Classical kohiki, powdered slip chawan by Ogawa Tetsuo (b.1937). Rich full form that makes for an exceptional chawan with a fine lip and excellent kodai with some crinkled clay peaking through the slip as if emerging from melting clay, the potters forever frozen in the base of the bowl where the pot was dipped in slip. Simple and complex at the same time.

Though subtle, there is a power to kohiki ware that is most time lost in simple illustrations...

This robust and modernist Haku-yu ( white ash) glazed mizusashi is by Kakurezaki Ryuichi protégé; Ishii Takahiro. This mizusashi is a creative statement to say the least and measures 10.5” X 9.75” X 6” and comes complete with the original signed box. Note the idiosyncratic and creative calligraphy! This piece is in excellent condition, excepting the lid which was repaired with gold lacquer!

Ishii studied uder the tutelage of the reknown Bizen master, Kakurezaki Ryuichi...

This large Zenga chawan is glazed in a rich Oribe with a panel of ash clear glaze on which Kasumi Bunsho brushed “Don’t Know” and his full signature, Myoshin Abbot Jishunken with various seals. The Mino tradition chawan was made by Hayashi Ryouji of the Souzan kiln to act as the platform for Bunsho’s idiosyncratic and spontaneous calligraphy...

Broad, Chinese influenced conical chawan with red and green enamel floral and circular decoration. This chawan is an early piece by enamel and Oribe artist Kuroiwa Takumi. He is widely exhibited and published for his pottery.

This chawan is in excellent condition and does not come with a box.

5.7" X 2.75"

Tokoname Yohen Kyusu (Side-handle Tea Pot,) Murata Yoshiki. H. 3.5”(9cm) x Body Dia. 3.5”(9cm) x W.(including handle) 5.375”(13.5cm.) Volume = 320cc(10oz.) Below the spout it is stamped “yoshiki” (see enlargement #6.) Murata Yoshiki was born in 1950 and is a Tokoname potter who apprenticed under Ito Toji. His works are a good example of the long history of sencha tea wares produced in the town of Tokoname, in Aichi Prefecture...

Large medieval style Iga chawan by Kishimoto Kennin.This well addressed chawan has a variety of Iga characteristics from running ash and bidoro to a rich hi-iro fire color that Kishimoto is known for...

Waisted form teabowl with temmoku and partridge feather style runny glaze. Picture #5 gives you the best perspective of what the glaze looks like in person.

Stoneware and glazes

5" X 4.25"

Functional, decorative and food safe

Large hand carved terra cotta Tebori fish tray. This tray has the option of hanging on the wall if desired

Terra Cotta, slip and glaze

15" X 15" X 2"

Functional, decorative and food safe

Fine Oni-Shino chawan by Mino traditional potter, Murata Juko (b.1922). The Oni-Shino surface is a wonderful blend of fissured Shino with areas of rich iron about the exterior and covering most of the interior. The robust and inviting form has a very purposeful stance and displays well and feels great in the hand...

Large and bold hakeme style Oribe chawan by Matsuzaki Ken. This finely formed chawan has an excellent shape to show off the casual hakeme slip decoration that was then glazed over in an oribe glaze that is full of variation, tones and effects.

The is a great deal written about Matsuzaki Ken, including a book and several dvds (videos) about this stellar Shimaoka Tatsuzo student...

An Iga Kogo by Kishimoto Kennin and Tamba Kogo by Nishihata Tadashi, both superb examples of their craft and tradition, both by these prominent artists and both enclosed in the original signed wooden boxes.  The Kennin piece is a small square reminiscent of a pillar stone from some long lost temple, the edges covered in earth, the round top lost in a covering of moss.  Here he has breathed new life into the traditional form, both paying homage and yet leaving his indelible mark on it to carry ...

Paddled tataki style water jar with shoulder lugs and covered in one of my Oribe glazes with accents of iron to create movement on the surface.

Stoneware and glazes

7.6" x 7.65"

This classic mizusashi has everything one could want from Karatsu; a timeless form, a perfect nuka surface and exceptional E-Garatsu style iron underglaze painting by a master potter and arguably the greatest living Karatsu artist. This pot could easily be a 17th century piece though the unmistakable mark of a master 20th century potter is ever present...

Three volume set of books on modern Japanese potters coving roughly 100 artist per volume with approximately 200 pages each and measuring about 10" x 8.5". Each volume is fully illustrated with a two page spread per potter which includes the name and address of each in English and the mark the potter uses on his pottery.

Amber glazed, ameyu, etched teabowl with deep relief of a continuous "spirali" design around the body

Porcelain and glaze

5.3" X 4.5"

Functional, decorative and food safe

Wood-fired Lid Rest, Futa-oki, shape of bamboo node, used in cha no yu (Tea Ceremony) by George Gledhill; Payette, ID. H.1.875"(4.75cm) x Dia.2.25"(5.75cm.) For Premium Organic Matcha and high quality leaf tea, please visit our Charaku Fine Japanese Tea site, www.charaku-tea.com. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Rich Oribe serving piece, an Ogi-hachi, fan shaped tray for tea ceremony, kaiseki. This piece is made of stoneware and was made by veteran Oribe potter, Kato Sakusuke. His works are widely exhibited and published and his touch for making Oribe pottery is wonderful.

This piece is in great condition with its signed box and measures 12.5" by 9"

Here is a brilliant Chawan by Master Mashiko Potter and Living National Treasure Shimaoka Tatsuzo enclosed in the original signed and stamped wooden box. It is in mint condition with no chips or cracks.

Shimaoka Tatsuzo (1919-2007) is one of the best-known Japanese potters. The artist studied under another pottery legend, Hamada Shoji, to become one of Mashiko master craftsmen...