Large oil on canvas, 30" by 40" (34" by 44" framed), unsigned, in its vintage original frame, the subject a desert track through sandy scrub, distant purplish mountains filling the background. Though unsigned, the heavily impastoed, impressionistic style and the scene and colors used are unquestionably the work of JAMES MERRIAM (1880-1951). Merriam was born in Canada and was studying in Detroit, before arriving in Southern California...

PAIR OF signed ink drawings with pencil underneath, each 7 1/2" by 6 1/2" and 13 1/2" by 11 1/2" as identically framed, the subjects famous clipper ships of the 19th century "Gamecock" and "Cutty Sark", each bearing a signature at lower right that could be interpreted as a "G" inside a square. Found in Maine, and said to have come from a Kennebunkport home, the artist who created the drawings might remain a mystery...

Etching on paper of the New York City elevated train line known popularly as "The L", as in "elevated line", and so titled ("The L - 23rd St. N.Y.") in a separate window in the mat, the primary image area 12 3/4" by 9 1/2", 21 1/2" by 17 1/4" as framed, signed at lower right in pencil, bearing the inscription "For Mr. Paul G. Sprunk from H. Van Notti--1923", and numbered "6" at lower left margin. The scene depicted is familiar urban scenery to any New Yorker or New York visitor...

This one is hard to describe....but I will start somewhere. It is an oil on canvas work, unframed, 24" by 24", with no signature on the front, and only "SARAH W." on the overlap giving any possible indication as to who painted this. A green eye within a triangular window in to a human face stares at the viewer, Magritte-like, as the face of a young black child stares from the lower right corner, as a complex pair of intertwined figures at lower left make for arresting and dream-like imagery...

Oil on canvas laid on board painting of small boats on a tree lined lake or river, buildings beyond, 9 1/2" by 11 1/4" in a contemporary simple frame 1 1/2" wide on a side, signed at lower right "C. Brockelmann" and dated there '13. This is a lovely, attractive, clean, pleasing work, ready for the wall despite being a century old, by the Austrian artist CAMILLO (CARL) BROCKELMANN (1883-1963)...

Oil on board painting of four wild horses in a corral under an immense western American sky, 17 1/2" by 21 1/2" framed, signed at lower right by American artist GRACE LORING BASSETT. There is some mention of the artist on the internet, most specifically as an illustrator in 1915 of a "Black Beauty" type book called "Don: His Recollections", a work about a horse, intended for children...

Oil on canvas painting, signed at lower left "Charles T. Harris", late 20th century, the subject a red rock dramatic cliff of the Southwest, framed artistically by a large overhanging branch arching in from the right side. The work is very clean and ready to hang. This came from a local estate. The artist is talented but from what I can tell not listed. Size is 20" by 30" plus 2 1/2" wide on a side wood frame.

Watercolor on heavy paper, 5 1/4" by 10", 10 1/4" by 14 1/2" in early 20th century dark laminated wood frame, signed at lower right in pencil "Della Vernon". DELLA VERNON (1876-1962) was an early California painter, the works of whom are considered scarce, according to the biography in the definitive Hughes Dictionary of California Artists. She was born in Iowa but was known to be in San Diego by 1901, and by 1909 she was in Oakland...

By a listed Austrian-born California painter is this large oil on canvas, 34" by 40" (39" by 45" as framed), signed at lower left and dated there "40", the subject the classic, famous, and oft-painted historical Chateau de Chillon of Lord Byron fame, on the shores of Lake Geneva in western Switzerland. The Dents du Midi snow capped peaks rise in the distance, as swans ply the waters and fishermen in a boat at right complete the scene. This is a colorful painting by VICTOR H. NICKOL (1884-1956)...

Etching of a Chicago landmark, the Museum of Science and Industry, signed in the plate at lower left and dated there 1931 by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest...

