Large and bold yakishime wood fired chawan by Konno Haruo with crisp facets and a wide array of ash effects enveloping the bowl. The exterior is painted with wet and drier ash with the rear having a reddish, purple that accentuates the facets and makes them come to life. The interior and lip are covered in a wet ash that has a wonderful depth and at times you expect the ash to pour out of the chawan as if it were liquid...

Brilliant green "Oribe glaze" sake cup. YouTube movie: https://www.youtube.com/watch?v=0OfaOxZKfkw Size: 7.0cm(D) 5.0cm(H) Accessary: wooden box signed by artist

This piece was made of "mogusa" clay which was very precious, and covered deluster yellow glaze. It's old style "Kiseto" Size; 8.0cm(D)/5.1cm(H) Accessary; wooden box signed by artist

Very fine Iga mimitsuki style hanaire by Furutani Michio with some vivid bidoro ash across the surface and rather expressive pottery marks made while the clay was still wet. I think it goes without saying that Furutani Michio was one of the most important anagama potters of the 20th century specializing in Iga and Shigaraki pottery...

Lustrous and richly glazed chawan by Raku specialist, Sasaki Shoraku, this is not your typical chawan. Created and inspired by Honami Koetsu's Kamiya chawan, this large, broad, high quality utsushi chawan has a deep black surface with areas of rusty red sprinkled on the interior and exterior of the bowl creating a wonderful landscape which is as pleasant to look at as it is to hold. This chawan measures 13.5 x 8.5cm and is in perfect condition in its original signed wood box.

Wood-fired Vase, hanaire, by George Gledhill' Payette, ID. Ash glaze, feldspar, a solid sculptural and textural piece. H.8"(20cm) x 3."(9cm) square. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center. Especially focused on KISETO (yellow&green glaze). This piece is created with oribe glaze (green glaze) that was made in 16th century in Japan. It is seemed Japanese tea pot at a glance however the creator has made it as a vase. The handle is made by dried Japanese wild ivy, SIZE:10.0cm(length)17.5cm(width)/19.0cm(height)included handle

An organic cup with sculpted sides covered in crackled pale glaze with random windows of raw and blackened clay by Ishii Takahiro enclosed in the original signed wooden box. It is 10.5 cm (just over 4 inches) tall and in excellent condition. His original forms and unique powerful glaze application strike a chord between nature, tradition and contemporary...

This cups is reminiscent of a colorfully striped Nishijin-ori Kimono, blue red green and yellow on a base color of hemp. The rim rises and falls in a rhythmic dance aong the broad shoulder. Created by modern master Ajiki Jun, it comes enclosed in the original signed wooden boxes titled Shio-Yu Basara Guinomi. Basara is a term in Japanese aesthetics associated with the challenge of traditional ideals during the Muromachi period...

A colorful Guinomi Sake cup by Shibata Masamitsu enclosed in the original signed wooden box. The design, while technically perfect, is playful with soft colors which allow the viewer a childish sense of wonder. It is 6 cm diameter, 7.5 cm (3 inches) tall and in excellent condition, directly from the artist.
Shibata Masamitsu was born in Toki City, the heart of Mino country, in 1961...

A brilliantly colored bowl studded with shiseki and slashes of black by Banura Shiro enclosed in the original signed wooden box. It is 14 cm diameter, 7 cm tall and in excellent condition.
Banura Shiro (1941-2001) was born the fourth son of influential Lacquer Artist Banura Shogo. His sensitivity to textures may stem from that exacting influence...

Hakuji, White Porcelain guinomi sake cups by Tokumaru Kyoko ,Tanaka Tomomi and Niisato Akio
All the cups are enclosed in the original signed wooden boxes, made recently and they are in new condition.

Size, D Tokumaru Kyoko 7.6 cm H 5.6 cm (SOLD)
Size, D Tanaka Tomomi 8.9 cm H 9.7 cm (SOLD)
Size, D Niisato Akio 6.6 cm H 5.4 cm (SOLD)
Size, D Niisato Akio 9.7 cm H 4.7 cm (SOLD)

Wood Fired Matcha Chawan, Tea Bowl, by George Gledhill; Payette, ID. Ash Glaze. H. 3.375"(8.5cm) x Dia. 4.25"(11cm.) This bowl was wood fired twice, than fired a final time in a gas kiln. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

An assortment of sake cups by some of Japans most sought artists representing pottery traditions from throughout the country. Goto Hideki, Wakao Kei (SOLD), Ichino Masahiko (SOLD and Niisato Akio (SOLD), all forerunners in their genre and these bowls representing their most popular styles. We have carefully screened and selected each work as a masterpiece unto itself, and feel very confident you will agree...

This vivid Aka-e tsubo was made by Persian blue specialist Kato kenji who is as well known for his brilliant overglaze enamels as he is for his rich temmoku and Mino tradition pottery. The iron rich clay peaks through at the foot creating a reddish base to the black and white glazed tsubo which is then decorated in fluid red and green overglaze in a pattern Kato Kenji used to the fullest extent on platters, trays, bowl and vases...

The size of Large Platter: 14 1/2”L x 10 7/8” W x 1 5/8” H. This is very attractive Japanese White Ceramic Large Platter with Sumi, Black writing Kotobuki or called Jyu (Long life, Happiness) Kanji letter with nice brush stroke. Kotobuki letter is under the glaze...

Like the previous Chawan, here is a two Guinomi, both are superb examples of Sawada Hayato unique design and form and both enclosed in the original signed wooden boxes.
Size, D 9.2 cm H 6.9 cm (Right)
Size, D 8.4 x 10.9 cm H 5.9 cm (Left)
Condition, Excellent
Sawada Hayato (b.1978) in Kasama. He studied at the Ryutsu Keizai University before establishing his own kiln in 2002. Prizes at both Japan Kogei Association and the 5th Kikuchi Biennale,His work has been e...

While Kitaoji Rosanjin can be arguably called the most eccentric figure in Japanese art world in 20 century, Ando Minoru (1927-2015), 安藤實 is another name that comes to a mind. A painter, ceramist and calligrapher, he is widely recognized in Japan but almost unknown in the West.

Ando Minoru held his first painting exhibition at the Kokugakai of Ryuzaburo Umehara in 1957. In 1965, he worked under the guidance of Sakuzo Hineno, a well-known ceramist in Kyoto.
In 1967, Ando ...