A strong mokogata iron tsuba of tight mokume. I favor mokume work and this is a virtuous example worthy of any collection. Boar's eye sukashi decoration in the four corners. Uchikaeshi mimi. Tekkotsu evident along the mimi. Good condition with light rubbing of the patina. Edo period. 3 (7.6 cm) inches x 2 11/16 (6.8 cm) inches

A set of five soba choko, straight sided cups, so called boars mouth cups, decorated with a pattern of a grape vine and a wasp (hachi, bee, wasp or hornet) an autumnal motif. Curiously the grapes have been inverted to resemble the more familiar pomegranate. These would have probably been used for serving sake rather than soba noodles. The cups measure in 8cm diameter and are 6.4cm in height. They are in excellent condition, no cracks, chips or restoration...

In 1563 the Amako of Izumi province won a victory over the Kikkawa with 33 of their adversaries wounded by Tanegashima. As a result, in the year 1567 Takeda Shingen announced that "Hereafter, guns will be the most important arms, therefore decrease the numbers of spears per unit, and have your most capable men carry guns"...

This 18th century wood Iwabe shells netsuke is 2 inches long and 1 ¾ inches wide. It is not signed, slightly worn but in great condition.

Porcelain bowl with underglaze iron brown decoration. Seventeenth or eighteenth century. Diameter : 11,7 cm. H : 4,9 cm. Condition : Perfect

Ca. 1700s

These two vases were mostly part of an altar set that included an incense burner and circular box, all in cast bronze and having similar Koranic inscriptions. The vases are heavily cast as are most of these types of inscribed utensils. The calligraphy is raised from the background and is framed by a lobed cartouche surrounding a ring-punched background that helps to accentuate the inscription...

An original 18th century Japanese Namban armor with momonari type kabuto. The wisteria meadate and other occurrences of variations of the Fuji mon belongs to the Fujiwara Clans. The meadate matches that of the family crest seen on the armor. The black lacquered dou is textured with crushed oyster shell in fine detail. The armor is presented with the original hitsu (armor box) with gold beautiful gold calligraphy on the sides...

An Arita blue & white porcelain dish decorated with a pavilion and poetry, an equestrian and servant in the foreground. The dish is moulded with a shallow ‘rinka’ edge. The back is plain and has three spur marks within the foot-rim.

An identical dish is illustrated in the Shibata Collection Vol.4, #303 where it is dated to 1770~1800.

Approximately 17.8 cm diameter. The dish has some light wear from normal use but is otherwise in fine condition...

Ca. 1700s

This stoneware dish is shaped in the form of an oval tray with straight walls, raised on four molded feet. It is glazed overall with a semi-transparent brownish-amber glaze with areas of faint purples and reds. An unglazed area in the center of the base is brush painted with six Chinese characters in iron slip glaze. Some kiln cracking is present on one end and the typical wear for an item of this age and use is evident on the feet and areas of the glaze...

A collection of samurai arrows, or yajiri, mounted on a custom built museum display stand.

Dimensions: 5 1/4" x 1 1/4" x 9 3/4" H (overall)

Antique Chinese, 18th century, small bronze vase with incised decorative rings. It has three small feet on the base. It measures 6.5" tall 3.5" wide at mouth.

A 18th century high quality Javanese Bronze figure of a Guardian with the atribute of snakes. A so called " Land - Bronze " I think that it might be possible to find out, how this special kind of Guardian ( because of the snakes ) is named. H : 8 cm.

Temmoku (Dark Brown) Glaze Jar or Vase with handles. Sawankhalok kilns, Sukhothai Province, North-Central Thailand, ca. 14th-16th C. H.9"(23cm) x Dia.4.75"(12cm.) Excellent condition. Monochrome dark brown wares from Kawankhalok used to be called "Chaliang" wares. Their lustrous dark brown, nearly black, temmoku glaze is quietly beautiful. The kilns of Central, Northern, & Western Thailand were active predominately in the 14th to 16th Centuries...

Startled to enlightenment, this is a large Edo period figure of a Rakan (Sanskrit: Arhat), a Buddhist saint kozutsucarved in the Yosegi-zaiku method of joined blocks of wood. Originally covered in polychrome colors, much has grayed and flaked away with time, a fitting aspect of the image. He has glass eyes which seem to burn violently with realization. The image is 43 x 36 x 51 cm (17 x 14 x 20 inches) and is in solid condition. The head is removable, slotted into the body at the collar...

It is a Japanese antique uchishiki of silk (chirimen) of the hand yuzen dye tsutsugaki of the highest class in Edo period. The bold composition of the paulownia is impressive with the Chinese phoenix. Yuzen kimono is also very polite. There are two small repair marks. There are no stains and the condition is very good overall. It is a very valuable gem. Edo period (1597/1868) Size::length170cm ( 66.9inch) / Width146cm (57.4inch)

A Karatsu ware tea bowl with gold mending. It has simple paintings which is called E-karatsu. Karatsu ware has been produced in the east part of Saga Pref. and the north part of Nagasaki Pref. in Kyushu since late 16th century. Age is not clear. It is possible that is made by modern artist. However, kintsugi (mending by gold) is enjoyable. Diameter:15cm, Height:5cm

Chinese Bronze Jue. 18thC. Height 14.4cm. Condition: excellent.

The dish is in “Ko Sometsuke” style. It is decorated entirely in underglaze blue with an Island Scene shrouded in auspicious ruyi form clouds which recedes into the background, three geese Kari occupy the mid ground (a seasonal motif associated with Autumn) and in the foreground Arumi rough waves crash over kaisou, water weeds, and Conches, horagai and Scallops, hotategai...