Oil on canvas impressionistic painting of an idealized street with old houses, trees and a few strolling figures, 24" by 36" (unframed), signed at lower left "F. H. McKay" and further identified in old penciled handwriting on the stretcher "Village on the Cove--Vermont" (and original $95.00 price is also written in two places). The artist is FRANCES H. McKAY (circa 1880-possibly 1969---biographical information is scarce online)...

Small contemporary watercolor painting of traditional adobe buildings in New Mexico, a kiva oven in foreground, signed at lower left by Santa Clara Pueblo artist ROSALDA SPECKLED ROCK, wife of Paul Speckled Rock of local pottery making fame. This little work measures 5" by 7" in inexpensive black plastic framing. The artist is mentioned online as associated with a gallery studio offering her husband's pottery pieces, in northern New Mexico...

Oil on canvas painting of grouse in the snow among pines, 16" by 20", signed at lower right "Berta C. Richards 50", and titled in ink on the reverse "Spring Around the Corner/in Colo Foot Hills/Berta C...

This is a work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971), titled in pencil "Rockport" at lower left and signed at lower right "TWNason (M.W.N.)". This would appear to be a posthumous signature by a relative after the artist's death. This example measures 4 1/4" by 6 1/4" inside the mat and 11 1/4" by 13 1/4" framed. The print appears to be in generally good condition with some scattered foxing, especially in the margin area. The burl wood framing is simple and attra...

Gouache on paper, 18 3/4" by 14 3/4" (28" by 24" framed), signed at lower right and dated 1945 by the listed Illinois-born artist ERWIN WILLIAM HOBBY (1892-1977). This is a classic landscape of high mountains in the American west---possibly Colorado, Wyoming, Utah, Idaho or Montana, or the Pacific Northwest. The peak has a volcanic look to it so I might lean towards Oregon or Washington or Northern California even. The artist was born in Joliet, Illinois, and died there. He was a member of t...

Oil on canvas painting of a stand of trees by a small pond or lake in early autumn, 20" by 24" (25" by 29" as framed), signed at lower left by the listed California artist RICHARD VERNON JOHNSON (1905-2001, death date sometimes given as 2007). Johnson was born in Montana and moved with his family to Long Beach, California by 1920. He studied at Chouinard Art Institute and the University of Montana. Johnson taught at various institutions in Orange County. After World War 2 service, the artist...

Crayon drawing of two nude females, 13 1/2" by 9 1/2" inside the mat, 20" by 16" framed, bearing at lower right the stamped atelier signature of the important French artist ACHILLE-EMILE OTHON FRIESZ (1879-1949). On the reverse, a modern label gives the title as "Nude with Veil". Friesz was born in Le Havre to a family of shipbuilders and sea captains. He was educated there and went to Paris after the turn of the century, with his lifelong friend Raoul Dufy (see print by the latter in my shop...

Fine watercolor painting of the famous Chartres cathedral in central France, signed at lower right "G. Lefevre" and titled at lower right"Le Pont du Massacre a Chartres" at lower left. The work is by listed French artist GABRIEL ALBERT MARIE LEFEVRE. Not a lot of biographical information is available, but he painted landscapes and historical buildings in France in the 19th century. This work measures 6" by 8 3/4" inside the fine hand-drawn ornate mat, and 16 1/4" by 17 3/4" as framed. Condit...

When I first saw this abstracted figure drawing I was half expecting to see the "Moore" signature, thinking this a dead ringer for the work of famous English modern artist Henry Moore (1898-1986). Measuring 8" by 6", 13 1/4" by 10 1/4" including the gray mat and silver metal frame, the piece is signed "Saibra" at lower right, or, possibly (less likely), "Sailera". The artist used black ink and pencil, along with some white highlighting, to draw these faceless, mysterious figures that have head...

