Unusual antique Tibetan gau ghao (gao). Used as a portable shrine that hangs around the neck, a gao is usually a box filled with prayers written on cloth around a central deity visible through a window. This gao is flat but it is similar to the traditional gao in that it has a central deity and a window cut out of leather...

Antique Japanese bronze temple bell or bonsho, with a handle of dragon heads called a ryuzu, protrusions called chi chi or nyu to improve resonance of sound, the tsuki-za striking panels, and the mei-bun inscription of the bell's history. Inscription dates the bell to Meiwa 4, 1767, during the Edo period. Commissioned by Ninomiya Juemon, village head and rest of villagers...

Japanese noh theater mask of a young woman, carved with pierced eyes, mouth, and nostrils for the wearer, as well as two pierced holes at the temples to be secured against one's head. Lacquered in flesh tone, black hair and blackened teeth and eyes, red lips, and black lacquer interior. With kiri (paulownia) tomobako, inscribed with the name "Juuroku".

Size: 5.25" L x 3" D x 8.25" H

Antique Japanese set of 10 imari plates with foliate edges, underglaze motifs of and scrolling vines with gilt accents. The underside features cobalt blue underglaze auspicious objects and a four character signature.

Size: 9.5" W x 1.75" H

A Very Fine/Large Korean Wood Carved Wedding Duck-19th C.: Korea, Joseon dynasty, 18th/19th century. A good and large wood hand carved Mandarin duck, traditionally used in wedding ceremonies, with old patina overall, its bottom square carved out for holding. It’s in very good condition with old dark-brown patina due to its age, it measures 19cm high. and 31cm length.

A Kenzan style Chawan Tea Bowl decorated with blossoming plum bending over a golden rim by Miyagawa (Makuzu) Kozan enclosed in the original wooden box signed inside on the box floor by the aritst with an annotation inside the lid by Omotosenkei Iemoto Tea Master Seisai (1863-1937) reading Makuzu Yaki Chawan Ume-no-ga Ari (Makuzu Pottery Tea Bowl Decorated with Plum). It is 12.5 cm (5 inches) diameter, 7cm (3 inches) tall and in excellent condition...

An antique Japanese Bamboo Ikebana basket with a natural robust soot patinated rich chestnut color. It features a twisted Bamboo rope base with diagonal cladded interwoven slats. The gnarled Wisteria branch handle evokes the feeling of a scholarly ancient Pine tree that symbolizes longevity. Its ovoid shape has a wide open mouth...

An antique Meiji Period two sectional tansu made from kiri wood with iron hardware. The top section has two large drawers. The bottom section has two medium size drawers and on the right side a door with lock. Behind the door are two smaller drawers. And below one small drawer.

It originates from the Yamagata tansu district of Japan in the Tohoku northern Japan region.

Date: Meiji (1868-1912)

Dimensions: 38"tall X 48"long X 18"deep

A late Joseon dynasty mother of pearl inlaid black lacquer cosmetic and mirror box of drawers. Cranes and peaches decoration on the top. Butterflies, flowers and rockery decoration on the sides. Bamboo decoration on the back. Honeycomb pattern decoration on the front. Good condition, retaining the mirror, and with only light mother of pearl and lacquer loss. A recent owner lined the bottom of the hinged top mirror compartment with a drawer liner and felt. 19th century...

True conneusseurs do know how rare is the opportunity to buy a genuine painted Jizhou ware vase like this. Southern Song Dynasty ( 1127 - 1279 ) The long necked vase is painted with wave and flower pattern. H : 12,6 cm. Condition : The body in perfect condition with no chips and cracks. Glaze losts to the uppermost part of the neck ( below the rim, please look at the last enlargement )

An antique 2 section tall Japanese Choba Tansu (merchant chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. Beautiful original finish of fine Shunkei-Nuri (lacquer) in front and a wiped lacquer technique on the top and sides. In addition, the handmade iron hardware is original with Warabite handles. Top section has two sliding doors with 5 drawers below...

The present miniature portrait of a Chinese lady in a blue robe ( Gouache, c. 1850 ) is striking for the manner in which a typical Chinese beauty has been represented. While few female subjects in the Chinese painting repertoire of the Qing dynasty can be found, the present piece belongs to a small group of paintings , all painted in the style of Giuseppe Castiglione: A Jesuit Painter at the Court of the Chinese Emperors...

A carved lacquer box which pays homage to Chinese literary taste while presenting itself clearly in a modern, Japanese way (for turn of the century lacquerware at least) by 2nd generation lacquer artist Ishii Yusuke enclosed in the original signed wooden box. The tsuishu lacquer technique requires applying layer upon layer of lacquer which is then carved through and polished, a painstaking process...

Tiles and fragments from the safavid period (17th c.). Cuerda seca technique. Variable dimensions. Even if damaged or used, each one still has a particular strength in design and colors.

A fine small Chinese silver-inlaid bronze censer for the scholar's table modelled as an archaic ding. Early Qing dynasty, 17th/early 18th century. Height 11.5 cms. 471g. Private collection, USA.

An antique Japanese Kyoto Mizuya Tansu (kitchen chest) in 2 sections made of Keyaki (Zelkova), Hinoki (Cypress), Kaki (Persimmon) and Sugi (Cryptomeria) woods. All original bronze hardware with burled Keyaki door panels and drawer fronts. Unique and natural thunder bolt-like grain pattern on the Hinoki wood frame. Side horizontal supports add strength and aesthetic beauty to the tansu...

A BLUE AND WHITE 'IMMORTALS' BOWL GUANGXU SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908) The small, deep bowl is decorated on the exterior with the Eight Immortals standing on clouds from which issues vapor that separates the figures. The interior is painted with a central medallion of Shoulao seated with two other immortals beneath a pine tree. 4¼ in. (10.9 cm.) diam. Condition : Perfect.

An antique pair of architectural corbels of mythological elephant baku’s are commonly placed under the eaves of Japanese Buddhist temple and Shinto Shrines to ward off evil spirits. The baku devour dreams and nightmares and protector against evil. The baku cannot be summoned without caution, however as ancient legions say that if the baku is not satisfied after consuming the nightmares, he may devour ones hopes and dreams...