Chinese painted pottery court man, wearing hat, with red, and white pigments remaining.
Age: China, Tang Dynasty, A.D. 618 - 907
Measurement: Height 35.9 C.M. / Width 10.6 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...
A Northern Sung or earlier green glaze celadon tea bowl, some comb pattern. It is in good condition no damage, no crack, no chip, no restoration except glaze corossion by sea water, now very sandpapery after one thousand years in the sea bed.
A shipwreck Northern Sung Dynasty or earlier Green glaze celadon jarlet, with flower pattern. Jar in good condition no damage except one ring chipped, no crack on jar body, small temporary restoration on the one ring, manufacturing defects on glaze surface. ...please ask for more photos
This is an Chinese Yue green glaze celadon container powder box (currently used for agarwood chip for burning) it is from Five Dynasties to Northern Sung Dynasty era. Condition not perfect as the base portion glaze already degraded, the cover not perfect with hairline crack as shown but can be an sample study piece. size >10cm for the diameter, please look carefully before buying it....thanks
A section of old Chinese cloth taken from the shoulder section of a seventh rank official's formal court dragon robe, silk backing (some damages on line). Please ask. 18-19th century. 27" x 29 1/2"
An extremely rare late Edo Period (circa 1860) Japanese albumin hand tinted photograph of a young foreigner dressed in a samurai's clothes. The art of portrait photography was brought to Japan in the late Edo Period by European photographers who first introduced photography to the
Japanese. Westerners were fascinated by Japanese style and culture. They
dressed up as Samurai and Geisha to pose for a photographic portrait. This
early piece is a rare find for the photography collector...
This assortment of cosmetic brushes along with the small container was originally part of a large cosmetic set which would have been commissioned for the a wealthy Japanese bridal trousseaux. Many layers of the rich black roiro-nuri lacquer was applied and polished to achieve the deep lusterious tone. The brushes are accented with a 2 and 3 tone golden floral motif. None of the brushes show any signs of use...
This is one of two Song Dynasty (960 - 1279) celadon bowls. Both are in fantastic shape and are an incredible buy. This one measures roughly 15 cm across.
This beautiful blue and white porcelain bowl is from the Ming dynasty and was recovered from an un-named shipwreck off the coast of southeast Asia. It has a small crack (visible in the photos) but is in otherwise spectacular condition. Inside the bowl is a crane in reeds and on the outside are mandarin ducks and lotus flowers. There is a small blemish on the outside from years of underwater exposure. It measures roughly 19 cm across.
A Japanese silver two pronged kanzashi (hair pin) with a cut rock crystal in center within a filigree gilt chrysanthemum, partially gilt body; original wooden box (tomobako) and a label that is written "Gold-silverwork", the retailer's name Kinji Shibuya, Akita city and their two digit phone number. Meiji/Taisho period.
Kanzashi: 6 3/4" long
Box: 9" x 2" x 1"
A Japanese tobacco pouch, ojime and pipe case (kiseruzutsu) - a leather pouch with an impressed name/hallmark of a famous sake on the inside of the flap with a gilt bronze clasp of a Chinese man and go (Japanese chess, originally Chinese) table. The ojime is a Bizen type pottery bead modeled as a two headed karako (Chinese boy), lucky god Ebisu or Daikoku. The kiseruzutsu (pipe case) has a hand chiseled textured design on the exterior of an unknown material...
An unusual pair of Satsuma earthenware vases, eight inches in height, with graduated green underglaze depicting landscapes.
A 10.8" square tray signed Teizan and sealed Kinzan, mid Meiji period, depicting an unfortunate encounter between a hawk and a goose.
Condition: Quite good overall condition, There is a faint nick and short enamel crack to the front of the tray, two small areas of enamel cracking to the reverse, and pitting usual to the period. No dents or restoration.
A late 18th century Ko Seto stoneware dish, 5" in diameter, decorated tastefully in a traditional horse eye and cobweb design.
Condition:There are two small rim chips as illustrated in the sixth photograph. The first and more serious is to the far left, the second is to the far right. The dish is otherwise excellent.
A Rare Song dynasty White Glaze Jar, decorated two dragon and four lugs at the neck,cloud carved at the body.found from central java shippwreck.Size:31,2 cm height,21cm body diameter. Conditions has damage at the neck and glaze degradations.(see at picture 6 before restorations)
This three piece Satsuma pottery vessel is enameled entirely in shades of blue with gold accents over a very fine crackle ground. The top is decorated with a fierce dragon on a field of white, enclosed in a blue border. The small inner lid bears a scattering of blossoms. Between the banded shoulder and base of the piece, the artist has painted in fine detail a fishing hamlet...
There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits...