Guinomi creates a very organic feel.  The bulbous form, like some tuber or bulb found in nature, a sake-flower bulb, shows scars where kutsuki (other items) have fused to it in the heat of the conflagration.  Allow this bulb to grow to fruition, blossoming into a shared night of conversation and company or a quiet night of music and moonlight…
Size, The Tokkuri: is W 10.2  cm ( 4 inches)  H 13.6  cm (5-1/2 inches) 
Size, Guinomi: is W 7.7  cm ( 3-1/4 inches)  H 5.5  cm ...

Kenji Funaki (b. 1927) White Glaze Chawan (tea bowl) Studio Pottery
Elegant shape in the style of fine Joseon dynasty bowls covered with white glaze.

Kenji Funaki is known for his participation in the Mingei Movement led by Yanagi Soetsu and Kawai Kanjiro.
He studied under Hamada Shoji and Bernard Leach. Kenji Funaki received numerous awards including Kokuga Association Award, Japan Folk Crafts Museum Award, Japan Ceramics Society Award...

Takiguchi Kiheiji (b. 1937) Momoyama Style Aka Oribe Chawan.
Of irregular Kutsugata shape with unglazed foot ring.
The mark of the potter is carved on the bottom.

Takiguchi Kiheiji
Trained under the master of Mino ware Juemon Kato and became independent in 1965.
Also, after studying at Shinroku Tsuji pottery studio in Kyoto, he built a kiln in Ogaya, Mino. Moved to the U.S...

White Shino glaze Vase with studded neck & shoulder, by Sachiko Furuya; Honolulu, HI. H. 9.125"(23cm) x Dia. 4.5"(11.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

2 "Soroban-dama" (abacus bead) shaped Tea Cups by Munetoshi Tagami of Hinata Kiln, Mashiko. Kaki and Namijiro (white) glazes with red & green overglaze enamels. Namijiro interior. H.2.375"(6cm) x Dia.3.625"(9.25cm.) Volume=7oz(210cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

This raw form covered in scorched white has been slabbed off in the Shinogi style by Atarashi Manabu. The word Shinogi denotes the curve on a samurai Sword blade, and has come to be used in pottery to describe things which have been scored or sculpted with a knife. The sake vessel is 15.5 cm (6 inches) tall and in excellent condition and comes enclosed in the original signed wooden box titled Shino Shinogi Tokkuri...

A seminal work by Karatsu Legend Maruta Munehiko enclosed in the original signed wooden box titled Karatsu Kuro Oribe Chawan and named inside Shigenari. (Furuta Shiginari later Oribe was famous tea Master). All is deeply coated in thick burnt ash with flashes of iron , cream and olive supplanting one side...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire...

Elegant and extremely practical E-Shino chawan by well known, veteran Mino potter, Arimoto Kugen (b. 1963). Working in Hiroshima at the foot of Mount Futatsugajo an old castle site and hiking region, Arimoto produces a wide array of noble forms dedicated to the old style of the Shino tradition with an emphasis on chadogu...

An organic cup with sculpted sides covered in crackled pale glaze with random windows of raw and blackened clay by Ishii Takahiro enclosed in the original signed wooden box. It is 10.5 cm (just over 4 inches) tall and in excellent condition. His original forms and unique powerful glaze application strike a chord between nature, tradition and contemporary...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with madara karatsu glaze traditional in Karatsu and perfect hand made. It wo...

A morphic vessel of rough outer form like a fossilized egg or bowl of coral covered from the rim within by slick blue, a quintessential work by Tanoue Shinya enclosed in the original signed wooden box titled Kara-wan Ao (Empty Shell, Blue). It has a wide, rounded form which is surprisisngly pleasant to hold, and the smooth blue decorating the rim is pleasing to the lips...

Temmoku and haiyu glazed tea caddy, chaire with ceramic lid. There is flowing glaze all around the upper portion of the wasp waisted form with a beautiful green steak present on the face of the pot.

Stoneware and glazes

4.2" x 3.25"

Functional, decorative and food safe

A one of a kind incense burner, an unheard of work by highly sought Oribe Master Takauchi Shugo enclosed in the original signed wooden box titled oribe Koro. Enigmatic designs form aboriginal riddles between slabs of rushing green copper glaze, the body torn and scarred by the hands of its maker. Standing firmly on three tapering legs gives the piece a sense of standing on the edge, as if the moment, like the drifts of smoke, will soon be lost. Size: W, 16.4 cm (6-1/2 inches), H,27.2 (10-3...

Silver slip lopes and wavers and splashes over this slightly trumpeting Sake cups by the popular young star Iguchi Daisuke enclosed in the original signed wooden boxes, from the artist this year.
Condition, Excellent

Iguchi Daisuke was born in 1975 in Tochigi , After graduating the Tohoku University of Art & Design in 1998, studied in Kyoto under Imai Masayuki. He was awarded the Special Jury Prize at the Mashiko Ceramic Art Exhibition in 2008, and the Governor of Tokyo Priz...

Wow, this Iga Shinogi Mizusashi by Atarashi Manabu is as good as it gets. The torn and slabbed surface is rough, accentuating the particular grains of Iga clay, covered in a smattering of smokey charring and spattered ash. The vessel comes enclosed in the original signed wooden box titled Iga Shinogi Mizusashi. It is 17.5 cm (7 inches) diameter, 20 cm (8 inches) tall and in perfect condition, directly from the artist this summer. It compliments perfectly the Chawan from the same firing.

A Spectacular Isezaki Koichiro Bizen Chaire with two wooden lids covered in rivulets of flowing ash and dramatic Yohen firing on the Fumio work. A superb example of this much sought Bizen artists , and a rare opportunity for one of the best.
Isezaki Koichiro
Size, D 8.1 cm H 7.4 cm Two Wooden Lids
Kawabata Fumio
Size, D 6.8 cm H 8.6 cm Ivory Lid and Shifuku
Condition, Excellent
Isezaki Koichiro
was born the son of living national trea...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a guinomi (Saké cup). Described as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece came from an ancient form of sea life known as an Ammonite—a large spiraled mollusk who’s shells...