A stunning Georgian floral pendant worked in silver-topped 18K gold. The radiating petals are studded with diamonds in the newly fashionable “a jour” or open settings that came into vogue around 1800. The selection of diamonds is a virtual history of early diamond cutting and includes rose cuts, Mazarin cuts, table cuts, and Peruzzi cuts. The flower is centered with an unheated cornflower blue sapphire, likely of Ceylon origin...

A pretty Georgian heart pendant worked in 18K yellow gold and featuring a double-cut citrine heart. The gold surfaces are decorated in a repousse floral motif. The citrine is cut with lapidary facets on both sides it looks the same from the back or front. The stone has very pleasant pale yellow coloring. The jump ring is original to the pendant...

Late Georgian multi stone harlequin eternity band with individually carved stones bordered in gold which form a complete band, a series of circles within a circle. Rarely have we found an eternity band in a large size 13. The word "harlequin" comes from the kaleidoscopic costumes of the 16th Century European comedy actors known as ‘harlequins’, conversely, the harlequin ring is also vibrant and colorful...

A nice Georgian locket in the form of a Maltese cross with a central rock crystal locket compartment. The arms of the cross are made from faceted carnelian plaques mounted in gold around the central compartment. The compartment was intended to hold the woven hair or perhaps a miniature portrait of a loved one. The Cross of the Knights Hospitallers of St. John was created in 1126 based on designs from the Crusades...

An exceedingly rare Georgian 18K yellow gold pendant locket celebrating the first manned flight by the Montgolfier brothers from Paris in 1783. Hot air balloons were one of the scientific wonders of the late 18th century, and balloon designs were worked into furniture, textiles, clothing and jewels. This locket features a hot air balloon carved from a piece of mother of pearl and then decorated with gilding and realistic painted detail...

A magnificent late Georgian multi-colored 18-22K gold bracelet comprising ten heavily detailed plaques. Each primary plaque, in the form of scallop shells in a cruciform arrangement with a large multi-tiered rosette at the center set with an old mine cut diamond. Each primary plaque is set at the corners with antique cushion cut Colombian emeralds. The secondary plaques have floral and acorn decoration and smaller rosettes centering old mine cut diamonds...

A very fine and exceedingly rare mid-17th century low-karat gold “Stuart crystal” memorial slide. Such pieces were secretly worn by loyalists to mourn the deposed and executed King Charles I in 1649. Eventually, they were used to mourn other deaths, as well as to celebrate betrothals and weddings. This is a particularly fine example, combining a crystal-encased miniature portrait of a well-nourished lady, regally dressed in a gown of red velvet with gold embroidery and ermine fur trim...

Possibly the finest Georgian fob seal we’ve seen, this example is worked in multicolored 18K gold. The large swivel features a carnelian plaque on one side that reverses to an amazing crystal-enclosed compartment. Inside the compartment is a three-dimensional fruit basket worked in yellow, white, rose, green and blue gold. The rock crystal cover is slightly domed to magnify the fruit basket decoration...

This fantastic jewel tests as a very strong 14kt, so it’s likely a 15kt English piece. It is set with what we are pretty sure is an iolite (hard to test because of the setting), and 4 pear-shaped purple garnets, all foiled, all set within an Etruscan Revival motif of coiling snake-like decorated gold ropes and leaves, with two dangling gold chains. The brooch measures 1-1/2 x 1-1/2 x 3/4" deep and weighs 8.7g. With the chains, the whole piece measures 2-1/2” long...

This ring has many Georgian era characteristics, including the symmetry of the 10 Georgian diamonds surrounding a central larger diamond, the silver surround of the gemstones and the impressive gold craftsmanship of the fully closed back. The band is 3 horizontal bands linked with 3 vertical elements and is comprised of 4 sections with a carved gold leaf set into each...

A charming miniature portrait, done in watercolor on natural wafer, and mounted in a later 14K gold ring with an impressed maker's mark of "MP". The sitter is a young red-haired child, facing left, and wearing a black dress with a dotted lace ruffled collar.

The ring size is 6 1/2, and the portrait measures 1 1/16" by 7/8". The condition of the portrait, as well as the ring, is excellent. The line near the left edge and along the top edge is due to refraction and does not appear when viewed in...

Queen Anne period (1740) large beautifully faceted octagon cut amethyst solitaire ring in a later 18K gold band. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. Among other details, we love this ring for its eighteenth century octagonal shape, the quality of the amethyst and the crimped collet gold setting. Beautiful in its simplicity, this ring is sure to attract attention. ...

15K Rare Georgian diamond cluster ring consisting of 6 large stones cut en cabochon (no facets and polished smooth) and set in a radial pattern around a large center diamond. 6 smaller stones are set along the border. The border is crimped, a feature of hand wrought gold-work of this period. The diamonds are set in silver. There is nary a claw in sight as the Georgians believed claws detracted from the beauty of the diamonds. The diamonds are cut, unusually, en cabochon; this means they are no...

A Georgian 14k glass emerald and diamonds ring circa 1780-1800. This antique yellow gold (unmarked but tested and guaranteed) ring features a 3/8" across top which has claw set early silver coloured genuine rose cut diamonds surrounding an emerald coloured glass stone. Emeralds then were a scarce and difficult stone to acquire, so the use of a cut glass "gem" with diamonds was not unusual. This ring weighs 2.5 grams and it is in excellent original condition with no cracks, dents, bends, corros...

A very nice late Georgian carnelian spinner fob mounted in an 18K gold frame in the form of two intertwined snakes. The snakes are hand-chased with detailed scales and interesting, their heads are finished with duck-bill mouths (complete with teeth) grasping apples. This form is often seen in French silver wine tasters and was intended as a reminder of temptation and the snake in the Garden of Eden. The spiral mechanism in the center of the snakes’ entwined bodies is a spring mechanism that...

Here is a lovely antique ring in unmarked but tested 18kt rose gold. The center stone is a ruby cut in an old style, but in really excellent condition. (It’s possible that it’s a replacement stone.) It is surrounded by 8 rose cut and more randomly-cut diamonds which are definitely original, and which might be foiled, but in any case are in a closed-back setting. Typically for the period, a couple of them are chipped or have feathers (inclusions). The ring is a size 8-1/4, and could be sized...

An elegant Georgian 18K gold fob seal worked in a floral pattern and set at the base with an amethyst tablet engraved with an armorial crest. The floral design continues up the shoulders to the loop by which the fob would have been hung from a watch chain. Tested and guaranteed 18K gold.

• Origin: England, ca. 1815
• Condition: excellent
• Dimensions: 3/4" x 11/16" x 1-3/16"
• Weight: 13.2 grams

18K Georgian ring with a cushion cut oval approx. 4 carat topaz center stone flanked by 2 old mine cut diamonds on each side. The diamonds total approximately 1/2 carat. This is a hand forged Georgian ring and the star of the show, the topaz, is encased in a gold surround. A charming detail of 3 "pie crust" indentations in the gold can be seen at the top, bottom and repeated along the sides. The topaz sits about 5 mm above the finger. The combination of the clear yellow-gold topaz flanked by the...