Reminiscent of the wildly popular avant-garde works of Suzuki Goro, this striking modern interpretation of the classic tokkuri (sake flask) was done by budding artist Ikeda Shogo.

Born in 1976 in the southern port city of Kagoshima on the island of Kyushu, from a young age Ikeda would have been exposed to a great variety of ceramic-wares from the numerous historical kilns native to the region including Satsuma, Arita, Imari, and Karatsu...

Form and void are everything with Maeta Akihiro, and this piece is a fine example of that idea.  Maeta uses no decoration, no overt gestures to get our attention, but relies on simplicity and elegant shapes covered in his pure white glazes.  This comes in the original signed wooden box titled Hakuji Mentori Tsubo. 
Size, D 15.8 cm   H 27.2  cm  
Condition, Excellent 
Maeta Akihiro was named a living National Treasure for Hakuji in 2013.  Born in Tottori Prefecture in ...

A tall ribbed form covered in deeply fissured celadon glaze by Kishimoto Kennin enclosed in the original signed wooden box titled Seiji Kaki Ryusui.  The body is made with waves intimating water, as the titled of Ryusui (flowing water) suggests.  It is an unusual complex form by this artist, known for his organic take on potting. 
Size, D 13.8 cm   H 36.7  cm  
Condition, Excellent 
Kishimoto Kennin has been working with clay since the 1950s, devouring styles along the...

Enigmatic forms vie for dominance on the mottled blue and white sides of this Incense Burner by Kondo Takahiro with silver lid by famed metal artist Watanabe Kyosei (Yasumasa) enclosed in the original wooden box signed by both artists.   For a strikingly similar work see the book Kondo Takahiro, Time and Space (a copy is included with this sale).  The silver lid is 154 grams...

Graceful, sensitive, and with a distinctively feminine aura—this subtle work of ceramic art has an air of quiet days spent in the garden or of spending an afternoon brightening up an interior space. Using a technique known as 灰釉 (kai-yu) Terai uses the natural ash of various hardwoods to achieve a subtle textured matte glow which is unique to each piece.

Yoko Terai (b...

Once again Abe Anjin has lived up to our expectations with his revival of Momoyama period potting techniques, a field in which he is a forerunner.  Here is a squat bottle blasted with a Rorschach spatter, testing our inner perceptions.  All about the clay has been vitrified into a lustrous red,and the base is like textured stone, showing the extreme temperature with which it was fired. 
Size, D 22.5 cm   H 24.5  cm  
Condition, Excellent 
Born in Osaka in 1938, the mys...

With a design reminiscent of mineral deposits on Martian rock, this bold and visually captivating tea bowl is the creation of one of Japan's more controversial and revolutionary-minded potters. 

Nakamura Kimpei (b. 1935) was born in Kanazawa but later—after a period of residency abroad— made his way to Tokyo where he established a kiln...

An unprecedented work by modern pottery legend Tsujimura Shiro covered in feldspathic glaze and enclosed in the original signed wooden box titled Nezumi Shino Chawan.  Here rich iron burns red on one side, fading slowly into the white glaze scarred by pin holes, traces of the artists fingers in the rising body and about the base, where he held it while dipping in the glaze.   A shino Chawan by this artist is virtually unheard of, and rarely comes to market. 
Size, D 12.8 cm   H 9.6�...

Like most Shigaraki-wares, this piece has a somewhat primal feeling to it, as though it belongs to a previous geological era in time. Rivulets of vitrified green, grey, and yellow ash stand against a background gradient of soft to intense ochres of the clay body. The intense firing process of this type of pottery for days in an anagama kiln results in a beautiful ashen glaze with a warm, soft, yet vibrant glow when set in the light...

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials...

A striking set by rising star Suzuki Taku enclosed in the original signed wooden boxes titled Kuro-Sabi (Black Rust) Tokkuri and Guinomi respectively.  These display his famed rust glazes, which not only display remarkable color variations, but also textures, creating a pleasurable experience for both the eyes and the hands. 
Size, D 8.5  cm (Tokkuri)  H 13.1 cm (Tokkuri) 
Size, D 6.8 cm (Guinomi)  H 4.2  cm (Guinomi) 
Condition, Excellent 
Suzuki Taku is a r...

A romantic pair of kohiki Yunomi cups in softly glowing white by Tsujimura Shiro enclosed in the original signed wooden box.  Only about the base are we given a glimpse at the dark clay.   
Size, D 7.2 and 8.2 cm   H 8.6 and 9.9  cm  
Condition, Excellent 
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he experienced a profound connection with a Korean Tea Bowl, and began potting...

This is everything we could hope for in a bowl by this esteemed artist, Kakurezaki Ryuichi enclosed in th original signed wooden box.  The first photograph tells it all, with a superb, organic form displaying a hint of green ash on the rim over a burnished red bleeding into raw pale clay spattered with goma and matte reds with small inclusions peeking out through the clay surface.  The wide base and low stance create a very powerful presence. 
Size, D 12.2 x 13.8 cm   H 11.1  cm (in...

A superb example of Iga in a slightly flaring form by Tsujimura Kai enclosed in the original signed wooden box titled Iga Chawan.  A perfect charring descends like a waterfall from the rim on one side, sheltered by crystallized green ash on the flame scorched terracotta body.  The exverted shape allows the bowl a very comfortable fit into the palm, and the wide kodai base allows it to sit stable and firm, creating a proud silhouette. 
Size, D 13.4 cm   H 8.8  cm  
Condition, ...

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials...

Two Guinomi sake cups and a Tokkuri by Takauchi Shugo enclosed in the original signed wooden box titled Oribe Sake-ki and dated 1998. The box contains two cups, one tall, one short , and one Tokkuri, all in similar design.The set was from a solo exhibition held at the Nipponbashi Mitsukoshi Department Store in Tokyo, January 1998.The box contains the original exhibition invitation as well, and has been decorated with an image of the set by Shugo.
Size,(Tokkuri) D 6.7 cm   H 16.9  cm  ...

An organic form covered in thick emerald glaze Higashida Shigemasa and enclosed in the original signed wooden box titled Oribe Jikiro.  The eclectic shape is rendered roma block of clay, hollowed and torn, like the ragged crags of Gifu, home of this pottery tradition.  Natural textures to bring out the depths of the oribe green, and electric shimmers of blue rush over the edges evoking the sense of water on the move...

A stoic old codger by Furutani Michio stooped at the shoulders and yet standing proud, like some old soldier on Remembrance Day.  This is a superb example of this important artists work, showing both his reverence for traditional form and the lengths he went ot reviving the traditions of wood fired kiln effects.  It comes enclosed in the original signed wooden box titled Iga Hanaire. 
Size, D 13.8 cm   H 25.8  cm  
Condition, Excellent 
Price,(Sold)
Furutan...