Figural Vase with Elephant Handles
mid-late 19th century
Tongzhi Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
H: 33.7 cm D: 15 cm
Single hairline from mouth-rim, visible only in the vase's interior. Damage to glaze in a thin, short area perpendicular to hairline.
From a Laguna Beach, CA estate
Description & Notes
This vase is very typical of vessels made in the mid to late 19th century...
Chinese yixing dark brown clay large teapot. with Arabic calligraphy mark at the base. Good conditions except one very small chipped at the spout.16,5cm wide. 9,5cm body diameter, 10cm high.
Chinese Yixing Bird feeder,well potted of square form, with indented corners. Decorated in blue and white enamels with a landscape. Interior with white glaze. With wooden fitting. C19thc. Dia. corner to corner, 1 3/4" (4.4cm) Small chip to base 0.3cm
An antique Khmer stone sculpture of Mahā Paramasangata Pada (Jayavarman VII), added to our family collection in 1930 from a private Japanese collection. It was made in mid 19th century.
Lacking any royal or divine attributes, this King Jayavarman VII statue represents Buddha as
a simple, spiritual man.
His facial expression is accentuated by semi-closed eyes, a slight smile, large forehead, lips that are neither thin nor thick, and long ear lobes...
Chinese yixing teapot from Tek sing cargo shipwreck. 11 cm wide.7 cm body diameter. Teapot has small chipped at the rim (Please see on the pictures). No repair.
Chinese 19th century yixing zisha teapot. size : 15cm wide. 10 cm body diameter. 10 cm high. has very small chipped at the spout, and chipped at the end of the handle (please see on the picture).
Yellow ground Famille Rose saucer dish with gilt " shou " medallion. The base with a iron red six character Guangxu Mark and of the Period. Diameter : 20, 5 cm. Condition : Perfect.
Late 19th century
Guangxu period, Qing Dynasty
Porcelain with ge-type glaze and famile verte enamels
H: 29 cm
From a Denver, Colorado estate
A late Qing zun of elegant "guanyin" form, pairing overglaze famille verte decorations of birds, flora, and rockwork against a creamy ge-type glaze. Two springs of slip-covered Prunus branches compliment the neck.
Condition report: perfect antique condition...
Chinese yixing zisha purple clay teapot. Qing dynasty. mark at the base and inside the lid. Good conditions except small chipped at the spout and the lid. Size : 17,5 cm wide. 9 cm high. Please check at http://www.ebay.com/itm/-/231706647389?
Antique Japanese pair of lively koma inu (temple fudog guardians), carved of keyaki (elm) wood, left hand creature has mouth open showing teeth and has a curly mane, right hand creature with toothy grin and wavey mane, wonderful detail carving, fain remnants of pigment (mouth, eyes, and whiskers), Meiji Period.
Size of each: 17 1/2" high x 18" deep.
Platter with Fish
19th century
Jiaqing - Guangxu period, Qing Dynasty
Porcelain with overglaze enamels
W: 33.5 cm L: 26.5 cm
Perfect condition; age wear to enamels commensurate with age
From a Pasadena, CA estate
Description & Notes
The construction and sturdy potting of this platter is consistent with 18th century export platters made for the European market...
Chinese yixing dark brown clay large teapot with metal decorations as a protections. with incised mark at the base. Iron handle. 19th century. Teapot in good conditions except one broken at front handle, view chipped at inside the lid. 15cm body diameter. 20 cm wide from the spout.
Beautiful large flat keyaki root wood stand with over 6 natural holes of root on surface, beautiful graining and sculptural presence, top edge carved at perimeter with incised line and raised surface on edging. Size: 40"L 25"W 5/8" H
Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with inlay of glass pieces on the headband.
Age: Burma, Mandalay Period, 19th Century
Size: Height 52.3 C.M. / Width 55 C.M. / Depth 24 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...
Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 7.5 inches, 19 cm tall.
Diameter approximately 13 cm. In good condition.
Diameter approximately 29 cm. In good condition.
A beautiful 19th C. sancai or three color fudog lion with very bright color beautifully execute. H: 10" condition overall it's in good conditon except a tiny chip see the photo.
From our Japanese Collection, a superb Kinkozan satsuma vase of tapered ovoid form, Meiji Period 1868-1912, most likely 1880-1890, depicting a finely painted bijin on one panel along with finely painted roosters and flying birds in a garden setting on the other panel. Both main panels are separated by reserves of elaborate gilt work set against a rich cobalt blue ground. Kinkozan signature and impressed mark on the bottom...
