mountain surrounded by pines and connected by a small bridge over a river in gold lacquer. The reverse side shows mountains in the distance and a small seaside village. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). The cord has a metal ojime. Inro (seal basket) are small decorative containers that hang from the waist. They originate at the end of the 1...

Three boxes inrô in black lacquer and gold hiramaki-e, maki bokashi, kirigane and mother-of-pearl (raden) inlay depicting peasants planting rice seedlings in a rice field.
Nashi-ji lacquer interior with the inscription ソカウアン (sokauan) at the top of each boxe.
Rice is the staple food in Japan. Before the Edo period (1603-1868), it was considered a luxury food, reserved for the nobility and warrior classes.
Signed under the inrô曽幽作 (Soyû-saku), “made by Soy...

This is a fine Bamboo Kiseruzutsu carved, in high relief, the image of Rakan holding an Alms Bowl.. It has a large opening for the insertion and holding of a smoking pipe. It is highly polished, with a mellow patina. It is signed, in seal form, Bunko on the bottom portion of the piece. The kiseruzutsu measures 8.0 inches (20 cm) long, and 0.82 inches (2.1cm) in diameter. It has a couple of very fine age hairlines, but it is solid, and otherwise, in excellent condition as may be seen...

Refined lacquer inro with three compartments expertly decorated in gold with numerous bamboo plants. This inro is enriched with dense nashiji lacquer dots and a detailed maki-è decoration that features an elegant pattern of bamboo plants in contrast to some stems and leaves of mother-of-pearl flakes inlaid on the surface. Internal part in nashiji. The inro is completed by a wooden netsuke depicting Okame and the agate ojime adds further charm. Origin: Japan Period: Edo early 18th ce...

Inrô with four compartments in fundame lacquer decorated with a pavilion near a river in a mountain landscape in hira maki-e, taka maki-e lacquer and kirigane.
The inside in nashi-ji gold lacquer.
INRO MANJU NON INCLUDED (SOLD)

Japan, Edo period (1615-1868)

Inrô : height 7,5 cm -3 in

A lacquer inro with applications of gilded and burnished metal flowers, depicting the blossoming of the cherry tree, on a nashiji background. The decorative branches on the inro were created using the maki-è relief technique in lacquer. The ojime is made of blond horn and the netsuke manju, carved from deer horn, depicts Fukura Suzume. Origin: Japan Period: Edo late 18th early 19th century. Overall dimensions: 8 x 7.5 x 3 cm. Netsuke size: 4.5 x 2 cm. State of conservation: Ve...

Inrô in gilded lacquer according to the takamaki-e, hiramaki-e and kirigane techniques, with five squares of a mountain lake landscape.

On the first side, there is a samurai on horseback, who is drinking from the stream. A servant accompanies him, his sword in hand. Next to the pine tree are the things they would have left behind. In the background, there is a series of nets at the edge of the bank, the mesh of which is made visible by the inlay of mother-...

Five cases inro. Black lacquered wood. Decor powdered with gold representing a couple of tigers and their cubs. Gold mosaic details. Signature of the illustrious family of Kajikawa lacquerers in 3 characters or in relief followed by a drawing of a vase in red lacquer also in relief. Kyo-Ji-Ro (+1682) was the founder and the best of the line of Kaji-Kawa lacquerers, his descendants all bore the same name. The excellent quality of the lacquer, the rare and much appreciated decoration of tigers and...

Saya type Inrô, decorated with a landscape, waterfall and houses, in golden lacquer taka maki-e, kirigane, maki bokashi, brown lacquer and red lacquer on a black speckled hirameiji background.
On one side a house surrounded by a red fence in a landscape of rocks and pine trees is visible; the other shows in the foreground a building surrounded by pines and in the background a waterfall atop which can be found a house and behind that some mountains. More hills can be seen in the distance...

19th century Japanese tobacco pipe consisting of a reed stem and 2 brass parts, the mouth one with copper and silver inlaid scholar’s hut. The top of the smoking part bears the signs of wear due to the fact that it was tapped on hard surfaces to empty the bowl. Excellent crisp work, great detailing, characteristic small bowl (Japanese used finely shredded tobacco, and usually made just 2-3 puffs), traces of tobacco residue. Wonderful old piece with pleasant signs of wear. Length 7.5 inches.

The decoration is in hira maki-e of gold and silver lacquer and kirikane, nashiji on a fundame lacquer background of a landscape, a stream in the middle of pines and cherry trees. flowers. The interior of the compartments is in nashiji lacquer. It bears the signatures of Kajikawa and Shunsho. Some slight marks of use. The ojimé is made of champlevé enameled metal decorated with flowers. The netsuke represents a monkey climbing on a chestnut. Height: 8.7 cm.

Inro with 4 squares decorated with Toba riding his mule, on the reverse a rooster under a bamboo. Toba, the rooster and the bamboo are inlaid with mother-of-pearl and lacquered with gold powder on a background of red lacquer in slight relief. The mule is inlaid with pewter. This style of inlay is from Ogawa Haritsu (Ritsuo) who was active in Japan at the end of the 17th century and the beginning of the 18th. Interesting detail, the kirikane inlays are in pewter which is unusual, usually they a...

Six compartments inrô in black, gold and silver lacquer, depicting cranes in a landscape. The inside is in nashi-ji lacquer. Signed Kajikawa underneath.

Kajikawa was one of the most talented families of lacquer artists, specializing in inrô. They worked for the Tokugawa shogunate from the 17th to the 19th century. It is almost impossible to assign any individual pieces to the different members of this family. They often used encrustations of metal or nacre. Kaji...