This is a Japanese antique Boro textile old indigo dye soft hemp patched rag. It's cotton with a very nice touch. Size::Length::196cm (77.1inch) Width::102cm ( 40.1inch)

Oshie (raised cloth picture) with samurai, which is displayed with hina-dolls on the Girl's Festival, or Hina-Matsuri, on March 3rd. It is from a collector in Matsumoto city in Nagano prefecture, and this one was made by a craftsperson in the city too. Made of several kinds of silk, gold brocade, silk crepe, black satin, etc. The face is hand-painted. The back side is washi. In excellent condition. Late 19th early 20th century. W:33cm, L:45cm

This is a Japanese antique shibori cotton kimono. Indigo dyeing and Shoen dyeing. There are some remaining grains (protrusions) from the aperture. It is in good condition with no damage. Size: Length: 136cm (38.5") / Cuff to cuff, full back: 122cm (48")

A martial votive tablet dedicated to a shrine during the tumultuous final years of the Edo period dated the third day of the 8th month of Ansei 4 (1857) dedicated by Yabe Sashichiro. The placard is 78 x 33 x 6.5 cm (30 x 13 x 2 inches). The blade of the sword is metal, the handle and hand guard (Tsuba) are lacquered wood. Two metal prongs are embedded either side of the Tsuba...

An unusual Kakiemon dish the outer register finely painted with the Shochikubai. The pine, bamboo and prunus painted separately with elongated trailing branches growing from rockwork. The centre painted with a single bough of flowering Camellias, Tsubaki, symbolic of the season of Spring. The reverse painted with a continuous vine arabesque, karakusa and four supur marks arranged in a "Y" shape. An identical dish is to be found in the Sakaida (Kakiemon) family collection...

Love lasts beyond the grave, here a skeleton walks, her pate decorated with flowers and a bundle of daisies in her hand as she strolls grinning under the shade of a dilapidated umbrella held by an attendant, a poignant painting signed Shoken dating from the Taisho period (1922). Completely restored in a chic Tsumugi cloth border with black lacquered wooden rollers, the scroll is 59 x 192 cm (23-1/2 x 75-1/2 inches) and is in excellent condition.

A wildly crafted bronze image of a shishi lion breathing out a cloud forming the basin for a flower arrangement (known as an usubata). The curly hair has been somehow flaked off and maintained during the casting process, quite an exceptional example. The basin can be removed from the mouth of the creature. Assembled it is 32 x 28 x 33 cm tall (12-3/4 x 11-1/4 x 13 inches) and weighs 4390 grams (9.5 pounds). It is in fine original condition.

A finely potted dish decorated with a pattern of scattered shibagaki, bundles of brushwood, which would have formed part of a decorative garden hedge, with boughs of Plum blossom. This pattern was made for the domestic market and would have been particularly appropriate for the celebration of the New Year. The design is referencing the strong winds and storms of early spring. The dish is decorated in a combination of underglaze blue and “Kakiemon” enamels, over-glaze blue, green...

Very rare Japanese comic demon Buaku Kyogen mask dating from the early Edo Period, the golden age of Noh Drama. The Buaku mask is a Kyogen version of the Noh Beshimi character. Kyogen were short, humorous skits performed between Noh acts to lighten the mood. The heavily knit brows and wide leering grimace are wonderful characteristics of this mask. It is covered in layered colored gofun (oyster shell lacquer)...

Pair of 6-panel screens; ink, colors, gofun (crushed calcified crustacean shell) and gold on paper framed by a double silk brocade border. The screen on the right represents numerous geese (14), some flying down in front of a black moon, others in search of food or resting among the grass at the edge of a body of water with a background of a mountain. The left screen depicts egrets (7), three of which are perched on the trunk of a majestic weeping willow, covered in a white pigment represent...

A fine rectangular vase or incense stick holder of slab construction with applied leonine taotie style handles to its narrow sides...

A masterpiece basket made from used split bamboo arrows by Maeda Chikubosai enclosed in the original signed wooden box titled Jidai Yadake-sei Hanamori (Basket made of Old Arrows) dated Showa 5 (1930). Hints of red and gold lacquer give clues to the origin of the bamboo shafts, making this an example of one of the most sought of all types of baskets by this elusive artist. It is roughly 19 cm (7-1/2 inches) diameter, 49 cm (19 inches) tall and in excellent, original condition...

