Celadon tea cup with corded patterns glazed in the Jômon zogan style made by Tatsuzô Shimaoka (1919-2007, Mingei school). Developed by himself, this style is inspired by ancient processes such as the Jômon string-printing technique (ca. 13,000 – 800/300 B.C.) and the Korean process of the Joseon period (1392-1897) of adding white slip with decorative indentations...

Rare Japanese Celadon Tea Bowl, which was made by one of the greatest Japanese potters of the 20th century, Ryūzan Aoki (1926-2008).

The seal of the potter is stamped on the bottom. The original wooden box with the signature of the potter & his profile are also included.

Aoki Ryūzan was born in Arita as the eldest son of a porcelain merchant. In 1951, he graduated as a Nihonga-style painter from Tama Art College...

Massive natural ash glazed Shigaraki flower vase made by veteran potter Takahashi Shunsai (1927-2011).

Takahashi Shunsai 高橋春斎 is the second child of Takahashi Rakusai III...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated...

This piece is a new work recently launched, it is called "madara" glaze made of ashes of rice straw. The condition of glaze is very calm and warm. Please see on YouTube https://www.youtube.com/watch?v=UgYgFQK-4tk Size : 14.2cm(D) 7.9cm(H) Accessary: double wooden box signed by artist

A spectacular work by Sugimoto Sadamitsu enclosed in the original signed wooden box titled Aka (red) Hanaire. The feeling is like Raku, with a very thin glaze over rough clay affecting hi-iro colors within the glazing. This is a wonderful piece for showing this master-potters control of glazing and firing technique.
Size, D 1.3 cm H 16.4 cm
Condition, Excellent
Sugimoto Sadamitsu was born in Tokyo in 1935...

A wonderful faceted wall vase by master craftsman Kato Yasukage XIV enclosed in the original wooden box titled Shino Kake-hanaire and signed by the 14th Generation Yasukage followed by his seal.
Size, D 12.1 cm H 18.2 cm
Condition, Excellent
Kato Shoji (1964-2012) was born into the Yasukage family, one of the original unbroken lines of Mino potters, in 1964...

Of squat shape with a centre hole, inspired by the cosmic black hole. Painstakingly built by small bits of clay added to core, the piece is than burnt in the autumn in the nearby fields under a stack of rice straw. He is carefully checking the process as the sculptures must not get over burned, they have to get the right, natural, earthy ash color that change for each piece of artwork. H 11 x 19,5 x 19,5 cm circa. From 2015...

Japanese Contemporary Ceramic, Progressive Ceramic Art Form. Watanabe Taichiro. Painstakingly built by small bits of clay added to core, the piece is than burnt in the autumn in the nearby fields under a stack of rice straw. He is carefully checking the process as the sculptures must not get over burned, they have to get the right, natural, earthy ash color that change for each piece of artwork. H 16,5 x 15 x 15 cm circa. From 2015...

An abstract sculpture made of fused, oblong and un-glazed porcelain tubes. The piece has been modified by willful hammering to provide it with the desired shape. Signed and dated: Takeuchi Kouzo 2009, a unique piece in the ‘Modern Remains’ series. Takeuchi Kouzo was born in 1977 in Hyogo Prefecture...

Beautiful golden Kyo-yaki tea bowl by Murata Toshimitsu in perfect condition with the design of hand painted iris flowers. It was made 50 years ago and comes with originally signed and sealed wooden box.

Murata Toshimitsu 村田俊光 was born 1941...

The pottery style know as “nerikomi” or sometimes “neriage” in Japan is a technique where various colors and consistencies of clay are stacked together and then cut through to reveal a unique pattern. Here we see a beautiful execution of this approach by potter Wakasugi Naomi (b. 1974) who spent many years perfecting the technique. Wakasugi typically uses Shigaraki clay and porcelain clay from Kyoto in her works and says that when she first started out very few people were ma...

The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto. The lightness of the clay, the s...

Tall and massive porcelain vase in the shape of a double gourd, the lower section squared. Decorated in overglaze, traditional Kutani enamels (yellow, blue, green, red, purple and touches of gold) with medallions with thistles, grapes, fruits, butterflies, crickets. On bottom a traditional green square seal: Kutani Masao.

Japan, probably around 2000

H 10 x W 4.75 in.

Mint condition

Miyamoto Masao (b. 1971), son of renowned Kutani potter Miyamoto Tadao, graduated 1996 from...

Oribe glaze has been liked as traditional glaze since 16th century in Japan. It's made of copper, makes green in reducing atmosphere and red in oxidized air. It makes interesting pattern mixed green and red. It is also possibly used as a small vase, not only as a sake sever. Size: 8.0cm(D) 15.8cm(H) Accessary: none

Oribe glaze has been liked as traditional glaze since 16th century in Japan. It's made of copper, makes green in reducing atmosphere and red in oxidized air. This piece also has traditional pattern by iron glaze. It is also possibly used as a small vase, not only as a sake sever. Size: 8.7cm(D) 19.0cm(H) Accessary: none

This plate is made of Shigaraki clay and covered with ash glaze, it's shaped just like as dynamic wood block. The one part is repaired by gold , it's called "Kintsugi". Size: 34.0cm(length) 35.5cm(width) 9.0(height) Accessary: none, wooden box signed by artist is available with extra charge.