Watercolor on paper painting, large size at 24" by 29" (33 3/4" by 39" framed), the subject three native American women riding on horseback through a bouldered landscape, the figures highlighted against a dark mountain background, signed in pencil at right by the popular western American artist and art educator GLEN EDWARDS (1942-). Note the fine detail in the figures and horses; the artist himself says that a "good drawing is the basis for a good painting". Edwards grew up in Idaho. Due to s...

Larger size Australian aboriginal bark painting 38" by 23", the complex image featuring a number of native turtles and lizards, painted in natural earth pigments by the northern Australian aboriginal artist who is sometimes know as "Left Hand George", because he throws a spear with his left hand. He is better known as GEORGE JUNGAWANGA or JUNGAWUNGA or DJUNGGUNWANGA (born circa 1938). The somewhat tattered original label on the reverse is from Mimi Aboriginal Arts and Crafts in Katherine, Nort...

**One of a number of works by the artist in my shop** This is a watercolor drawing....an outside possibility that it is a monotype (drawing made on glass or other surface, then pressed into paper, and therefore a unique work) by the noted 20th century French artist CHARLES LEVIER (1920-2003). Measurements are 18"by 13 3/4" (27" by 21 1/2" as framed). Condition is excellent with colors fresh and bright. Levier of course is a well known figure in twentieth century contemporary art. A prolific ar...

Pastel on paper drawing, 6" by 10" (12 1/2" by 17" in its original fine old gilt American 19th century frame), signed at lower right "Stubbs", the subject a man in a small rowboat rounding a headland reflecting in the waters, other boats beyond. This is a scarce, to judge from the auction records, early drawing by the noted American marine artist WILLIAM PIERCE STUBBS (1842-1909). Stubbs is best known for his renderings in oil of clipper ships, these works appearing at the finest auctions of A...

A rare opportunity to acquire an original drawing by a very highly esteemed twentieth century California artist, the works of whom have exceeded $50,000 at auction. This drawing is signed at lower left by the sought-after ROGER KUNTZ (1926-1975). The subject is clearly "Museum (XXX) Art" and I believe it likely to be a study for the Laguna Art Museum on Pacific Coast Highway in Laguna Beach, California. The work itself measures 15 1/2" by 20 1/2". (It is currently framed as found, in inexpen...

A rare prize for the specialist collector of Ohio art, this is an oil on canvas laid on board, the subject an impressionistic sketch of a patch of woodland in greens and browns, 8 5/8" by 11 1/2" plus narrow simple framing, signed in red at lower right "W. M. Darling". Darling is known today as the "Dean of Toledo Artists", a title earned after a lifetime of distinction in painting. Darling studied at age 14 with Henry Mosler in Cincinnati, and by 19 was in Europe with Mosler, exposed to the r...

Woodcut color print "Jeremiah", 23" by 15 1/2" (33" by 25" framed), signed in pencil at extreme lower right corner and dated there 1957, by the well-known Jewish artist JAKOB STEINHARDT (1887-1968). The work is numbered in lower center margin 1/30. Steinhardt is a significant figure in the Jewish art scene of the 20th century. Born in present-day Poland, he attended art school in Berlin in 1906, studying with Lovis Corinth and Hermann Struck. The years 1908 to 1910 were spent in Paris, where...

Crayon drawing on paper of the picturesque old historic mission San Carlos Borromeo at Carmel, California, (dating to the year 1771), so identified, signed and dated 1938 at lower right, by the noted Tacoma, Washington architect SILAS E. NELSEN (1894-1987). The work, 11 1/2" by 8 1/2" and 15" by 12" framed, shows the facade of the popular mission. Net information shows Nelsen was born in Wisconsin and made his career as an architect of commercial buildings, homes, and churches, in the Tacoma, ...

Oil on canvas painting of water lilies, 20" by 16" (28 1/2" by 24 1/2" framed), signed at lower and signed again on the reverse, titled there "Pink Lilies & Reflections"/July 88, by the late Canadian impressionist artist RON SIMPKINS (1942-2008). This is a lushly painted work in the tradition of Monet, who the artist greatly admired, according to a tribute website posted on the net by a loving daughter. Simpkins was the son of Canadian artist Henry J. Simpkins, and continued his impression...