This is an original Edo period (1603-1867) patchwork silk kimono textile. The collar part is a beautiful cloth with hand embroidery and shibori dye from the Genroku period (1688-1704). This is a yosegire kimono made with a patchwork of natural safflower-dyed katazome, shibori, purple root dyeing, and indigo-dyed katazome silk. All are originals from the Edo period. The lining is natural safflower-dyed silk and will discolor over time.There are some stains and damage on the cuffs...

A square shallow bowl in the form of a Japanese rice measure, masu, which was considered to be an auspicious form decorated to the exterior with two Dragons in different stances with two eight character poems with seals. Presumably the shape was intended as a play on the word, namasu, a term used to traditionally describe a serving of pickled vegetables and the related bowl...

An exceptionally fine porcelain bowl made for presentation, kenjo-te. The centre of the dish is decorated with an unusual version of a Karashishi which would seem to be floating upon a feather set against a net like blue ground which has been produced using the shiranaku technique. It is strikingly similar to the karashishi and feather compositions that appear on Chinese porcelain of the Wanli era...

Wood mask of the Gigaku theater representing Konju, a figure in ancient Gigaku dance. The finely carved mask shows a very strong expression. Japan, early Edo period. Height: 18 cm. Beautiful age patina...

Gargoyle or bat-like dragon-esque creatures spread their wings among tendrils of flame on the heavily decorated blue sides of this large pair of 19th century Sometsuke Japanese nesting bowls. Within boats ply the placid waters. The larger bowl is 24.5 cm (just less than 10 inches) diameter,10cm (4 inches) tall. The smaller is 21 cm diameter, 10cm tall and both are in excellent condition, dating from the 19th century.

This is a Japanese antique sakiori-obi cotton & silk textile.It is in very good condition with no stains or damage. There is a slight folding mark, but it is not a problem.Size::Length 356cm / Width 26.5cm

1930's Japanese Kutani Porcelain Miniature Rabbit Okimono Marked "Japan"

It is 1.25 inches (3.17 cm) tall by 2.25 inches (5.71 cm) in length. It is 25.5 gram.

It has a flea bite chip at one ear, writing on the bottom, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount ...

Antique Japanese woodblock print of two large goldfish swimming near a bird and flowering branch. The print is a book illustration from page nine as noted by the character in the lower lefthand border.

Dimensions: Paper size: 6 3/4" h x 8 1/2" wide

Antique Japanese woodblock print of samurai marching over Tamaye Bridge from the series "100 Scenes of Naniwa" by the artist Kunihito.

Dimensions: Size of paper: 9 5/8" high x 7" wide

The outside of this elegantly understated container is simply semitransparent red lacquer over cloth in the Tame-nuri style opening to reveal an interior glowing with large patches of applied gold and silver. It is 20.5 cm (8 inches) square, 10 cm (4 inches) tall and in overall excellent condition, with minor marks from use on the bottom. Inside the box is contained a number of papers as well as a receipt from the late Meiji period, circa 1910.

A fabulous cabinet covered in polished black lacquer inlayed with mother of pearl designs in the style of Nagasaki containing various boxes, trays and dishes for an outing. To allow any steam to escape, it has windows which were once lined with silk. Brass hardware secures the hinged doors which swing out with small boxes and trays in one side, a square sake bottle with brass spout encased in a wooden stand on the other. The interior works are performed in clear lacquered hardwood grains and...

Japanese Kutani porcelain bowl decorated in gilt and overglaze polychrome enamels with a scene depicting two figures seated outdoors conversing under a tree. A geometric band interspersed with white flowers decorates the interior rim. There are fine "ao tsubu" (green dot) accents. The exterior is decorated on opposing sides with a prominent yellow flower and ribbon pattern. The base is signed in red "Kutani made." Believed to date from the early Showa Period (circa 1926 - 1935). Measures 9 ...

First edition Japanese Meiji Period woodblock print titled "Otsu Inari" from the series "The Calendar of Events in Edo Theater" by Adachi Ginko (1874-1897). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 7th month 10th day in the left margin and the artist's red seal at the lower right. This series is unusual in that it depicts various events backstage with the actors, views including the specta...

Partly gilt wood statue of Buddhist goddess Sho Kannon Bosatsu (one of the many forms of Bodhisattva Avalokiteshvara), wearing formal robes, and a diadem with a small stylised Amithaba on the front, standing, her hands joined to hold a bowl. The goddess face reflects a profound meditation. Fine age patina. Japan, Edo period, early 19th century, maybe earlier. Height: 24.2 cm. Old insect attack on the right side (no more danger), otherwise very good condition.

Dark brown patina bronze sculpture of a praying mantis.

The praying mantis (in Japanese, kamakiri) is considered an auspicious symbol.

Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.3 cm – width: 1.18 in / 3.5 cm – depth: 3.15 in / 8.8 cm

Ceramic sculpture of the white fox, messenger of Inari – the Shinto and Buddhist deity of harvest, rice and abundance.

The Inari fox (kitsune) is a benevolent animal, a sign of prosperity and wealth. This proximity to the kami Inari leads to the two figures being mixed and substituted in the imagination, with the animal becoming a fox-god. Inari’s fox is depicted holding a variety of objects in its mouth with different symbolic meaning: a wheat ear, a scroll, a ball or a key. In...

Ivory netsuke of a group of three compactly intertwined monkeys, the smallest holding a longevity peach against him. Their eyes are inlaid horn. Their coats are carefully incised and their fingers are finely sculpted. Natural himotoshi through one of the legs.
Signature on the right flank of the largest monkey, in an unidentified rectangular reserve.

Japan - Meiji Era (1868-1912)
Width: 0.8 in (2.5 cm) - Depth: 1.6 (4 cm) - Height: 1.6 in (4.5 cm)

Ivory sculpture okimono of a kingfisher on its base, with a fish in its beak. Its eyes are in hard stone.

Japan - Meiji Era (1868-1912)
Width: 1.6 in (4 cm) - depth: 2.8 in (7.2 cm) - height: 1.6 in (4.3 cm)

An incredible lacquered screen decorated with a Bugaku Dancer wearing an angry devil mask opposing a snake in incredibly thick relief opposite three gentlemen heating sake over a fire under the changing leaves of a maple, their oxcart off to the side. An inlaid cartouche near the snake reads Kan. The two-sided panel is set into a frame with matt black iron texture over a raw kiri-wood panel inset with three windows. It is 45 x 16.5 x 40.5 cm (18 x 6-1/2 x 16 inches) and is in overall excellen...

Cotton cloth with katazome (stencil-resist-dye) and dyed with pigments, which is called "wa-sarasa", Japanese chintz. It was produced from late Edo to early Meiji period. This one is "Sakai-sarasa", made in Sakai in Osaka. The second half of the 19th century. In excellent condition. W:34cm, L:120cm

Cotton cloth with katazome pattern which is called "Narumi-Kongata", imitating Arimatsu-Narumi shibori pattern. It is called "Urumi-zome among craftspeople. It uses plural stencils and requires high dyeing technique. In good condition but has two mending patches for the cut which used to be the neck part and in one side of selvedges. The Meiji period (1868 to 1912). W:33cm, L:180cm

Cotton futonji with katazome (stencil-resist dye), which is remade from yogi (one kind of futon in the shape of kimono). It is made of hand spun cotton and dyed with vegetable indigo. The reddish-brown color is bengara (iron oxide red pigment). 19th century. In good condition except for three mending patches. one snag and some small holes. W:153cm, L:165cm

The size of Plate: 5 7/8" Dia x 1 1/8" High. This is beautiful Japanese Ko Imari Porcelain plate with polychrome colors with Fence Design and flowers. All flowers and fence design has gold works around. All designs are intricately hand painted. Backside plate with Karakusa design around the border. Inside foot rim has "Taimin Seika Nensei" (Great Ming Chenghua Nian Zhi) in Japanese; Kanji letters. The condition of plate as following, three hairlines as photo showing (two are in glaze, one can fe...

The surface of this black glazed bowl signed on the base Dohachi has been impressed all over with seals in a style known as In-chirashi. It comes in an ancient wooden box with ebony rim titled inside Dohachi Saku (Chirashi-in) Chawan, while outside a much-worn paper label reads In-chirashi Dohachi Saku Chawan. The original silk pouch, much deteriorated, is included, but no longer strong enough to hold the bowl. Without a box signed and sealed specifically by the artist, it is difficult to attr...

