Khmer pottery Jar.
Age: Cambodia, Pre-Angkor Period, 6th - 7th Century
Size: Height 28.4 C.M. / Width 35 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Boxwood netsuke depicting a Karashishi with his mouth wide open, accompanied by a perforated ball, protected with his front paws, a symbol indicating a male shishi, representative of the Yang principle and male energy. Signed Minkoku.
Period: Edo 19th century
Dimensions: 3.3 x 3.5 x 2.7 cm.
Conservation status: Excellent condition
Ivory netsuke depicting a large open lotus flower with a frog and a crab looking at each other.
The patina is light on the front and more yellowish underneath.
Period: Meiji end of 19th century.
Dimensions: 2.4 x 4.5 x 3.9 cm.
Conservation status: Excellent condition
Boxwood shunga netsuke with skillfully carved natural himotoshi depicting two mushrooms. A touch of genius is found in the depiction of the smallest mushroom, which is placed upside down above the larger one's head. From this small cavity emerges a delicate caterpillar carved from blond horn. Engraved signature Masatomo 正友.
Period: Edo 19th century
Dimensions: 2.4 x 4.2 x 3.6 cm.
State of conservation: Excellent condition - There are natural openings in the wood.
Six-panel byobu 屏風 screen painted on silk with floral motifs with numerous chrysanthemums. The ocher silk provides a warm backdrop for the delicate floral motifs that adorn the screen. The chrysanthemums, with their elegant shapes and shades of white, yellow and pink, are painted with precision, creating a visual effect that captures the essence of nature's beauty...
Tapestry, silk embroidery, depicting four tigers along the banks of a watercourse surrounded by rich vegetation. The four tigers are depicted in various poses and attitudes. The watercourse is represented with delicate embroidery that suggests the movement of the water...
Byobu 屏風, folding screen, with six wooden panels covered with hand-painted paper with gold leaf and fine silk applications. The main scene shows a pair of black carts with vases and a selection of flowers, such as wisteria, iris, peony and chrysanthemum, with distinct colors in various shades.
Period: Meiji end of 19th century.
Dimensions: 118 x 364 x 2 cm.
State of conservation: Excellent condition - There is slight wear compatible with time.
Boro noragi (work wear) made of many cotton fragments, which are hand spun and vegetable indigo dye. It is from Shonai region in Yamagata prefecture in Tohoku district and called Shonai-sashiko. Late 19th to early 20th century. W:89cm, L:81cm
A ghost rises from the darkness pulling on her hair, a wry grin as she looks sideways at the viewer on this antique painting by Moriwaki Unkei. Ink on paper completely cleaned and remounted in vine patterned blue silk with dark wood rollers. There are old age stains on the paper, which appear much stronger in the photos than in life. It is 40 x 200 cm (15-3/4 x 78-3/4 inches) and in excellent condition...
Long verses fall like rain upon the sinister figure of an Oni (type of devil) dressed in the habit of a priest who glares as he walks through the village, banging out a warning to all evil-doers. Around his neck hangs a bell which he clangs loudly with the hammer held high in one hand. The stern figure carries in the other hand a booklet titled Hogacho...
Jizai okimono of an articulated bronze praying mantis.
The praying mantis (in Japanese, kamakiri) is considered an auspicious symbol.
Japan – Meiji era (1868-1912)
Height: 3.15 in / 8.5 cm – width: 3.94 in / 10.5 cm – depth: 4.72 in / 12.5 cm
Rectangular kobako box in takamaki-e and kirigane gold lacquer circled with pewter depicting a lake landscape. Inside and back of the box in nashi-ji lacquer.
Japan – Edo period (1612-1868)
Height: 0.8 in (2.6 cm) – width: 2.4 in (6.7 cm )– depth: 3.1 in (8 cm)
Terracotta vase, of elaborate form, with a polychrome decoration, painted around the body, representing eight birds. Indus Valley Civilisation, Harappan Culture, 3300-1700 B.C. Height: 6.7 cm, outside diameter: 12.1 cm. A few chips, some soil encrustation, otherwise good condition. Provenance: Paris auction sale 1969.
Takamaki-e and kirigane lacquer kobako box depicting two samurai entering an enclosure. Four guards block their access. The side is decorated with cherry blossoms in maki-e lacquer on a fundame background. Interior in nashi-ji lacquer.
Japan - Edo period (1612-1868)
Height: 0.4 in / 1.5 cm - Width: 1.97 in / 5.3 cm - Depth: 1.97 in / 5.3 cm
Jizai okimono of an articulated wooden lobster. This one is a Japanese spiny lobster (ise-ebi in Japanese), a lobster species of Pacific Ocean that grows up to around 12 in (30 cm). It is a popular item in high-class Japanese cuisine.
