Rozome style covered jar with the repeated resist designs of the character, Mu. Mu means "nothingness" in Zen Buddhism, think of the possibilities for such a jar! The green overglaze is very reminiscent of Japanese Fujina style glazes and is very rich in person

Stoneware, slips and glazes

9" X 7.5"

Functional, decorative and food safe!

Wood-fired Mizusashi, Lidded Fresh Water Container used in Chado (Tea Ceremony, Cha no yu) by George Gledhill; Payette, ID. H.4.875"(12.5cm) X Dia(body)6.75"(17cm.) Mouth Opening Dia.4.00"(10cm.) Volume 1600cc (51oz/6.375cups.)There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Wood-fired Mizusashi by George Gledhill; Payette, ID. Ash glaze. H.5.875"(14.5cm) x Dia.7.375"(18.75cm.) Mouth opening 3.75"(9.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

A spectacular and voluminous Tsubo by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki O-Tsubo. It offers a variety of kiln affects to the viewer, Hai-kaburi, Hi-iro, Tombo no me and a drippy blast of green glass. The shape is very much in the style of the great age of Shigaraki pottery, with an everted rim trumpeting from a broad shoulder.
Size, D 39.8 cm H 45.6 cm
Condition, Excellent
Furutani Kazuya (b...

A superb Iga Mizusashi by Saji Kotaro enclosed in the original signed wooden box. It is 7 inches (18 cm) diameter, 7-1/2 inches (19 cm) tall and in excellent condition. Saji Kotaro was born in 1947, and relocated to Tajimi in 1977 where he opened a kiln in Yamabuki cho specializing in tea ceramics.

Ame and copper glaze stacked stones style covered jar, mizusashi with a rain pattern decorated around the jar's waist and moss green accents at the foot and top

Stoneware and glazes

7.5" X 7"

Functional, decorative and food safe

Ao glazed cap jar with "Orbis", rings design

Stoneware, slips and glazes

8.25" X 8.5"

Functional, decorative and food safe

Fissured Jar, Wood-Fired, by George Gledhill; Payette, ID. Natural Clay, & Natural Ash Glazing caused by 3 days of Wood-firing in the fire box of George's Anagama Kiln in 2005. A large fissure had occurred in firing which turned out to be a serendipitous accident. H. 15"(38cm) x Dia. 11.5"(29cm.) The beauty of this piece is dynamic in depicting the force of the kiln fire, yet still quiet in its naturalness. It is truly a one-of-kind piece that demonstrates the spirit of Zen...

Elegant cap jar glazed in my temmoku with a runny iron tetsu partridge feather glaze. This cap jar resembles some Tamba and karatsu works and has a rich variety of iron, green and grey-black tones to the runny overglaze.

Stoneware and glazes

10.5" x 6.5"

Functional, decorative and food safe

Green ash has poured in a torrent around the form, huge eyelets create bulge from the surface on one side, evidence of how it rested on its side in the kiln. Full of the world today, contemporary, breathing, alive...

A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventions of form and genre, this exceptional mizusashi looks like it could have emerged from the ground fully formed, the result of geological processes lasting millennia. The creator of this fine work is none other than Tsuboshima Dohei, a true master of the ceramic arts...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is created with chosen-karatsu (black&white)x marked as jar for tea ceremony. It's a very refined piece a...

Gourd form covered jar with hakeme slip decoration and my handprints in clear glaze with the Ao glaze overall

Stoneware, slip and glazes

10.75" X 6.5"

Functional, decorative and food safe

Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!). In 1960 he received the prestigious Hokutosho prize at the same National Exhibition. In the early 60s he worked as a guest professor at the University of Chicago...

Large covered jar with attached lugs and a ring style knob glazed in a rich temmoku and runny tetsu-yu glaze which accentuates the form.

Stoneware and glazes

13" x 8"

Functional, decorative and foodsafe

MOON JAR S

Contemporary white porcelain jar by Lee Yong-soon (b.1957, Korea), with his unique interpretation for the ancient jars of the Joseon dynasty, approx. D 17 x H 17cm (6.69 x 6.69in)...

Lg. tsubo, jar with wide flared lip glazed in medieval green and temmoku glazes over a tataki, paddled grid design around the shoulder

Stoneware and glazes

10.25" X 8.25"

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued...