Ash encrusts one side of this flattened Signature form by Shigaraki Legend Furutani Michio enclosed in the original signed wooden box. Opposite is rich red terracotta and in between rivers of molten green glass. It is 45 cm (17-1/2 inches) diameter, and weighs 14 kg (30 pounds) plus the thick Kiri-wood box. This belongs in a museum of contemporary Japanese pottery...
Large Ko-Iga style chawan by veteran potter, Kojima Kenji. This broad bowl has a wonderful posture with a gentle, undulating lip and a face and part of the interior coated in a soft green ash with a rich pool of deep green ash formed from the bowl being fired at a slight angle. The interior mikomi and exterior kodai are both very well executed adding to a chawan that was well handled in both the throwing and firing of the piece...
A Superb Shigaraki Chawan by Sugimoto Sadamitsu enclosed in the original wooden box signed beneath by the artist and endorsed by Tea Master Tachibana Daiki of Daitokuji Temple. It is 4 x 5 x 3-1/2 inches (10.5 x 13 x 9 cm) and is in fine condition.
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Oki...
A fine Tenmoku Glazed pot with Pine needle design by Kimura Moriyasu dating circa 1985 enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in fine condition. A vase with this same glaze is held in the National Palace Museum, Taiwan.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Ceramics Research Facility (which turned out such masters as Hamada Shoji and Kawai Kanjiro) and then under his brother Kimura Morikazu...
Phenomenal and classic Mino-Iga style vase with unquestionably the finest wood fired surface I have ever seen by Mizuno Takuzo. Large and solitary in its presence, the wide array of textures and coloration paints a unique and powerful form that few can achieve and I doubt I will see a pot with this varied a surface again the ferocity of the firing process is written across the surface...
An Oribe Dai-hachi footed basin by Koie Ryoji enclosed in the original signed wooden box. It is 11 x 7-1/2 x 3-1/2 inches (28 x 19 x 9 cm) and is in excellent condition. A few pre-firing chips are shown in the close-ups, glaze over-running theedges proof that they happened before the piece was fired.
Born in Tokoname, 1938, Koie Ryoji graduated the Tokoname industrial school and moved on to work at the City Ceramic Research Facility. In 1966 he established his own studio...
Classic devil's bucket style Shigaraki mizusashi by veteran master craftsman, Tani Seiuemon I. This impressive and well fired Shigaraki mizusashi was thrown and has a rich surface and a lid that sits well on the turned in mouth. Fired in an anagama wood fired kiln for nearly a week, the resulting effects paint the surface with deposits of natural ash some of which turn to glass across the surface...
A true Mashiko chawan by greatest Shoji Hamada, enclosed in its signed wood box and an authentification of Shinsaku Hamada.
Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to England with his friend, Bernard Leach, to start the Leach Pottery in St. Ives, Cornwall back in 1920. Like Leach, Hamada did not come from a pottery background but had studied ceramics briefly in Tokyo...
A book of Yagi Kazuo works (number 203 of 800) dated 1969 with the cover inlaid with a ceramic work signed and dated Feb. 1967. Dozens of photographs of his work dating from the height of his fame as an avante Garde sculptor fill this 100 page book titled Simply “Yagi Kazuo”. The book comes in the original cover which is held inside a cardboard sleeve. The ends of the cover not encased in cardboard have yellowed some with age, but this does not affect the book within.
We like to show you this Kohiki-de chawan made by one of the most famous contemporary artists of Japan, Shiro Tsujimura, enclosed in its originally signed wood box. Modeled after Korean Yi Dynasty (1392-1910) Punch'ng wares, Kohiki typically refers to an iron-rich clay body covered over with white slip and then a translucent glaze. In Japan, the Kohiki style started with Korean potters and appealed greatly to the busho chajin or warrior-tea men of the late 1500s...
This magnificent chawan is a perfect embodiment of the Shino tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, in mint condition and enclosed in its original signed wood box.
He surely needs no introduction. Suzuki is one of those once in 500 years' type of artists. Suzuki Goro is a potter who goes beyond that usual appellation...
This magnificent chawan is a perfect embodiment of the Oribe tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, mint condition and enclosed in its original signed wood box.
He surely needs no introduction...
Though this piece appears quite old and nicely worn by time, it is in fact a very recent work from Sekizanjin kiln. Using a special organic process to “ferment” powdered ore used in the clay, they then fire the hand molded pieces under extreme heat to produce bowls they call “Chibori.” The Chibori bowl featured here is inspired by works of Chojiro—forbearer of the Raku line of potters and collaborator with legendary tea master Sen no Rikyu.
The master potter of Sekizanjin...
An oblong Oribe dish with striated designs by Kato Shigetaka enclosed in the original signed wooden box. It is 10 x 11 inches (26 x 27.5 cm) diameter and in fine condition.
Shigetaka was born the second son of Kato Tokuro in 1927. He graduated the Seto Industrial School of Ceramics and studied under his father. From 1959-1971 submitted annually to the Nitten where he received the Hokusho prize as well as the Modern Ceramics Prize among others. He also received the Japanese Ceramics Societ...
