An interesting and scarce stamp seal, carved and finely polished in white stone, perhaps marple, and engraved in the base with globules, Uruk period, 4th.-3rd. millenium BC.

Size: c. 16 mm...

Three antique heavy copper inscribed Yantras. Undated, estimated to be19th century or earlier. Sizes from left 21x18 cm 21.5 Dia 21x20.5 cm Can be viewed in central London and shipped worldwide with insurance and tracking.

Chinese transitional period compressed ovoid form jar decorated in underglaze blue with birds and insects flying among bamboo and flowering plants emerging from rockery set against a white porcelain ground. The upright glazed neck is decorated with downward pointed leaves. Glazed interior and flat slightly recessed unglazed base. 17th century. Measures nearly 12" high. Very good overall condition. There is a fine old brown chicken foot crack in the interior (see image)...

Interesting seal or gaming token perhaps with an elaborate carving of a Sun symbol, probably 1st. millenium BC.

Rare piece carved in either a very durable bone or steatite (?), beautiful patina.

Size: 18 mm. in diameter.

Condition: Extremely fine.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...

No two faces are the same on this incredible Toyoraku ceramic stacking box covered in gold and silver Maki-e lacquer dating from the 19th century. Inside is typical Oribe style green over crackled cream colored glaze with floral designs in iron. Outside lightning strikes in silver separate the multitude of intense lattice designs in fine gold lines on black lacquer. Stacked they are 15 x 13 x 17 cm, each vessel 15 x 13 x 4.5cm tall, and in excellent condition...

A beautiful rendering of a Lohan Monk, Ming Dynasty or slightly earlier, 13th.-15th. century AD.

An excarvated head carved in very hard and dense black stone, in the round with oversized ears and pronounced arched eyebrows and downcast eyes. The head superbly polished, still with traces of the ancient carving methods and a deeply encrusted or embedded earthern patina.

The head is mounted on a modern and very attractive black marple base.

Size: 23 cm...

Chinese Qing dynasty Kangxi marked baluster form cabinet vase densely decorated in underglaze blue on a white porcelain ground with four vertical rectangular landscape panels surrounded by a background of flowers floating on water. Geometric bands at the top rim. Slightly flared base and unglazed stepped foot. A robust and well executed six-character kaishu Kangxi period mark in a double ring is on the glazed base. 6 3/4" high. Possibly of the period and no later than circa 1900...

The deity is represented seated surrounded by his multiple arms holding various attributes. Excellent quality of sculpture, on its skull multiple small heads (10+1) pegged, pretty draping, beautiful facial expression, the eyes and the third frontal eye in glass or rock crystal. Thick, solid lacquer, beautiful gilding. Avalokitesvara wears all her jewelry. Complete set with its glory and its original base...

Chinese Qing dynasty Yongzheng to Qianlong period deep dish decorated in underglaze blue on a white porcelain ground with a long scaled four-clawed dragon at the center front extending over the rim from the reverse to chase a flaming pearl among clouds...

A rare late Edo Period (19th cent) Shishi Lion Foo Dog Statue made of iron rich Bizen clay, wood fired in an Anagama kiln.

Shishi (or Jishi) is translated as "lion” but it can also refer to a deer or dog with magical properties and the power to repel evil spirits...

Unusual grey pottery jar from the syncretic Buddhist Dali Kingdom circa 982CE–1253CE, which was located in present day Yunnan. The Dali State was not fully absorbed into the Chinese Empire until the Ming Dynasty, although it did accept Mongol control and were by and large allowed to manage their own affairs as long as they contributed soldiers. This jar has mysterious animal appliqued faces well as Buddhist images set against peepul tree leaves (Bodhi Tree)...

Two Kome-bukuro (rice bag) made of cotton fragments which are hand-spun and vegetable indigo dye. They are stripes, kasuri and fine katazome (stencil-resist dye). Both have writing with sumi, Echizenya, the shop's name and "Hane" which is located in Shimane prefecture facing to the Japan Sea. Kome-bukuro was used when people dedicated rice or grains to temples or shrines. Both are in excellent condition, bags and strings. 19th to early 20th century. Large one:31cm x 27cm, Small one:23cm x 27cm

Rice bag made of hand-spun and vegetable indigo dye cotton fragments which are kasuri, katazome (stencil-resist dye) stripes etc. It was used when people dedicated rice or other grains to temples or shrines. It has beautiful fine katazome cotton cloth for lining. In good condition but string in the hem is damaged and cord for binding is lost. 19th to early 20th century. W:37cm, H:27.5cm

A marine ivory okimono, depicting a Ryu dragon fleeing upwards into the clouds passing under the arm of a character sitting on the tatami. Signature 'Gekko (?) tō' 月古かたな engraved under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 20 x 8 x 6 cm. State of conservation: Very good

A finely preserved small inscribed foundation cylinder, Neo-Babylonian Empire, c...

Table screen composed of four cloisonné panels worked in the ginbari technique with translucent enamels on a red background decorated with polychrome irises. The red background provides a contrast for the polychrome irises, which represent the rebirth and beauty of nature. On the back of the screen the swallows are engraved on silver metal. Origin: Japan Period: Taisho-Showa 1920 ca. Dimensions: 18 x 33 x 0.3 cm. State of conservation: Very good

Ivory okimono depicting Hotei, one of the seven Sages of Good Luck. He is depicted smiling and sitting on his sack, while he holds the stick. Next to him there is a child who hugs the end of the sack. Signed Tomihiro under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 17 x 4 cm. State of conservation: Very good

A very rare and interesting large fragment of a sculptural torquise blue faience vessel with moulded decoration, Egypt, probably Amarna period, 14th. century BC.

The fragment represent up to 40% of what was once a hemispheric low bowl with pseudo handles and black and torquise glaze. Moulded decoration of large snake and the tail of another which would have adorned the other side.

Size: 13-14 cm. long.

Ex. Cristian Spinu collection, ex old European collection. ...