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta. However, they needed expensive costs, so they could not be continued. And Sadamitsu Sugimoto re...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...

Copper glaze makes red with deducing situation and makes green with oxidation. Accessary: none Size:9.1cm(D) 5.6cm(H)

Junri Hamada is an expert potter in famous pottery area Mino especially with "Kiseto" works. Accessary: none Size: 21.3cm (D) 5.6cm(H)

Katakuchi has been used as server for sake or other liquid in Japan for long term. This piece is made of kiseto glaze very popular, yellow glaze is made of tree ashes and green pattern is by oxide copper. Hamada is well as an expert in kiseto works. Size: 8.3cm(length)/13.8cm(width)/10.8cm (height) Accessary: none

This piece is covered natural ash glaze, made by Junri Hamada who is well known as an expert potter in Mino pottery area where many traditional potteries has been made from 15th century. Size: 6.3cm(D)/5.0cm(H) Accessary: wooden box signed by artist

From our family collection of Japanese art from Living National Treasures:

Perfectly shaped Bizen Chawan from legendary Toyo Kaneshige (1896 - 1967). It was made 55 years ago and is in absolutely great condition.

Born into the Kaneshige family, one of the six kilns of Bizen, as the son of wakigama-style potter Kaneshige Baiyo, Toyo was trained by his father from early childhood and became adept at pottery techniques, with handicrafts and engraved ornaments being his partic...

A Banko ceramic vase fired at the famous Banko Kilns in central Japan, recently known for museum quality art deco vases. The kilns had their start in the Edo Period (17th, 18th and 19th centuries). This sensational modernistic piece is signed by Hiroshi Shimizu and in its original box. Shimizu, born in 1944, is from a long line of legendary Banko artists. His father was declared a human cultural asset by the Government. Hiroshi himself has won a number of awards and prizes including the Minister...

Daruma is the name called in Japan, he is well-known"Bodhidharma" as the founder of "Zen" Buddhism. He was a real Indian Buddhism monk and spreaded meditation method to China in 6th century, he had established Zen Buddhism. And then Zen Buddhism was transported to Japan. He has been called "Daruma" loved by Japanese ordinary people, they has been making doles or toys etc. as the subject. YouTube Movie, https://www.youtube.com/watch?v=dn4gXqslcQs Original site...

Sadamitsu Sugiomoto has made cups with 5types of glaze, they would be used for several purposes. This is made with "oribe" copper and iron glaze . size: 9.5cm(D) 8.0cm(H) Accessary: none / if the wooden box signed by artist would be required, extra cost is needed, please inquire.

A magnificent Shigaraki vase by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Konsei Hanaire (Blended Clay). The mixed earth creates a unique texture with green ash and burnt red where it has been licked by flame, yet remains pale from the shadows of the kiln, each side is unique, and there is never a dull moment.
Size, D 12.4 cm H 23.1 cm
Condition, Excellent
Furutani Kazuya (b. 1976) is one of Japan’s most promising young stars. He gr...

An incredible mixture of gray and lavender colors on the sculpted natural form of this expressive Chawan by the 8th generation Kaneta Masanao.

It comes with its originally signed and sealed wooden box titled Hagi Hai-yu (ash glazed) Kurinuki Chawan.

The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay, an approach the artist is world wide famous for.

Masanao likely needs no introduction. Born in 1953, son of seventh generation pott...

A rare Buddhist Zeze tea bowl by great Seki Omo with hand painted Shinto Shrine Ema and votive picture tablets, enclosed in the originally signed and sealed wooden box. This rare work of Seko was made 30 years ago.

Zeze ware has been considered to be one of the Enshu Shichiyo, the seven best kilns selected by Enshu Kobori (1579-1647) who was a master of tea ceremony and also a military commander in the early Edo period. His favorite teaware was fired in these seven kilns under his ...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

This piece is styled "uzukumaru" pot, it means "squat", Uzukumaru pot is originally made for storing seeds. Since tea masters like as Rikyu used them for vase in the tea room, it has been called "uzukumaru" and loved by them for tea　goods. Sugimoto's Iga pieces are usually 3 times fired in "Anagama" kiln, one term for firing is 10days, so it follows that they are fired for 30days.And then they has been making dynamic scene on the surface. YouTube movie:https://www.youtube.com/watch?v=uoN4t0VW...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta. However, they needed expensive costs, so they could not be continued. And Sadamitsu Sugimoto re...

This piece is with natural glaze that is made of burnt fire woods, melted ashes of fire woods of red pine tree and red skin by flames. The pieces are fired in the small kiln "anagama" for 10days and this piece was fired three times. Size: 9.0cm(D)/25.2cm(H) Accessary: wooden box signed by artist