A spectacular 'Koetsu-utsushi' Aka Raku Tea Bowl by Nakamura Kohei, enclosed in the original signed wooden box. Mint and true museum quality. Kohei (1948-) was born the son of the famous Kanazawa potter. He learned the ceramics from his father, Nakamura Baizan II, and his brothers Kinpei an artist best known for his contemporary art objects. Devouring styles along the way, from celadon to Kohiki, Ido, Hakeme, Mishima, Irabo, Raku (Chojiro and Koetsu), and all are so expertly crafted down to ...
A stellar display of Hidasuki covers the sides of this voluminous Bizen vase by Yamashita Joji enclosed in the original signed wooden box. It is 15 inches (38 cm) wide, 14 inches (37 cm) tall and in excellent condition, and retains the original exhibition label on bottom. Due to size the cost of shipping will be accrued separately.
Yamashita Joji (b. Tokyo, 1947) lives in Okayama, but began his artistic career in the Vancouver Art School in Canada. Upon returning to Japan in 1971 he apprent...
An exquisite deep blue covers the dark iron-rich clay of this Shino Vase by Kato Toyohisa enclosed in the original signed wooden box titled Ash Purple “no” Glaze Vase. Here he plays with sound, substituting the character for purple (shi) for the usual character Shi in Shino. It is 11-1/2 inches (28 cm) tall and in excellent condition.
Toyohisa was born in 1962. His work is both original and fresh and his challenging pursuit of Mino ceramics is evident in both his contemporary pieces ...
This magnificent chawan is a perfect embodiment of the Oribe tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, enclosed in its original signed wood box.
He surely needs no introduction. Suzuki is one of those once in 500 years' type of artists. Suzuki Goro is a potter who goes beyond that usual appellation. He has developed his own way of expressing himself through ceramics, basing his work on traditional styles from the Mino tradition: Shin...
Vivid texture and color variations paint this bold swirl platter by Shigaraki and Oribe specialist, Yamaguchi Yoshinari. Made of a tight buff-white stoneware the Oribe glaze has created varying hues of green depending on the thickness of the glaze with high points having a brighter surface and a thick pool of green glass in the center of the plate with rich blue-green tones where the copper has become over-saturated. Measuring 11.75" x 1.75", the plate is in original condition though the box has...
A masterpiece tea bowl by Iga master Tanimoto Kosei, accompanied by his signed and sealed original storage box.
Kosei was born in 1916 in Iga city, Mie Prefecure. He made his National Debut as an oil painter artist, his interest in traditional Iga-yaki ceramics started in 1945, and he becomes an Iga potter in 1947, enjoying a long apprenticeship under master potter Komori Shinobu and Sakuzo Hineno at the Institute of Nanagu Ceramics in Ueno, Mie Prefecture.
Tanimoto Ko...
Here is a fascinating Oribe Chawan (tea bowl) made by Koie Ryoji, one of the best internationally known contemporary Japanese potters. It is another embodiment of the artist’s spirit, with a shape that remains free and moving, rough, unique and dynamic. Its colors and its rawness is reminiscent of a wild landscape. As with many works by the famous artist, this piece’s dynamism conveys pure energy and raw strength. Through its shiny glaze, rough texture and primitive markings, one gets the...
Solemn and noble vase Hakusetsu Shino vase by Shino and Oribe specialist; Higashida Shigemasa (b. 1955). Glazed in his signature Hakusetsu Shino this vase shows his unique Shino styling which blend the traditional with the contemporary, attributes which have gained him a worldwide following. Measuring 9.5" x 3.85" this cylindrical vase has a serene surface punctuated by the cut lip and spatula swipes up opposing sides and the textured surface is truly reminiscent of pure snow light by the moonli...
An exquisite pottery form by Kawase Takeshi enclosed in the original signed wooden box titled Hakuji Hori Hanamoyo Sara. The fluted edge rises around a central garden filled with scrolling florals. It is 14 inches (35 cm) diameter and in fine condition.
Kawase Takeshi (1953-2007) was born the second son of Kawase Chikushun II in Kanagawa prefecture. He began in the family kiln, eventually breaking off to establish his own kiln in 1986. He was the subject of a television show in 1999, a...
A ceramic koro incense burner, the stone-like body decorated with a portion of a red ring by Sato Kazuhiko enclosed in the original wooden box with all the exhibition paraphernalia. It is 8-1/2 x 4 x 8 inches (21.5 x 10 x 20 cm) and is in excellent condition. This piece was exhibited at Tokyo’s Nipponbashi Mitsukoshi in 1994 and was published in the December edition of the magazine Fujin Gaho that same year. A copy of the article on the artist is enclosed and the original Exhibition labels a...
Shizen-yu ash glaze and deposits crust the surface of this large Shigaraki Tsubo by Hoshino Ryosai enclosed in the original signed wooden box. It is 13 inches (33 cm) tall, 10 inches (25 cm) diameter and in excellent condition.