The mouth of this vase opens like the thickly petaled chrysanthemum flower over a body decorated in thin blue with a roiling landscape of lakes and trees dotted with pavilions. It is an excellent example of the Hirado tradition in the 19th century. The vase is 14 cm (5-1/2 inches) diameter,28.8 cm (11-1/2 inches) tall and is in excellent condition.
The story of Hirado porcelain begins with the Matsura clan, who ruled over the Hirado domain during the Edo period (1603-1868). The feudal lor...

Very elegant porcelain vase from the Fukugawa kilns. The decoration of cranes in flight, a symbol of fidelity and courage, among clouds, adorns the entire perimeter of this vase in enamels of different colors above crashing waves. Signed under the Fukugawa base under a Mount Fuji. Very slight crack, barely visible.Height: 15 cm

Cotton cloth with "Kikai-suji shibori", Machine-pleated Stripes and vegetable indigo dye. Kikai-suji shibori was developed in 1910s and it was very popular then. Vegetable indigo dye. In excellent condition. 1910s to 1930 W:30cm, L:144cm

Fine Japanese 18th Century Moulded Arita Blue & White Porcelain Bowl

This attractive moulded porcelain bowl with an iron-brown edged foliate rim was made during the 18th century. The underglaze blue decoration of very good colour features three human figures in a garden. Around the outer wall is an elaborate scrolling design.

Diameter 13 cm. It is in fine condition with no repair or restoration and a good ring when tapped.

For information: This bowl was sold to a local collector by o...

Large Japanese 18th/19th Century Blue & White Porcelain Dish / Platter

This large porcelain dish is attractively decorated in underglaze blue, the design featuring pagodas and a blossoming tree in a rocky landscape. The flat surround of the dish is decorated with a moulded cross-hatch pattern and it has a foliate rim edged in iron-brown. To the base are the typical firing spur marks.

Maximum diameter 32.25 cm (12.75 inches). There is an old chip to the rim edge that appears to have been ...

CUIRASS

Aged Japanese samurai iron armor covered with black lacquer and gold foil of practical light weight make for infantryman, dated back to the Edo period (or could be a little earlier). W 32 x H 40 x D 13 cm (12.59 x 15.74 x 5.11in). In such actually used condition as is, with lacquer-peelings, partial cut of string, etc. as seen.


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A hand formed silver vase with lacquered insert attached to a wooden base dating from the Art-deco era. It is 23 cm (9 inches) diameter, 21.5 cm (8-1/2 inches) tall and in overall excellent condition. There is a small impression in the wood base, roughly 1 cm long, on one side. An accompanying card from the Nakano Zenkuro shop of Osaka has a simple 4 digit telephone number. Japan's influence on Art Deco was profound, shaping the movement's aesthetic vocabulary and contributing to its evoluti...

An Edo period Kogo incense case of pale earth tones decorated with geometric shapes and green copper glaze in the oribe style with a scrawling streak of kintsugi gold extending down two sides. Kintsugi is the art of repairing using lacquer and powdered gold. Kintsugi is a traditional Japanese art form of repairing broken pottery or ceramics using lacquer and powdered precious metals. Instead of hiding the cracks and flaws, kintsugi embraces them and turns them into a beautiful and unique feature...

Bronze sculpture with dark brown patina of a cicada.

The cicada (in Japanese, semi) is considered as a symbol of humanity. Together with a praying mantis and a spider, they represent the three virtues of a general: humanity, courage and skill.

Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.5 cm – width: 0.79 in / 7.5 cm – depth : 1.96 in / 5 cm

Cedar wooden ryoshibako (or bunko) document box, decorated with deer and crane on the outer lid and bat on the inner lid in takamaki-e lacquer. As a wedding box, these animals are symbols of happiness, longevity and good luck.

Kawachi Hisaya seal lower right. Includes its transport box with inscriptions: "(...) / made by Kawachi Hisaya" (高[閑 ?]市/河内瓢也造).

Japan, Kawachi Hisaya – Showa era (1926-1989)
Height: 3.9 in (10 cm) – width: 10.2 i...