Wooden jizai okimono are quite rare...
Jizai okimono of an articulated crab in bronze with dark brown patina.
Japan – Meiji era (1868-1912)
Height: 2 in / 5 cm – width: 7 in / 18 cm – depth: 3.9 in / 10.5 cm
A lovely Sino-Tibetan or Himalayan figure of Vaisravana, Guardian of The North and One of The Four Lokapala Heavenly Kings, c. 19th. century.
This figure was made of a fine alloy of solid silver thus extremely rare and would have been very expensive when made...
Ivory netsuke depicting four painter's seals, linked together, of which the most important has a karashishi as a handle, a symbolic figure representing protection and courage.
Period: Edo 19th century
Dimensions: 2.2 x 3.5 x 3.5 cm.
Conservation status: Excellent condition
Ivory netsuke with amber patina depicting a seated child playing with a turtle while a cat climbs onto his shoulder.
Signed Komin 虎眠 within a rectangular reserve under the base.
Period: Meiji end of 19th century.
Dimensions: 3 x 3.5 x 3.5 cm.
Conservation status: Excellent condition
Oval ivory netsuke manju depicting the profile of Daruma, also known as Bodhidharma, a spiritual figure of great importance in Japanese Zen Buddhism.
Period: Edo 19th century
Dimensions: 4.5 x 3.5 x 1.2 cm.
Conservation status: Excellent condition
Ryoshibako document box in black and gold lacquer decorated in takamaki-e and hiramaki-e. In the center of the panel stands an imposing castle, immersed in a natural landscape dominated by Matsu pines.
Nashiji lacquer forms a cloud-like texture adding a touch of depth...
Ivory okimono of exceptional quality depicting a fisherman standing on a rock, with the rough sea crashing around him.
The scene captures a moment of triumph for the fisherman, who raises his fishing rod with a freshly caught fish still attached to the hook.
Signed Munemasa with engraving under the red lacquer dowel base next to an old Christie's label.
Period: Meiji end of 19th century.
Dimensions: 21.4 x 7 x 5.5 cm...
Ivory netsuke depicting a monk intent on decisively cutting an Oni horn using a large knife. The act itself suggests a struggle between good and evil.
Shōkusai signature with engraving under the base.
Period: Edo 19th century
Dimensions: 4.5 x 2.9 x 1.9 cm.
Conservation status: Excellent condition
A marine ivory okimono with elephant ivory parts depicting a daily life scene of a seated craftsman while he repairs a small wheel...
Pair of bronze vases adorned with inlays, decorated with two Onagadori roosters, known for their elegant length of tail. The roosters are represented perched on a plum branch.
Signed by Yoshimasa for Nogawa company.
Period: Meiji end of 19th century.
Dimensions: 17 x 7 x 7 cm.
State of conservation: Excellent condition – With wooden bases and tomobako (storage box)
Ivory okimono, carved from a single block, depicting a Samurai with his katana and fan, while a phoenix appears suspended in the clouds.
Next to the Samurai, a fox and a monkey are curious and seem to share the samurai's surprise and enthusiasm. Signed Kazutoshi 一俊 with engraving under the base.
Period: Meiji end of 19th century.
Dimensions: 26.5 x 6.5 x 5.5 cm.
Conservation status: Excellent condition...
A deliciously horrifying painting of a ghost rising from the empty field dating from the 19th century completely remounted and ready to go for another century of leering from the shadows. Ink on paper with highlights of gofun and red pigment separated from a field of blue by a single narrow strand of red and gold Kinran silk terminating in dark wood rollers. The artist has sealed the panting with two crimson chops in the lower corner...
A rare Arita export dish decorated in Kakiemon style with a pair of Hoo birds, (Fenghuang or Pheonixes) amongst rocks and flowers, Peonies and Chrysanthemums. The rim decorated with a Bird and vine pattern arabesque. Identical dishes exist painted in this pattern but enamelled in the classic Kakiemon palette. The “Bird bird and vine” pattern appears on “Kakiemon” export teapots of the same period. The curious blobs arranged in groups of three, represent Stars, Hoshi...
Chinese Qing dynasty bronze stand for incense burner. 12,3 cm diameter. 2,9 cm high. 567 gram weight. original conditions, free from any repair. please see on the pictures.