Ryosai was born in Fukuoka, on Japan’s Southern Main Island in 1939, and was raised during the impoverished war years. Perhaps it is this will to live instilled through hardship which invigorates so much of this dynamic artists work. He is held in the collecti...
Tall and imposing Hagi vase form made by kurinuki master, Kaneta Masanao. At over 14" tall, the vessel is impressive and commands its space much like an ancient medieval citadel. The pot is glazed in a Shiro-Hagi glaze that has significant areas of blushed pinkish hues over half of the form and vivid areas of intense white speckles adorning the absolute purity of the form. There are black highlights which define the form and process that peer out from underneath the glaze adding additional defin...
Tall, bold vase by Shino and oribe specialist; Higashida Shigemasa (b. 1955). Glazed in his signature HakuSetsu Shino and haiyu glazes, this vase shows his strong deconstructivist styling married with contemporary Japanese aesthetics to create a unique and idiosyncratic work for which he is known for around the world. Measuring 12.25" x 6.25" and in perfect condition this pot is accompanied by his original signed box.
There is a lot written about Higashida and a quick search around the web...
Hi-dasuki lines of red charring streak like the Nazca Lines across the surface of this large Tokkuri Vase by Isezaki Mitsuru enclosed in the original signed wooden box. The vase is 19 inches (48 cm) tall and in perfect condition. Due to size the cost of shipping made need to be accrued separately.
Isezaki Mitsuru (b. 1934) was born to a family of potters, his father Yozan and brother Jun both very important in Bizen pottery. In 1998 Mitsuru was named a Prefectural Intangible Cultural Proper...
Lavender clouds, rain on a foggy morning, snowy mountain landscapes, this is what comes to your mind when you look on this superb pale kurinuki Hagi tea bowl, made by Master and potter legend Kaneta Masanao, enclosed in the original signed wooden box.
Kurinuki is a technique carving and scooping out forms from a solid block of clay to produce boldly-cut forms, an approach the artist is famous for. Kaneta Masanao is an 8th generation Hagi potter. He likely needs no introduction, cer...
A large footed Bizen slab by Isezaki Shin exhibited at the 13th Nihon Togei Ten in 1995 enclosed in the original signed wooden box and retaining the original exhibition labels. It is 52 x 51.5 x 8.5 cm (20 x 20-1/2 x 3-1/2 inches) and is in fine condition. This is the same year he was awarded at the 42nd National Traditional Crafts Exhibition.
Shin Isezaki (b. 1965) is the second son of important Okayama Prefecture intangible cultural property Isezaki Mitsuru. Studied under his father from ...
The Mino region of Japan has been renowned for centuries for producing high-quality Shino, Oribe, Seto-guro, along with the style shown here, ki-Seto, or “yellow” Seto. The creator, Hori Ichiro, is one of the most acclaimed among Mino potters, tirelessly producing splendid works while continuing to use traditional methods passed down from other great potters before him. The lush yellow glaze seen here is applied thickly, pooling beautifully around the unglazed foot of the bowl—proudly high...
Copper greens splash this bold chawan by Kojima Kenji enclosed in the original signe wooden box. It is 5 inches (12.5 cm) diameter, 3-3/4 inches (9 cm) tall and in fine condition.
Kojima Kenji was born in Aichi prefecture in 1953, and graduated the Tokoname Ceramics High School in 1971. He moved to Iga where he studied and was immediately accepted into the Asahi Togeiten Ceramics Exhibition. The following year he moved to Okayama, where he would remain 5 years studying Bizen and the complexi...
Large and impressive hikidashi-kuro, black Bizen chawan by Akiya masao. Measuring 14 x 11 cm, the chawan is in perfect condition with original signed box and is quite a wonderful handful. The surface is rich with wet ash on the exterior and interior and the surface is also decorated with diagonal slashes that add to the tactile quality.
Akiya Masao was born near Tokyo and after completing college at the Toyo Institute of Art embarked on a path to become a full time Bizen potter. Akiya serv...
An ancient technique known as “haito” in Japanese was used to give this piece its distinctive look. Thought to have originated in neolithic times and commonly used during the T’ang and Song dynasties in China, an excess of fuel is added at the very end of firing which causes a thick layer of grey ash to adhere to the outside of the vessel. Below the ash glaze of this piece is a yellow amber reflective coating that shows through in areas giving it an almost imperceptible glittering effect ...
Tall Oribe vase with incised "grasses" design around the form loosely based on a mei ping form
Stoneware and glaze
13" x 5.75"
Attractive design, refined form, sensational glazing—this yuteki chawan by Morikazu Kimura would make a fine addition to any collection of Japanese contemporary ceramics.
Born in Kyoto in 1921, Morikazu Kimura took up the family tradition of potting from a very young age and spent much of his time researching and perfecting the Tenmoku style. In 1947 at the age of 26 he set up his own kiln in the exclusive potting district of Gojo-zaka and achieved much success. Later, in 1976, h...