Gold forms a billowing pine tree lavishly applied to the dark lacquered body of this wooden water jar enclosed in the original wooden box titled Ikkan Mage-Mizusashi, Oimatsu signed by both the wood craftsman and the lacquer artist. It is 15 cm (6 inches) diameter 16cm tall and in excellent condition, dating from the early 20th century.
The term Ikkan in the title is after Hirai Ikkan, who mastered the technique of creating lacquered receptacles of thin bent and glued wood which were incr...

Meiji (1868-1912) Japanese Patinated Bronze Bactrian Camel Okimono by Genryusai Seiya 源龍斎誠谷, Signed "Seiya Zo"

It is 10.15 inches (25.8 cm) tall by 10.3 inches (26.2 cm) wide. It is 8.1 Lb.

It has tarnished eyes and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amou...

Two long bags made of hand spun cotton, probably bags for swords. The top one is katazome "tsuta", ivy motif. The purple belt is made of silk crepe. The bottom one is katazome and vegetable indigo dye. Both are in excellent condition. 19th century. Top:12cm x 75cm, Bottom:16cm x 78cm

A bag made of hand spun cotton and vegetable indigo dye. It has a family crest, "Maru-ni-Yotsumebishi". It has lining made of also hand spun cotton and vegetable indigo dye. The cord is hemp. In good condition but has some holes. The latter half of the 19th century. W:30.5cm, L:48cm

Antique Japanese large hanging suiban (container for water and flowers) made of bronze. Elongated oval form incised with dragons and swirling clouds. Outfitted with three hooks and chains for hanging. Inscribed signature: 藤原昌則 Fujiwara Masanori.

Age: Meiji Period (1868-1912)

Dimensions: 9" high (30" high with chains) x 24" long x 10 1/2" wide

This exceptional tanto is very original, unique in its kind, it represents a bundle of lotus flowers wrapped in a canvas. The mount is in silver, embossed for the leaves of the sheath and cast for the flower buds at both ends. The seppa are in shakudo and gold. Some elements in gilded bronze. The design of the sheath is unique, it is a perfect imitation of a fabric canvas. It is made of woven bamboo fibers covered with lacquer. The effect is striking, the impression of a real fabric is real, we ...

Antique Japanese pair of geese made of bronze. A mated pair, the gander stands with with beak open in conversation. The goose stands nearby. Soft details of feathers and feet. Dark patina.

Age: Meiji Period (1868-1912)

Dimensions: 15 1/2" high x 9" wide x 6" deep

Antique Japanese set of five lotus leaves and blossoms. Carved of wood and lacquered silver. Made for a Buddhist altar, these leaves and blossoms symbolize the stages of the path toward enlightenment. Every petal of the lotus flower is carved separately. Each blossom and leaf comes fitted with a custom metal stand so they can be rearranged at will.

Age: Taisho Period

Dimensions: approx 27 1/4"hight (tallest leaf)

Japanese keyaki wood toad.

Age: Japan, Showa Period, Mid-20th Century
Size: Height 11.2 C.M. / Width 16.7 C.M. / Length 21.7 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Antique Japanese musha-ningyo samurai doll of the old warrior, Takenouchi no Sukune and the baby Ōjin. Takenouchi was the vassal of the Empress warrior, Jingū-kōgō.
The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a s...

Antique Japanese musha-ningo (samurai doll) of the Empress Jingū-kōgō (Okinagatarashi-hime no Mikoto 170 - 269). The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a ship wreck. Upon her return, she birthed a son, Ōjin (Honda...

Satsuma tea bowl, decorated with richness of detail, depicting the evocative Nikkō Shrine and numerous visiting pilgrims. The external reserves are decorated with figures and characters, each of which is represented with great care and precision. Signed Kyoto Satsuma with Shimazu clan mon under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 15 cm. State of conservation: Very good

Refined Satsuma tea bowl, decorated with skill and richness of detail, lobed in the shape of a chrysanthemum with inflected edge. Inside, four chrysanthemums painted in white and pink enamel stand out against a golden background of chrysanthemums, which also extend outside. On the outside, there are vaults that come together to form a single chrysanthemum, with reserves decorated with spirals that seem to support the bowl. Signed Kozan under the base. Origin: Japan Period: Meiji end ...

Satsuma ceramic tea bowl, depicting a traditional village with theater masks along the inner and outer rim. The bowl features an elaborate decoration made with enamel and gold. Signed Senzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6.5 x 15 cm. State of conservation: Very good