Chinese Dark brown clay yixing teapot with mark at the base.Good conditions,with just small chipped inside the lid.16cm wide.9cm body diameter.9cm high.
Are you looking for something delicate and special - than feel free to enjoy this unique flower vase with a poem of Japans most famous poet Otagaki Rengetsu written on it.
This is a 120 year old vase made of Tanba ware. It is signed on the bottom by the artist. I was unable to identify his name.
For a Meiji Period piece of art the vase has a distinctive form and a brilliant atmosphere...
Late Edo Period (1850 - 1868) Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of the type
of mask done by a master carver, using Cypress wood (Hinoki) and many layers
of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
Gilded wood. Guanyin sitting on a lotus throne, placed on an altar. the back plate decorated with mythical creatures. H. 39 cm. Condition: expected age wear.
Antique Japanese wooden temple carving of a fu dog (fu lion, or shishi). Carved of keyaki (zelkova elm) wood with wonderful details including characteristic swirling fur and wide, toothy jaws, this fu dog is a powerful Shinto temple guardian. Wide eyes are made of reverse-painted glass with irises of two different colors and with pupils of varying width, adding an intensity to his expression...
Early 1800s
The entire surface is enameled and painted very skillfully with designs based on Indo-Buddhist mythology. These wares were made of fine porcelain, probably in Jingdezhen, and were exported to the Kingdom of Siam (Thailand) where they were primarily used by the king and his court. The enamels are of a famille rose type, thickly applied, and in the case of this fairly large bowl, very well-painted in the Siamese taste...
We offer this fine antique Japanese Meiji Satsuma Kyoto lidded teapot decorated with a dragon curled between eleven Immortals and dating around 1880. This well decorated earthenware teapot stands on a narrow rounded unglazed foot with a recessed base and is of rounded shape with the dragon tail forming the handle and the neck and head forming the pouring spout. The teapot has a further smaller dragon forming the finial to the cover...
A Nice Bowl and Cover with Stand,fluted body.Qing dynasty.
Bowl in good conditions it just has small friting inside the lid. 12,4cm diameter
18th or 19th century Chinese yellow glazed and carved porcelain brush washer. Signed by ¡°Wang Bing Rong¡± who is considered one of the best porcelain carvers of that period. His dates are some what confusing. Some record say he was born in 1736 and died in 1795. Other records have him living from 1862 to 1908. Perhaps the most appropriate approach was taken by Christie¡¯s. In their auction catalog of Fine Chinese Ceramics, New York, 1995, they state, Mr...
Late Edo Period (1850 - 1868) Bronze Incense Burner Sculpture of a Duck, Japanese symbol of faithfulness and light. An exquisite expression of Japanese bronze craftsmanship of the finest quality. It exhibits a rich dark patina. A Japanese bronze classic. An important acquisition for a bronze collector. 13.75 inches, (35cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
Lovely set of blue and white porcelain wall vases with floral decoration. China, late Qing, 19th century. Condition: minor glaze chips to the mouths and footrims, no cracks or repairs.
Dimensions: H. 17,5 cm, W. 10 cm.
Antique Japanese keyaki (elm) wood temple carving of a fu-dog. Beautifully carved with mane of swirling curls and mouth full of sharp teeth, this fierce guardian would have once graced the eves of a buddhist temple roof. Edo Period. With contemporary black metal stand.
Size: 15 1/2" high total (10 1/2" high not including stand) x 15" wide x 7 1/2" wide.
This 19th century Japanese unsigned hardwood netsuke of KARAKO (Chinese boy or boy in Chinese dress) is 1 ½ inches tall, 1 ¼ inches wide and 1 ¼ inches in depth. It depicts a smiling boy holding a puppy in front of him. The workmanship is superb. Besides a tiny chip on the back of the robe, it is in excellent.
Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 10 inches, 25.5 cm tall.
Late 19th Century Japanese signed Noh theater Mask of Okame, the Goddess
of Mirth, a very popular image in Japanese culture. A beautiful example of
this type of mask done by a master carver, using Cypress wood (Hinoki) and
many layers of Gofun, crushed oyster shell lacquer. A very charming and well
rendered image. 8.25 inches (21cm) high x 5.25 inches (13.5) wide.
19th century Nepalese manuscript dealing with protective spells for children. Colours on paper. 75 x26 cm. Framed. Can be viewed in central London by arrangement or de framed and shipped worldwide.
A Beautifully Carved Late 19th Century Japanese Noh Theater Mask of Okame, the Goddess of Mirth, in Exceptional Condition. 7.5 x 5.5 inches, 19 x 14 cm.