Dawn breaks over snow laden boulders, the shadows waxing lavender on this spectacular Mizusashi by Kaneta Masanao enclosed in the original signed wooden box titled Hagi Haku-yu Kamahen Kurinuki Mizusashi. This style of digging the work out of the clay rather than forming the clay on a wheel has been a signature of this artists work for more than two decades. The white glazing has altered to soft lavender in the firing process, creating a feeling of opulence over the organic vessel...

A signature work in gold Shino by Suzuki Tomio enclosed in the original signed wooden box titled Yohen Kin Shino Hachi (Shimmering Altered Gold Shino Bowl). It is 10-1/2 inches (27 cm) diameter, 5 inches (13 cm) tall and in excellent condition.
Suzuki Tomio was born in 1948 in Yawata, Kyoto, and has spent his life in the perfection of Shino glazing. He did not move for independence until establishing his own kiln at the age of 40...

The elegance of these works by Fukami has created a stir in the collecting world which has not abated over the last 25 years. Offered here a rare wing (or blade as some describe them) object by world renowned Fukami Sueharu dating circa 2006 enclosed in the original wooden box titled “Tenku”, signed and stamped by the artist. It is mounted on a wooden base, and comes with an artist designed metal stand (all fit in the box)...

A breathtaking Tsubo by LNT Tokuda Yasokichi III enclosed in the original signed wooden box titled Yusai Sen Mon Tsubo and bearing the signature Yasukichi in gold, indicating it was fired after he succeeded the family name and date to his last years. The surface is a mirror,covered in his signature gosai colors of yellow, purple, blue, white, and green. It is a most prominent work...

A stellar tea bowl covered in rich Oribe green by Tsukamoto Haruhiko enclosed in the original signed wooden box titled Oribe Chawan. It has a very organic feel, both from the texture and the cutted sides with various thicknesses of green glass, like water running over a stone surface. This is a great opportunity to acquire a very special piece by this artist...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay, and displays a beautiful ashen glaze with hues of blue, grey, green, and a dark glossy ring encircling the top.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

An inspiring sake set showing a plethora of Yohen kiln effects by Nakamura Makoto, each piece enclosed in the original signed wooden box titled Bizen Yohen Hyotan Tokkuri and Bizen Sake-nomi respectively. Over the pale, sheer clay deposits of ash glaze, goma kasu and hi-iro scorching combine with smoky black staining for a very unique experience. The perfect compliment to the charms of a good bottle of sake...

A tasteful work by Nakamura Kohei enclosed in the original signed wooden box titled simply Ido Chawan. This piece was shown at his exhibition from 2011 at Mitsukoshi Nipon-bashi Honten (Tokyo) Department Store and is featured in the catalog image number 2 (catalog included). The pale glaze crawls across the surface, creating a sense of drama over this very austere form. The rim dips and curves, a playful accent to the otherwise sedate work, made to suit the stately confines of the tea room...

This piece comes off like it has been buried in a volcano, incredible igneous encrustations cover the sides, with molten ash, bidoro, goma, kutsuki and a host of other firing enclosed in the original signed wooden box. To one side a crescent moon shaped kutsuki forms a rakish grin, inviting the viewer to join in the merriment. It is a masterpiece by this young artist...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a guinomi (Saké cup)...

Rich, almost volcanic deep red Shino chawan by multi-talented potter, Matsuzaki Ken. This large chawan has a tremendous amount of character and movement with a surface that resembles the Enbu work of Yamada Kazu though made before it was premiered. The thick, unctuous surface has a wonderful feel in the hand and is potently juxtaposed against the crimson red of the base glaze...

A dramatic large bowl from the youthful star Tsujimura Yui showing a talent far beyond his years enclosed in the original signed wooden box titled Shizen-yu Oni Oke (Natural Ash Glazed Demon Tub)and date to 2018. Molten ash streaks around the formt. The inside,eyelets shows scars where kutsuki (other items) have fused to it in the heat of the conflagration with pool of amazing crystal green and blue ...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a guinomi (Saké cup)...

A splendid Oribe chawan (oribe tea bowl) made by Suzuki Goro (b. 1941), one of the most recognized contemporary Japanese potters. Oribe ware has been made in Japan since the end of the sixteenth century, under the guidance of Furuta Oribe (1544-1615), a feudal lord and one of the most illustrious students of tea master Sen-Rikyu (1522-1591).

The asymmetric design, with abstract markings, give a primitive look to the vessel; that is the genius of Oribe pottery, the timelessness of ...

Large and bold faceted teabowl with two raised ridges surrounding the bowl under one of my Oribe glazes. There is areas of poured white slip under the glaze that creates areas of lighter and darker Oribe.

Stoneware, slip and glaze

5.65 x 4.35

Decorative, functional and food safe

Green ash has poured in a torrent around the form, huge eyelets create bulge from the surface on one side, evidence of how it rested on its side in the kiln. Full of the world today, contemporary, breathing, alive. It is a wonderful Sake Set by this young artist.
Size,Tokkuri: W 11.2 cm H 14.6 cm
Guinomi: W 6.8 cm H 5.8 cm
Condition, Excellent
Tsujimura Yui was born the first son of the legendary artist Tsujimura Shiro in 1975, and his illustrious fathers e...

There is no doubt about the superlative nature of the deep celadon glazes used by Living National Treasure Nakajima Hiroshi, and this vessel is no let down. A creamy green crackling glaze covers this artful form which comes enclosed in the original signed wooden box titled simply Seiji Tsubo. The surface is darkly crackledf like a block of shattered ice the color of a carribean lagoon.
Size, D 17.4 cm H 21.2 cm
Condition, Excellent
Nakajima Hiroshi was born in Hirosh...

A shell shaped swirling form by young female artist Takatsu Mio enclosed in the original signed wooden box. It is 6-1/2 inches (16.5cm)wide, roughly 7 inches (18cm) tall and in excellent condition.
Takatsu Mio (b. 1976) was raised in Gifu prefecture among the scattered kilns of Mino. She graduated the Osaka University of Arts Sculpture Department in 1999, moving on to advanced studies which she completed in 2001. Her first exhibited works were in 1999, and then again in Tokyo in 2001. ...