Oil on canvas painting of a fetching young woman, 30" by 24", unframed, signed at upper right corner "George E. Harris" and dated there 1929. The artist is American painter GEORGE EDGERLY HARRIS (1898-1938). Harris was born in Delaware and appears to have most of his auto accident-shortened life in the northeastern states. He was the son of Charles X. Harris of the Noank, Connecticut art colony, and a pupil of his father and of Charles Courtney Curran. The young Harris studied at the Art Stu...

Impressionist oil on canvas painting of ships in a harbor, titled on stretcher "San Francisco Bay in 1840", signed at lower right "M. McDOWD" (MARGARET EPENETER McDOWD 1894-1990). The work, 24" by 30", unframed, is masterfully painted. with excellent handling of light and color, all somewhat intentionally hazy and muted. The steam engine at left seems to cast some doubt on the "1840" date portrayed; a later date, even to about 1920, would be accurate, given the type of ships and the appearance...

This is an unusually bright, saturated-color example of the MARC CHAGALL (1887-1985) lithograph "Romeo and Juliet", printed by Mourlot. This is a well known image by Chagall, created in 1964 for the ceiling of the Opera Garnier in Paris. Charles Sorlier in association with the famous lithography house Mourlot adapted this image from Chagall's sketches for the project and printed this. Measurements are 24 3/4" by 38 3/4". The total edition was 5,000 examples. Examples sell regularly at auction in...

Offered together here as a pair, are two watercolors in vertical format, 6 3/4" by 3 5/8" inside the mat, (11 5/8" by 8" as framed), each signed at lower right by the noted Italian watercolorist artist UMBERTO ONGANIA. Ongania's works are almost instantly recognizable by virtue of their detail, handling of light, and technical excellence. He was a consistent artist, and worked exclusively or nearly exclusively in watercolor, providing portable souvenirs for 19th century travelers making the Gr...

Oil on canvas painting of a Parisian street as it would have looked during the "Belle Epoque" era around the turn of the century, 12" by 16" and 3" wide frame, unsigned. This impressionistic work is an original hand painted work, not a print or reproduction of any type. There is a signature that appears to read "Liotta" at lower right, rather hard to see. This is a decorative piece that should enhance any traditional interior setting. Condition of the painting is excellent, and I note very s...

PAIR of oils on canvas board of historic old structures in landscapes, each 9" by 12" (14 1/4" by 17 1/2" in similar but not identical white wood frames), one signed in red at lower left by listed Philadelphia artist HARRY JAMES OSHIVER (1888-1974). Oshiver was a pupil of Daniel Garber , Henry McCarter, and Hugh Breckenridge. Born in Moscow, Russia, he studied at the Spring Gardens Institute and at the Pennsylvania Academy. Today he is known for his landscapes, nudes, still life, and prints. ...

This is a modernist work (the medium appears to be tempera on board), measuring 10" by 17" (14" by 20 1/2" framed). It is signed at lower left by noted artist AMBROSE PATTERSON (1877-1967) and titled on the reverse, rather mysteriously, "The Alert". This is a late painting by the artist, who had a very different style earlier in his long painting career. Subject matter is open to viewer interpretation. The surface certainly seems to be complex and quite heavily worked. Patterson was born...

Original nineteenth century example of a desirable ("New Best 50") small folio Currier and Ives print, "Midnight Race on the Mississippi". This example measures 10 3/8" by 14 3/8" inside the narrow old frame. It has been subjected to a lot of the mistreatment to which old Curriers are subject: toning, discoloration, and wear in the margins; also, a tear into the image at top right center, another tear from bottom edge through the word "THE"; and most significantly, a long ragged 8" horizontal...