This nicely executed ivory carving of a geisha is a late Meiji period (1868~1911) product. It depicts a formally dressed geisha holding a flower in her right hand and an umbrella in her left hand. It is 6 ¼” high, 1 ¾” wide and 1 ½” thick. The artist’s signature, “Masayuki,” is on the bottom. Aside from some hair line cracks due to age, it is in great condition.

This interesting and finely carved Japanese ivory okimono is a mid-19th century product. It is 6” high, 2” wide and 1” thick. It depicts one adult and one youngster engaged in folk dancing. The man is wearing a traditional hat called “Kazaori Eboshi.” He has raised his two arms up and is holding drum mallets. The boy is holding a paper fan. The artist’s signature “Yoshiaki” is on the base...

This small Japanese ivory okimono is a mid-19th century product. It is 4 1/8″ high, 1 3/4″ wide and 1 1/4″ thick. It depicts a smiling fisherman standing on the shore. The fisherman is wearing a traditional bandanna and a straw apron. He uses both hands to pull a fish net in. The artist’s signature “Gyokudo” is on the base. Aside from some old repairs and crack lines due to its age, it is in good condition.

This very well carved and rare Japanese ivory okimono is a mid-19th century product. It is 10 ¾” high, 3″ wide and 2 1/4″ thick both measured from the bottom. It depicts a fisherman sitting on a wood stool with his tool box on his side. He is repairing his broken fish net which is hanging on a tall pole. The artist (carver) did a wonderful job on the fisherman’s robe, his cigarette pipe and pouch, even the tool box was carved with wood grain...

This small ivory carving of a geisha is a late Meiji period (1868~1911) product. It is 3 1/8" high, 1 1/4" wide and a little less than 1" thick. It depicts a geisha bowing her head demurely and looking at the floor. Her right hand holds her kimono robe closed; her left hand rests on her chest. The artist signature is on the bottom. It is in great condition.

This very well carved Japanese ivory okimono is a late 19th century product. It is 5 1/2” high, 2 3/4” wide and 2 1/4″ thick measured from the bottom. It depicts a smiling farmer holding a bundle of fresh cut lotus roots which are wrapped and bound in a straw sheet. The facial expression is very realistic. The short robe with willow tree design indicates it is either spring or summer which is the right season for harvesting lotus roots...

This superb ivory carving of an aristocratic young woman holding a child is a mid or late Meiji period (1868~1911) product. The woman is formally dressed in a kimono decorated with patterns and floral designs. Her hair is elaborately coiffed. She holds a boy in her left arm and a parasol in her right hand. The child is holding a branch of chrysanthemum. The piece is very well executed and stands 10 ¼” high, 4” wide and 3 1/8” thick (measured from the bottom)...

This large Japanese late Meiji (1867~1911) ivory carving is 14 ¼” high, 4” wide and 2 ¾” in depth. It depicts a smiling sage carrying a fan in his left hand and holding a long staff in his right hand. A rolled up scroll is tied to the top of the staff. Aside from a few hair line cracks due to age and size, it is in good condition. More detailed photos are available.

A large Japanese Meiji Period carved articulated bone/ivory model of a crayfish, with movable claws, feet, antenna and tail, the whole naturalistic-ally rendered, approx. 20 inches long with main antenna & 8in wide.

Nicely aged patinated Japanese old ivory letter opener or possibly a page turner with carved and dyed lizard making its way up the handle. The piece is 9.5 inches long and .5 inches wide. It is slightly doomed across the width and the "blade" section is sharpened on one side... Really a lovely piece.

The figures are expertly carved and depict members of the Buddhist pantheon, unidentified by the writer. The material used has a marine origin and is most likely walrus tusk. They are darkened from age and have achieved a pleasing colour. The lotus stands are separately constructed and as they have been produced from a cross-section of the tusk they exhibit the dentine found within...

Ivory netsuke of a human skull.

Japon – Meiji era (1868-1912)
Height 1.2 in (3 cm) – length 1.4 in (3.5 cm) – width 1 in (2.5 cm)

Round ivory kôgô box with shibayama technique, inlaid with gold and pewter or silver lacquer. Lake decoration in two cartouches on the side and the top of the kôgô, surrounded by rinceaux.

It could be the representation of views of Ômi, around Lake Biwa (present Shiga prefecture). The temple on the rocky mountain is probably the Ishiyama-dera, built around 762 A.D. in Ôtsu. It is part of the Kansai Kannon pilgrimage circuit...

Rectangular kobako box in ivory with inlays of stones and mother-of-pearl according to the shibayama technique to represent insects. Combining this technique and the legs painted in the hollows of the ivory, the insects stand out and are highlighted by the play of volumes, materials and contrasts. Among them, there is a cricket, a firefly, a fly, a dragonfly, a ladybug and a butterfly...