A fine Bizen tokkuri embellished with nobori kiri by Abe Anjin enclosed in the original signed wooden box titled Bizen Kakyo Tokkuri...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm milky beige glaze with light umber accents and shows a bit of exposed clay on the kodai (foot) where the artists seal is located.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

The surface of this spiraling vessel has been shredded and scarred then covered in viscous copper glaze resulting in this stunning form by Kato Yasukage XIV (Shoji) enclosed in the original signed wooden box titled simply Oribe Hana-ire.  It has a very organic feel, both from the texture and the imperfectly torn sides coated with various thicknesses of green glass, like water running over a stone surface.  This is a great opportunity to acquire a very special piece by this artist. The fact he...

Rivulets like stalagmitic sprouts weap from the crystallized walls of this squat Tsubo by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni-Shino Tsubo Hanaire.  Pealed back lunettes reveal the rough clay surface beneath, adding a sense of drama to the piece; putting it firmly in the natural world where asymmetry and imperfection reign.  A seminal work by this important artist whose influence will be felt for coming generations...

An iconic representation of this artists work, a large hidasuki Tsubo of red clay marked with burnt straw by Isezaki Mitsuru enclosed in the original signed wooden box titled Bizen Tsubo. It is 9-1/2 inches (24 cm) diameter, 10-1/2 inches (26.5 cm) tall and in excellent condition.
Isezaki Mitsuru (b. 1934) was born to a family of potters, his father Yozan and brother Jun both very important in Bizen pottery...

There is no doubt about the superlative nature of the deep celadon glazes used by Living National Treasure Nakajima Hiroshi, and this vessel is no let down.  A darkly crackled rich green covers this sake flask which comes enclosed in the original signed wooden box titled modestly Seiji Tokkuri.  Up from the base drive two fingers of rich red clay, the blanks left by the artists fingers when he dipped the bottle in glaze.  This adds a strong sense of connection between the artist and user. 

Marbled clay ruptures in fissured vertical strands to become this amorphic naturel form by Living National Treasure Matsui Kosei enclosed in the original signed wooden box titled Neriage shoretsu Mon Hanaire.  This style is created by layering clay about a cylinder while turning the clay, then combing it before firing which allows the less compacted outer surface to split along the comb marks.  This is a technique developed by Kosei, and one of the reasons for which he would acquire such fame....

Large, robust Shigaraki chaire by internationally recognized potter, Kanzaki Shiho. Fired for 10 days in an anagama kiln, this Shigaraki chaire has a wonderful coating of ash with some rich hi-iro fire color on the back and foot. The chaire is signed on the foot and comes complete with its shifuku, silk bag, lid and signed box. The chaire measures 8cm x 7.6cm and is in its original condition.

A singular design by Tsujimura Shiro enclosed in the original signed wooden box titled humbly Iga Chawan.  The lack of pretense in the title does not match the superlative nature of the bowl.  Shiseki protrude around a great eye of black fire, a dramatic whip of pale glaze swiping from the sagging rim.  The bowl is slightly elongated, the shape creating both a tension in the form and an engaging vocabulary to the palms of the holder, making it an easy bowl to drink from.  This is a superlati...

A very unusual large Tsubo covered in iridescent metallic glaze over beige windows with millet white florals enclosed in the original signed wooden box titled Testsu Sabi-yu Zogan Kusabana-mon Tsubo (Metallic Rust Glaze Tsubo Inlayed with Floral Motif).  This is certainly one of the more unique works I have seen by this important Mashiko artist.  The iron seems to shimmer in the light, not holding just the reds of rust, but blue and green and black, depending upon the light and angle.    Mar...

A spectacular work by Maeda Masahiro enclosed in the original signed wooden box titled Iro-e Kin-gin-sai Mentori Hachi (Faceted Bowl with Gold, Silver and Colored Decoration). It is roughly 6-1/2 inches (16.5 cm) diameter, 5-1/4 inches (14 cm) tall and in excellent condition.
Maeda Masahiro (b. 1948) graduated the Tokyo National University of Fine Arts in 1975where he received instruction from Living National Treasure Fujimoto Yoshimichi and Tamura Koichi as well as Asano Akira...

A red Sado Mumyoi-yaki Tokkuri (Shuchu) by Living National Treasure Ito Sekisui V enclosed in the original signed wooden box. It is 5 inches (13 cm) tall and in excellent condition.
Ito Sekisui V (Yoichi) is the 14th generation of the family to follow in the pottery tradition. His father, Ito Sekisui IV, died when Yoichi was only 19. Upon completion of studies at Kyoto University in 1966, he returned to his hometown of Sado to succeed the lineage...

A charred Ash Glazed Mizusashi water container by Kumano Kurouemon enclosed in the original signed wooden box. Glaze is crisp but grows quite liquid as it drips down the molten form. On the side in bold strokes is written "Sonomamani", or "Just as it is".
A ceramic madman, oil painter and recluse, Kuroemon is as eccentric as his pottery predicts...

A massive Shigaraki Tsubo by Kanzaki Shiho enclosed in the original signed wooden box. Spectacular keshiki resulting from the combination of multiple kiln affects and textures. The Tsubo is 19-1/2 inches (50 cm) tall, 15 inches (38 cm) diameter and in perfect condition, dating circa 1990. Due to size the cost of shipping will be figured separately from the list price.
Kanzaki (b...

An iconic work in pale white by Living National Treasure Tsukamoto Kaiji enclosed in the original signed wooden box titled Hakuji Wakaba-mon Dai-zara (Footed white porcelain dish decorated with young leaves. The execution is breathtaking, so perfectly formed it demonstrates clearly the talent for which he was named a Living National Treasure. It is 23.5 cm (9-1/2 inches) square, 5.5 cm (2 inches) tall and is in excellent condition...

A superb example of the chameleon versatility of Matsuzaki Ken is this red tea bowl dolloped with thick white glaze enclosed in the original signed wooden box titled Kurogane Shino-Chawan.  It is strongly formed, with russet iron highlighting the borders between the fields of red and white glaze.  Truly a spectacular work. 
Size, D 12.4 cm ( 5 inches)  H 8.6  cm ( 4 inches) 
Condition, Excellent 
Matsuzaki Ken was born in Tokyo in 1950, and grew up in that dynamic post...

White, pink, blue, gray and lavender hues mix on the glistening surface of this incredible Hagi Mizusashi by important artist Kaneta Masanao enclosed in the original signed wooden box titled Hagi Hai-yu Kamahen Kurinuki Mizusashi.  The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay, an approach the artist is famous for...

Red highlights the gray and white of this Tea bowl by Kato Yasukage enclosed in the original signed wooden box titled Nezumi Shino Chawan.  Yasukage has cupped and misshapen the bowl into five subtly flattened sides, with an undulating rim forming five peaks, the pin-holed glaze burnt and licked crimson by the flames. The fact he has given a Daimei (generational number) on the box indicates this is from after he succeeded the family name.
Size, D 12.8 cm ( 5 inches)  H 9.8  cm ( 4 inch...

Golden Camellia blossom all bout theoutside of this lovely wan-gata Chawan by the famous female artist Ono Hakuko enclosed in the original signed wooden box titled Kinrande Chawan.  The pattern is created by applying gold foil to the surface before firing.  Here she has cut the gold foil into patterns of camellia blossoms, and applied them over red glaze to great effect. The design is both feminine and powerful. 
Size, D 12.6 cm ( 5.0 inches)  H 7.4  cm ( 3.0 inches) 
Conditi...

Ash and color abound in the clefts and plateaus of this spectacular large bucket shaped vessel by Tamba legend Nishihata Tadashi enclosed in the original signed wooden box titled Hai-yu Oke-gata Hana-ire.  Raw clay slashed with dark shadows.  Opposite rivulets of green drip down the torn and scarred faceted sides, the occasional impressions of a waffle-faced mallet adding a sense of drama and spontaneity to the random order of kiln-nature.  This is a top quality work by this highly sought art...

A large swirling form covered in fissured celadon by Minegishi Seiko enclosed in the original signed wooden box. The glaze is amazing to behold, the layers shattered into thousands of transparent crystallized flakes stacked upon one another. It is roughly 12 inches (31 cm) tall and in excellent condition.
Born in 1952 in Saitama, Minegishi Seiko studied under various masters in Nagano, Tochigi and Ibaragi, going solo at the young age of 22. He worked in Kohiki ware initially, but moved t...

A pointed tower in burnt gray clay by Mihara Ken enclosed in the original signed wooden box titled Kaki. Here the artist has joined three slabs into an unconventional horn, slotted on one side to accept a flower. A single camellia blossom in rich red, a few green leaves against the gray body in the dark corner of a Tea Room would be incredible. It is 11 inches tall and in fine condition.
Mihara Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of ...

Well proportioned and exceptionally light in the hand, this lovely tea bowl features a stylized depiction of a horse in stride in what appears to be a brown ferrous glaze on a background of ash glaze (灰油 hai-yu). A creation of Kyoto potter Kimura Moriyasu, this is a difficult style to perform, with results dependent on how the clay and glazes interact when exposed to the specific firing condition in the kiln.

The youngest of three brothers famed for their potting skill...

Fired in an anagama small-batch kiln, this other-worldly looking saké cup (guinomi) displays rich ochre hues in areas where the rough clay shows through and is covered in a lush Oribe green glaze which is difficult to achieve. The brilliant green color is the result of copper glaze applied to the clay body which is then fired at 1220 degrees C—creating an oxidation reaction. More difficult to produce than works with black Oribe glaze, if the exact conditions are not met, the piece may uninten...

Two Guinomi sake cups and a Tokkuri by Kato Yasukage enclosed in the original signed wooden box titled Shino Tokkuri/Guinomi, Nezumi Shino Guinomi.  The cups are cool, one in white glaze tinged red, the other in blue-gray glaze tinged with a reddish-blue.  They are beautifully uniform in a misshapen way, allowing no favoritism to the drinkers.  The tokkuri burns red, like the first drink as it goes down.  Yasukage has sheered away the outside of the bottle, leaving it multifaceted, the pin-h...