Height: 23 cm (9.2 in)
Width: 9.8 cm (3.9 in)
Attractive Chinese porcelain beast-handled vase with four Qilin adorning the shoulders; features two figural panels surrounded by fine raised enamel hatch-work and small vignettes of birds and figures; good condition
Chinese Qing dynasty bronze stand for incense burner. 18,8 cm diameter. 4,2 cm high. 1737 gram weight. original conditions, free from any repair. please see on the pictures.
Height: 27.7 cm (11.1 in)
Width: 13 cm (5.3 in)
Chinese porcelain famille rose handled vase featuring a young woman in a garden setting; a poem script on the reverse; good condition
Height on Saucer: 6.5 cm (2.4 in)
Width of Cup Including Handle: 11.5 cm (4.6 in)
Width of Saucer: 14 cm (5.7 in)
Height of Saucer: 2.6 cm (1.1 in)
Fine example of a Chinese porcelain cup and saucer from the Guangxu Period; both pieces depict dragons amongst foliage surrounded by lotus scrolls below the rims; the base of the saucer is decorated with garlands of foliage; both pieces have a stamped Guangxu mark and are period; good condition
Height: 33 cm (13.3 in)
Width: 16 cm (5.3 in)
Chinese porcelain triple gourd vase; decorated with underglaze blue and polychrome foliage, including peony, orchids and plum blossom; glaze ends accurately just above the base rim; underneath shows a Qianlong mark, but probably later Qing; some age-related wear; good condition
Chinese Qing dynasty bronze stand for incense burner. 11 cm diameter. 3 cm high. 462 gram weight. original conditions, free from any repair. please see on the pictures.
Height: 8.8 cm (3.6 in)
Width: 7.8 cm (3.1 in)
Chinese polychrome enamelled cloisonne lidded round box; decorated with florals and auspicious objects; minor age wear; good condition
Height: 5.8 cm (2.3 in)
Width: 2.7 cm (1.1 in)
Depth: 2 cm (0.7 in)
Quality Japanese carved netsuke of a young woman holding a garland of flowers over her head; finely detailed, natural material; textured and stained throughout; signed to the base; good condition
Chinese Qing dynasty bronze stand for incense burner. 12,7 cm diameter. 2,5 cm high. 760 gram weight. original conditions, free from any repair. please see on the pictures
Chinese Qing dynasty bronze stand for incense burner. 17,3 cm diameter. 4,1 cm high. 1088 gram weight. original conditions, free from any repair. please see on the pictures.
Chinese Qing dynasty bronze censer or incense burner with wood stand. Xuande mark. 14,5 cm diameter. 9 cm high. Original conditions, free from any repair. Please see on the pictures.
Very good Han Dynasty heavy spinach green lead glazed jar with zoomorphic impressed band at the top. Excellent condition, small unglazed spot near mouthrim- please examine enlargements. D: 14cm/5.5in and H: 11.5cm/4.8in.
A Very Rare/Fine Korean Four Warrior Spirits (四天王) (the four Devas)-the four heavenly guardians of Buddhism-19th C.:
Korea, Joseon dynasty, 19th century,
An each painting in mineral pigments on silk and named.
It’s in good condition with bright colors and
An each painting measures 50cm x 35.5cm
*** See it’s details below (四天王):
1): Jee-Guk Cheon: The King of the East [東方持國天王]
2): Gwang-Mok Cheon: The King of the West [西方廣目天王]
3): Joong-Jan...
Height on Stand: 20 cm (8 in)
Width: 5.8 cm (2.4 in)
Quality Chinese green crackle vase with a wooden lid and stand; fine overall crackle over a very good foot; good condition
Height: 7 cm (2.7 in)
Width: 6.5 cm (2.5 in)
Depth: 9 cm (3.5 in)
Japanese carved wooden okimono of a yawning man; very characterful piece with inlaid horn eyes; good condition with few signs of age
Height: 7 cm (2.8 in)
Width: 4.5 cm (1.8 in)
Depth: 2.1 cm (0.8 in)
Fine example of a Chinese carved cinnabar snuff bottle; features two main panels of buildings within rural settings with scroll-work across the shoulders and sides; standing lappets to the base rim and original knop and bone spoon; inscribed Qianlong mark to the base; very good condition
Height: 4 cm (1.7 in)
Length: 13 cm (5.2 in)
Depth: 4 cm (1.7 in)
Weight: 140 gm
Chinese silver box by Luen Wo; decorated with dragons chasing flaming pearls; marked on the base LW and script; late 19th century; good condition
Height: 5 cm (2 in)
Width: 7 cm ( 2.8 in)
Weight: 750 gm
Fine Chinese gilt bronze knob seal with a Kilin atop; very well-cast and a crisp seal below; small amount of verdigris showing on the base; good condition
Height: 22.8 cm (9.1 in)
Width: 10.5 cm (4.2 in)
Chinese heavy cloisonne vase of good age; polychrome enamel floral decoration throughout; minor surface wear with age-related issues; good condition
Height: 33 cm (13.2 in)
Width: 12 cm (4.8 in)
Chinese porcelain famille verte lidded vase; features the emperor and attendants moving through a rural setting; standing lappets with hatched borders on both rims; lid with foo dog atop; good condition
Chinese Song dynasty longquan celadon dish. 17 cm diameter. Good condition except very smooth hairline at the center.
This is a Japanese antique Boro textile old indigo dye soft hemp patched rag.
It's cotton with a very nice touch.
Size::Length::196cm (77.1inch) Width::102cm ( 40.1inch)
Oshie (raised cloth picture) with samurai, which is displayed with hina-dolls on the Girl's Festival, or Hina-Matsuri, on March 3rd. It is from a collector in Matsumoto city in Nagano prefecture, and this one was made by a craftsperson in the city too. Made of several kinds of silk, gold brocade, silk crepe, black satin, etc. The face is hand-painted. The back side is washi. In excellent condition. Late 19th early 20th century. W:33cm, L:45cm
Rare Warring States, circa 475–221 BCE, squat gray pottery jar, with incised wave, impressed diamond and large carved spiral patterned bands. The spiral pattern is quite interesting as this is usually only seen on archaic jade bi from the period. Some of the tips of the spiral are broken otherwise superb condition considering its delicacy and age. The surface absorbs water very quickly with a distinct petrichor scent. D: 28cm/11in and H: 14cm/5.5in.
This is a Japanese antique shibori cotton kimono.
Indigo dyeing and Shoen dyeing. There are some remaining grains (protrusions) from the aperture.
It is in good condition with no damage.
Size: Length: 136cm (38.5") / Cuff to cuff, full back: 122cm (48")
This piece was excavated at the site near Hanoi, however the condition is very excellent, this type of tea bowl that had high stand, had been used at the court.
YouTube movie: https://www.youtube.com/watch?v=hSmlyJ_Pgzg
Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan.
Size: 12.3cm(D) 9.0cm(H)
Accessary; wooden box
Chinese Han dynasty lidded gray earthenware hu-form jar with globular body and slightly flaring neck divided into horizontal grooved bands holding incised decoration of various animals. Two opposing applied taotie mask handles are at the shoulder. The circular domed lid has three loops at the edge. 14 3/4" high. 206 BC – 220 AD. This form was designed to imitate the shape of a bronze hu vase. Very good overall condition for its age and type with typical wear, soiling, and minor chips evi...
An unusual Kakiemon dish the outer register finely painted with the Shochikubai. The pine, bamboo and prunus painted separately with elongated trailing branches growing from rockwork. The centre painted with a single bough of flowering Camellias, Tsubaki, symbolic of the season of Spring. The reverse painted with a continuous vine arabesque, karakusa and four supur marks arranged in a "Y" shape.
An identical dish is to be found in the Sakaida (Kakiemon) family collection. It is believed to ...
Love lasts beyond the grave, here a skeleton walks, her pate decorated with flowers and a bundle of daisies in her hand as she strolls grinning under the shade of a dilapidated umbrella held by an attendant, a poignant painting signed Shoken dating from the Taisho period (1922). The four character verse above is taken from the Lotus sutra (Hanya-Shingyo) and reads shikisokuzeku, meaning (loosely) all color is void, the void is all color. Completely restored in a chic Tsumugi cloth border with bl...
A wildly crafted bronze image of a shishi lion breathing out a cloud forming the basin for a flower arrangement (known as an usubata). The curly hair has been somehow flaked off and maintained during the casting process, quite an exceptional example. The basin can be removed from the mouth of the creature. Assembled it is 32 x 28 x 33 cm tall (12-3/4 x 11-1/4 x 13 inches) and weighs 4390 grams (9.5 pounds). It is in fine original condition.
A finely potted dish decorated with a pattern of scattered shibagaki, bundles of brushwood, which would have formed part of a decorative garden hedge, with boughs of Plum blossom. This pattern was made for the domestic market and would have been particularly appropriate for the celebration of the New Year. The design is referencing the strong winds and storms of early spring. The dish is decorated in a combination of underglaze blue and “Kakiemon” enamels, over-glaze blue, green. Both of w...