This Hattie Carnegie is unsigned. It has her characteristic lucite (resin) coral body with clear rhinestones set in gold tone. It has a ridged segmented curler body, scales, horn and lower jaw open to expose the openwork metal. It is 2 7/8" x 1 3/4" . Excellent condition.

This Sandor silver marcasites and fired on enamel GIANT Maltese cross is 3.5" square. It is rhodium plated base metal. It is circa 1955.

Gorgeous and phenomenal. Super condition. It is hallmarked Sandor & Co.

Statement size clip earrings with the rarely seen signature Craft, a high end maker active in the 1970s and 1980s. Marked CRAFT. In matte goldtone metal with faux coral cabochons, tiny faux pearls, and black glass cabochon stones. 3 1/4 inches long and 1 3/8 inches wide. Excellent condition. Photos enlarged to show detail.

Very glam vintage Egyptian revival bib necklace by the artist Ruth Buol. Circa 1965. Goldtone metal drops with huge faceted glass stones in aqua an iridescent aurora borealis colors are suspended from a goldtone chain. The backs of the drops are enameled in pale blue to match the aqua stones. With paper stickers marked BUOL and EGYPT I and with the original price of $110. A fabulous statement piece.

Wearable length is 17. The center drops an additional inches 2 1/4...

This deLillo pin is heavy and large, measuring three inches across. Circa the mid sixties. William de Lillo was born in Belgian, and worked for Tiffany and Harry Winston in NY before joining up with Robert F. Clark (former head designer for Miriam Haskell) to form the de Lillo creative team in 1967. Their costume jewelry is of the highest quality and ingenious design, using the finest Swarovski crystal stones and beads...

This is a wonderfully long necklace from Miriam Haskell. The necklace measures 58 1/2 inches (148.6 cm) in length. Worn as single strand or wrapped in coils this is a beautifully colored faux stone bead necklace for everyday wear. Irregular beads in soft colors with marbling, accented by classic Haskell gold beads and spacers, create a totally natural effect that is serene and lovely. Marked. Circa 1970's

This is an old timer, sterling from the 1940's. The cabochons are prong set and open back, and vibrant in color. The tiny clear rhinestones are set in graceful scrolled patterns. Great brooch for a suit or coat! 4 3/4" long, 1 1/2" wide. Coro pegasus and sterling marked on the back.

Amazing huge vintage bracelet in dark silvertone metal with faux pearls and glass stones in shades of pale blue, some with a pinkish aurora borealis finish, and palest lemon. Definitely French, circa 1960, and possibly for Dior by Countess Cissy Zoltowska (Cis) or by Francis Winter. I am listing a very similar necklace and earrings which are marked France. With distinctive French construction elements such as "piecrust" settings and dogtooth prongs...

A vintage pair of signed Christian Dior gold plated 1968 striped agate glass clip-on earrings. These 7/8 x 5/8" earrings feature bezel-set rectangular rootbeer coloured glass stones resembling banded agates; they also have a bit of movement similar to tigereyes. This pair is in excellent condition with no cracks, dents, bends, corrosion, losses, damage or repairs other than a tiny flake on the middle of one glass stone (barely visible, and exaggerated under our halogens)...

Trifari's earliest mark, TFK, is stamped on this rhodium plated brooch. From the 1920's, or more probably the 1930's. Classic Deco design. Unbacked glass saphire colored stone. Brooch is 2 1/2" wide, 1 1/2" high.

Glittering fabulous vintage rope necklace with dozens of brilliant colorless stones set in oblong and round filigree beads linked by wires. Marked CHRISTIAN DIOR on an attached metal hang tag. The metal is silvertone. 1960s, from a Philadelphia estate. With a hook catch and a ring with a tassel with three round jeweled beads. This could also be worn as a belt.

Wearable length is 37 inches. Just under 1/2 inch wide. Excellent condition. All stones are brilliant...

sterling vermeil with a green rhinestone collar and clear rhinestone set cuffs and instrument.

Manufactured by Goldseal MFG for Urie Mandle Co.

Designer: Murray Slater, patent 146752 in 1947.

Ref: American Costume Jewelry by Carla and Robert Brunialti p 240. Dimensions: 2 3/4" x 2"

Hallmarks: NONE- The two buttons for signature seem to be there but I cannot read anything on them. All of the pieces that I have had have been sterling, so I am assuming that this one is also.

This DeNicola Geisha girl holding two items in her hands, one looks like a flower and the other may be wheat, brooch is 1 7/8" tall x 11/16" ( bottom).

This scrip Coro horse head pin is rhodium plated base metal with rhinestones and enameling. It is 2 3/4" x 2 1/2". It is in excellent condition. It is circa 1937.

"Necklace with three circular pendants. Coppola e Toppo for Valentino, Italy, 1970. Gilt-stamped metal, rhinestones, gilt metal beads, faceted Swarovski crystals." Quoted from JEWELS OF FANTASY, page 275, enlargement on page 255.

This Barclay gold tone rhinestone bracelet has emerald colored stone in the center and 4 white rhinestone stone in each link of the bracelet. It is hallmarked Barclay on the reverse of the clasp.

This Coro pegasus cuckoo clock fur clip is hallmarked Coro with the Pegasus in front. It is 3 5/8" x 1 5/8". Lots of detail in this fur clip. Circa 1940.

This is a BEAUTIFUL FAUX JADE NECKLACE by JOSEPH MAZER. Circa 1950 this is a Two Strand NECKLACE and the BEADS measure 10mm & 11mm mixed; the Length is 15". The TONGUE & GROOVE CLASP has a "CARVED JADE" Plaque that measures 5/8" x 3/4" and is Marked on the back: JOSEPH MAZER. Good Heavier GLASS BEADS and GREAT LOOKING..from a Virginia Estate suburb of WASHINGTON D.C.