Stratified color radiates about this late work by artist Miyashita Zenji enclosed in the original signed wooden box titled Sai-Hafu Moyo Kabin.  Like ripples left by waves on the beach or wind in the dunes, the title means Colored Wave/Wind Patterned Vase.  It is an excellent example of this artist, at a size which makes it easily collectable. 
Size, D 11.2 cm ( 4.4 inches)  H 17.2  cm ( 6.8 inches) 
Condition: Excellent
Miyashita Zenji (1939-2012) was born into the fam...

A round form covered in fissured green celadon by Kishimoto Kennin enclosed in the original signed wooden box titled Seiji Chawan and endorsed inside by Zen Priest Tachibana Daiki of Daitokuji Temple, home of the Tea Ceremony.  Profound, like an empty blue sky, the form floats lightly over the dark clay of the perfectly formed kodai base.  It is signed within that base ring by Kennin. 
Size, D 12.4 cm ( 4.9 inches)  H 8.9  cm ( 3.5 inches) 
Condition, Excellent 
Kishim...

A wide and low porcelain bowl perfect for Usu-cha by Ono Hakuko enclosed in the original signed wooden box titled Yuri Kinsai Chawan.  The pattern is created by applying gold foil to the surface before firing, and called in Japanese Kinsai.  Gaps in the application create designs like broken ice. 
Size, D 15.6 cm ( 6.2 inches)  H 5.3  cm ( 2.1 inches) 
Condition, Excellent 
From Aichi prefecture, Hakuko was trained by her father initially in the ceramic arts. However s...

Here we have the maverick of Mino showing off his skills again with a superb chawan in green and white with iron floral designs by Suzuki Goro enclosed in the original wooden box titled Oribe Chawan and signed in the lower left corner. The sandy white clay, felt even through the glossy glazes, lends the bowl a heart, and the undulating rim gets it pumping.
Size, W 12.1 x 14.3 cm (5 x 6 inches) H 9.6 cm (4 inches)
Condition, Excellent
Suzuki Goro has a list of shows an...

A very large celadon platter by Yoshikawa Masamichi enclosed in the original signed wooden box. It is made to either sit or hang suspended from wire on the back. The platter is 75 x 20 x 5 cm (29-1/2 x 8 x 2 inches) and is in excellent condition. Due to size the cost of shipping will be accrued separately.
Yoshikawa Masamichi was born in Kanagawa in 1946, and graduated the Japanese Design Academy in 1968. He first garnered attention in Japan being awarded at the 1971 Asahi Togeiten Cer...

An assortment of sake cups by some of Japans most sought artists representing pottery traditions from throughout the country.  Higashida Shigemasa, Kato Tsubusa, Kato Yasukage, Koie Ryoji, Kakurezaki Ryuichi, Matsuda Yuriko, Takeuchi Shingo and Yamada Kazu, all forerunners in their genre and these bowls representing their most popular styles.  We have carefully screened and selected each work as a masterpiece unto itself, and feel very confident you will agree.  Bon Appetite! 

A stylish Tsutsu Chawan by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Chawan On top, and named within Shinobi-Mono by Tachibana Daiki, Priest from Daitokuji Temple.  The Zen master has chosen an interesting name in Shinobimono.  It means “That which is hidden or unseen”; hidden like the nature of Zen, Buddhist law, or the final destination on the path of Tea.  It also was another name for Ninja, the famous families of spies and assassins of Japan, whose most fa...

Three finger strokes create enigmatic shapes like bent autumn grass or the rushing of a water fall on the dark side of this vase by Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Kakeai-yu Kabin.  Above a pale millet dusts the rim, meetingthe dark glossy glaze at the shoulder. 
Size, D 11.5 cm ( 4.5 inches)  H 22.1  cm ( 8.7 inches) 
Condition, Excellent , The box with some age
Hamada Shoji was born in Tokyo, and enrolled in th...

A very desirable work with a swish of resist creating a white floral streak on the rich red and black of this contemporary Mashiko form by Living National Treasure Hamada Shoji enclosed in a box annotated by his son Shinsaku and titled Kaki-yu Nuki-e Kabin, Shoji-saku.  The form is iconic Mashiko, with a strong sense of the utilitarian, a keynote of the Mingei movement which Shoji represented.  A spectacular example of this artists work.
Size, D 14.2 cm ( 5.6 inches)  H 21.8  cm ( 8...

A superb example of the work of this Living National Treasure, 8 inches (21 cm) diameter, 7-1/2 inches (19 cm) tall and in excellent condition.
Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by broadening his spectrum with a new style of Kutani ware. Masahiko graduated from the Kanazawa school of arts, and took up apprenticeship under his father Yasokichi II. His work...

Like a mirror of the soul, the ovoid forms of Living National Treasure Tokuda Yasokichi III flash with brilliance, vivid color explodes, while the darkness seems infinite, impenetrable and reflecting only the world around it.  Here is a fine example of his work, pale blue blends through green into soft yellow before plummeting into darkness. The body of the vessel has been brought up to a very narrow neck, just wide enough to receive one flower before flaring out at the top.  It comes enclosed...